Here are 100 books that Searching for Zion fans have personally recommended if you like
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One of the things I love most about fiction is the way it allows you to “be” different people—to experience, think, feel, and behave from inside a particular temperament, worldview, or experience. My very favorite is adding the complexity of multiple perspectives to that magic trick so that you get to live inside two or more people who may be at complete odds with each other. Reading good fiction is an exercise in empathy, and reading good fiction from multiple viewpoints is empathy supercharged. I’ve loved that immersion since I was a little kid who believed there was nothing better than a novel.
This novel is an immersive read with heaps of empathy for all its characters but especially for the two sisters whose perspectives are at the center of the story: the twin who disappears to live a secret life, passing as white, and the twin left behind.
We don’t get the perspective of Stella, the vanished twin, until 14 years after her disappearance, 150 pages into the book. By then, I was fully absorbed in the grief and unanswered questions of the people she’d abandoned, eager to finally know where she’d been all this time and to understand her complex motivations and the emotional and mental toll of relinquishing—and hiding—her racial identity, her community, her sister, and her past. I picked this book up and didn’t put it down until it was done.
THE SUNDAY TIMES TOP BESTSELLER #1 NEW YORK TIMES BESTSELLER
SHORTLISTED FOR THE WOMEN'S PRIZE LONGLISTED FOR THE ORWELL PRIZE
'An utterly mesmerising novel..I absolutely loved this book' Bernardine Evaristo, winner of the Booker Prize 2019
'Epic' Kiley Reid, O, The Oprah Magazine
'Favourite book [of the] year' Issa Rae
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years…
I’m most drawn to stories of overcoming. My own childhood was about exactly that-overcoming a multi-generational inheritance of family separation and orphaned children. When I wrote my first book about that story, A Chance in the World, an unanticipated magic unfolded: I began to receive stories of strangers from all across the world who wrote to tell me their own story of overcoming. Each and every day I hear from someone and the steady stream of those stories of overcoming affirms something I have to come to learn: we all have a story and none of us look like that story.
Even a casual glance at today’s headlines will show how race continues to be a perplexing issue in our society. And it shouldn’t be. But we need examples of how to navigate the complexities of race and McBride’s powerful memoir shows us how.
His deep love – and appreciation – for his mother and coming to terms with her story while still standing in his own truth as a Black man is instructive and inspiring…and a reminder that there is nothing greater than love.
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'A triumph' - New York Times Book Review
'A startling, tender-hearted tribute to a woman for whom the expression tough love might have been invented' - The Times
'As lively as a novel, a well-written, thoughtful contribution to the literature on race' - Washington Post
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MORE THAN TWO YEARS ON THE NEW YORK TIMES BESTSELLER LIST
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From the New York Times bestselling author of Deacon King Kong and The Good Lord Bird, winner of the National Book Award for Fiction, came this modern classic that Oprah.com calls one of the best memoirs of a generation and that…
Sixty-one years ago I, a young white woman, married a Black man and together we had two children. Raising them (and then watching my biracial children grow to maturity) started my career, professionally and personally, as an anti-racism activist and scholar. They also caused me to question “race”: how did this myth come to be accepted as reality? How could people who were segregated as Negro, as my children were called in the 1960s, have come out of my body, called “white”? As a writer and avid reader, I am fascinated by every aspect of “racial identity.”
I have bought multiple copies of One Drop as gifts for biracial family members, as well as friends.
Broyard is the daughter of Anatole Broyard, celebrated New York Times book critic in the 1960s and 70s. Only after his death did even his wealthy white wife and mixed children discover his Black heritage. The public—self included—was equally shocked.
Bliss Boyard researches his Louisiana roots, meets her Black cousins, and writes a fascinating, deeply personal story of “race,” showing its often bizarre contours as some family members may be classified as “white,” others “colored” or any number of other categorizations, from “octoroon” on.
Two months before he died of cancer, renowned literary critic Anatole Broyard called his grown son and daughter to his side, intending to reveal a secret he'd kept all their lives and most of his own: he was black. But even as he lay dying, the truth was too diffi cult for him to share, and it was his wife who told Bliss Broyard that her WASPy, privileged Connecticut childhood had come at a price. Ever since his own parents, New Orleans Creoles, had moved to Brooklyn and begun to 'pass' in order to get work, Anatole had learned to…
Sixty-one years ago I, a young white woman, married a Black man and together we had two children. Raising them (and then watching my biracial children grow to maturity) started my career, professionally and personally, as an anti-racism activist and scholar. They also caused me to question “race”: how did this myth come to be accepted as reality? How could people who were segregated as Negro, as my children were called in the 1960s, have come out of my body, called “white”? As a writer and avid reader, I am fascinated by every aspect of “racial identity.”
Scholars Lewis and Ardizzone write a deeply researched but popularly written non-fiction account of a major 1924 scandal: the marriage of a wealthy white scion of a prominent New York Family to a “colored” woman, who works as a servant.
The trial of the title is one in which the new husband, prodded by his father, sues his wife for annulment, charging that she deceived him about her racial identity.
It is clear she didn’t, but will his money and position dictate the trial’s results? The book probes deeply into racial identity, how it’s defined, and what it means to be Black, white—or ambiguously both.
Upon marrying Leonard Rhinelander in 1924, Alice Jones, a former nanny, became the first black woman to be listed in the Social Register as a member of one of New York's wealthiest families. When their marriage became a national scandal, Alice and Leonard found themselves thrust into the glare of public scrutiny-and into a Westchester courtroom. Earl Lewis and Heidi Ardizzone tell the story of the marriage and the annulment trial that opened the lives of two vastly different families to the media. Tracking the public obsession withthe case, they unfold a story with a dramatic cast of characters. Would…
I’ve been fascinated by the Atlantic slave trade since 2007, when I first studied the business papers of a Liverpool merchant who had enslaved over a hundred thousand people. I was immediately struck by the coldness of the merchant’s accounts. I was also drawn to the ways in which the merchant’s profit-motivated decisions shaped the forced migrations and experiences of their victims. I have subsequently extended my research to examine slave traders across the vastness of the Atlantic World. I'm also interested in the ways that the slave trade’s history continues to shape the modern world, from the making of uneven patterns of global economic development to such diverse areas as the financing of popular music.
This book really helped me to look beyond slave trading merchants’ papers to think about the lived realities of the slave trade for those merchants’ victims.
Smallwood follows enslaved people from their initial sale on the African coast, aboard the slave ships, and then through their sale and seasoning in the English Americas—a model that brilliantly exposes the multi-staged way that captive Africans were commodified within the slave trade.
Saltwater Slavery also details the experiences of enslaved people within the trade, especially the mental and physical trauma that they suffered aboard the slave ships.
This bold, innovative book promises to radically alter our understanding of the Atlantic slave trade, and the depths of its horrors. Stephanie E. Smallwood offers a penetrating look at the process of enslavement from its African origins through the Middle Passage and into the American slave market.
Smallwood's story is animated by deep research and gives us a startlingly graphic experience of the slave trade from the vantage point of the slaves themselves. Ultimately, Saltwater Slavery details how African people were transformed into Atlantic commodities in the process. She begins her narrative on the shores of seventeenth-century Africa, tracing how…
Much of the Britain that's exported to the world is fed by the monochromatic myth of nobility and royalty, but the heart of Britain is multifaceted and multicultural. I didn’t grow up in London, but grew up visiting family here and ‘The Big Smoke’ had an allure for me. The people were all different colours and ethnicities and it truly felt like the most exciting place in the world. I moved here the week I turned 18, and I haven’t left. It's a harsh, expensive city, and it's much too busy to provide anyone with any lasting sanity, but here I found a version of Black Britain that I was missing in my hometown.
This book fills a gap that I didn’t know was missing until I read it.
Not much has been written documenting the history of Black Africans in 20th/21st Century London, but Jimi Famurewa covers the migration, the cultural contributions, the food, the music, the community…ah, it really covers a lot.
Non-fiction is never really my go-to but is immensely readable and the research is thorough and sharp. It filled in some the gaps in the word-of-mouth anecdotes you hear from the older generation, as well as introduced me to corners of our history that I wasn’t as familiar with.
A journey into the extraordinary, vibrant world of Black African London which is shaping modern Britain.
What makes a Londoner? What is it to be Black, African and British? And how can we understand the many tangled roots of our modern nation without knowing the story of how it came to be?
This is a story that begins not with the 'Windrush Generation' of Caribbean immigrants to Britain, but with post-1960s arrivals from African countries like Nigeria, Ghana, Zimbabwe and Somalia. Some came from former British colonies in the wake of newfound independence; others arrived seeking prosperity and an English…
I am an African Australian writer and have a deep passion for black people's stories. I write across genres and forms, and my award-winning works are mostly Afrocentric. I have a master's degree in distributed computer systems, with distinction, a master's degree in creative writing, and a PhD in creative writing. I am especially curious about unique voices in black speculative fiction in transformative stories of culture, diversity, climate change, writing the other, and betwixt. I am an author of several novels and fiction collections, and a finalist in the 2022 World Fantasy Award. I was announced in the honor list of the 2022 Otherwise Fellowships for ‘doing exciting work in gender and speculative fiction’.
Dominion is a unique black speculative fiction that integrates stories from prominent voices from Africa and the diaspora, including Suyi Davies Okungbowa, Dare Segun Falowo, Mame Bougouma Diene, Dilma Dila, and more. Featuring a foreword by Tananarive Due, the award-winning anthology offers African spirituality, magical realism, Afrofuturistic stories, dystopian worlds and tales that confront in many ways colonialism, social injustice, and capitalism.
Dominion is the first anthology of speculative fiction and poetry by Africans and the African Diaspora. An old god rises up each fall to test his subjects. Once an old woman's pet, a robot sent to mine an asteroid faces an existential crisis. A magician and his son time-travel to Ngoni country and try to change the course of history. A dead child returns to haunt his grieving mother with terrifying consequences. Candace, an ambitious middle manager, is handed a project that will force her to confront the ethical ramifications of her company's latest project—the monetization of human memory. Osupa,…
I am a philologist with a passion for Atlantic cultural history. What started with a research project on the African-American Pinkster tradition and the African community in seventeenth-century Dutch Manhattan led me to New Orleans’ Congo Square and has meanwhile expanded to the African Atlantic islands, the Caribbean, and Latin America. With fluency in several foreign languages, I have tried to demonstrate in my publications that we can achieve a better understanding of Black cultural and religious identity formation in the Americas by adopting a multilingual and Atlantic perspective.
This edited volume studies Black festive traditions in the Americas that are rooted in African interpretations of early-modern Iberian customs. It shows how, from the beginning of the transatlantic slave trade, enslaved and free Africans in the Americas used Catholic brotherhoods as spaces for cultural and religious expression, social organization, and mutual aid. By demonstrating that the syncretic development of certain Black performance traditions in the Americas is a phenomenon that already set in on African soil, it breaks with previous scholarship that (mis)interpreted these festive traditions in the Americas as new, Creole syncretisms. I am convinced that this pioneering book will strongly affect the way future generations of scholars will come to understand Black cultural and religious identity formation in the Americas.
This volume demonstrates how, from the beginning of the Atlantic slave trade, enslaved and free Africans in the Americas used Catholicism and Christian-derived celebrations as spaces for autonomous cultural expression, social organization, and political empowerment. Their appropriation of Catholic-based celebrations calls into question the long-held idea that Africans and their descendants in the diaspora either resignedly accepted Christianity or else transformed its religious rituals into syncretic objects of stealthy resistance.
In cities and on plantations throughout the Americas, men and women of African birth or descent staged mock battles against heathens, elected Christian queens and kings with great pageantry, and…
As an African speculative fiction writer who had long hoped to see the development of African speculative fiction being embraced by the larger SFF community, it was a joy to see all these anthologies showcasing the works of Africans and platforming them for a larger audience to see. And it's been a joy as well to contribute to this growth both as an award-winning writer and editor of African speculative short fiction.
Omenana to Infinity is an anthology of collected works formerly published in Omenana Magazine. The anthology is edited by Mazi Nwonwu and Chinelo Onwualu, like the magazine its stories are culled from. The duo also founded and edited the magazine which is the first African, exclusively speculative fiction magazine. It's important to me because it contains some of the earliest works of speculative short fiction by African writers I would read as an issue of a magazine and did a great lot in platforming speculative fiction writers on the continent.
I’m interested in the lives and experiences of refugees and the policies and processes that support, protect, and obstruct them. I’m also interested in cities–how and why they attract people, the dangers and prospects they offer, and the unique way in which humanitarianism happens (or doesn’t happen) there. I’m an interdisciplinary academic who has spent years researching these issues and more.
This book is a fascinating and well-written book on ‘gender refugees’ –people who make their claim for asylum based on their gender identity.
The book illuminates these refugees’ unique and challenging journeys as gender refugees, from their reasons for leaving their countries, the various violences in the asylum system, the South Africa they imagined, and the South Africa they experienced.
The book de facto deals with urban refugees. South Africa does not practice a system of encampment, while nearly all the participants in the research reside in Cape Town and Johannesburg.
This book tracks the conceptual journeying of the term 'transgender' from the Global North-where it originated-along with the physical embodied journeying of transgender asylum seekers from countries within Africa to South Africa and considers the interrelationships between the two. The term 'transgender' transforms as it travels, taking on meaning in relation to bodies, national homes, institutional frameworks and imaginaries. This study centres on the experiences and narratives of people that can be usefully termed 'gender refugees', gathered through a series of life story interviews. It is the argument of this book that the departures, border crossings, arrivals and perceptions of…
