Here are 100 books that Laughable Loves fans have personally recommended if you like
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Science fiction lets us readers escape into space or travel through time, but I believe it is most effective when grounded in our primal anxieties. Classics like Nineteen Eighty-Fourand The Handmaid’s Tale resonate because the dark futures they describe drive us to prevent their prophecy. These stories give us a window into the world that birthed them by crystalizing the authors' fears into a work of fiction. When I read each book on this list, they transported me to the time they were written. En route, they showed how much our world has changed and how much we humans haven’t.
Published in Poland in 1961, this has been interpreted and misinterpreted a hundred different ways, and I won’t try to repeat that here. However, there is a loneliness haunting the book that I feel that it must be inspired by the social constraints behind the Iron Curtain.
The premise is that humanity has finally found a sentient being in the form of an ocean planet, but all attempts to communicate have failed (to say the least). The planet’s actions are incomprehensible and horrifying. Ultimately, humanity has found another lost soul in the universe, but we will never be friends. We won’t even be enemies. We will be two strangers shivering on a train platform, unable to share who we are or what we think, lonelier now that there are two of us waiting in the cold.
When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . .
Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
Who hasn’t felt the urge to run away and start over at some point? And who hasn’t been devastated that the world we finally return to has been irrevocably altered?
In this book, Munro paints portraits of relatable, believable women who are dissatisfied with life and love and yearn for the better. Three stories focus on the same character, Juliet, who finds real life never matches her repressed expectations. She does a wonderful job of making us feel the frustrations, disappointments, and monumental significance of the mundane in our bones.
This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almodóvar film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as…
I vividly recall learning about public libraries as a kid: if I signed up for a library card I could take ANY of these books home to read?! From the first, I loved books as physical objects on library shelves—savoring their covers and carefully reading their spines as clues to the stories within. I ended up as a professor of literature who does not just study the words, or texts, of novels (my specialty), but how stories are made into books and circulate in the culture. Everything from graphic design to price can influence our interpretation of a story, even before we read the first word...
You saw this rec coming, right? Although this is a novel rather than a straight history, Eco’s story is probably the one that started me on my own nerdy path to book history and book sleuthing. I read it as an impressionable freshman in college, and its descriptions of monastic manuscripts imprinted themselves on me before I ever saw an example of an illuminated book in the flesh.
Murder, medieval abbeys, and old musty books… what’s not to love? In fact, I’m going to take my own advice and reread this one right now—for pure nostalgia and enjoyment.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This is the quintessential short story collection by a minimalist who doesn’t write just to write. I love the fact that the stories are not contrived. He doesn’t force anything.
The characters, the setting, and the story just interact and produce real, believable results. Hemingway doesn’t stretch credulity, the ridiculous, or the fantastic, yet transports you to his world with a few efficient lines.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
I am the Director of the High Pay Centre, a London-based think tank researching the causes and consequences of economic inequality. In most major economies, the richest 1% of the population now take up to a fifth of all income and something like a quarter to a third of all wealth. These rich jerks aren’t necessarily bad people, at least not in all cases, and we don’t literally need to eat them all. However, such extreme concentration of income and wealth is undeserved and unnecessary, and it should definitely be an overriding priority to share it in a fairer and more even way.
There are loads of good novels warning of the dangers of inequality and wealthy megalomaniacs, typically set against the backdrop of one of the many monstrous things that the super-rich have done to the rest of us throughout history.
In my view, the First World War was the worst of the lot. Society has moved on a bit since then, but I don’t doubt that the billionaire class that runs the modern world would have us all marching into the machine guns if they thought they could get away with it. Hasek’s good-humored but poignant tale of a Czech soldier serving in the army of the Habsburg Empire acts as a reminder of the need for vigilance.
The inspiration for such works as Joseph Heller's Catch-22, Jaroslav Hasek's black satire The Good Soldier Svejk is translated with an introduction by Cecil Parrott in Penguin Classics.
Good-natured and garrulous, Svejk becomes the Austro-Hungarian army's most loyal Czech soldier when he is called up on the outbreak of the First World War - although his bumbling attempts to get to the front serve only to prevent him from reaching it. Playing cards, getting drunk and becoming a general nuisance, the resourceful Svejk uses all his natural cunning and genial subterfuge to deal with the doctors, police, clergy and officers…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This book is a great short story collection focused on a theme, as I try to do in my book. For Doerr, it’s memory and impermanence–what will be left of us, of all that we’ve experienced, all that we’ve struggled to achieve, all that we’ve loved after the passage of time?
Through six exceptionally creative, unforgettable stories (pun intended), Doerr explores the melancholy ephemerality of human existence. I love how the settings, from Cape Town, South Africa, to a soon-to-be submerged Chinese village, are integral, tangible parts of his stories. This is a truly wonderful book!
Set on four continents, Anthony Doerr's new collection of stories is about memory: the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
While I ordinarily do not gravitate toward excessively packaged stories that are written for the inevitable twist, I make an exception for Dahl because of his mastery of the genre. His characters, such as Mary Maloney, the police detective wife whose misdeed is the focus of the title story, or Boggis, the scheming antique dealer in Parson’s Pleasure, are meticulously rendered with compassion and humor.
And, although the twists are far from unexpected, the very credible, human delivery makes these stories delightful to read and paragons of the craft of short story writing.
Lamb to the Slaughter: Un salotto perfetto e accogliente, una moglie premurosa, innamorata e incinta di sei mesi, e un marito poliziotto che, di punto in bianco, le comunica che sta per lasciarla. A questo punto, un cosciotto surgelato di agnello può diventare un’arma impropria, nelle mani della mogliettina sotto shock...
The Wish: Ci vuole una notevole forza di volontà per decidere di attraversare quell'enorme tappeto colorato, i cui disegni rossi nascondono carboni ardenti in grado di incenerirti sul posto, e quelli neri serpenti velenosi pronti a mordere e uccidere. Solo gli spazi gialli sono sicuri, ma ce ne saranno…
Prague has fascinated me my whole life. I first explored the city while an English teacher in the Czech Republic in 1993, shortly after the end of Communist rule there. I’ve been wandering Prague’s streets ever since, always seeing something new and intriguing, always stumbling upon stories about the city and its people. Below are some of my favorite books about a city that continues to surprise me. The author or co-editor of four books, I teach European history at the University of North Carolina at Chapel Hill.
Women rarely feature as central figures in most works about Prague. In this book, Iggers introduces us to an array of fascinating female writers, activists, powerful ladies of society, and survivors who have lived in Prague and its environs over the past two hundred years. Each chapter includes a brief introduction and excerpts from these women’s writings, such as diaries, letters, and newspaper articles. The reader can thus hear these women’s voices and feel transported to a different moment in history. Some entries are hard to read, such as Milada Horáková’s farewell letter to her teenage daughter, written on June 23, 1950. The lead defendant in Communist Czechoslovakia’s first public show trial, Horáková was executed three days later. Wilma Iggers is a Czechoslovak native who escaped to Canada after the Nazis invaded her country in 1938, which only enhances the perspectives that she brings to these women’s lives.
For many centuries Prague has exerted a particular fascination because of its beauty and therichness of its culture and history. Its famous group of German and Czech writers of mostly Jewish extraction in the earlier part of this century has deeply influenced Western culture.However, little attention has so far been paid to the roles of women in the history of thisethnically diverse area in around Prague. Based on largely autobiographical writings and letters by women and enhanced by extensive historical introduction, this book redresses a serious imbalance. The vivid and often moving portraits, which emerge from the varied material used…
I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.
I’m deeply affected by the poetic, haunted quest of a Korean adoptee who seeks his place in the world, shifting back and forth in time— Tee’s present in a Massachusetts rehab facility with his time in Prague.
I respond to how present the awareness of being other is, while I can occasionally pretend to forget mine. I share the question about the past.
Tormented about being an adoptee, Tee left his family behind after facing the tragedy of an uncle’s suicide and a disturbing revelation from his father. In Prague, he has newfound happiness interrupted by a forced evacuation because of an epic flood that comes every 100 years.
Tee decides to remain with his lover: “If the water did rise and cut them off from the rest of Prague, they would be unreachable,” Tee thinks, “even from his pasts.”
In the tradition of Native Speaker and The Family Fang, Matthew Salesses weaves together the tangled threads of identity, love, growing up, and relationships in his stunning first novel, The Hundred-Year Flood. This beautiful and dreamlike debut follows twenty-two-year-old Tee as he escapes to Prague in the wake of his uncle's suicide and the aftermath of 9/11. Tee tries to convince himself that living in a new place will mean a new identity and a chance to shed the parallels between him and his adopted father. His life intertwines with Pavel Picasso, a painter famous for revolution; Katka, his equally…
Prague has fascinated me my whole life. I first explored the city while an English teacher in the Czech Republic in 1993, shortly after the end of Communist rule there. I’ve been wandering Prague’s streets ever since, always seeing something new and intriguing, always stumbling upon stories about the city and its people. Below are some of my favorite books about a city that continues to surprise me. The author or co-editor of four books, I teach European history at the University of North Carolina at Chapel Hill.
For years, I used to walk past the statues of St. Wenceslaus, František Palacký, and other Czech national heroes without giving them much thought. After reading this book, I came to appreciate how much Prague’s monuments can tell us about the city’s history. Their creators offered a variety of interpretations over the meaning of “Czechness”, and these monuments have inspired passionate debates about nationhood and religion ever since. The book also made me think about ways that monuments can exclude others and inspire hatred, and not just in Prague. Consider, for example, statues celebrating the Confederacy erected by white supremacists decades after the end of the Civil War. Many still dot my part of the country.
Prague Panoramas examines the creation of Czech nationalism through monuments, buildings, festivals, and protests in the public spaces of the city during the twentieth century. These \u201csites of memory\u201d were attempts by civic, religious, cultural, and political forces to create a cohesive sense of self for a country and a people torn by war, foreign occupation, and internal strife.
The Czechs struggled to define their national identity throughout the modern era. Prague, the capital of a diverse area comprising Czechs, Slovaks, Germans, Poles, Ruthenians, and Romany as well as various religious groups including Catholics, Protestants, and Jews, became central to…
