90 books like The Great Cake Mystery

My love for this book started at age ten, when I read it for the first time and couldn’t put it down.

It introduced me to many of the tropes I would later come to love: the big house in the country, secrets from the past, the wise mother-figure. 

Most of all, though, this story about three children who resurrect a dormant walled garden taught me the power of hope. This novel shows us that although seeds and bulbs may look dead, there is a life inside that just needs care and space to flourish.

It’s a beautiful lesson for children and adults alike.

By the time I learnt to read, Enid Blyton had already written six or seven children’s books. One of my early reads was likely to have been this one, the original adventure. Eventually, I read them all.

I learnt the characters so well; their looks and personalities, they were embedded in my mind until the next book – and the remaining nineteen! So clear were their identities, my friends and I were able to re-enact the Five’s escapades taking the roles of the siblings and cousin. 

Although some of her writing comes in for criticism these days (from adults), it’s for things that went unnoticed by the average child swept along by the book’s adventures.

In my writing I work hard to create memorable characters and I’m always delighted when they are mentioned by readers.

An old-time favourite and, like Enid Blyton, a good link between picture and chapter books. It was one of my childhood favourites and one I have read to my son more than once. It is a story of the bullied overcoming the bullies and perhaps something that resonates with kids as the small foxes manage to outwit three rich men and their machines trying to dig them out. The fox characters are anthropomorphised and so outside of the ‘real’ and yet there is a strong sense of place, and although the characters of Boggis, Bunce, and Bean are exaggerated, they are recognisable and realistic.

These are a perfect series of stories for kids transitioning from picture to chapter books. The setting is ‘realistic’ (London and the US) and the characters involve Mac B (Kid Spy) and the Queen of England, among others. That doesn’t sound like a realistic premise but it absolutely works. The first-person narrator is the author reimagining his spy childhood in the 80s. ‘Before Mac Barnett was an author, he was a kid. And while he was a kid, he was a spy.’ The illustrations are perhaps more plentiful, which would make reading by themselves easier – although, again, I read these to my son. The writing is light, humorous with lots of historical referencing, particularly to the old USSR.

This book fills a gap that I didn’t know was missing until I read it.

Not much has been written documenting the history of Black Africans in 20th/21st Century London, but Jimi Famurewa covers the migration, the cultural contributions, the food, the music, the community…ah, it really covers a lot.

Non-fiction is never really my go-to but is immensely readable and the research is thorough and sharp. It filled in some the gaps in the word-of-mouth anecdotes you hear from the older generation, as well as introduced me to corners of our history that I wasn’t as familiar with.

This edited volume studies Black festive traditions in the Americas that are rooted in African interpretations of early-modern Iberian customs. It shows how, from the beginning of the transatlantic slave trade, enslaved and free Africans in the Americas used Catholic brotherhoods as spaces for cultural and religious expression, social organization, and mutual aid. By demonstrating that the syncretic development of certain Black performance traditions in the Americas is a phenomenon that already set in on African soil, it breaks with previous scholarship that (mis)interpreted these festive traditions in the Americas as new, Creole syncretisms. I am convinced that this pioneering book will strongly affect the way future generations of scholars will come to understand Black cultural and religious identity formation in the Americas.

Paulina Alberto wrote a binge-reading biography of Raúl Grigera, a Black legend of Buenos Aires during the golden age of tango. While Alberto reconstructs the family’s history of Grigera since the times of slavery in early nineteenth-century Argentina, the narrative arc of the book is the unequal power to control narratives about the self, which affected Grigera and other Black men and women who suffered the dominant and racist narratives about Blackness in Argentina, particularly on the disappearance of Afro-Argentines. This book illustrates the biographical turn in African Diaspora Studies combined with an exquisite interdisciplinary approach, which Alberto employs in her examination of “racial stories” as a methodology.

Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.  

A memoir by a young biracial woman who travels to Israel, Jamaica, Ethiopia, Ghana, and the U.S. South, searching for her own identity. 

The pleasure in the memoir comes from her journey. She is a good storyteller and takes us inside her often uncomfortable encounters with folks she has romanticized as being the “real” Black folks. Raboteau discovers, after searching for ten years all over the world, that rather like Dorothy in The Wizard of Oz, her true home lies within. 

One of the things I loved about the book was her well-told conversations and visits with people in countries I knew little about. The book was the winner of American Book Award.

Everyone knows about how the People’s Republic of China treats Tibetans and Uighurs today, but how many know about premodern China’s response to people it considered foreign, barbarian, or Black?  Don Wyatt’s book shows how people in Southeast Asia—Sumatra, Java, the Malay archipelago—were considered by China as Black, alongside actual Africans.  An excellent companion book to read together with this is Shao-yun Yang’s The Way of the Barbarians: Redrawing Ethnic Boundaries in Tang and Song China.  Many books on race before the modern era focus on the West, but how about race elsewhere? How about China, a country that’s fast becoming a world power?