Here are 15 books that Lamb to the Slaughter fans have personally recommended if you like
Lamb to the Slaughter.
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Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I liked this book, not just because I’m a fan of detective stories, whodunnits, and the like, but more so for the deep dive into the understanding of why the antagonist, Francis, became what he became.
It’s hard to make a character believable when that character does things that, to most of us, are unthinkable, but the author here succeeds and wraps it up into a decent read.
From the author of "Silence of the Lambs" and "Black Sunday", this is the book that introduces the most famous serial killer of them all - Hannibal Lecter.
I’ve always been fascinated by the sea. I grew up near the gentle waters of England’s Kent coast, then went to St Andrews University, surrounded by the treacherous North Sea. Finally, I discovered the Devon shores, which inspired Agatha Christie. In island thrillers like hers, the power of the sea becomes overwhelming. It holds suspects at bay, becomes a murder weapon, and constrains both innocent and guilty until justice is done. For me, this is the ‘locked room’ mystery in its purest form: an isolated location and a limited number of suspects–causing unlimited amounts of tension. I hope you love these stories as much as I do.
I found this book sinister and compelling, playing as it does with ideas of madness and sanity, innocence, and guilt.
It is full of layers and constantly made me second-guess my theories on where the plot was heading. I also liked the fact that the author said he was inspired by the works of the Brontë sisters, whom I studied at university.
I could feel echoes of their work in the claustrophobia and chaos of this book.
The basis for the blockbuster motion picture directed by Martin Scorsese and starring Leonardo DiCaprio, Shutter Island by New York Times bestselling author Dennis Lehane is a gripping and atmospheric psychological thriller where nothing is quite what it seems. The New York Times calls Shutter Island, “Startlingly original.” The Washington Post raves, “Brilliantly conceived and executed.” A masterwork of suspense and surprise from the author of Mystic River and Gone, Baby, Gone, Shutter Island carries the reader into a nightmare world of madness, mind control, and CIA Cold War paranoia andis unlike anything you’ve ever read before.
It’s kind of depressing that I’m so fascinated with these big “God and death and war” themes that are always banging around in my head. I think it’s because I like the gravity of even the smallest decisions in heightened crisis situations. It makes things so prominent and visceral. This gravity also makes the beauty in these moments of crisis more beautiful and love that much stronger. Ultimately, I’ve spent the last thirteen years trying to square with my time overseas and chase some version of that heightened meaning in civilian life. The contrast between being a school teacher and soldier really makes all of that clear.
For my money, Hemingway is the greatest American short story writer. He is spare and direct until he isn’t. The meter and clipped phrasing and short sentences set up bigger, longer runs that are beautiful and often explain what it’s like to be a human being without being obvious or careless. They never feel false and are edited down to the bone. That’s probably what I learned most from Hemingway, the editing. Just picking a story, “On the Quai at Smyrna,” has such a staccato matter-of-factness that belies just how awful the situation there on the pier must have been. The narrator is hardened and recounts the events so matter-of-factly that you know they’ll come back later, once he is home and has time to reflect on them.
The complete, authoritative collection of Ernest Hemingway's short fiction, including classic stories like "The Snows of Kilimanjaro," "A Clean, Well-Lighted Place," and "The Short Happy Life of Francis Macomber," along with seven previously unpublished stories.
In this definitive collection of the Nobel Prize-winning author’s short stories, readers will delight in Hemingway’s most beloved classics such as "The Snows of Kilimanjaro," "Hills Like White Elephants," and "A Clean, Well-Lighted Place," and will discover seven new tales published for the first time in this collection, totaling in sixty stories. This collection demonstrates Hemingway’s ability to write beautiful prose for each distinct story,…
Featured in "Best Middle Grade Fantasy Books" - Reedsy Discovery
"Fun & Fast Paced, This is Middle Grade Fantasy at its Best!"— Shaun Stevenson
"If you know any middle-grade readers who enjoy science fiction/fantasy with a mix of action, danger, and humor - recommend this book to them, or just go ahead and give them a copy." — The Fairview Review
“With elements of adventure, exploration, other worlds, and fantastical science, Nemesis and the Vault of Lost Time is an exciting middle-grade novel with plenty of suspense… Behind the adventure are important messages about believing in oneself and finding inner strength.”— The Children's Book Review
"The plot of Nemesis and The Vault of Lost Time is a tapestry of surprises characterized by its unforeseen twists and turns. It’s this element of suspense that grips the readers, while the vivid descriptions create immersive visual experiences. Beyond its adventurous core, this mystery novel delves into themes of friendship and the nuanced dynamics of father-son relationships, offering a multi-layered reading experience." — The Literary Titan
Thirteen-year-old Max is a daydreamer. It gets him into trouble at school, but his restless curiosity really turns problematic when he runs into a mysterious professor at his uncle's bookstore.
The old man informs Max that time is being sucked out of the planet by invisible bandits, stolen from unsuspecting people one breath and one sneeze at a time, and is being stored in a central vault. Once full, the vault will fuel a hungry horde of invaders looking to cross into earth, and cross out all its people.
What's more, the professor claims he knew Max's missing scientist father.…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I recommend this book because, to me, it is unique–I’ve never read a book like it. It’s an interesting plot, end-of-the-world stuff, with some very unlikeable, low-life characters. It’s set in a very dark version of London that I know and love, in a pub environment similar to the one that I grew up in.
There is murder on the cards throughout the story, but the author still manages to squeeze in some humor. It’s just a different style of writing that I think people should give a try.
London Fields is Amis's murder story for the end of the millennium—"a comic murder mystery, an apocalyptic satire, a scatological meditation on love and death" (The New York Times).
The murderee is Nicola Six, a "black hole" of sex and self-loathing intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts. Or is the killer the rich, honorable, and dimly romantic Guy Clinch?
Here, Amis is "by turns lyrical and obscene, colloquial and rhapsodic." —Michiko Kakutani
I’m an avid reader of fiction and kind of a nerd, too, so I love books with science in them. I’m a scientist myself, now retired from a career in environmental and engineering geology. I am fascinated by the Earth and the geologic processes that shape it, from the seemingly mundane (like erosion) to the remarkable (like earthquakes, landslides, and volcanic eruptions). As a writer, I try to translate that wonder for non-scientist readers, all wrapped up in a compelling story. Each book on this list sure does that, weaving science into the fabric of a gripping narrative. I hope you’ll love them as much as I do.
I’m a geologist, and there is paleontology of the vertebrate variety (a dinosaur-ish fossil is involved) in the amazing title story of this collection. How could I not love it?
Memory Wall, a long short story, is as rich as any novel I have ever read. I turned the final page, wishing I could spend more time with its characters, especially a beautifully rendered father and son and the teenage boy who sought the fantastic fossil.
I could feel the stones being walked upon and smell the air after the rain—that’s how lush Doerr’s writing is. Part science in story (the paleontology I love), part science fiction (memory harvesting), and all so resonant that I couldn’t stop reading.
Set on four continents, Anthony Doerr's new collection of stories is about memory: the source of meaning and coherence in our lives, the fragile thread that connects us to ourselves and to others. In the luminous and beautiful title story, a young boy in South Africa comes to possess an old woman's secret, a piece of the past with the power to redeem a life. In 'The River Nemunas', a teenaged orphan moves from Kansas to Lithuania to live with her grandfather, and discovers a world in which myth becomes real. 'Village 113' is about the building of the Three…
Throughout my teenage and early adult years, I experienced episodes of mental illness. Thankfully, it seems to be behind me, but it's not something I’ll ever forget, and I find myself deeply intrigued by the manifestations of those darker aspects in others. Some people hurt themselves and some hurt others, the common thread is the presence of pain and suffering. As heartrending as this reality is, it holds a certain fascination for me, both in real life and in literature. That’s why I write about it; that’s why I read about it.
I loved this book. The concept is brilliant, and as a writer, I’m a little envious that I didn’t come up with it myself. Again, it’s a twisted mind that makes this story.
Laura is someone you hate more with every word that you read, but you can’t stop reading. We get a backstory as to why she is how she is, but regardless, witnessing how she acts as a result, and to people at their most desperate, is very dark.
She's a friendly voice on the phone. But can you trust her?
The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn't want them to hope. She wants them to die.
Laura hasn't had it easy: she's survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn't love talking to people worse off than she is. She craves it.
I'm a Senior Lecturer in Film and Television with a particular passion for the horror genre – the first film books I ever read were about Horror. I'm also a confirmed Italophile. I became fascinated by Mario Bava – and later, Italian horror more broadly – before I saw his films from accounts and images of them in books and magazines. The films weren’t easy to see before video, DVD/blu-ray or streaming, and so I was on a mission over time to track them all down. This is how cult reputations often develop – from obscurity to re-evaluation – and that was one of the things I wanted to address in my book.
Curti is an Italian film critic who also writes in English and brings a singular expertise to Italian genre cinema.
The giallo, the Italian murder mystery, isn’t technically Horror but often incorporates it in gory murder scenes. A lot has been written about the genre, but there has never been a more thorough account than this one, as close to definitive as one might get, and it will certainly broaden your understanding of the giallo as well as introducing you to films and TV shows you might not have heard of before.
Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories-even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim,…
I’ve been writing children’s books all my adult life. That means trying to find ways to communicate exactly what I’m imagining. I love words and stories. As a teenager, I wrote down my favourite words and carried them around with me. When I had children, I was fascinated by how fast they learned to make themselves understood, with and without words. The words we choose are important – but they’re only one way to communicate. What about pictures? Body language? Online media? Pheromones? The signals animals and plants give out? The more I learn about communication, the more fascinating it becomes.
I’ve always loved observing children as they learn to speak. But I never understood what a triumph that is until I read Stephen Pinker’s book. He explores a huge range of topics, including what we can learn from the mistakes children make, how languages develop, brain imaging, major ideas in philosophy, computer speech simulation, Noam Chomsky’s ideas about linguistics, and genetic research. And he does all that by focusing on regular and irregular verbs. Sounds dull? Think again. It’s a fascinating book.
How does language work? How do children learn their mother tongue? Why do languages change over time, making Shakespearean English difficult for us and Chaucer's English almost incomprehensible? Why do languages have so many quirks and irregularities? Are they all fundamentally alike? How are new words created? Where in the brain does language reside?In Words and Rules , Steven Pinker answers these and many other questions. His book shares the wit and style of his classic, The Language Instinct , but explores language in a completely different way. In Words and Rules , Pinker explains the profound mysteries of language…
I’ve been researching the Leopold-Loeb case for around a decade, ever since a documentary sparked my interest back in high school. That sent me on a quest for knowledge: devouring all the books I could find on the subject, before turning to archival collections to look at the primary source material. Flash forward to today and I’ve read thousands of newspaper stories, hundreds of scholarly articles and books on the subject and travelled around the country searching in over 50 archives, trying to understand this case as much as I possibly can. Here’s a list of books I found particularly helpful or inspiring on my journey.
This pick is not without some caveats. This book, Nathan Leopold’s autobiography, was written while he was trying to get paroled from prison and it has to be taken in that context.
There are lies and omissions, but there are also harrowing sections describing the brutality that prisoners faced in the 1920s and genuine emotion when he discusses his complicated feelings for Richard Loeb. There’s no better place to go for information about his life in prison, or to get a feel for his personality, as long as you can read between the lines and remain skeptical when things seem a little too good to be true.
I adore romance in all its forms. I’ll read Viking romance, contemporary rom-coms, alien adventure, and fantastical, magical shifter tales to romances that take place in prison or an equipment rental store. But my first love will always be Regency romance, which is probably why I’ve also chosen to write it. The stories that are always closest to my heart, no matter the subgenre, are the ones that succeed in breaking the mold. The five books on this list are only the beginning of the wonderful, unusual historical romances that are waiting for intrepid readers. Happy reading!
I personally love this book because I can identify with the characters, who are both flawed and genuine. All too often I’ve started reading a romance only to discover that both characters are gorgeous, billionaires, and have IQs over 180. I find such perfection uninteresting.
The two leads in To Have And To Hold, Sebastian and Rachel, are both train wrecks, although it is initially easier to see Rachel’s problems as she is currently a convict who is being released from prison. Sebastian’s behavior steps over the line. Way over the line. And the tension in most of the book will give you white knuckles. I have never forgotten these characters and their journey toward love was all the more rewarding for how hard-won it was.
After spending years in prison for a crime she did not commit, Rachel Wade accepts the proposal of cynical Sebastian Verlaine, Viscount D'Aubrey, who offers her parole in exchange for becoming his mistress. Original.
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