Here are 44 books that Five on a Treasure Island fans have personally recommended if you like
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I have been writing for the past 21 years on mystical themes with a good dose of Mother Earth Love tossed in. Fifteen years ago, I launched the spoken word website, offering one ten-minute recorded essay monthly on mystical/philosophical themes. Having published three nonfiction books, I decided to take my love of nature and interest in mysticism and write a novel for young philosophers and Earth-loving elders. My book follows the mystical journey of a rather practical eleven-year-old to an enchanted lake in the high Alps. It contains gentle animals, wise trees, kindred spirits, and healing waters.
This is perhaps the best-known and most obvious choice illustrating Nature’s healing powers. Mary, an orphaned girl, moves in with an estranged, reclusive uncle on his isolated English estate. Lonely and bereaved, Mary spends her days exploring both the house and extensive gardens, when one day she discovers a secret garden, locked away behind a wall.
This garden, tucked away and neglected for many years, is the key to Mary’s healing. Through quiet deliberation, she begins to bring the garden back to life and, in turn, finds new life in herself. The healing of the uncle is perhaps the most mystical scene in the book for me, brought about by a quiet moment beside a trickling stream, where he has an epiphany of heart healing. I find the book’s mixture of nature and mystery beguiling.
The Secret Garden by Frances Hodgson Burnett is a magical novel for adults and children alike
'I've stolen a garden,' she said very fast. 'It isn't mine. It isn't anybody's. Nobody wants it, nobody cares for it, nobody ever goes into it. Perhaps everything is dead in it already; I don't know.'
After losing her parents, young Mary Lennox is sent from India to live in her uncle's gloomy mansion on the wild English moors. She is lonely and has no one to play with, but one day she learns of a secret garden somewhere in the grounds that no…
Ever since my younger years, I’ve spent many hours dwelling within the realms of my imagination, daydreaming myself into whirlwind romances from slow-burn to forbidden and everything in between. Why? The best answer I can give right now is my love of love, my innate understanding that the invisible string that pulls two people so fiercely together at the right time and place ultimately are the connections and relationships that propel us into up-leveling ourselves, evolving into our next best versions. So when I read, watch, or write romance, it’s beyond the physical–it’s emotional, mental, and truly spiritual.
I return to this book time and again because of the captivating connection Elizabeth and Darcy share. It’s not just the tension on the surface, but it’s what goes on emotionally and psychologically with them that has me enchanted.
Austen does a fantastic job of portraying how love will sneak up on you when you’re not even looking for it, how it will push you to face the parts of yourself you’ve been avoiding for too long and to stand boldly in your authentic character while holding compassion for another’s perspective.
Every time I read this book, I feel I know the characters at a more intimate level as new fractals of their personalities and behaviors shine through.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
As a nonfiction author, I’ve always been mystified by fictional character development. What qualities make one character fascinating and another a dud? How do great writers make us fall in love with their creations? If I had one wish as an author, it would be to create one truly beloved character. I particularly like quirky nonconformists who forge their own paths, making mistakes along the way, yet they remain sympathetic. When I finish reading the story, I miss their company. My five recommended books include some of my favorite characters in modern literature.
I thought this book (another by the king of quirk, Backman) was hysterical. The relationship between the precocious seven-year-old main character, Elsa, and her nutty grandmother is laugh-out-loud funny yet poignant.
I also liked that the story included a bit of magical realism, so I was never quite sure what would happen next.
A must-read for fans of Rachel Joyce's The Unlikely Pilgrimage of Harold Fry and Maria Semple's Where'd You Go, BernadetteHeartbreaking and hilarious in equal measure, by the author of the New York Times bestselling phenomenon A Man Called Ove will charm and delight anyone who has ever had a grandmother. Everyone remembers the smell of their grandmother's house. Everyone remembers the stories their grandmother told them.But does everyone remember their grandmother flirting with policemen? Driving illegally?Breaking into a zoo in the middle of the night? Firing a paintball gun from a balcony in her dressing gown?Seven-year-old Elsa does.Some might call…
I'm a writer and a mother. Prior to the birth of my son, I wrote mainly fiction but fiction grounded in reality. As my son grew up, I wanted to write stories for him but as soon as I had written a crocodile story, he had already outgrown it. The years seven until eleven are a magical time for reading and perhaps the age group I enjoy writing for most. As a single, older mother I found the most engaging narratives for myself and my son (who is not a reader although loves being read to) were those that were grounded in reality, particularly the setting and with challenging as well as challenged characters.
An old-time favourite and, like Enid Blyton, a good link between picture and chapter books. It was one of my childhood favourites and one I have read to my son more than once. It is a story of the bullied overcoming the bullies and perhaps something that resonates with kids as the small foxes manage to outwit three rich men and their machines trying to dig them out. The fox characters are anthropomorphised and so outside of the ‘real’ and yet there is a strong sense of place, and although the characters of Boggis, Bunce, and Bean are exaggerated, they are recognisable and realistic.
Someone's been stealing from the three meanest farmers around, and they know the identity of the thief-it's Fantastic Mr. Fox! Working alone they could never catch him; but now fat Boggis, squat Bunce, and skinny Bean have joined forces, and they have Mr. Fox and his family surrounded. What they don't know is that they're not dealing with just any fox-Mr. Fox would rather die than surrender. Only the most fantastic plan can save him now.
I'm a writer and a mother. Prior to the birth of my son, I wrote mainly fiction but fiction grounded in reality. As my son grew up, I wanted to write stories for him but as soon as I had written a crocodile story, he had already outgrown it. The years seven until eleven are a magical time for reading and perhaps the age group I enjoy writing for most. As a single, older mother I found the most engaging narratives for myself and my son (who is not a reader although loves being read to) were those that were grounded in reality, particularly the setting and with challenging as well as challenged characters.
These are a perfect series of stories for kids transitioning from picture to chapter books. The setting is ‘realistic’ (London and the US) and the characters involve Mac B (Kid Spy) and the Queen of England, among others. That doesn’t sound like a realistic premise but it absolutely works. The first-person narrator is the author reimagining his spy childhood in the 80s. ‘Before Mac Barnett was an author, he was a kid. And while he was a kid, he was a spy.’ The illustrations are perhaps more plentiful, which would make reading by themselves easier – although, again, I read these to my son. The writing is light, humorous with lots of historical referencing, particularly to the old USSR.
From the esteemed New York Times bestselling and multi-award-winning author Mac Barnett comes a thrilling, hilarious fully-illustrated new spy adventure series! Before Mac Barnett was an author, he was a kid. And while he was a kid, he was a spy. Not just any spy. But a spy...for the Queen of England.
James Bond meets Diary of a Wimpy Kid with this groundbreaking fully-illustrated chapter book series Mac B., Kid Spy.
The precious Crown Jewels have been stolen, and there's only one person who can help the Queen of England: her newest secret agent, Mac B. Mac travels around the…
I'm a writer and a mother. Prior to the birth of my son, I wrote mainly fiction but fiction grounded in reality. As my son grew up, I wanted to write stories for him but as soon as I had written a crocodile story, he had already outgrown it. The years seven until eleven are a magical time for reading and perhaps the age group I enjoy writing for most. As a single, older mother I found the most engaging narratives for myself and my son (who is not a reader although loves being read to) were those that were grounded in reality, particularly the setting and with challenging as well as challenged characters.
Similar to the Mac B books, this is a series about a character who likes to solve crimes/mysteries, and the characters and settings are realistic. Even more wonderful is that the setting is Botswana and it gives much insight into the country and people. I was fortunate enough to be able to read this with my son while travelling with him in Botswana. Perfect.
THE NO. 1 LADIES’ DETECTIVE AGENCY - Young Readers
Fans around the world adore the bestselling No. 1 Ladies’ Detective Agency series, the basis of the HBO TV show, and its proprietor Precious Ramotswe, Botswana’s premier lady detective. In this charming series, Mma Ramotswe navigates her cases and her personal life with wisdom, and good humor—not to mention help from her loyal assistant, Grace Makutsi, and the occasional cup of tea.
Have you ever said to yourself, Wouldn’t it be nice to be a detective?
This is the story of an African girl who says just that. Her name is…
I’m one of those writers who’d identify themselves as readers first, and as an oft-bullied queer kid growing up in Singapore, I often found refuge and salvation in writers whose works were able to refashion and reimagine our lives, however intimately or grandly. I grew up devouring fantasy of all kinds; I went from Enid Blyton to Charmed, for instance, before discovering in my later adolescence the manifold possibilities of magical realism and the other expanses contained within the realm(s) of speculative fiction. Many of the books in this particular list were especially useful in crafting my second novel, Lovelier, Lonelier.
The assignment was to recommend a book, when, of course, what I’m really doing here is recommending the entire His Dark Materials trilogy, a set of fantasy books that I must have read at least three (if not four) times, totally swept away by the scope of Pullman’s imagination and daring.
The ill-fated lovers in this book are Lyra and Will, two teens from two parallel universes going to war over the right to think, feel, desire, and be. That’s epic.
A stunning full-colour illustrated gift hardback to celebrate the 25th anniversary of NORTHERN LIGHTS, with breathtaking art throughout by Chris Wormell. First published in 1995, and acclaimed as a modern masterpiece, this first book in the series won the UK's top awards for children's literature.
"Without this child, we shall all die."
Lyra Belacqua and her animal daemon live half-wild and carefree among scholars of Jordan College, Oxford.
The destiny that awaits her will take her to the frozen lands of the Arctic, where witch-clans reign and ice-bears fight.
Her extraordinary journey will have immeasurable consequences far beyond her own…
I learnt to read at about the age of three or four and have been devouring books ever since. However, it took a few decades for me to begin creating my own stories. I have a passion for writing and whenever I can, I try to help new writers improve their expertise. I’m a strong believer in writing groups, for that reason. My first book, born from a few-hundred-word short story at my writing group, turned into a three-book thriller series. Since then I’ve branched out by publishing a rom/com, a humorous ghost story as well as a standalone thriller.
I’ve selected this title as it’s one of the first Jeeves and Wooster books but, to be honest, you could choose any one; they’re all brilliant.
That goes for pretty much all of Wodehouse’s stories. I realise everyone knows these two characters from the various TV series produced over the years. But they may not have read the books. They should. It’s a great credit to the author that whichever actors portray this pair, and others such as Lord Emsworth of Blandings, the characters are instantly recognisable.
I think PG Wodehouse’s characterisation is superb. I admire his eye for details, not only in appearance but in mannerisms and speech. Wooster – the young gentleman – is wealthy, foppish, dapper, scatterbrained and idle. Jeeves – the gentleman’s gentleman – is someone who “from the collar upwards, stands alone.” That phrase alone tells the reader everything they need to know about the…
As a child, Robin Bayley was enchanted by his grandmother's stories of Mexican adventures: of bandits, wild jungle journeys, hidden bags of silver and a narrow escape from the bloody Mexican Revolution. But Robin sensed there was more to these stories than anyone knew, and so he set out to follow in the footsteps of his great-grandfather.
The Mango Orchard is the story of parallel journeys' a hundred years apart, into the heart of Latin America. Undaunted by the passage of time and a paucity of information, Robin seeks out the places where his great grandfather Arthur 'Arturo' Greenhalgh travelled…
Having climbed many a tree with the boys as a kid, I cannot stay away from a good gender-bender romance. The suspense, the humour of it, and the inevitable conclusion that not your appearance but your choices define who you are – a perfect combination in my opinion. Mix in a male counterpart who is supportive and understanding and I am hooked! So much so, that I have written a book about a girl who dressed up as a boy.
Why I recommend this book that every romance-head can recite cover to cover? Because I could not possibly take myself seriously as an author if I didn't. Seriously, Jo is a tomboy legend. She does not even need to get dressed up as a boy to show us who’s boss.
An adapted and illustrated edition of Louisa May Alcott's Little Women, at an easy-to-read level for all ages!
‘Happiness doesn’t come from money,’ said Mrs March. ‘I’d rather see my girls happy and married to poor men, than unhappy and married to rich men.’
The March sisters are living through tough times. Their father is off at war, money is scarce and the eldest sisters must work to support their mother. Their poverty creates hardship to be overcome. But will the girls grow to find richness of spirit as well as material wealth?
As a young girl, I thought I was a tomboy—or I wanted to be one, because the image of a “normal” girl was far too pink and frothy and shallow for my tastes. For me, being a tomboy was less about being boy-like than being unable to claim the markers of femininity. As a historian of women and girls, I wondered how young women saw their futures in this modernizing America, with its True Women and New Women and the opening of advanced education. Did tomboys grow into the rebels who changed the world? Or, like the tomboys in so many fictional stories, did they renounce their assertive sense of self upon marriage and motherhood?
Gilder’s memoir of growing up in the 1860s as a boyish girl will seem remarkably contemporary to those who equate nineteenth-century girls and women with corsets and overly important etiquette. Gilder writes about baseball, pranks, and various attempts to look like a boy, confirming an instinctual tomboy identity even at a time when females could not legally wear pants.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and…
