100 books like Jonah's Gourd Vine

Rudolph Fisher was a contemporary of Sayers, but working in a very different context: the Harlem Renaissance.

This novel, reputed to be the first detective novel written by a Black American, opens with the mysterious, apparently impossible murder of a Harvard-educated fortune-teller, N’Gana Frimbo, the ‘conjure-man’ of the title. Then the body disappears, and Frimbo (apparently) reappears – throwing medical and police investigations into chaos.

There’s a surfeit of suspects and lots of talking; what I really love about this novel is the sense of being plunged into a vivid, fully-populated world. This book wins my vote for most overlooked mystery novel from the Golden Age.

This was the book, which truly drew me into the world of the Civil Rights struggle in America, a personalized account by Myrlie Ever’s of her life (and that of their children), with her civil rights worker husband and father, until his untimely assassination in 1963.

It is a very personal and moving account of their family life, their passion, and pursuit of the American Dream of equal rights for their family, set against the backdrop of a deeply segregated social order of their time in the Deep South. 

I found this book compelling, enlightening, and touching.

Clearly, I’m a fan of small, southern town tales depicting amazing African American females who make magic out of the injustices stacked against them. Well, meet Maggie Wiggins. She and her best friend, Hubert, turn life tragedies and situations into a “perfectly suited” marriage of deception. Outwardly, they live an enviable existence; but only they know the cost of their happiness. I love Mary Monroe’s ability to infuse humor into the most chilling situations, as well as her small town cosmoses and complicated, “countrified” characters. They frustrate me to no end, yet I find myself rooting for them, just as I rooted for Maggie to win. She does in the end but at such a horrific cost that I’ll never look at a bowl of gumbo the same way again. 

While many books are written after the event or events contained in the book, this book is contemporary to the events it relates to. In this case the birth and growth of the Citizens Councils in the Deep South in the mid-1950s. 

The author and then managing editor of the Greenville Democratic Times sets out, in a clear and readily understood way, the mood of the day among the white-collar political and business classes in the months and years immediately following the Brown v Board of Education decision.

It’s a worthy read and a touchstone of the rising political temperatures of those times.  

In this utterly unique book, Small contends that music does not consist of “works” but is rather an activity called “musicking” that enacts relationships – between sounds but also among the participants, including the audience. Through musicking we learn about ourselves in relationship to others, and that relationship can be one of submission (sitting quietly listening to an orchestra) or equality (jazz musicians improvising in response to each other while the audience shouts encouragement). In Small’s view, African American music enacts democratic relationships, in which all participate as equals, and individuality is enhanced rather than hindered by group solidarity.  

The decision to recruit Black soldiers made an enormous difference in the war and in politics. Black recruits to the U.S. Army equaled all the northern men lost in the first two years of fighting and proved themselves on many battlefields. Their sacrifice also made an irrefutable case for Black rights. Joseph Glatthaar’s book admirably tells the story of these soldiers and their white officers.

The most famous short story in this collection is about Cora, whose whole life is spent in drudgery first to her own family, and then to the locally prominent Studevants. In her own life, Cora is somewhat unconventional—she feels no shame for having an illegitimate child at a time when that was frowned upon, to say the least—but she’s quietly obedient to her difficult employers. Until, that is, one of them causes a tragedy, and Cora feels compelled to speak up very publicly. And, oh, when she does it is immensely satisfying! (TW: racially charged language and abortion)

Captive is another romance with pirates and passion. It’s part of a larger series featuring the LeVeq family. In this story, privateer Dominic LeVeq, frees and falls for slave Clare Sullivan. Soon they become desperate to have each other. I loved the relationship between these two characters and the devotion that develops between them.  

Although her father died when she was only nine, the great scholar of African American life and literature, Farah Jasmine Griffin has never forgotten his admonition to her: “Read until you understand.” In this beautiful book, Professor Griffin guides us to an understanding of the U.S. Constitution, Malcolm X, Marvin Gaye, and Stevie Wonder, the artist Romare Bearden, and writers as different as the enslaved 18th-century poet Phillis Wheatley and Nobel Prize winner Toni Morrison. As educators, we have read and re-read and read again. Every read reveals a new level of understanding and we are grateful for the journey on which Professor Griffin leads us.

Today, most people know Zora Neale Hurston as a novelist, thanks to her classic Their Eyes Were Watching God. But she was also an accomplished folklorist, anthropologist, playwright, and essayist. And yet, by the late 1930s, she was broke, and she found work with both the Federal Theater Project and Federal Writers’ Project. This book collects Hurston’s writing for the FWP in her home state of Florida, along with an incisive essay by Pamela Bordelon. The sheer variety of material on display here wasn’t unusual for the FWP: you’ll find essayistic meditations on folklife and art, collections of tall tales and children’s songs, and sketches of labor in the turpentine camps and citrus groves—as well as a chilling report on a racist massacre in Ocoee.