Here are 100 books that Laughable Loves fans have personally recommended if you like
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I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
Who hasn’t felt the urge to run away and start over at some point? And who hasn’t been devastated that the world we finally return to has been irrevocably altered?
In this book, Munro paints portraits of relatable, believable women who are dissatisfied with life and love and yearn for the better. Three stories focus on the same character, Juliet, who finds real life never matches her repressed expectations. She does a wonderful job of making us feel the frustrations, disappointments, and monumental significance of the mundane in our bones.
This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almodóvar film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This is the quintessential short story collection by a minimalist who doesn’t write just to write. I love the fact that the stories are not contrived. He doesn’t force anything.
The characters, the setting, and the story just interact and produce real, believable results. Hemingway doesn’t stretch credulity, the ridiculous, or the fantastic, yet transports you to his world with a few efficient lines.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This book is a great short story collection focused on a theme, as I try to do in my book. For Doerr, it’s memory and impermanence–what will be left of us, of all that we’ve experienced, all that we’ve struggled to achieve, all that we’ve loved after the passage of time?
Through six exceptionally creative, unforgettable stories (pun intended), Doerr explores the melancholy ephemerality of human existence. I love how the settings, from Cape Town, South Africa, to a soon-to-be submerged Chinese village, are integral, tangible parts of his stories. This is a truly wonderful book!
Set on four continents, Anthony Doerr's new collection of stories is about memory: the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three…
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
While I ordinarily do not gravitate toward excessively packaged stories that are written for the inevitable twist, I make an exception for Dahl because of his mastery of the genre. His characters, such as Mary Maloney, the police detective wife whose misdeed is the focus of the title story, or Boggis, the scheming antique dealer in Parson’s Pleasure, are meticulously rendered with compassion and humor.
And, although the twists are far from unexpected, the very credible, human delivery makes these stories delightful to read and paragons of the craft of short story writing.
Lamb to the Slaughter: Un salotto perfetto e accogliente, una moglie premurosa, innamorata e incinta di sei mesi, e un marito poliziotto che, di punto in bianco, le comunica che sta per lasciarla. A questo punto, un cosciotto surgelato di agnello può diventare un’arma impropria, nelle mani della mogliettina sotto shock...
The Wish: Ci vuole una notevole forza di volontà per decidere di attraversare quell'enorme tappeto colorato, i cui disegni rossi nascondono carboni ardenti in grado di incenerirti sul posto, e quelli neri serpenti velenosi pronti a mordere e uccidere. Solo gli spazi gialli sono sicuri, ma ce ne saranno…
Prague has fascinated me my whole life. I first explored the city while an English teacher in the Czech Republic in 1993, shortly after the end of Communist rule there. I’ve been wandering Prague’s streets ever since, always seeing something new and intriguing, always stumbling upon stories about the city and its people. Below are some of my favorite books about a city that continues to surprise me. The author or co-editor of four books, I teach European history at the University of North Carolina at Chapel Hill.
Women rarely feature as central figures in most works about Prague. In this book, Iggers introduces us to an array of fascinating female writers, activists, powerful ladies of society, and survivors who have lived in Prague and its environs over the past two hundred years. Each chapter includes a brief introduction and excerpts from these women’s writings, such as diaries, letters, and newspaper articles. The reader can thus hear these women’s voices and feel transported to a different moment in history. Some entries are hard to read, such as Milada Horáková’s farewell letter to her teenage daughter, written on June 23, 1950. The lead defendant in Communist Czechoslovakia’s first public show trial, Horáková was executed three days later. Wilma Iggers is a Czechoslovak native who escaped to Canada after the Nazis invaded her country in 1938, which only enhances the perspectives that she brings to these women’s lives.
For many centuries Prague has exerted a particular fascination because of its beauty and therichness of its culture and history. Its famous group of German and Czech writers of mostly Jewish extraction in the earlier part of this century has deeply influenced Western culture.However, little attention has so far been paid to the roles of women in the history of thisethnically diverse area in around Prague. Based on largely autobiographical writings and letters by women and enhanced by extensive historical introduction, this book redresses a serious imbalance. The vivid and often moving portraits, which emerge from the varied material used…
I'm an Italian-born writer living in Minneapolis. I experienced being an outsider early on in my childhood when my family moved from Naples to Este, a small town in the hills near Venice. My fascination with language started then as I had to master the different Northern dialect. I was a listener rather than a talker. My shyness was painful in life but turned out to be a gift as a writer. When I left Italy for America, once again I was an outsider, too visible or invisible, and facing a new language. I relate to estrangement and longing, but I treasure that being an outsider still gives me a sense of wonder about reality.
I’m deeply affected by the poetic, haunted quest of a Korean adoptee who seeks his place in the world, shifting back and forth in time— Tee’s present in a Massachusetts rehab facility with his time in Prague.
I respond to how present the awareness of being other is, while I can occasionally pretend to forget mine. I share the question about the past.
Tormented about being an adoptee, Tee left his family behind after facing the tragedy of an uncle’s suicide and a disturbing revelation from his father. In Prague, he has newfound happiness interrupted by a forced evacuation because of an epic flood that comes every 100 years.
Tee decides to remain with his lover: “If the water did rise and cut them off from the rest of Prague, they would be unreachable,” Tee thinks, “even from his pasts.”
In the tradition of Native Speaker and The Family Fang, Matthew Salesses weaves together the tangled threads of identity, love, growing up, and relationships in his stunning first novel, The Hundred-Year Flood. This beautiful and dreamlike debut follows twenty-two-year-old Tee as he escapes to Prague in the wake of his uncle's suicide and the aftermath of 9/11. Tee tries to convince himself that living in a new place will mean a new identity and a chance to shed the parallels between him and his adopted father. His life intertwines with Pavel Picasso, a painter famous for revolution; Katka, his equally…
Prague has fascinated me my whole life. I first explored the city while an English teacher in the Czech Republic in 1993, shortly after the end of Communist rule there. I’ve been wandering Prague’s streets ever since, always seeing something new and intriguing, always stumbling upon stories about the city and its people. Below are some of my favorite books about a city that continues to surprise me. The author or co-editor of four books, I teach European history at the University of North Carolina at Chapel Hill.
For years, I used to walk past the statues of St. Wenceslaus, František Palacký, and other Czech national heroes without giving them much thought. After reading this book, I came to appreciate how much Prague’s monuments can tell us about the city’s history. Their creators offered a variety of interpretations over the meaning of “Czechness”, and these monuments have inspired passionate debates about nationhood and religion ever since. The book also made me think about ways that monuments can exclude others and inspire hatred, and not just in Prague. Consider, for example, statues celebrating the Confederacy erected by white supremacists decades after the end of the Civil War. Many still dot my part of the country.
Prague Panoramas examines the creation of Czech nationalism through monuments, buildings, festivals, and protests in the public spaces of the city during the twentieth century. These \u201csites of memory\u201d were attempts by civic, religious, cultural, and political forces to create a cohesive sense of self for a country and a people torn by war, foreign occupation, and internal strife.
The Czechs struggled to define their national identity throughout the modern era. Prague, the capital of a diverse area comprising Czechs, Slovaks, Germans, Poles, Ruthenians, and Romany as well as various religious groups including Catholics, Protestants, and Jews, became central to…
I can’t remember a time I haven’t been drawn to and fascinated by the link between absurdity/humor and horror. Both genres involve setups and payoffs. The tension built up needs to be released in either a gasp or a laugh. In my own writing, I try to make myself giggle in joy at the ridiculousness of a situation and then recoil at the underlying horror that anchors it to the real world. It’s a balance I constantly try to reach and that I personally find is a joy to read.
I read somewhere that Franz Kafka would laugh so loud when writing his stories that he woke up his neighbors. I’m not sure if that’s true, but I get it. It’s not what is commonly thought of when someone talks about Kafka’s stories. I mean, his name has come to mean a certain style. “Kafkaesque” is used to describe stories that are absurd, nightmarish, offensive, and heavy with bureaucratic pretentiousness and deceit.
Where is the humor? Oh, it’s there. I think sometimes readers get caught up in the horror and bizarreness of it all that they miss the subtle, absurdist, dark, and very dry humor dripping in all these stories in this collection.
THE TRIAL; THE CASTLE; AMERICA- Both Joseph K in THE TRIAL and K in THE CASTLE are victims of anonymous governing forces beyond their control. Both are atomised, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle and so belong somewhere. Together these novels may be read as powerful allegories of totalitarian government in whatever guise it appears today. In AMERICA Karl Rossmann is 'packed off to America by his parents' to experience Oedipal and cultural isolation. Here, ordinary immigrants are…
As a retired opera singer, I have sung many of the songs that are featured in the book. I first became interested in Terezin when I sang with an opera company that was performing Brundibar, a children’s opera (composed by Hans Krasa, who was imprisoned in the camp) performed more than 50 times in Terezin. As a psych major (having written several medical/psych thriller books as well) I am constantly questioning the idea of choices and the consequences that fall from them. War challenges our notion of humanity, hope, and choice, and perhaps writing helps me work through some of those questions I have…what would I do in that situation?
There are several books I could recommend written by adults who were imprisoned as children in Terezin during the war, but this one stands out because of its artwork interspersed with factual accounts of daily life. Indeed, it’s the factual perspective she takes in her descriptions that makes them so heart-wrenching. Her map was my primary tool in writing descriptions of the camp, and her artwork, imitating her writing style, comes across as stark and factual. Written as a diary, not a novel, I cried at the cruelty with which her life unfurled before her. At the same time, however, she manages to capture the beauty of being a child, full of hope and promise. That balance makes the book a jewel.
In 1939, Helga Weiss was a young Jewish schoolgirl in Prague. As she endured the first waves of the Nazi invasion, she began to document her experiences in a diary. During her internment at the concentration camp of Terezin, Helga's uncle hid her diary in a brick wall. Of the 15,000 children brought to Terezin and deported to Auschwitz, there were only one hundred survivors. Helga was one of them. Miraculously, she was able to recover her diary from its hiding place after the war. These pages reveal Helga's powerful story through her own words and illustrations. Includes a special…
In the early years of the Trump presidency, I looked for a subject that would inspire young readers, and keep me from falling into despair. I loved researching this topic and finding ways to do justice to the incredible people and the movements at the center of my book. Simply put, it was a joy to become an expert on this important topic. There are so many reasons to be pessimistic about the state of the world, but these stories give me hope that together we can create a better future for everyone.
Because of the enormous odds stacked against each movement of this sort, the story of every nonviolent leader has an unlikely element to it. But Vaclav Havel’s biography may be the most unlikely of all. A playwright, an intellectual, and, in his own words, a “bundle of nerves,” Havel nevertheless found himself leader of Czechoslovakia’s astonishing nonviolent Velvet Revolution in 1989, and soon after became the country’s first president following the fall of communism. A very human embodiment of humanist conviction, Havel’s life is one to study.
Václav Havel was one of the most prominent figures of the twentieth century: iconoclast and intellectual, renowned artist turned political dissident, president of a united and then divided nation, and dedicated human rights activist. Written by Michael Zantovsky—Havel’s former press secretary, advisor, and longtime friend—Havel: A Life chronicles his extraordinary journey from the theatrical stage to the world stage.
Havel’s lifelong perspective as an outsider began with his privileged childhood in Prague and his family’s blacklisted status following the Communist coup of 1948. In his youth, this feeling of being isolated and outcast fueled his poetry and then later his…
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