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World War II has been the background of my life. My Viennese family fled the Nazi regime. My childhood was peopled with Holocaust survivors and other people displaced by war. My uncle was a refugee and was trained as a Ritchie Boy and sent to war. I have been inspired by how people can survive traumatic times and come out stronger and kinder.
A poignant, well-written and deeply researched non-fiction story of the author’s search for the girlfriend her grandfather had left behind in Vienna. As my family left Vienna because of the Nazi regime, and my own novel takes place in Vienna, I found Ms. Wildman’s book especially meaningful, raising the question not only of what had happened to the woman but also of how much guilt and responsibility the grandfather carried?
One woman’s journey to find the lost love her grandfather left behind when he fled pre-World War II Europe, and an exploration into family identity, myth, and memory.
Years after her grandfather’s death, journalist Sarah Wildman stumbled upon a cache of his letters in a file labeled “Correspondence: Patients A–G.” What she found inside weren’t dry medical histories; instead what was written opened a path into the destroyed world that was her family’s prewar Vienna. One woman’s letters stood out: those from Valy—Valerie Scheftel—her grandfather’s lover, who had remained behind when he fled Europe six months after the Nazis annexed…
Growing up, my mother often shared stories of her evacuation to a small Wiltshire village during World War Two. Far from a warm welcome, the local children viewed the newcomers with suspicion, and they were made to feel unwanted. My mother did, however, form one lifelong friendship that was very important to her. Her tales inspired me to write a novel about an evacuee’s experience for my Creative Writing MA. Living in Dorset at the time, I set my story there. The research was fascinating, allowing me to weave together historical insights with my own memories and experiences of today’s rural life.
The thought of walking around an occupied town in France during WWII terrifies me. The prospect of running into Nazis, looking for any excuse to arrest me, is the thing of nightmares.
But my fears shrink to nothing compared to the experience of blind sixteen-year-old Marie-Laure attempting to navigate war-torn Saint-Malo from the memory of a handmade tabletop model. The strength of courage she shows in this story has never left me.
WINNER OF THE 2015 PULITZER PRIZE FOR FICTION NATIONAL BOOK AWARD FINALIST NEW YORK TIMES BESTSELLER WINNER OF THE CARNEGIE MEDAL FOR FICTION
A beautiful, stunningly ambitious novel about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II
Open your eyes and see what you can with them before they close forever.'
For Marie-Laure, blind since the age of six, the world is full of mazes. The miniature of a Paris neighbourhood, made by her father to teach her the way home. The microscopic…
I’ve always loved stories that rearrange reality in some simple, allusive way, including movies like Groundhog Day or The Truman Show. They remind me of a quote about Italo Calvino that I first read when I was a teenager and have loved ever since: ‘He holds a mirror up to life, then writes about the mirror.’ I tend not to be attracted to stories that simply depict reality and even less so to stories that completely abandon reality for an invented fantasy world. All my favorite fictions take place somewhere in between, in the blending of the real and the impossible.
It always seemed unfair to me that not only do we get just one life, but we only get to live it once. So I fell in love with this novel from the moment I read its premise: Ursula Todd is born and dies and is born again… and again… and again.
I love that she doesn’t remember her previous lives except as vague intuitions that help her avoid making the same mistakes twice–and I also love that avoiding those mistakes often means she makes other (often fatal) mistakes. I found this book funny, moving, and thought-provoking, but what I love most about it is the way its down-to-earth, realistic style allowed me to fully inhabit the impossible conceit at its heart.
What if you could live again and again, until you got it right?
On a cold and snowy night in 1910, Ursula Todd is born to an English banker and his wife. She dies before she can draw her first breath. On that same cold and snowy night, Ursula Todd is born, lets out a lusty wail, and embarks upon a life that will be, to say the least, unusual. For as she grows, she also dies, repeatedly, in a variety of ways, while the young century marches on towards its second cataclysmic world war.
World War II has been the background of my life. My Viennese family fled the Nazi regime. My childhood was peopled with Holocaust survivors and other people displaced by war. My uncle was a refugee and was trained as a Ritchie Boy and sent to war. I have been inspired by how people can survive traumatic times and come out stronger and kinder.
This biography of the author’s mother and role model is as much a portrait of an intelligent, cultured, resilient woman as it is a well-researched history of the hundred-and-one years she lived through. Born into a middle-class Jewish family in Vienna she lived through World War I, post-war depression, antisemitism, and the violent rise of Nazism. With courage and determination she found a way to escape the worst horrors of the Holocaust (although many in her family did not) and faced the challenges of building a new life in a new culture.
Mother’s Century: A Survivor, Her People and Her Times is the “bio-history” of Margarete Sobel Hermann, the author’s mother and role model, who lived 101 tumultuous and productive years. Her life spanned 95 percent of the twentieth century, during which she and her family experienced much of the good, the bad and the exceptionally ugly that marked that most violent of eras. Born into a middle-class Jewish family in Imperial Vienna, she survived the First World War, famine and starvation, runaway inflation, political turmoil that makes what we are undergoing today pale in comparison, discrimination, street violence, the Great Depression,…
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
When I first read Zweig’s memoir, I initially thought it was pretentious name-dropping, mentioning one prominent fin de siècle Viennese writer or musician after another. Only years later did I warm to his memories describing a world that existed before the cataclysm of World Wars and the ultimate fate of Europe’s Jewish citizens.
In reading other memoirs from the period (such as Ernst Krenek’s–not available in English), it’s possible to see that Zweig was writing from a position of enormous privilege while also reflecting the very essence of cultural life in a world where culture was perhaps its most important characteristic and distinguishing element.
The World of Yesterday, mailed to his publisher a few days before Stefan Zweig took his life in 1942, has become a classic of the memoir genre. Originally titled “Three Lives,” the memoir describes Vienna of the late Austro-Hungarian Empire, the world between the two world wars and the Hitler years.
Translated from the German by Benjamin W. Huebsch and Helmut Ripperger; with an introduction by Harry Zohn, 34 illustrations, a chronology of Stefan Zweig’s life and a new bibliography, by Randolph Klawiter, of works by and about Stefan Zweig in English.
When I produced a recording of lost works by Alexander Zemlinsky with Riccardo Chailly for Decca Records in 1984, I soon realized that a wealth of music had been lost during the Nazi years that had never been recovered. After initiating and supervising the recording series Entartete Musik for Decca, the first retrospective of major works lost during the Nazi years, I headed research in this subject at London University’s Jewish Music Institute. I was a music curator at Vienna’s Jewish Museum. YUP published one of my books, and I am a co-founder of the Research Center and Archive “Exilarte” based at Vienna’s University of Music and Performing Arts.
There are so many histories of fin de siècle Vienna that this book is a welcome, long-awaited postlude. It explains how the city’s creativity did not die with the fall of the Habsburgs but became the source of everything we think of today as “modern”, from shopping, to cooking, to economics, to housing, education and the interaction of state and society.
Berlin may have been livelier in the 1920s, but the new ideas that would take root across the world and shape modern society were still coming out of Vienna.
How can one European capital be responsible for most of the West's intellectual and cultural achievements in the twentieth century?
Viennese ideas saturate the modern world. From California architecture to Hollywood Westerns, modern advertising to shopping malls, orgasms to gender confirmation surgery, nuclear fission to fitted kitchens-every aspect of our history, science, and culture is in some way shaped by Vienna.
The city of Freud, Wittgenstein, Mahler, and Klimt was the melting pot at the heart of a vast metropolitan empire. But with the Second World War and the rise of fascism, the dazzling coteries of thinkers who squabbled, debated,…
I am an accidental emigrant now living in Auckland, New Zealand. I arrived with my then husband and our three sons in 1990 for a three-year spell. And here I am with two sons now settled in New Zealand and one in Sweden and me in a very awkward split position between the two. I am also an accidental author as my first career was in law and finance. I am presently working on my seventh novel. My novels are what my publishers call literary fiction and they often involve characters who, like me, have no fixed abode.
Based on a true story, this is an important, thought-provoking book in these times of mass migrations around the globe. The story follows the thirteen-year-old boy Otto Ullman’s journey from Vienna to Trelleborg in southern Sweden. He is sent by his adoring Jewish parents as the persecution of Jews escalates in Austria during the lead-up to the second world war. The letters between Otto and his family, other relatives, and friends left behind are difficult to read. The efforts they all make to keep a brave face in spite of intolerable circumstances are utterly moving. Amongst the letters are official Swedish documents revealing the extent of racism and prejudice in Sweden. There are many similar stories. But I find this one particularly heartbreaking.
Named a Best Book of the Year by Kirkus Reviews and a Notable Translated Book of the Year by World Literature Today
Winner of the August Prize, the story of the complicated long-distance relationship between a Jewish child and his forlorn Viennese parents after he was sent to Sweden in 1939, and the unexpected friendship the boy developed with the future founder of IKEA, a Nazi activist.
Otto Ullmann, a Jewish boy, was sent from Austria to Sweden right before the outbreak of World War II. Despite the huge Swedish resistance to Jewish refugees, thirteen-year-old Otto was granted permission to…
The books I recommend have stayed with me years after I read them. I’ve always been fascinated by my Jewish heritage and the rich traditions of my forebearers. I’ve incorporated some of that heritage in my own work as an author. Most recently, I published a historical novel about the Jewish Ghetto in Rome, which took me down a rabbit hole of research into Jewish literature. I revisited books I’d loved for decades and discovered new books I loved.
Singer, one of the great names in Jewish literature, takes his readers to turn of the century Eastern Europe and enfolds them in the hierarchy of Jewish society. He masterfully captures a way of life that flourished before the Second World War.
I was so engrossed in this powerful story I immediately began reading Singer’s other works.
The vanished way of life of Eastern European Jews in the early part of the twentieth century is the subject of this extraordinary novel. All the strata of this complex society were populated by powerfully individual personalities, and the whole community pulsated with life and vitality. The affairs of the patriarchal Meshulam Moskat and the unworldly Asa Heshel Bannet provide the center of the book, but its real focus is the civilization that was destroyed forever in the gas chambers of the Second World War.
I was born in a log house in Alberta, Canada. I was nineteen months old in August 1939 when my parents decided we should visit my grandmother in Germany and thirteen when we returned. I have been deeply affected by the stories of ordinary families and the trauma they experienced after WWII. To this day, like thousands of others, I feel tremendous inherited discomfort from Nazism and the Holocaust. Our parents' generation did not talk about their wartime experiences, so we must preserve this important part of history and help to relieve the guilt many innocent individuals still harbor while raising awareness of this immensely damaging aspect of war.
This moving story awakened new empathy in me for my extended Canadian family as they waited for news of us for so many years. It gave me a new understanding of the effects of war on families, even at such great distances.
A daughter and granddaughter tells the story of her family’s escape from the holocaust in 1939. Safely in Canada, the country we left for Germany, in the same year, they fear for their family in Lithuania as telegrams of desperation arrive and news of events in Germany become known.
When Sharon found typewritten pages tucked in the back of her deceased father’s accordion folder, she had no idea she was holding an invitation to the greatest writing adventure of her life. The pages were her mother’s final attempt to record her Jewish family’s history — a history that she had kept secret for decades. Sharon’s mother was clear in her writing, “All I ask is that you not forget me.” With her mother’s written permission to explore the past, Sharon embarked on a journey that would take her from the Russian Revolution to Nazi-occupied Lithuania, onto rural Nova Scotia,…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
An unforgettable collection of linked stories, Heirlooms follows one Jewish family escaping Holocaust-era St. Malo, France through to present-day America and Israel. Hall depicts with masterful, exquisite prose just what it means to be a refugee, to rebuild a life outside one’s own country, to survive and endure. I recently taught Heirlooms to a class of fiction writing students who deeply appreciated this stunning collection and what they could learn from it about storytelling, and about resilience.
Fiction. Jewish Studies. Montaigne Medal Finalist. Winner of the G. S. Sharat Chandra Prize for Short Fiction, selected by Marge Piercy. HEIRLOOMS begins in the French seaside city of Saint-Malo, in 1939, and ends in the American Midwest in 1989. In these linked stories, the war reverberates through four generations of a Jewish family. Inspired by the author's family stories as well as extensive research, HEIRLOOMS explores assumptions about love, duty, memory and truth.
