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I am a psychiatrist and public health doctor, non-fiction writer, and lay and medical editor. For over 12 years, I have taught non-fiction writing for a general audience at Columbia medical and public health schools to physicians, neuroscientists, epidemiologists, psychologists, and other professionals. I have published 14 books and over 500 written articles and videos. I love to write and help others write...well.
Yes, the same Stephen King: Carrie, The Shining, Misery, and dozens more. Fiction? Yes–his memoir is among the best books for writing nonfiction, not the best of nonfiction books.
Writers of every genre suffer the same troubles, like doubt, rejections, not enough days when the work “flows”, procrastination, alcohol, and drug abuse, having to bow and beg (until your success reverses the tables), and so on. In On Writing, Mr. King gives us his story: "the good, the bad, and the ugly", of writing.
Start with chapter 25 of “CV”, right to the meat of King’s memoir. Be sure you read his “Tool Box” for writing. From the “fundamentals” (e.g., read and write a lot, vocabulary, sentences, paragraphs) to the “craft” (e.g., subject, story-telling; clarity {again !}; people, personalities, and characters).
Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King
ONE OF TIME MAGAZINE’S TOP 100 NONFICTION BOOKS OF ALL TIME
Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King’s critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
“Long live the King” hailed Entertainment Weekly upon publication of Stephen King’s On Writing. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer’s craft, comprising the basic tools of the…
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
I hated having to put this book down to sleep, go to work, go back to work, eat, or whatever. I love Heyer's humor. After reading the book many, many times for its warm, feel-good story, I still laugh at some of the predicaments Frederica's adventurous young siblings fall into. And Endymion Dauntry, her silly sister’s cork-brained beau!
Her writing style is polished and the dialogue is witty. The love interest is believable as is not always the case with romance novels. Accuracy in detail and depiction of the period is important to me, too, and Heyer delivers it. The story is engaging and fun without being silly, and as it’s an older book, it’s free of tedious sex scenes. It’s a feel-good story.
New York Times bestselling author Georgette Heyer's beloved tale of an entertaining heroine stumbling on happiness when her marital machinations for her sister go awry.
Determined to secure a brilliant marriage for her beautiful sister, Frederica seeks out their distant cousin the Marquis of Alverstoke. Lovely, competent, and refreshingly straightforward, Frederica makes such a strong impression on him that to his own amazement, the Marquis agrees to help launch them all into society.
Normally Lord Alverstoke keeps his distance from his family, which includes two overbearing sisters and innumerable favor-seekers. But with his enterprising—and altogether entertaining—country cousins chasing wishes and…
I was born in Clifton, in the city of Bristol, England. Clifton is known for its elegant Georgian and Regency architecture. Growing up in these surroundings gave me an impression of what life might have been like for the people who lived there, the families upstairs and servants belowstairs. In front of a few houses on some streets, there are still stone blocks at the curb, worn smooth from countless feet entering and exiting their carriages. I have used Clifton as a setting in some of the books I have written, hoping to make those scenes more realistic and bring history alive for my readers.
This is the first book in The Huxtables family series. The author blends wit, charm, and family foibles just as easily as does Georgette Heyer. The banter between the siblings is a joy to read. Even when fortune comes their way in the unexpected elevation of one family member who inherits an earldom, the characters stay true to themselves.
The arrival of Elliott Wallace, the irresistibly eligible Viscount Lyngate, has thrown the sleepy village of Throckbridge into a tizzy. It soon becomes clear that Elliot seeks a convenient marriage to a suitable bride, and desperate to rescue her eldest sister Margaret from a loveless union, Vanessa Huxtable - a proud and daring, a young widow - offers herself up instead.
In need of a wife, Elliott takes the audacious widow up on her unconventional proposal while he pursues an urgent mission of his own. But then a strange thing happens: as the wedding night approaches they become inexplicably drawn…
I was born in Clifton, in the city of Bristol, England. Clifton is known for its elegant Georgian and Regency architecture. Growing up in these surroundings gave me an impression of what life might have been like for the people who lived there, the families upstairs and servants belowstairs. In front of a few houses on some streets, there are still stone blocks at the curb, worn smooth from countless feet entering and exiting their carriages. I have used Clifton as a setting in some of the books I have written, hoping to make those scenes more realistic and bring history alive for my readers.
I really did not like history when I was at school because other than 1066 (the Norman invasion of Britain) and 1492 (Columbus sailed the ocean blue) I could not remember the dates. I was not interested in the succession of kings or what countries made alliances through marriages. And then I read this book about Edward IV’s reign and the subsequent chaos which resulted in the Wars of the Roses between the houses of Lancaster and York. I was hooked. What made it more realistic for me was walking Bosworth Field, the site of the last great battle of that era. Stirring stuff.
Reckoned by those about him to be the most handsome man in the country, Edward the fourth has risen to the throne with the help of Warwick, the kingmaker. But even Warwick's trusted advice cannot convince the King to ignore his passion for the beautiful widow, Elizabeth Woodville - and when she refuses to become his mistress the two are married.
Beloved of the people, Edward proves himself to be a strong king, but his love of luxurious living soon begins to impact on his royal duties. Despite his mistresses, Elizabeth is loyal to the illustrious king, providing him with…
When my daughter was three years old, I enrolled her in a “creative movement” class. I had taken dance lessons for ten years when I was younger, so this felt like an obvious choice. At age eleven, her teacher suggested that she had the facility, talent, and drive to pursue a career in ballet. What followed was seven years of being a “ballet mom,” as she studied, performed, competed, and ultimately left home to pursue her career. The Still Point comes from this experience. It's a novel about dark ambition, but it's also a love letter: to my daughter, to ballet, and to the mothers who became my closest friends inside the ballet studio walls.
Girl Through Glass offers readers entry into the magical and rarified world of an aspiring ballet dancer at the School of American Ballet and New York City Ballet.
For readers who love a gritty New York setting, glimpses behind the beautiful façade that ballet offers, and dark secrets, this novel has it all. Fans of My Dark Vanessa will also appreciate the #metoo elements of this story.
Long-listed for the Center for Fiction First Novel Prize
An Amazon Best Book of the Month
A Buzzfeed Most Exciting Book of the Year
A The Millions Most Anticipated Book of the Year & Bestseller
Selected as a Skimm Read
A Refinery 29 Best Book of the Year
Chosen as a Rumpus Book Club Selection
Chosen as a Bustle Best Literary Debut Novel Written By Women in the Last 5 Years
An enthralling literary debut that tells the story of a young girl’s coming of age in the cutthroat world of New York City ballet—a story of obsession and the…
Like many of us over (ahem…we’ll say) 40, I grew up reading historical romance—those were the first full-length romance novels on store shelves. My mum is British and visits there added to my interest in Regency England. Then 50 Shades exploded and people’s spice level tolerance increased. But mainly in contemporary romance, with all the tools and toys. Curious as to how spice in the Regency would look, I went searching. I found a few of these fabulous authors, but not many choices, so I decided to write one. Now there are more authors published in this subgenre, and I’m proud to be one of them.
While I found Joanna Shupe from her Regency books, I heard an interview with her in which she talked about trying to write about the Gilded Age, but no publisher would take it. So to support her dream, I choose the first of her Gilded Age series—an opposites attract novel between an uptown girl and a downtown guy who works for her father and has some secrets. The spice level in this is steamy rather than erotic. I picked this because I will read a Robin Hood story with romance every time.
Silver-tongued lawyer. Keeper of secrets. Breaker of hearts.
He can solve any problem . . .
In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There's no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn't seem to understand the word danger.
She's not looking for a hero . . .
Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it-while playing a modern-day Robin Hood along the…
I teach writing and children's literature at the University of Wisconsin, Stevens Point, and for many years worked as a librarian. (Once a librarian, always a librarian!) First and foremost, I'm a reader. The real world can be an unpleasant and depressing place, so I regularly escape inside books. Although serious books are great, it's also nice to escape to a world where you can laugh and not worry about anything too bad happening.
Let me introduce you to the wonderful world of Turano's historical romances. Playing the Part is my favorite; it is about a 19th-century New York City actress who hides away at a friend's country estate. Every character is quirky and engaging. I laughed out loud, over and over, at the myriad of crazy situations they got themselves into.
"One of the funniest voices in the inspirational genre."--Booklist
Lucetta Plum is an actress on the rise in New York City, but is forced to abandon her starring role when a fan's interest turns threatening. Lucetta's widowed friend, Abigail Hart, is delighted at the opportunity to meddle in Lucetta's life and promptly whisks her away to her grandson's estate to hide out.
Bram Haverstein may appear to simply be a somewhat eccentric gentleman of means, but a mysterious career and a secret fascination with a certain actress mean there's much more to him than society knows.
I am a musician and writer who has always loved mysteries. Main character-sleuths who are likable and sometimes get in over their heads are my favorites, both as a reader and a writer, especially if they contribute something positive to their world in addition to solving the crime. If their careers or hobbies – anything from the arts to small customer-service businesses – offer joy to themselves and to others, so much the better. Since I grew up in the New York area, I like books that are set there, but am open to a good story set anywhere in the world.
I loved Ella Shane who rose from Lower East Side poverty to success.
She directs and performs in her own opera company – most unusual for a woman in 1899, even in New York. Never forgetting where she came from, she is grateful for all she’s achieved. In this first of a three-part series, Ella turns sleuth after one of her young singers dies mysteriously onstage.
When the singer’s cousin (a Duke, no less) arrives to investigate, the promise of romance is definitely in the air. The contrast between late 1890s protocols versus the changing attitudes of the coming new century is fascinating. The main characters are beautifully and compassionately drawn, and the story has an action-packed finale.
On the cusp of the twentieth century, Manhattan is a lively metropolis buzzing with talent. But after a young soprano meets an untimely end on stage, can one go-getting leading lady hit the right notes in a case of murder?
New York City, 1899. When it comes to show business, Gilded Age opera singer Ella Shane wears the pants. The unconventional diva breaks the mold by assuming “trouser roles”—male characters played by women—and captivating audiences far and wide with her travelling theatre company. But Ella’s flair for the dramatic takes a terrifying turn when an overacting Juliet to her Romeo…
I’m the author of the Countess of Harleigh Mystery series. I’ve been fascinated by the Gilded Age/Victorian Era/Belle Epoque since reading my first Edith Wharton novel, The Buccaneers, which followed the lives of four American heiresses of the late 19th century, who crossed the Atlantic to marry British lords. Love and marriage almost never went together in Wharton’s world, but with all the loveless marriages, the social climbing, and the haves and have-nots, I find it makes an excellent setting for a mystery.
Frances lives in the Victorian Era in London, but in her hometown of New York, it’s the Gilded Age. This is her background in all its glittering and horrifying glory.
Crime novels fit quite naturally in this era. I love a loathsome villain and Rosemary Simpson serves up some of the worst in her Gilded Age series. She uses actual events, like the great blizzard of 1888, as catalysts for some heinous crimes. If you needed to dispose of a body, what better place than a snowdrift?
Prudence MacKenzie, the dead man’s fiancé and our sleuth, doesn’t seem to realize the danger she’s in. I spent the entire read on the edge of my seat wondering if she’d make it to the end of the book alive. This is historical noir in elegant Gilded Age style.
Set amidst the opulent mansions and cobblestone streets of Old New York, this enthralling historical mystery by Rosemary Simpson brings the Gilded Age to life—in a tantalizing tale of old money, new love, and grave suspicion . . .
As the Great Blizzard of 1888 cripples New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiancé’s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence’s fiancé—his body frozen,…
I am the author of three books, all featuring characters who feel like outsiders; some are queer, many are artists, most are people of color. I was lucky enough to grow up around artists, in a community where creativity was valued. I wrote poems and invented card games, put on plays in our living room, and made up stories to fall asleep at night. I knew I was an artist before I knew the word queer. When I came out, my outsider status doubled; I wanted to know how other queer artists and writers navigated these dual identities—how they not only survived but thrived. Their stories are my story.
I was obsessed with this novel when it first came out, and every time I go back to it, it offers me another gift.
The writing is lean yet elegant, a perfect combination to tell such a heartbreaking story—of three women connected through time by Virginia Woolf’s singular novelMrs. Dalloway.
It’s a book about how to sustain ourselves through challenging times—how to literally survive—but it’s also a treatise on creating remarkable characters, the call to be an artist, and a rare glimpse into the imagined writing process of one of the English language’s greatest wordsmiths. (I’m referring to Woolf, but I could just as easily be talking about Cunningham.)
The structure is inventive and compelling, but it is really what he shows us of the characters, how he opens their hearts and whispers their secret sorrows into our eager ears, desires they barely understand themselves, that makes this…
Winner of the 1999 Pulitzer Prize and Pen Faulkner prize. Made into an Oscar-winning film, 'The Hours' is a daring and deeply affecting novel inspired by the life and work of Virginia Woolf.
In 1920s London, Virginia Woolf is fighting against her rebellious spirit as she attempts to make a start on her new novel.
A young wife and mother, broiling in a suburb of 1940s Los Angeles, yearns to escape and read her precious copy of 'Mrs Dalloway'.
And Clarissa Vaughan steps out of her smart Greenwich village apartment in 1990s New York to buy flowers for a party…
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