Here are 100 books that Favela fans have personally recommended if you like
Favela.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods.
No other book has had a greater influence on the ways that planners have tried to create the perfect suburban community, from England to the United States, Finland to France, Brazil to Australia.
Howard published his ideas about how to create humane suburbs more than 120 years ago with the future of London in mind, but they still resonate around the globe. Google “new towns” and the hits may be overwhelming. That’s testimony to the power of a good idea.
By the way, if you live in Columbia, Maryland or Irvine, California, you’re living in a version of “Howardville.”
I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods.
Is a picture worth a thousand words? Urbanist Dolores Hayden sure thinks so, providing a cheeky, even snarky, guide to the worst aspects of the contemporary suburban landscape.
Brightly lit aerial photographs (many are from the American Southwest) show big box interchanges, lollipop subdivisions, tower farms for the electronic world, and all the other ways in which sprawl chews up the American land. Leaf through the pages, then you get to choose: Do you weep or do you scream in outrage?
A Field Guide to Sprawl was selected by the urban web site Planetizen for its list of "Top Ten Books in Urban Studies" and by Discover magazine for its list of "Top 20 Books in Science." Features on the book appeared in The New York Times and the Boston Globe.
Duck, ruburb, tower farm, big box, and pig-in-a-python are among the dozens of zany terms invented by real estate developers and designers today to characterize land-use practices and the physical elements of sprawl. Sprawl in the environment, based on the metaphor of a person spread out, is hard to define.…
I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods.
American suburbs are all tidy middle-class places like where I grew up, right? Wrong.
Do-it-yourself housing and shantytowns were never confined to the developing world. The fringes of Toronto and Cleveland and Los Angeles could look a lot like the fringes of Sao Paolo or Istanbul in the first half of the twentieth century.
My Blue Heaven is a revelation about DIY community building on the south side of Los Angeles at the same time high-end developers were creating Pasadena and Beverly Hills.
In the 1920s, thousands of white migrants settled in the Los Angeles suburb of South Gate. Six miles from down-town and adjacent to Watts, South Gate and its neighboring communities served as L.A.'s Detroit, an industrial belt for mass production of cars, tires, steel, and other durable goods. Blue-collar workers built the suburb literally from the ground up, using sweat equity rather than cash to construct their own homes. As Becky M. Nicolaides shows in My Blue Heaven, this ethic of self-reliance and homeownership formed the core of South Gate's identity. With post-World War II economic prosperity, the community's emphasis…
I was a suburban kid in Knoxville, Tennessee and Dayton, Ohio and didn’t see much wrong with my neighborhood. As someone who then grew up to write and teach about the history of cities and city planning, I’ve long been struck by the mismatch between high-brow scorn for “suburbia” and the everyday experience of people who live in suburban communities. This short book is an effort to show how the world became suburban and what that meant to people in the different corners of the world—and maybe to put in a plug for my suburban Meadow Hills and College Hill neighborhoods.
Every country has its own way of naming its suburbs, and often more than one way. Do-it-yourself settlements in the desert around Lima, Peru were barriadas until the government decided that pueblos jovenes or “young towns” sounds better.
Turkish gecekondu for new neighborhoods translates as “built over night.” The bidonvilles of North Africa are literally “tin can towns.” I won’t kid you, the chapters are written by academics, but they take you on a tour of improvised settlements around the world.
'Borgata', 'favela', 'periurbain', and 'suburb' are but a few of the different terms used throughout the world that refer specifically to communities that develop on the periphery of urban centres. In What's in a Name? editors Richard Harris and Charlotte Vorms have gathered together experts from around the world in order to provide a truly global framework for the study of the urban periphery. Rather than view these distinct communities through the lens of the western notion of urban sprawl, the contributors focus on the variety of everyday terms that are used, together with their connotations. This volume explores the…
When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.
If you want to get a taste of what life is like in a Rio favela, then this is the book for you. Based on years of meticulous fieldwork, Goldstein documents the hardships endured by a woman she befriended who works as a maid for a wealthy family in the city. More importantly, however, Goldstein’s book describes in detail how life in a Rio favela changed as violence associated with the drug trade overwhelms the community. When she began her fieldwork, in the early 1990s, Rio was enjoying a period of relative calm. By the end of the 90s, however, Goldstein could no longer risk visiting her friends for fear of her own personal safety.
Donna M. Goldstein presents a hard-hitting critique of urban poverty and violence and challenges much of what we think we know about the "culture of poverty" in this compelling read. Drawing on more than a decade of experience in Brazil, Goldstein provides an intimate portrait of everyday life among the women of the favelas, or urban shantytowns in Rio de Janeiro, who cope with unbearable suffering, violence and social abandonment. The book offers a clear-eyed view of socially conditioned misery while focusing on the creative responses - absurdist and black humor - that people generate amid daily conditions of humiliation,…
I grew up in Tanzania, where I discovered the importance of learning first-hand from ordinary people about their lives by accompanying my mother, who was an anthropologist, when she carried out participant observation among coastal people. Much later in my own research, I could see how essential it was to interact with people face-to-face and learn about their aspirations, joys, fears, daily struggles, and creative ways of coping with the challenges of an economy in free fall. I learned to look beyond the “economic data” to more fully appreciate the humanity of the people involved. All of these books I selected are by people who learned about the real urban economy in this way.
Drawing on her first-hand experience of living in a shantytown in Rio de Janeiro, Brazil, Perlman powerfully upends many existing myths about the urban poor as marginal in this classic work.
This book, which inspired me to look beyond the economic models at how people actually live, shows how shantytown dwellers are integrated into society, but in a way that exploits and oppresses them economically and politically.
They are not socially and culturally marginal, but rather they are stigmatized and excluded from a closed social system that is radically unequal.
They are socially well-organized and cohesive; they aspire to educate their children and improve the quality of their homes; they work hard and take pride in a job well done. They are aware of and involved in those aspects of politics that affect their lives.
Two weeks before qualifying for his 30-year pension benefits, my father lost his job. This corporate reduction in labor force introduced a debilitating shame to the displaced breadwinner and a new level of precarity to a family with 3 of 4 kids in college. It also shattered the myth that capitalism rewarded individual initiative and hard work. Understanding inequities and the manifold structural forces that can determine an individual’s life prospects became a focal point of my graduate studies and my four decades of university teaching. Using race, gender, and sexuality as analytical tools, my research enriched traditional approaches to political economy.
As economic inequality has grown exponentially over the past five decades, some of the dispossessed have rebelled.
Focusing on mobilizations in Brazil, Mexico, and Salvador, Gledhill demonstrates how struggles for social justice are transformed into “threats” to national security, which require “securitization” measures. Through intricate ethnographies, the book documents the deployment of the police, military, and paramilitary to quell domestic disputes.
Protests by students, laborers, migrants, Indigenous, the poor, environmentalists, and human rights activists are subjected to police “pacification” involving state violence, criminalization, incarceration, and sometimes death.
Situating securitization in the context of transnational and global relations generated by capitalist uneven development, Gledhill argues that the logic of capitalist accumulation in the current era is inseparable from repressive violence against “inconvenient” populations.
When viewed from the perspective of those who suffer the consequences of repressive approaches to public security, it is often difficult to distinguish state agents from criminals. The mistreatment by police and soldiers examined in this book reflects a new kind of stigmatization.
The New War on the Poor links the experiences of labour migrants crossing Latin America's international borders, indigenous Mexicans defending their territories against capitalist mega-projects, drug wars and paramilitary violence, Afro-Brazilians living on the urban periphery of Salvador, and farmers and business people tired of paying protection to criminal mafias. John Gledhill looks at how and why…
I am the author of two middle grade books, and I love writing about kids who may not have much materially but abound in heart and courage. I grew up in a small southern town and my childhood was just like that—low on income but full of love, hope, and friendship. I want kids to know that despite their circumstances there is hope for a better life. Like Wavie’s mom tells her in my book, Hope In The Holler, “You’ve got as much right to a good life as anybody. So go find it!”
This beautiful book opens with the line, “Every day Mr. McInnis tells us to imagine our future.” Unfortunately, for Brittany, she can’t envision a future that holds anything good. Her mother is in an abusive and controlling relationship and her grandmother suffers from dementia. I love that this book shows a positive teacher, a mom who, despite her own bad choices, truly loves her children, and a family willing to go to bat for one another. Extra points for the intergenerational storyline of a grandmother who lives with the family.
A girl wishes for a better life for herself, her mom, and her baby brother and musters the courage to make it happen in this moving and emotionally satisfying story for readers of Kate DiCamillo and Lynda Mullaly Hunt.
“Once You Know This reminds me of a flower blooming in the crack of a sidewalk. It’s important, and it’s special. Just read it.”—Ali Benjamin, New York Times bestselling author of The Thing About Jellyfish
Eleven-year-old Brittany knows there has to be a better world out there. Lately, though, it sure doesn’t feel like it. She and her best friend, Marisol,…
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
Flann O’Brien is famous for his ingenious novels, At Swim-Two-Birds andThe Third Policeman, but I regard his funniest book as this short fictional memoir about life in the far West of Ireland. Originally published in Gaelic in 1941, it is a mock-pastoral farce about the customs of the remotest region in the country, where it rains all the time, but O’Brien is actually satirising the lack of mutual understanding between the local inhabitants and the modern outside world. The narrator’s adventures begin immediately after he is born and include (among many other absurdities) catastrophic pigs and the quest to climb a mountain to find an eternal fountain of whisky.
The Poor Mouth relates the story of one Bonaparte O'Coonassa, born in a cabin in a fictitious village called Corkadoragha in western Ireland equally renowned for its beauty and the abject poverty of its residents. Potatoes constitute the basis of his family's daily fare, and they share both bed and board with the sheep and pigs. A scathing satire on the Irish, this work brought down on the author's head the full wrath of those who saw themselves as the custodians of Irish language and tradition when it was first published in Gaelic in 1941.
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
Published in 1903, this classic piece of investigative journalism describes novelist/journalist Jack London’s visit to London in 1902, during which he tried to understand how the poor live by living himself as a pauper. Full of vivid descriptions of the people he met as he stayed in doss-houses, walked across the city to find work, and scraped for food, this experience made a profound impression on him. He later said "No other book of mine took so much of my young heart and tears as that study of the economic degradation of the poor." The characters you meet in this book, and their stories, just burst off the page.
The People of the Abyss (1903) is a work of nonfiction by American writer Jack London. Written after the author spent three months living in London's poverty-stricken East End, The People of the Abyss bears witness to the difficulties faced by hundreds and thousands of people every day in one of the wealthiest nations on earth. Inspired by Friedrich Engels's The Condition of the Working Class in England (1845) and Jacob Riis's How the Other Half Lives, London hoped to expose the indignities faced by those left behind by industrialization. In 1902, Jack London traveled to England to live in…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
poverty,
medications,
and
Brazil.
