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I grew up in a culture that both fears and embraces spirits or outrightly rejects the idea that spirits live on beyond death. I grew up on stories of rolling calves and duppies that caused havoc among the living. Since then, I’ve been fascinated by what haunts us—whether it be our familial spirits that float among the living and continue to play a role in our lives, our memories, or our past actions. I’ve written three books that play with this idea of past actions lingering long into the characters’ lives and returning in unexpected ways.
This book is a longtime favorite of mine. Toni Morrison was a master at blending the personal story and the political, and in this book, she blends the true story of a mother who kills her child to prevent slave catchers from returning the baby to life as a slave.
Morrison’s fictional Sethe is haunted by the ghost of the baby she killed and the memories of her difficult life as a slave. This is one of the novels I return to time after time, both for the beauty of the writing and the portrayal of a mother’s love, guilt, and the lingering impact of slavery.
'Toni Morrison was a giant of her times and ours... Beloved is a heart-breaking testimony to the ongoing ravages of slavery, and should be read by all' Margaret Atwood, New York Times
Discover this beautiful gift edition of Toni Morrison's prize-winning contemporary classic Beloved
It is the mid-1800s and as slavery looks to be coming to an end, Sethe is haunted by the violent trauma it wrought on her former enslaved life at Sweet Home, Kentucky. Her dead baby daughter, whose tombstone bears the single word, Beloved, returns as a spectre to punish her mother, but also to elicit her…
I grew up in Chicago in the waning days of Mayor Richard J. Daley’s machine, which politicized everything from schools to loading zones. Everyone—whether they were civil servants or small business owners—had to pledge loyalty to Da Boss, Hizzoner, or suffer the consequences. As a result, I’ve always gravitated to crime stories with a political element, one showing the effects of big conflicts on regular people. And I’ve written about the same.
Before the U.S. entered the war in Vietnam, Graham Greene forecast its disastrous consequences. His love triangle, set amid the escalating conflict, perfectly captures the naiveté of American interventionism overseas. I love the subtext of the tale, which is narrated by an embittered British journalist. Although it’s never spoken, we intuit that he is addicted to opium and living the life of a dissolute expatriate. Fowler watches in horror as a U.S. diplomat tries to steal both the woman and the country he has adopted. He claims impartiality and indifference until he cannot any longer.
Graham Greene's classic exploration of love, innocence, and morality in Vietnam
"I never knew a man who had better motives for all the trouble he caused," Graham Greene's narrator Fowler remarks of Alden Pyle, the eponymous "Quiet American" of what is perhaps the most controversial novel of his career. Pyle is the brash young idealist sent out by Washington on a mysterious mission to Saigon, where the French Army struggles against the Vietminh guerrillas.
As young Pyle's well-intentioned policies blunder into bloodshed, Fowler, a seasoned and cynical British reporter, finds it impossible to stand safely aside as an observer. But…
Growing up in a comfortable suburb, I was never encouraged to examine my privilege or to ask questions about our country’s social and economic arrangements. I knew shockingly little about U.S. history beyond the triumphalist narratives of great men and military victories; the dark side of that history usually came in footnotes, and always with the implication that our country’s sins are mere aberrations from its good intentions. I had to learn the most important truths about our history from literature, which shows us the impact that events have on individuals, painting a fuller picture of how America became the country it is, and the terrible price so many people have had to pay.
In 1953, a working-class Jewish couple from Brooklyn was executed for allegedly selling nuclear secrets to the Soviet Union. Their two young children were orphaned. E. L. Doctorow’s novel about the Rosenbergs is an excruciating examination of these events from the fictionalized perspective of one of those children. Daniel’s point of view—naïve, angry, traumatized—brilliantly illustrates the absurdity and cruelty of American culture when it turns against those who, for reasons of class, race, or religion, have never been fully included in it. I’ve read it a dozen times and still find myself sobbing at the realization of how all the country’s history, all its dreams and delusions about itself and its destiny, were stacked up against this poor pair of nobodies. Their real crime lay in demanding that the United States live up to its ideals, something it has never been able to do.
Based on the trial and execution of Ethel and Julius Rosenberg, convicted of delivering information about the atomic bomb to the Soviet Union E.L. Doctorow's The Book of Daniel includes a new introduction by Jonathan Freedland in Penguin Modern Classics.
As Cold War hysteria inflames America, FBI agents pay a surprise visit to a Communist man and his wife in their New York apartment. After a trial that divides the country, the couple are sent to the electric chair for treason. Decades later, in 1967, their son Daniel struggles to understand the tragedy of their lives. But while he is…
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.
It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.
This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and…
I love writing and teaching about topics that help me understand my life and my community better. And I love to contemplate the question - How do we come to care about the same things? As a psychotherapist I have firsthand experience in the disruption that any type of violence causes until it's repaired. One way to advocate for the vulnerable who do not have protection in their communities is to tell the story of the silent, unknown victims of lynching and other acts of racism and racial violence. Only by memorializing the stories of the victims of racial injustice can we repair the trauma and tell the true story of structural racism in America today.
After reading this book, I felt closer to the remarkably courageous Fannie Lou Hamer and better able to talk with others about race and the history of the civil rights movement in the United States.
We cannot promote tolerance and heal racism unless we know each other's life stories and come to care about the same things. In sharing Mrs. Hamer’s life story in great detail, Keisha Blain made me a co-owner of the trauma experienced by this inspirational historical figure.
This book details the mundane and the heroic aspects of one racial justice warrior's life. It describes the beatings, injustice, forced sterilizations, sexual assaults, and other degradations Mrs. Hamer and her fellow racial justice advocates suffered and lived to tell about. They did this so that we could change such injustice and live in a country that lives up to its creed and follows the rule of law.
National Book Critics Circle 2021 Biography Finalist
53rd NAACP Image Award Nominee: Outstanding Literary Work - Biography/Autobiography
“[A] riveting and timely exploration of Hamer’s life. . . . Brilliantly constructed to be both forward and backward looking, Blain’s book functions simultaneously as a much needed history lesson and an indispensable guide for modern activists.”—New York Times Book Review
Ms. Magazine “Most Anticipated Reads for the Rest of Us – 2021” · KIRKUS STARRED REVIEW · BOOKLIST STARRED REVIEW · Publishers Weekly Big Indie Books of Fall 2021
Explores the Black activist’s ideas and political strategies, highlighting their relevance for tackling…
As a journalist who learned his craft on the job in the tumultuous 1960s, I happened to find myself living in states where racial history was being written. Reporting that story required me to understand why discrimination, poverty, and violence remained so deeply rooted in modern America. I wrote Ten Ways to Fight Hate, I made a movie about civil rights martyrs, and, after seeing people from around the world making a pilgrimage to the sites of the civil rights struggle, published my guidebook. Over the course of a 50-year career, I have written a million words. I am proudest of those that tried to right wrongs, and sometimes did.
As I drove through the South researching my guidebook to civil rights sites, my back seat was filled with books. Atop the pile was Taylor Branch’s magisterial three-volume history – America in the King Years 1954-1968: Parting the Waters, Pillar of Fire, and At Canaan’s Edge.
Though encyclopedic, Branch’s story-telling is riveting—weaving together personalities, legalities, strategies, and geography in a way that made me feel as if I were there witnessing history as it was made. Taylor’s detail, reflecting a journalist’s quest for who, what, where, when, how, and why, showed me that these stories could best be told, understood, and felt where they happened.
In Parting the Waters, the first volume of his essential America in the King Years series, Pulitzer Prize winner Taylor Branch gives a “compelling…masterfully told” (The Wall Street Journal) account of Martin Luther King’s early years and rise to greatness.
Hailed as the most masterful story ever told of the American Civil Rights Movement, Parting the Waters is destined to endure for generations.
Moving from the fiery political baptism of Martin Luther King, Jr., to the corridors of Camelot where the Kennedy brothers weighed demands for justice against the deceptions of J. Edgar Hoover, here is a vivid tapestry of…
I grew up watching my older sister march through the world, pointing out to adults what was wrong with society and how they should change it. She included me in her activism sometimes, like the time she and I leafletted the neighbors, reminding them that they should vote in the next election. I want kids who aren’t lucky enough to grow up with an activist sibling to know that their voices matter. I write books about kids, like Jennifer Keelan-Chaffins, who change the world.
In May 1963, three thousand African American children allowed themselves to be arrested in Birmingham, Alabama to protest segregation. The youngest, Audrey Faye Hendricks, was an elementary school student. This picture book biography tells the story of how she came to march with a bunch of high schoolers and about the bravery she had to summon up for her stay in jail.
Meet the youngest known child to be arrested for a civil rights protest in Birmingham, Alabama, 1963, in this moving picture book that proves you're never too little to make a difference.
Nine-year-old Audrey Faye Hendricks intended to go places and do things like anybody else.
So when she heard grown-ups talk about wiping out Birmingham's segregation laws, she spoke up. As she listened to the preacher's words, smooth as glass, she sat up tall. And when she heard the plan-picket those white stores! March to protest those unfair laws! Fill the jails!-she stepped right up and said, I'll do…
I first learned about Fannie Lou Hamer more than a decade ago, and I have been deeply inspired by her life story and her words. I didn’t initially think I would write a book about her. But the uprisings of 2020 motivated me to do so. Like so many people, I struggled to make sense of everything that was unfolding, and I began to question whether change was possible. The more I read Hamer’s words, the more clarity I found. Her vision for the world and her commitment to improving conditions for all people gave me a renewed sense of hope and purpose.
Maegan Parker Brooks’ work on Fannie Lou Hamer was indispensable as I wrote my book. A Voice That Could Stir an Armyfocuses on Hamer’s use of rhetorical symbols and her public persona in a way that helps elevate Hamer’s legacy and demonstrates the importance of rhetoric to social movements. Brooks has helped bring Hamer’s words and ideas to a broader audience.
A sharecropper, a warrior, and a truth-telling prophet, Fannie Lou Hamer (1917-1977) stands as a powerful symbol not only of the 1960s black freedom movement, but also of the enduring human struggle against oppression. A Voice That Could Stir an Army is a rhetorical biography that tells the story of Hamer's life by focusing on how she employed symbols - images, words, and even material objects such as the ballot, food, and clothing - to construct persuasive public personae, to influence audiences, and to effect social change. Drawing upon dozens of newly recovered Hamer texts and recent interviews with Hamer's…
I grew up in the American South during the Civil Rights Movement. The movement was nearly constant conversation, approached with cautious optimism, in my household. Years later, I met my wife, whose family lived in Birmingham, Alabama, and participated in various ways in the movement in that city. Soon after I began to study and write about the Civil Rights Movement, especially the Birmingham movement. I’ve published two books of fiction that reflect on the Movement and I’ve taught college courses and given many lectures in the States and abroad about literature and film set during the Civil Rights Movement.
I wanted a good middle-grade book to introduce my son to the Birmingham Children’s March. Doing so was important to me since his mother grew up in Birmingham, a little girl in 1963. Levinson’s book features the stories of four children, one who was my wife’s schoolmate, who marched and were fire-hosed. With historical photographs and interviews, the book is an inviting and moving introduction for middle-graders to the why and how of the Movement and the bravery of the youngest activists.
The inspiring story of the 1963 Birmingham Children's March as seen through the eyes of four young people at the center of the action.
The 1963 Birmingham Children's March was a turning point in American civil rights history. Black Americans had had enough of segregation and police brutality, but with their lives and jobs at stake, most adults were hesitant to protest the city's racist culture. So the fight for civil rights lay in the hands of children like Audrey Hendricks, Wash Booker, James Stewart, and Arnetta Streeter.
We've Got a Job tells the little-known story of the four thousand…
As a teenager, I “discovered” the poetry of Emily Dickinson and put her verse to music. Later, at Yale University I delved deeper into the power of rhythms, the beauty of images, the clarity of insights—how they combine to create a genuine poetic voice that reveals an interior world. Politics, of course, define our interactions in the exterior world, and great novels meld these two elements—poetry and politics—into a seamless union. I’ve been inspired to write novels about two poets—Emily Dickinson and John Keats—to bring the reader into the intense, poetic world of their blazing interiors and their unique outward politics.
This is a complete history of the Black Panther party in the US—its origins, its leaders, its political struggles, its accomplishments and controversies, and its ultimate dissolution. The unique poetry of the Panthers’ public pronouncements—by Bobby Seale, Huey Newton, Eldridge Cleaver, and others—comes vividly to life, as people of color confront a world of limited horizons and thwarted desires. In my new novel, I meld these voices with the beat poetry of Allen Ginsberg (who was a central figure in the 1970s New Haven gathering).
In Oakland, California, in 1966, community college students Bobby Seale and Huey Newton armed themselves, began patrolling the police, and promised to prevent police brutality. Unlike the Civil Rights Movement that called for full citizenship rights for blacks within the U.S., the Black Panther Party rejected the legitimacy of the U.S. government and positioned itself as part of a global struggle against American imperialism. In the face of intense repression, the Party flourished, becoming the center of a revolutionary movement with offices in 68 U.S. cities and powerful allies around the world. Black against Empire is the first comprehensive overview…
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