Here are 80 books that Grace and Disgrace fans have personally recommended if you like
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I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
I enjoyed the atmosphere created by the author, a southern coastal swamp, and the depiction of this novel of cultural bigotry. The separation of the classes is not one of race but one of poverty and supposed ignorance, although the protagonist is a deeply intelligent artist.
The story is one of accusation against a young teenage girl and the mystery surrounding the two young men who love her or claim to love her. With the absence of her parents, I found myself strongly pulling for the underdog protagonist, Kya.
Again, this book is set in the fifties and sixties in the rural South, where I seem to find my most enjoyable plots because of my own growing up during those times.
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For years, rumours of the 'Marsh Girl' have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be…
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
This novel by Alabama author Harper Lee is one of my favorite novels. Southern racial prejudice is exposed in the coming-of-age story of the young protagonist awakening to its ugliness and hypocrisy.
The mood is Southern Gothic as the childhood fears of Boo Radley turn out to be unfounded. I love how Lee gives us the perspective of the adult narrator while placing us fully in the world of the children. I love the evoking of childhood fears of the supernatural while learning that the world of living people is much more dangerous.
I consider it a novel that is worth reading every few years.
'Shoot all the bluejays you want, if you can hit 'em, but remember it's a sin to kill a mockingbird.'
Atticus Finch gives this advice to his children as he defends the real mockingbird of this classic novel - a black man charged with attacking a white girl. Through the eyes of Scout and Jem Finch, Lee explores the issues of race and class in the Deep South of the 1930s with compassion and humour. She also creates one of the great heroes of literature in their father, whose lone struggle for justice pricks the conscience of a town steeped…
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
Stuart Woods's first book may be his best. Again, the setting of the book is rural Georgia, describing the terrain where I grew up and even mentioning the real cities where the fictional events took place.
I love the story because of my own growing up in small-town Georgia where my uncle was Chief of Police and other members of my family were attorneys. The flavor of the politics and how a murderer is discovered reminds me of the willful blindness and corruption that must take place for such perverse murders to happen.
Stuart Woods’s Edgar Award-winning debut novel—a classic American mystery saga about three generations of lawmen tangled in a web of passion, secrets, destiny, and murder in their small Southern town...
In the winter of 1920, the first body is found in Delano, Georgie—the naked, brutalized corpse of a young boy. It is a crime too horrific to be ignored, the first of many that will span four decades—embroiling three police chiefs in a remarkable manhunt that will expose the hatreds, fear, and festering wounds beneath the surface of their sleepy God-fearing community.
I was only fourteen when my father, a District Attorney in rural Georgia, was murdered by criminals later known as members of the Dixie Mafia. While I was reading a daily newspaper interview several weeks after the murder, I was surprised to find myself as a topic. My mother told a reporter that “(He) has his father’s gifts for words. Maybe one day he will write a book about it.” Nearly thirty years later, I did write the book. After the pain of that memoir, I turned to fiction, where I placed young protagonists coming of age who faced the corruption and murders of the rural south in the 1960s.
I love this nonfiction book because it reveals much about the history of Jackson County, Georgia, that I did not know when Floyd Hoard moved there in the 1950s.
Mike Buffington gives details of the corruption in the county, which was much deeper than Hoard knew when he continued making efforts to clean out the bootlegging and car theft rings in the area. Those criminal rings would later become known as the Georgia Dixie Mafia, the group that would order and carry out Hoard’s car bombing death in 1967.
On August 7, 1967, Floyd “Fuzzy” Hoard, the Solicitor General in rural Jackson County Ga., got into his car, turned the ignition switch and was assassinated with 10 sticks of dynamite that had been planted under the car’s hood the night before. For over two years, Hoard had been prosecuting local bootleg and car theft gangs and had gained a reputation as a crusading lawman. But there is more to the story than just Hoard’s murder. The widespread lawlessness in the community had compromised its voice, leading to inaction by its citizens. The result was widespread public corruption and incompetence.…
Nobody’s Magicbegan, not as the series of novellas it became, but as a collection of stories I couldn’t stop telling. And it wasn’t just my characters’ comings and goings that enthralled me. It was the way they demanded I let them tell their own stories. I enjoy reading and writing novellas because they allow space for action, voice, and reflection, and they can tackle manifold themes and conversations in a space that is both large and small. At the same time, they demand endings that are neither predictable nor neat, but rather force the reader to speculate on what becomes of these characters they’ve come to know and love.
I have loved Black literature written in Southern AAVE since reading Charles Chesnutt’sThe Conjure Woman in graduate school.But perhaps what I love most about the narrator, Octavia (also known as Sweet Pea), is that she’s fluent in many languages: the language of the hood where she lives, of the classroom where she excels, and of the playground, where her poverty is often a cause for ridicule, but where her sassy, outspoken nature is treated with grudging respect. Early 1980s Atlanta is an unsafe place for children: drugs, gangs, and the Atlanta Child Murders are threatening their very existence, and like many of the stories on my list, Octavia’s triptych also ends with a departure. However, her wit and savvy make clear that, wherever she lands, she’s going to be alright.
In the summer of 1979 black children were disappearing from the streets of Atlanta. By the time this heinous killing spree was over, 29 children were dead. This haunting menace provides a powerful backdrop to the stories of three young children fighting the painful everyday battle of adolescence. Tasha, Rodney and Octavia each has a unique voice and story and each is struggling to find a path through the turmoil. Tasha, who is coping with the separation of her parents, is discovering the first sweet pain of a crush on a tough but tender boy named Jashante from the rough…
I scored my first touchdown at nine and went on to play quarterback at both the collegiate and professional levels. By twenty-six, I was the head coach of a backwoods high school in Arkansas. My debut novel, Don’t Know Tough, is a football-centric thriller and was named one of the “Best Crime Novels” of 2022 by the New York Times. Afterthat book's publication, I’ve had readers reach out and ask about my favorite football novels, so I was thrilled to get the chance to compile them all into one list. I hope you enjoy these books as much as I have.
A Feast of Snakes is about a washed-up high school football star. It’s heart-wrenching and hilarious. So much so, I can remember reading lines out loud to my wife more than once when I first encountered this book. Set in Georgia, Crews’s home state, this novel also features the “Rattlesnake Roundup," which I can promise, you won’t want to miss.
From the acclaimed author of such novels as "Blood and Grits" and "Childhood" comes a wildly weird and breathtakingly original visit to the rural South that reveals the exotic subculture that erupts in all its glory at the Rattlesnake Roundup in Mystic, Georgia. "No number of adjectives in the thesaurus can do full justice to the dazzlingly bizarre nature of Crews' creations"-- "Washington Post Book World"
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
Set in Georgia in 1958, Tang Mae is the darkest of ten fatherless children and considered by her mother the ugliest. However, she is selected to attend a white school because she is gifted. This gives her an opportunity to change her life, but she must first break free from her mother's grasp.
There were many times I wanted to put this book down and not finish it. The brutality and abuse were hard to bear. And yet, I felt compelled to read the entire thing because I wanted to see Tang Mae succeed.
It inspired me that she never gave up on her dream of completing her education despite all the abuse and loss she experienced. I spent a lot of time thinking about this book long after I read it.
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.
But Tangy Mae has been selected to be part of the…
After teaching high school English for thirty-one years, I retired and began my second career in writing. I have published five novels and one collection of poetry. When I met Jane Tucker in 1974, she became a good friend, fellow church member, and my dental hygienist. I had no idea she had worked as a welder on Liberty Ships during World War II when she was only sixteen years old. After I learned this in 2012, I began my journey into learning all about the Rosies during World War II and writing my fourth novel Becoming Jestina. Jane’s story is an amazing one, and I still talk to her regularly.
I recommend this book because it not only helped me understand the role of women during the war, but also the whole culture of Savannah, Georgia, during that time. Tony Cope was a young child in Savannah during World War II and was very familiar with the Southeastern Shipyards. When he returned as an adult and realized that most people in the city did not even know the shipyards had existed, he was determined to make sure that part of Savannah’s history wasn’t lost. His interviews with those who had worked in the shipyards are fascinating and enlightening.
During World War II eighty-eight of the almost three thousand Liberty ships built in America were launched in Savannah, Georgia. Without Liberty ships, the Battle of the Atlantic might have been lost.
Few remember the Liberty ships today; fewer remember the shipyard or that the Southeastern Shipbuilding Corporation was the largest industry ever located there. The land on which this shipyard stood is now derelict. Thousands drive by it every day and have no idea of the great contribution to the war effort that was made on that site.
This social history tells the story of the men and women…
I'm a contemporary African American writer born and raised in the South. It was this sense of place that has shaped my artistic sensibilities. I was in my mid-twenties, searching, seeking for answers and direction on my own, when other Black southern writers were instrumental in pointing me in the right direction: Richard Wright, Zora Neale Hurston, Margaret Walker, Ernest J Gaines, Alice Walker, Arna Bontemps, Albert Murray, just to name a handful. Their writings were revelatory. The same issues that they were dealing with a generation earlier were the same ones I was struggling with every day. It opened my eyes, mind, heart and creativity to put into perspective what I was feeling.
In 1946, two African American couples were lynched in rural Georgia by a white mob. Grooms fictionalized that account from the perspective of one of the victims, perpetrators, and a pre-teen eyewitness and in the process comes to terms with redemption, race, and violence not only in the South but in the nation as well. Grooms has the ability to juxtapose the beauty of the Southern landscape with the horrors that have occurred there with breathtaking imagery and conciseness. This book not just deals with the victims of such horrific acts, but the often untold damage done to the progeny of those who perpetrated the act. This is a fiction that will always be relevant as long as a nation struggles with injustice, oppression, and white supremacy.
An engrossing novel based on the true story of the 1946 lynching of two black couples in Georgia
Inspired by true events, The Vain Conversation reflects on the 1946 lynching of two black couples in Georgia from the perspectives of three characters-Bertrand Johnson, one of the victims; Noland Jacks, a presumed perpetrator; and Lonnie Henson, a witness to the murders as a ten-year-old boy. Lonnie's inexplicable feelings of culpability drive him in a search for meaning that takes him around the world and ultimately back to Georgia, where he must confront Jacks and his own demons, with the hopes that…
I was raised in middle-class America by a strong woman and an alcoholic. I survived an abuser when I realized that I was the answer to my problems. I write about tough subjects but am an eternal optimist who believes a strong spirit will always ensure a happy ending.
A dual-timeline novel, about a family on the ‘Titanic of the South’, the Pulaski a paddlewheel steamer that sunk in 1838, and a historian today, who is creating a museum showing of the disaster.
She also has a huge decision to make—live in the past, in survivor’s guilt, or to grab an uncertain future she’s not sure she deserves.
"An atmospheric, compelling story of survival, tragedy, the enduring power of myth and memory, and the moments that change one's life." --Kristin Hannah, #1 New York Times bestselling author of The Four Winds
"[An] enthralling and emotional tale...A story about strength and fate."--Woman's World
“An epic novel that explores the metal of human spirit in crisis. It is an expertly told, fascinating story that runs fathoms deep on multiple levels.”—New York Journal of Books
It was called "The Titanic of the South." The luxury steamship sank in 1838 with Savannah's elite on board; through time, their fates were forgotten--until the…