Here are 100 books that Essays of Elia fans have personally recommended if you like
Essays of Elia.
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I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
This author always cracks me up, with her outrageously candid, sometimes bawdy confessions of awkward slips and romantic misalliances. She is so smart and insightful, yet so down to earth, that you just have to love her. I’m also a big fan of her collection Meaty.
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
I love Max, he always makes me laugh because he is so naughty and mischievous. He is utterly unafraid of going against the grain of social propriety, or admitting to his own selfish motives, jealousies, and contrariety. He has a wonderfully conversational style that engages the reader without pandering. (I should also admit that I wrote the introduction to this collection).
Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays.…
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
No one who reads Nora on her breasts or her neck will ever forget her hilarious takes on her own insecurities. Her style seems effortlessly casual, but the closer you look, the more you see how cunningly put together these essays are. A superb combination of vignette and rumination, these pieces rescue the detritus of everyday life and show how absurd our American reality is.
Do you trust anyone without a sense of humor? Neither do I. I’ve always had an odd sense of humor. Laughter is good for the soul. I don’t know if I’m an expert, but I’ve certainly spent decades watching and reading comedies. And while I love writing serious and dark fiction, something cute and funny now and then feels like a nice balance. My personal taste runs from slapstick to standup to snappy scenes and witty dialog. I like smart humor, and because I had the wittiest dad, I can even appreciate a well-done dad joke.
I could potentially recommend any of Sedaris’ early works. Pick one, you won’t regret it.
Sedaris has a way of taking our most mundane lives and making them hilarious. His style can be best described as memoirs meet standup comedy. We’ve all had those weird, awkward family moments. Sedaris does a great job of making them funny. Warning: people tend to look at you rather oddly and give you space when you listen to the audiobook while out walking alone.
David Sedaris's remarkable ability to uncover the hilarious absurdity teeming just below the surface of everyday life is elevated to wilder and more entertaining heights than ever in this new book of stories. Sedaris proceeds from bizarre conundrums of daily life - the etiquette of having a lozenge fall from your mouth into the lap of a fellow passenger or how to soundproof your windows with LP covers against neurotic songbirds - to the most deeply resonant human truths. Taking in the parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo and the purchase of…
I am the co-author of Small Teaching K-8. I hold Massachusetts teacher licensure in English 5-12, Library k-12, and School Administration 5-8 as well as an M.Ed. from Boston College.
Sloane Crosley’s first collection of literary essays is a hilarious celebration of emerging adulthood.
Her vulnerability and clever wit are on display as she navigates the hijinx of making a life in New York City. Crosley’s distinct writer’s voice has stuck with me through my transition from teacher to author.
From the author of 2018's much buzzed about Look Alive Out There...
Wry, hilarious, and profoundly genuine, Sloane Crosley's debut collection of literary essays is a celebration of fallibility and haplessness in all their glory. The New York Times bestseller that both captured and influenced a generation.
From despoiling an exhibit at the Natural History Museum to provoking the ire of her first boss to siccing the cops on her mysterious neighbor, Crosley can do no right despite the best of intentions -- or perhaps because of them. Together, these essays create a startlingly funny and revealing portrait of a…
As an essayist, literary critic, and professor of literature, books are what John Milton calls my ‘pretious life-blood.’ As a writer, teacher, and editor, I spend my days trying to make meaning out of reading. This is the idea behind my most recent book, On Purpose: it’s easy to make vague claims about the edifying powers of ‘great writing,’ but what does this actually mean? How can literature help us live? My five recommendations all help us reflect on the power of books to help us think for ourselves, as I hope do my own books, including The Midlife Mind (2020) and Comparative Literature: A Very Short Introduction (2018).
Writing in the sixteenth century, Montaigne essentially created the modern ‘essai’ as we know it. What I love about his writing, erudite though it is, is that there is nothing dry about it: his subject was himself, which is to say, by extension, ourselves.
Mixing references both Christian and Classical, learned and personal, Montaigne explores subjects ranging from cowardice to thumbs, and solitude to smells. In inventing the essay as a way of understanding ourselves, Montaigne invented our age of narcissism: ‘I have never seen a greater monster or miracle than myself.’
I've been fascinated with time travel since I was young, and that's been a few moons. When the idea came to write books that play with time and space and cloak them in a romantic comedy, I got in my favorite writing chair to see who showed up with a story. I want to entice readers to take the journey, ponderingsuppose we could time travel? I think time is malleable, at least in my characters' hands. And they've done an excellent job of keeping me intrigued with their escapades in the past and present. I hope you enjoy the books I chose to recommend as much as I did.
Trapped in Time is the quincentennial weekend escape.
Thanks to a bump on Emma’s head, the story takes you on a time-travel excursion back to the Victorian era, where modern-day Emma suddenly finds herself. With no way back to reality, she navigates and manipulates her way into the arms of the aristocratic John to serve a secret purpose.
But as Emma confronts the struggles of women in this era, she faces critical decisions of mind and heart. This story resonated on many levels to see the hard won progress as women we’ve made and that our path continues with batons held high.
On the day she and her mother escaped her cruel father, Emma Washington vowed to never fall in love.
Now, Emma is a back-to-school PhD student with bigger and better things to worry about. That is, until one night, exhausted, slightly tipsy, and on her way home from a party, the glaring white light of a car comes crashing toward her, changing her life forever. Instead of waking up in a 21st-century hospital, she finds herself waking up in the backwaters of London, Victorian England, 1881…
Trapped in a time where everything she once knew is considered witchcraft, Emma discovers…
Miko and Jenne are librarians who love to eat. Their love of classic children’s literature led them to start their 36 Eggs blog, where they recreate foods and experiences from their favorite books. In 2019, they published the Little Women Cookbook, which required extensive research into the food of the Victorian era.
This delightful memoir/cookbook of a girl and her sisters growing up near Chicago in the late 1800s gives us a glimpse of what kinds of things a middle-class family ate--there were trendy foods back then, just like we have now!
What’s it like? Just imagine if you took all your favorite 19th-century children's books, mashed them all together, and edited out everything except talking about cake. Oh and maybe keep in a few things about fancy outfits and picnics.
In the summer of 1999, the second book in JK Rowling’s Harry Potter series (The Chamber of Secrets) was published. It seemed that everyone was reading it–kids, young adults and grownups. More than that though, kids were getting excited about reading, maybe for the first time. Parents were reading it with their kids. The excitement they shared was inspiring. I thought Rowling had achieved something remarkable–something worthwhile–for a writer of fiction. It compelled me to change the story I was working on–a rather violent, edgy tale–into a book for young adults.
I love a book that makes me laugh. But if I immediately feel guilty or disturbed for laughing, if the story makes me re-examine my values page after page, that is a home run.
This – the first of the Dancers at the End of Time series of books and short stories – had me pondering the boundaries of scientific reality as well as right versus wrong while also being galactically entertained.
The (objectively awful) main characters are time- and space-hopping immortals. Virtually all-powerful, they can change their own appearance and environment at will. When one of them decides to experiment with the concept of Love…everything, and nothing, starts to change.
A vicious, delicious satire of unchecked indulgence that tests the bounds of good taste.
My fascination and emotional connection with animals have been lifelong. However, it wasn't until my second year as an undergrad student that I realized that human-animal relationship could be examined from philosophical, historical, and anthropological perspectives. Over the past couple of decades, the conversations around the roles of non-human animals in diverse cultural, social, and material contexts have coalesced under the interdisciplinary field known as Animal Studies. I draw upon this literature and use my training in law and PhD in the history of science to explore the ties between knowledge and ethics in the context of animal law.
In this field-defining classic, Ritvo boldly showed the academic world that the relations between humans and other animals are worthy of historical inquiry.
The book delves into various subjects in Victorian life: hunting and the designation of nature reserves, the emergence of pet shows and their relations to class formation, meat consumption, and its national symbolism. The book’s impressive breadth of sources spans from popular newspapers’ illustrations to agricultural studbooks.
While primarily focused on nineteenth-century England, Ritvo's insights have inspired researchers, including myself, to examine similar themes in different cultures and historical periods.
When we think about the Victorian age, we usually envision people together with animals: the Queen and her pugs, the sportsman with horses and hounds, the big game hunter with his wild kill, the gentleman farmer with a prize bull. Harriet Ritvo here gives us a vivid picture of how animals figured in English thinking during the nineteenth century and, by extension, how they served as metaphors for human psychological needs and sociopolitical aspirations.
Victorian England was a period of burgeoning scientific cattle breeding and newly fashionable dog shows; an age of Empire and big game hunting; an era of…
