Here are 76 books that Honeydew fans have personally recommended if you like
Honeydew.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
Each one of these stories is a mini-novel, which are the sort of stories I love. Black never leaves you hanging, like some writers do, and you will feel like you’re right in there watching the story unfold. The writing has been called pitch-perfect and I agree. Every word is right, every moment fits and every character is trying to make sense of the world as we all do, every day. She deftly explores the emotional DNA passed from generations before and what that means for each of our lives going forward. So you get a great tale well told. and a lot to think about at the same time. Exactly what I love to read and what smart modern women are drawn to.
Heralding the arrival of a stunning new voice in American fiction, If I Loved You, I Would Tell You This takes readers into the minds and hearts of people navigating the unsettling transitions that life presents to us all: A father struggles to forge an independent identity as his blind daughter prepares for college. A mother comes to terms with her adult daughter’s infidelity. An artist mourns the end of a romance while painting the portrait of a dying man. Brilliant, hopeful, and fearlessly honest, If I…
I love short-story collections. I’ve read dozens to hundreds of them, starting as a child reading Richard Scarry, and I still make them a regular part of my reading diet. I started trying my own hand at short fiction in 2012 and have since finished more than one hundred stories, including the ones in Animal Husbandry. I’m now working on my first novel after years as a short-story writer, and it gives me additional admiration for how many outstanding novelists are also able to master short fiction. It’s two different skill sets, and the five authors I mentioned here (among many others) excel at both.
This is a truly beautiful collection, and I love the way many of the stories place the protagonists in fraught situations that reveal what they will do to survive.
Some of my favorites are “The Worst You Ever Feel” and “The Briefcase” for how they show war’s impact on survivors, and “Painted Ocean, Painted Ship” and “The Miracle Years of Little Fork” for combining the tragic and the absurd in creative ways.
A short-story collection from the acclaimed author of The Great Believers
Named a must-read by the Chicago Tribune, O Magazine, BuzzFeed, The Huffington Post, Minneapolis Star-Tribune, and The L Magazine
Rebecca Makkai's first two novels, The Borrower and The Hundred-Year House, have established her as one of the freshest and most imaginative voices in fiction. Now, the award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection bearing her signature mix of intelligence, wit, and heart.
A reality show producer manipulates two contestants into falling in love, even…
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
Everyone recognizes ZNH’s iconic novel, Their Eyes Were Watching God, but Hurston is a master short story writer. She reminds me of the artist Van Gogh, who devoted his work to the common man as Hurston centers her stories on simple folk whose experiences exemplify the human struggle. Profound and pleasing to read, you will smell the flowers, hear the bees buzzing, and occasionally laugh out loud at these beautifully told stories of real life. Although your life may be different from these, you will be reminded of what bonds us more than what divides us. No better time to think about that.
From 'one of the greatest writers of our time' (Toni Morrison) - the author of Their Eyes Were Watching God and Barracoon - a collection of remarkable short stories from the Harlem Renaissance
With a foreword by Tayari Jones, author of An American Marriage
'Genius' Alice Walker
'Rigorous, convincing, dazzling' Zadie Smith on Their Eyes Were Watching God
In 1925, college student Zora Neale Hurston - the sole black student at Barnard College, New York - was living in the city, 'desperately striving for a toe-hold on the world.'
During this period, she began writing short works that captured the…
I’ve loved short stories since I was a young girl introduced to Edgar Allen Poe. There’s something especially exciting about a complete story in few words, and once I had to balance work, children, and personal relationships, stories became all the more cherished for short takes. I especially like tales about and by women, relating to our real challenges, and I review them often so other busy women discover better writers and interesting tales. There is nothing like a short story any time of day, especially in the evening, to soothe the soul.
The one and only collection by this great novelist [and the sister of A.S. Byatt] is one of my most favorite. These short tales explore all sorts of relationships, not only marriage and friendship, but our relationships with personal identity, politics, and the culture which defines us. The writing is absolutely divine – images pop from the page and characters stay with us as if we’ve actually known them. And between the lines there is a lot of philosophical musing, which I love – just enough to make us think but never wear us down. These stories are for women who like to explore the existential. Think of them as a workout for the brain.
Margaret Drabble is one of the major literary figures of her generation. In this collection of her complete short fiction from across four decades, she examines the intense private worlds and passions of everyday people.
From one man's honeymooning epiphany in 'Hassan's Tower' to the journeying fantasies of 'A Voyage to Cythera', and from the sharp joy of 'The Merry Widow' to the bloody reality of the collection's title story, these are moving, witty and provocative tales, exploring cruel and loving relationships, social change and personal obsessions, and confirming her status as a leading practitioner of the art of the…
For four decades, I have written about art for publications in the U.S., Europe, and Asia. I have interviewed, among other artists, Frank Stella, Mary Ellen Mark, Dale Chihuly, Deng Lin (the daughter of Deng Xiaoping), the most celebrated Vietnamese contemporary painters, and the leading Japanese ceramicists. My ideal vacation is to wander the cobblestone streets of Italy, walking into a church to see the art of Caravaggio, Raphael, and Bernini. On a trip to Venice, I saw the immense illusionist ceiling painting by Giovanni Fumiani in the church of San Pantalon. Looking up at angels swirling in heaven, the idea for my second novel was born.
I have never been able to look at Renaissance paintings of the Madonna and child the same after reading this brilliant and controversial book. I promise your eyes will be opened as well. These paintings were not simple religious decoration. Christ’s genitalia, exposed or covered, was a visible element in theological arguments in the Renaissance about the humanity of Christ. In our secular world, Steinberg argues, we have lost sight of the sexual component of these images. Steinberg’s breadth of learning is astounding, and the extensive footnotes are as stimulating as the text.
Steinberg argues in this work that the artists regarded the deliberate exposure of Christ's genitalia as an affirmation of kinship with the human condition. Christ's lifelong virginity, understood as potency under check, and the first offer of blood in the circumcision, both required acknowledgment of the genital organ. More than exercises in realism, these unabashed images underscore the crucial theological import of the Incarnation.
I'm a fourth-generation “Mainer” and the mother of two boy “wolves,” and I have a deep well of respect for boys and their imaginations in the masculinized culture we swim in. I've seen how much rich thinking is going on in the inner lives of boys. The teenage boy rendered in literature can be a stock character, and I was determined to give them more respect on the page and to explore what’s not said between boy moms and their sons that deeply connects them. I teach widely and write non-fiction as well as fiction and am a founder of a creative writing center in Portland, Maine for kids called the Telling Room.
This is the Mother of all boy mom books. It’s required reading for anyone learning to speak boy. Equal parts despair—Lamott is a single mom who sometimes wants to leave her crying boy outside on the stoop—and equal parts gut punches of hilarious wisdom and ardor about boy life and mom devotion.
This is the journal of the birth of Anne Lamott's son Sam, and their first year together. Coping with being a recovering alcoholic and a single mother, Anne had to face the fact that her best friend since childhood was dying of cancer.
When I first became a mom, I searched for an evidence-based, practical, whole-picture, supportive book to guide us through our baby’s first year – and couldn’t find it. I have a doctorate degree in biology and specialize in ecology, a discipline that studies how living things relate to one another and interact with their environment. Most of my research focuses on what young animals need to thrive. So I decided to write the book I had been searching for by applying my research training, my perspective as an ecologist, and my experience as a parent of three children.
This book is like a mini-encyclopedia of 67 common, everyday parenting questions: Are cloth diapers better than disposables? Is BPA in baby bottles a concern? Should we choose daycare or a nanny? The questions are arranged alphabetically; each begins with a statement of two competing positions, a concise “What the science says” section, a bottom-line conclusion, and sometimes a personal story. What I liked most is how Dr. Bryson infused her writing with the true bottom line: it all comes back to your relationship with your baby. Because of this book’s unique format, I found it was best read as a reference, or in bite sizes, rather than cover-to-cover.
'An essential guide to making all your important parenting decisions' - Daniel J. Siegel, MD, New York Times bestselling co-author of The Whole-Brain Child
Apply the best science to all your parenting decisions with this essential A-Z guide for your biggest questions and concerns from the New York Times bestselling co-author of The Whole-Brain Child and No-Drama Discipline.
Every baby- and toddler-care decision sends parents scrambling to do the right thing, and often down into the rabbit hole of conflicting advice. Dr Tina Payne Bryson has sifted through the reliable research (including about all those old wives' tales) and will…
I grew up in a family of beautiful, accomplished women at a time when most women stayed home. But the spectacular women in my mother's family also suffered spectacularly, and I was determined to understand family life at its very roots. I studied anthropology and, over a 15-year period, lived in a remote part of the Eastern Highlands of Papua New Guinea among a group of Gimi women who spent most of their time apart from men. I shared women's difficult daily lives, participated in their separate rites, learned their myths, and, through my writing, have devoted myself to giving them voices of their own.
A classic of ethnographic description and symbolic analysis based upon fieldwork among the Ndembu of Zambia—a must read for anyone interested in sociological and psychological implications of ritual belief and practice in a small-scale, non-literate, kinship-based society.
A stellar example of what is lost by cancelling "colonialist" literature and discarding the very concepts of "culture" and "religion" as relics of Western intellectual imperialism.
In 10 essays on color symbolism, circumcision rites, rites of passage, social dynamics, and more, Turner lays the groundwork for his proposition that ritual is the key to religion and religion is the key to culture.
A pioneering work of high quality, this collection of anthropological studies provides one of the most detailed records available for an African society-or indeed for any group-of the semantics of ritual symbolism. It combines unusually detailed ethnographic description, based upon field work among the Ndembu of Zambia, with remarkable theoretical sophistication. Professor Turner describes the ritual phenomena in terms both of practice and of their sociological and psychological implications within a preliterate society.
Case histories illustrate the function of ritual in creating community harmony. Data on circumcision rites and medical practices and an essay on color classification have wide implications…
I am a writer and academic based at Loughborough University specialising in the lives, works, and afterlives of the Brontës. As a Lecturer in English, I teach and research different aspects of the Brontës writings. Alongside my own biography of Emily, I have published widely on the Brontës, including material on Jane Eyre, The Tenant of Wildfell Hall, Emily Brontë’s poetry, and Charlotte's letters. I have also written about how the Brontës inspire contemporary authors, poets, and screenwriters. As well as rereading the siblings’ novels (I love Charlotte’s Shirley!), I’m fascinated by the many biographies and bio-fictions generated about this great Yorkshire family. I hope you enjoy these recommendations!
Tracy Chevalier edited this incredible anthology of short fiction to mark the bicentenary of Charlotte Brontë’s birth. Comprising contributions from sixteen authors, including Helen Dunmore, Sally Vickers, Susan Hill, Emma Donoghue, and Audrey Niffenegger, among others, these incredible stories are far more than fan fiction. Indeed, while the anthology’s title is the infamous first line of the final chapter of Charlotte Brontë’s novel, don’t be fooled into thinking that this is a romantic collection, for Chevalier’s contributors may take inspiration from Jane Eyre, but they rework it in a huge variety of ways, producing stories that unsettle as much as they celebrate Brontë’s novel. And if you like that, the companion volume, I Am Heathcliffedited by Kate Mosse, operates in the same spirit but is dedicated to Wuthering Heights.
'This collection is stormy, romantic, strong - the Full Bronte' The Times
A collection of short stories celebrating Charlotte Bronte, published in the year of her bicentenary and stemming from the now immortal words from her great work Jane Eyre.
The twenty-one stories in Reader, I Married Him - one of the most celebrated lines in fiction - are inspired by Jane Eyre and shaped by its perennially fascinating themes of love, compromise and self-determination.
A bohemian wedding party takes an unexpected turn for the bride and her daughter; a family trip to a Texan waterpark prompts a life-changing decision;…
I am fascinated by the supernatural and love to link it with a particular setting. The books listed all inspired my writing from their pace, elegant prose, and especially, descriptive settings and atmosphere evoked from those settings (something I strive to do as an author, using places I know really well). I was lucky enough to spend my early years in southwest Wirral, with its red sandstone hills, heathland, and views across the Dee estuary to Wales. This was a perfect setting for The Face Stone, with the atmosphere of the local woodlands, especially at dusk, making it easy to imagine that ancient spirits still guarded rock and tree.
Hill’s minimalist style, ability to evoke despair, and superb descriptions, combined with the most vivid of imaginations, make her a compelling writer of ghost stories. Hill generally includes all my favourite elements in her ghost stories, starting in familiar surroundings, then moving to more exotic locations, often delivering a shocking twist at the end. In The Man in the Picture, a story set in Venice during Carnival is told to the narrator by an aging professor in his Cambridge rooms on a winter’s night. You don’t read a Susan Hill book to come out feeling better afterwards, but… if you like to be left with a feeling of disquiet, even though you know it’s only a story you just read,The Man in the Picture’s definitely for you.
A mysterious depiction of masked revellers at the Venice carnival hangs in the college rooms of Oliver's old professor in Cambridge. On this cold winter's night, its eerie secret is revealed by the ageing don. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty ...
