Here are 17 books that Lamb to the Slaughter fans have personally recommended if you like
Lamb to the Slaughter.
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I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
Who hasn’t felt the urge to run away and start over at some point? And who hasn’t been devastated that the world we finally return to has been irrevocably altered?
In this book, Munro paints portraits of relatable, believable women who are dissatisfied with life and love and yearn for the better. Three stories focus on the same character, Juliet, who finds real life never matches her repressed expectations. She does a wonderful job of making us feel the frustrations, disappointments, and monumental significance of the mundane in our bones.
This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almodóvar film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I liked this book, not just because I’m a fan of detective stories, whodunnits, and the like, but more so for the deep dive into the understanding of why the antagonist, Francis, became what he became.
It’s hard to make a character believable when that character does things that, to most of us, are unthinkable, but the author here succeeds and wraps it up into a decent read.
From the author of "Silence of the Lambs" and "Black Sunday", this is the book that introduces the most famous serial killer of them all - Hannibal Lecter.
I’ve always been fascinated by the sea. I grew up near the gentle waters of England’s Kent coast, then went to St Andrews University, surrounded by the treacherous North Sea. Finally, I discovered the Devon shores, which inspired Agatha Christie. In island thrillers like hers, the power of the sea becomes overwhelming. It holds suspects at bay, becomes a murder weapon, and constrains both innocent and guilty until justice is done. For me, this is the ‘locked room’ mystery in its purest form: an isolated location and a limited number of suspects–causing unlimited amounts of tension. I hope you love these stories as much as I do.
I found this book sinister and compelling, playing as it does with ideas of madness and sanity, innocence, and guilt.
It is full of layers and constantly made me second-guess my theories on where the plot was heading. I also liked the fact that the author said he was inspired by the works of the Brontë sisters, whom I studied at university.
I could feel echoes of their work in the claustrophobia and chaos of this book.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This is the quintessential short story collection by a minimalist who doesn’t write just to write. I love the fact that the stories are not contrived. He doesn’t force anything.
The characters, the setting, and the story just interact and produce real, believable results. Hemingway doesn’t stretch credulity, the ridiculous, or the fantastic, yet transports you to his world with a few efficient lines.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.
There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.
London Fields is Amis's murder story for the end of the millennium—"a comic murder mystery, an apocalyptic satire, a scatological meditation on love and death" (The New York Times).
The murderee is Nicola Six, a "black hole" of sex and self-loathing intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts. Or is the killer the rich, honorable, and dimly romantic Guy Clinch?
Here, Amis is "by turns lyrical and obscene, colloquial and rhapsodic." —Michiko Kakutani
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
This book is a great short story collection focused on a theme, as I try to do in my book. For Doerr, it’s memory and impermanence–what will be left of us, of all that we’ve experienced, all that we’ve struggled to achieve, all that we’ve loved after the passage of time?
Through six exceptionally creative, unforgettable stories (pun intended), Doerr explores the melancholy ephemerality of human existence. I love how the settings, from Cape Town, South Africa, to a soon-to-be submerged Chinese village, are integral, tangible parts of his stories. This is a truly wonderful book!
Set on four continents, Anthony Doerr's new collection of stories is about memory: the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I loved this book. The concept is brilliant, and as a writer, I’m a little envious that I didn’t come up with it myself. Again, it’s a twisted mind that makes this story.
Laura is someone you hate more with every word that you read, but you can’t stop reading. We get a backstory as to why she is how she is, but regardless, witnessing how she acts as a result, and to people at their most desperate, is very dark.
She's a friendly voice on the phone. But can you trust her?
The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn't want them to hope. She wants them to die.
Laura hasn't had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it.
I love a good short story that can convey character, emotion, and complexity. While a novel allows the writer (and the reader) to delve into the chaotic complexity of a single set of characters, a good short story collection can explore a range of humanity and a diversity of moods or feelings. This was my motivation in writing my book. I believe a good short story collection on a well-grounded theme (such as the contributions to this list by Doerr, Kundera, and Munro) can often reveal more about human nature than an excellent novel.
Milan Kundera is a master of human psychology. In these seven stories, which portray the paranoia of ordinary life in Czechoslovakia under communism, Kundera lays bare the tragic comedy of human vanity and insecurity and how they prove to be our undoing.
I personally will never forget the perceptive “Nobody Will Laugh” or his brilliant story “The Hitchhiking Game,” which illustrates more about what it means to be human than almost anything else in print.
These are what every short story writer dreams of when s/he puts pen to paper.
A dazzling collection of stories - originally banned in 1968 Prague - by the author of modern classic The Unbearable Lightness of Being.
Milan Kundera is a master of graceful illusion and illuminating surprise. In one of these stories a young man and his girlfriend pretend that she is a stranger he picked up on the road-only to become strangers to each other in reality as their game proceeds. In another a teacher fakes piety in order to seduce a devout girl, then jilts her and yearns for God. In yet another girls wait in bars, on beaches, and on…
I'm a Senior Lecturer in Film and Television with a particular passion for the horror genre – the first film books I ever read were about Horror. I'm also a confirmed Italophile. I became fascinated by Mario Bava – and later, Italian horror more broadly – before I saw his films from accounts and images of them in books and magazines. The films weren’t easy to see before video, DVD/blu-ray or streaming, and so I was on a mission over time to track them all down. This is how cult reputations often develop – from obscurity to re-evaluation – and that was one of the things I wanted to address in my book.
Curti is an Italian film critic who also writes in English and brings a singular expertise to Italian genre cinema.
The giallo, the Italian murder mystery, isn’t technically Horror but often incorporates it in gory murder scenes. A lot has been written about the genre, but there has never been a more thorough account than this one, as close to definitive as one might get, and it will certainly broaden your understanding of the giallo as well as introducing you to films and TV shows you might not have heard of before.
Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories-even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim,…
I’ve been writing children’s books all my adult life. That means trying to find ways to communicate exactly what I’m imagining. I love words and stories. As a teenager, I wrote down my favourite words and carried them around with me. When I had children, I was fascinated by how fast they learned to make themselves understood, with and without words. The words we choose are important – but they’re only one way to communicate. What about pictures? Body language? Online media? Pheromones? The signals animals and plants give out? The more I learn about communication, the more fascinating it becomes.
I’ve always loved observing children as they learn to speak. But I never understood what a triumph that is until I read Stephen Pinker’s book. He explores a huge range of topics, including what we can learn from the mistakes children make, how languages develop, brain imaging, major ideas in philosophy, computer speech simulation, Noam Chomsky’s ideas about linguistics, and genetic research. And he does all that by focusing on regular and irregular verbs. Sounds dull? Think again. It’s a fascinating book.
How does language work? How do children learn their mother tongue? Why do languages change over time, making Shakespearean English difficult for us and Chaucer's English almost incomprehensible? Why do languages have so many quirks and irregularities? Are they all fundamentally alike? How are new words created? Where in the brain does language reside?In Words and Rules , Steven Pinker answers these and many other questions. His book shares the wit and style of his classic, The Language Instinct , but explores language in a completely different way. In Words and Rules , Pinker explains the profound mysteries of language…
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