Here are 100 books that Figgs & Phantoms fans have personally recommended if you like
Figgs & Phantoms.
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I’ve been a nerd for the morbid for as long as I can remember. When I was a kid, I tore through all the books on the shelves in my house, whether they were appropriate for my age group or not. I started tearing into Stephen King books at 8 or so. I remember vividly copying language out of Christine when I was about 10 on the playground and getting in a lot of trouble for it. But I turned out okay. I really do believe that kids have a fascination for things above their age range, and adults enjoy it, too, and I still love all of these.
This book opened in a graveyard and never let me go from there.
It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.
When a baby escapes a murderer intent on killing his entire family, who would have thought it would find safety and security in the local graveyard? Brought up by the resident ghosts, ghouls and spectres, Bod has an eccentric childhood learning about life from the dead. But for Bod there is also the danger of the murderer still looking for him - after all, he is the last remaining member of the family. A stunningly original novel deftly constructed over eight chapters, featuring every second year of Bod's life, from babyhood to adolescence. Will Bod survive to be a man?
I'd like to claim that my expertise in these matters stems from the fact that I am a supernatural entity—and a funny one at that. But my origin’s more mundane; when I was growing up on a corn & soybean farm miles outside of a rural village, I became a voracious reader. I was always intrigued by writers who could explore a world outside the bounds of reality and do it with style. Over the years, I’ve been a short-order cook, a corn detasseler, a summer camp counselor, a college professor, and a middle-grade author, and I’ve learned that you can find a little magic anywhere if you look hard enough.
In this standalone addition to the Greenglass House series, Kate Milford has built a world of cozy and adventurous specificity.
It’s set mostly in the Liberty of Gammerbund, a walled municipality within the city of Nagspeake, a New England-ish coastal community populated by lots of former smugglers and pirates. Marzana and her friend Nialla learn that a girl from a neighboring school has been kidnapped, and they believe she sent a coded message using a book from a series they read obsessively. Marzana puts together a group of plucky kids (including one ghost) to solve the crime.
The setting is so lovingly created—with secret passages, architecture that modifies itself, and a magical, perpetually vacant “Glass Museum and Radioactive Teashop”—discerning readers will savor every minute of the mystery.
Marzana and her best friend are bored. Even though they live in a notorious city where normal rules do not apply, nothing interesting ever happens to them. Nothing, that is, until Marzana's parents are recruited to help solve an odd crime, and she realizes that this could be the excitement she's been waiting for. She assembles a group of kid detectives with special skills - including the ghost of a ship captain's daughter - and together, they explore hidden passageways, navigate architecture that changes overnight, and try to unravel the puzzle of who the kidnappers are - and where they're…
I'd like to claim that my expertise in these matters stems from the fact that I am a supernatural entity—and a funny one at that. But my origin’s more mundane; when I was growing up on a corn & soybean farm miles outside of a rural village, I became a voracious reader. I was always intrigued by writers who could explore a world outside the bounds of reality and do it with style. Over the years, I’ve been a short-order cook, a corn detasseler, a summer camp counselor, a college professor, and a middle-grade author, and I’ve learned that you can find a little magic anywhere if you look hard enough.
Twelve-year-old Freddie Ruiz believes he is the victim of a multi-generational family curse: whenever the pressure’s on, he’s likely to stumble, fall, or embarrass himself.
When he finds an old amulet in the garage, he unwittingly releases the ghost of his great-granduncle, and now the curse gets worse: Freddie has just seven days to reverse it if he wants to survive!
A winner of the Sid Fleischman Humor Award, this book also makes powerful references to Filipino history that help ground the fantasy events in the real world. It’s full of nice moments—I giggled when I saw that Chapter 13 was crossed out (“too unlucky!”) and replaced with Chapter 14—and there’s great warmth in the scenes between Freddie and his various family members.
In this thrilling and hilarious middle grade adventure, a young Filipino-American boy must team up with his ancestor to break the curse that's haunted their family for generations . . . or be trapped in an amulet forever.
Freddie Ruiz is cursed.
While other people may have bad days, Freddie and his family have had bad generations: from bird poop splatting on him during picture day to the many tumbles and trips that earned him the nickname Faceplant Freddie. He's learned to lay low and keep himself out of trouble-which means:
I'd like to claim that my expertise in these matters stems from the fact that I am a supernatural entity—and a funny one at that. But my origin’s more mundane; when I was growing up on a corn & soybean farm miles outside of a rural village, I became a voracious reader. I was always intrigued by writers who could explore a world outside the bounds of reality and do it with style. Over the years, I’ve been a short-order cook, a corn detasseler, a summer camp counselor, a college professor, and a middle-grade author, and I’ve learned that you can find a little magic anywhere if you look hard enough.
In this graphic novel, Skye is a girl who would rather go with her mom to Rwanda than attend the summer camp her dad and stepmom have selected.
She’s determined not to have fun, even after (or especially after) she realizes she got on the wrong bus and is now at a camp for kids who reveal their “true” monster selves only when it’s safe to do so. But even when Skye is in way over her head, she never lets up on the snark.
Seagle’s dialogue keeps the lessons and serious stuff from sounding trite by framing it all in a steady stream of sarcasm and unexpected cultural references. Katzenstein’s art is filled with clever visual gags. (At one point, as Skye is faking tears, she’s holding an Oscar statuette.)
Ben 10 and Big Hero 6 creator Steven T. Seagle
returns to comics with New Yorker Magazine cartoonist Jason Adam Katzenstein for
a new graphic novel!
Reluctant Skye is
accidentally sent to the wrong summer camp. Not wanting to please her
"step monster," Skye is dead-set on not fitting in. That won't be a
problem, as everyone at Camp Midnight-with the exception of fellow camper and
fast-friend Mia-is a full-fledged monster! The perfect book for fans of Raina
Telgemeier's Smile, but wish it had more bowls of gooey
eyeballs.
Steven Ramirez is a lifelong fan of the movies—especially gripping thrillers and nail-biting horror. An award-winning author, he wrote the supernatural suspense series, Sarah Greene Mysteries, and the horror-thriller series, Tell Me When I’m Dead. His latest novel is Faithless, a thriller. A former screenwriter, Steven lives in Los Angeles with his family. He enjoys Mike and Ikes with his Iced Caffè Americano, doesn’t sleep on planes, and wishes Europe were closer.
The way the author describes Sammy’s state of mind as he tells the story—accompanied often by wry, even side-splitting observations—drew me into this strange family, wanting more than anything to learn how they would extricate themselves from their collective morass. If you like ghost stories that are fresh and modern and feature plenty of humor, then I highly recommend From Away.
Sammy Kehoe, his sister, Charlotte, and her four-year-old daughter, Maggie, are all each other have left since the car accident that killed the rest of their family. When they visit their beloved old family home on remote Fox Island, Maine, Sammy and Charlotte each have relationship sparks with island locals. But the budding idyll is shattered when Sammy and Maggie’s unexplained abilities to “see things” are put to the test when dangerous ghosts from the past resurface. At first, this novel about an unusual and loving family draws readers in with warmth and intrigue―and then it builds with suspense that…
I am a half-Mexican author who grew up in a tiny Alabama town, where I spent my summers playing with sticks in the woods and exploring such distinguished careers as Forest Bandit, Wayward Orphan, and Woodland Fairy Princess. After college, I ran away to New Zealand for seven months and only pretended to be a character from Lord of the Rings on special occasions. Nowadays, I live and work in South Carolina with my clingy (and, unfortunately, non-magical) cat.
This dark fantasy, about a powerful teenage witch who must travel to the eerie land of Los Lagos to rescue her family, is fast-paced and profoundly moving.
The magic, which is inspired by Mexican Brujería, is a beautiful tribute to a rich cultural history. There is a queer love triangle for any romance lover, but it doesn’t overshadow the exciting adventure and self-discovery at the heart of the story.
The first book in the Latinx-infused Queer fantasy series from highly acclaimed author Zoraida Cordova that follows three sisters-and teen witches-as they develop their powers and battle magic through epic questing in the realms beyond. Alex is a bruja and the most powerful witch in her family. But she's hated magic ever since it made her father disappear into thin air. So while most girls celebrate their Quinceanera, Alex prepares for her Deathday-the most important day in a bruja's life and her only opportunity to rid herself of magic. But the curse she performs during the ceremony backfires, and her…
As a kid, I used to pretend I had unique powers, and I always wished it was real. So, stories including magic/powers give me a little taste of that. When the main character is in a learning setting, I get to see that magic is used more often, and I learn about the magic system and the world alongside the MC. Plus, I am a teacher by day, and it is cool to see how the education differs in those stories. Lastly, I have always been fascinated by mythical creatures and the cultures they come from, and I enjoy any story with them included.
I loved this book because it involved a female main character who learns she has a unique ability and is swept into a world of magic and myth. I read this book as a teenager and read it again when I was older because I still think about its storyline to this day. The MC’s gift is unique and something I still have not seen in any other book.
This story also includes some of my favorite paranormal/mythical creatures: vampires, werewolves, fae, etc. Although the setting is not an actual academy, I liked how the camp she goes to is set up to teach her how to use her gifts just like an academy would. I also loved the element of mystery in this story and the series.
Kylie Galen has had a lot of crap tossed in her lap. Her parents are getting a divorce. Her boyfriend broke up with her because she wouldn't put out. Her grandmother died and now Kylie's acquired a stalker. Unfortunately, she's the only one who seems to be able to see the stalker. And that gets her sent to a psychologist's sofa. The kooky psychologist gets Kylie sent to Shadow Falls Camp. Kylie and her parents think it's a camp for troubled teens. They thought wrong. It's a camp of supernaturals: vampires, werewolves, fairies, witches and shape shifters. And if she…
I have gone through the refugee experience, and it has shaped me. I grew up queer in Syria, became a man in Egypt, a refugee in Lebanon, then an author in Canada. At the expense of romanticizing something so deeply painful, I do believe that the experience has made me a better man. It matured me, offered me a deep connection with others within my community, and built an unmatched appreciation of my culture of home back in Syria and my culture of diaspora here in Canada. As a fiction writer, I am obsessed with writing queer stories about immigration.
I read this book back in 2018. As a Syrian writer, I was feeling quite lonely at the time, singular in the publishing community. Someone told me they heard about this book on NPR, and I jumped on it.
The book is a reversal of my own story. The author, a Syrian born in the US, travels back to Syria to search for her grandmother’s home. The observations feel authentic, and the storytelling feels meaningful. I was quite engrossed by the narrative; I could barely put the book down.
At the Arab Spring's hopeful start, Alia Malek returned to Damascus to reclaim her grandmother's apartment, which had been lost to her family since Hafez al-Assad came to power in 1970. Its loss was central to her parent's decision to make their lives in America. In chronicling the people who lived in the Tahaan building, past and present, Alia portrays the Syrians-the Muslims, Christians, Jews, Armenians, and Kurds-who worked, loved, and suffered in close quarters, mirroring the political shifts in their country. Restoring her family's home as the country comes apart, she learns how to speak the coded language of…
As a journalist, lawyer, and writer, I've been thinking and writing about state regulation of sexuality for 20 years. Political writing about sex can easily fall into orthodoxy; whether conservative or liberal, each side has its expected talking points. When I began investigating ways of thinking about public displays of sexuality in Park Cruising, I returned to the cache of sex-positive writing of the 1980s and 1990s. Some of it was invigorating, and some stale. So I sought out new writing about sex and sexuality, and I was richly rewarded. These books are just the tip of the iceberg; there's a feast of contemporary writing and thinking. So much to think through and explore!
Obviously, it’s a provocative thesis, but it’s one that has a long history in feminist and queer writing.
I was so happy to see this book reclaim the subject for the 21st century. Lewis is a careful thinker, and I appreciated that this book is not a polemic (not that there’s anything wrong with that).
I learned a lot about the history of family abolitionism, and I would recommend this book to anyone who wants to think deeply about the privatization of care—friends, colleagues, and yes, even members of my own family.
We need to talk about the family. For those who are lucky, families can be filled with love and care, but for many they are sites of pain: from abandonment and neglect, to abuse and violence. Nobody is more likely to harm you than your family.
Even in so-called happy families, the unpaid, unacknowledged work that it takes to raise children and care for each other is endless and exhausting. It could be otherwise: in this urgent, incisive polemic, leading feminist critic Sophie Lewis makes the case for family abolition.
In 2017, I lost one of my best friends. He was one of those magical people—charismatic, impossibly talented, hilariously funny. So, in the aftermath of his death, I noticed many people in his life competing for recognition of their bond with him. Unfortunately, he wasn’t there to recognize anyone. Though the stories are completely different, that experience inspired me to write Competitive Grieving, spotlighting the common—but rarely discussed—process of navigating someone’s life and relationships in their absence. For me, humor is the ultimate coping mechanism, as is the promise of brighter days, so the book attacks this serious topic with levity, honesty, and a bit of hope.
Okay. Fine. Maybe I only think this book is about loss because I know that, in later books, the same Glass family suffers losses and this sets the stage. But this isa story about a promise that is never realized and a relationship that is becoming progressively distant—and, in it, there is a sense of being lost if not having experienced a loss, specifically. In it, Buddy Glass takes Army leave to attend his brother’s wedding, but his brother never shows up. Somehow, Buddy winds up stuck in a limo with a group of disgruntled guests from whom he tries to hide his identity. In his sense of isolation, but also his awareness of the situation’s absurdity, we find humor and also sadness.
A Note from the Author: The two long pieces in this book originally came out in The New Yorker - RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR - An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my series about the Glass family. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.
