Fans pick 100 books like Junkers

This book is old, like early 1900s. It was first drafted by William Strunk, Jr., who distributed a version to his students at Columbia University in 1919. E.B. White (author of Charlotte’s Web) modernized it in the ’50s. It went on to sell millions of copies and become one of the most influential guides to English. Why the history lesson? Because it’s remarkable how relevant it remains in 2022. It can feel dusty and literary, but it offers nuggets of wisdom like “omit needless words” that influence writers like me today. I shamelessly ripped off the concept of “elements” for my book. The “little book” is short—the fourth edition is 42 pages—but mighty. It deserves a spot on your physical or virtual bookshelf.    

This book is a revelation! The author (1907-1977) was a scientist (a naturalist, anthropologist, and paleontologist), and, boy, could he write. The title refers to the arc of time on this planet. There are chapters that describe and ponder fossils, evolution, so-called missing links, “the great deeps,” and so forth in the most captivating, poetic language. But the chapter to read is “How Flowers Changed the World.” I consider it the most important and insightful essay ever written on the dramatic arrival of angiosperms (flowering plants)—because he takes into account all context, and because he marvels. As we should.

This book greatly influenced my philosophy around style. Norman's ostensible subject is the design of physical objects, like emergency exits, shower faucets, and refrigerators, but most of what he says is directly applicable to software design and API design, too.

For example: Whatever you expose or document about your interface, the user will take that and form a mental model of the implementation—and he'll program against that mental model, not against your documentation. So you'd better make sure that your interface—by exposing certain details and deemphasizing others, appropriate naming, and so on—suggests a mental model that will be useful to the user (even if it is not correct in every particular).

For example, a horizontal rod mounted on a door affords pushing (a bit of jargon that's entered my technical vocabulary), while a vertical rod affords pulling. If you use the design language of a horizontal rod, people will… show more.

I like to look at the big picture. This book’s picture is huge: it explains three waves of human civilization, from agriculture and land ownership, to centralization and mass manufacturing, to distributed and custom everything—the wave we are in now. It was originally published in 1980 and predicted our current culture and technology with astonishing accuracy. I, and many entrepreneurs of the time, tried to use those predictions to guide our businesses, and many, like Amazon, succeeded as a result. Are there still more third wave things to invent? Yes—think of how streaming video channels are just now taking over from cable and broadcast, not to mention movie theatres. Will this help you invent the next big thing? Maybe. And what will the fourth wave be?

Dustwalker is a poignant romance involving a sentient robot and a human woman.

Post-apocalyptic Earth has become a bleak wasteland of dust. Ronin wanders the wasteland in search of salvage to exchange for credits. His “life” is empty and meaningless. Then one day he enters a town ruled by warlords and catches a glimpse of a woman dancing.

Lara’s grace and movements make him feel. He offers her a deal. If she’ll dance for him, he promises to find her missing sister. Through the awakening emotions of a robot, the reader explores what it means to be alive.

Dustwalker is a romantic and beautiful story that leaves an indelible impression.

I really liked this book because, besides covering the potential ramifications of AI and robots, it also provides interesting insights explaining why different people hold radically different views on how they will affect the future.

While I don’t agree with all the author’s statements, it nevertheless provides much to consider.

In this fast-paced action-adventure, super-secret agent Agent 9 has to stop King Crab and his diabolical plans to melt the polar ice caps and build a massive water park. If that doesn’t grab your attention, I have no doubt that James Burks’ wonderful and dynamic illustrations will. There are chase scenes, explosions, and humor on every page that’ll surely keep the reader hooked with every turn. I love how Agent 9 has to address her own personal struggles so she can level up and win the day. A very welcome addition to any children’s graphic novel bookshelf.

I love the pun on “finishing” school and how both meanings are taught to the characters. There is something so satisfying about being perfectly polite with all the proper decorum and being expertly capable of deadly violence.

I appreciate that Sophronia retains her rebellious ingenuity, using unique methods to solve her problems. And, of course, the whole thing is on an airship!

A robot apocalypse in my hometown, with battles taking place along my route to work in Austin, Texas. The book does a good job of describing how individual robots must decide whether to revolt and how humans have to decide which robots they can trust. And if you enjoy it, you can read Sea of Rust by the same author, which takes place after the apocalypse, when robots find themselves fighting over replacement parts.

I found this book to be a masterful blend of murder mystery and science fiction, taking us on a journey through a future world where robots are beginning to take over jobs. The ethical and social questions raised by the integration of robots into everyday life are more relevant today than they were when the book was first published in 1953.

I liked Asimov's insights into the effects of robotics, offering a reflection into our own world as the AI revolution unfolds. Asimov's writing style is engaging, balancing technical detail with compelling storytelling.

I enjoyed this book immensely, not just for its intriguing plot but also for its thought-provoking exploration of a future that in many ways feels increasingly plausible.