I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
I love Max, he always makes me laugh because he is so naughty and mischievous. He is utterly unafraid of going against the grain of social propriety, or admitting to his own selfish motives, jealousies, and contrariety. He has a wonderfully conversational style that engages the reader without pandering. (I should also admit that I wrote the introduction to this collection).
Virginia Woolf called Max Beerbohm “the prince” of essayists, F. W. Dupee praised his “whim of iron” and “cleverness amounting to genius,” while Beerbohm himself noted that “only the insane take themselves quite seriously.” From his precocious debut as a dandy in 1890s Oxford until he put his pen aside in the aftermath of World War II, Beerbohm was recognized as an incomparable observer of modern life and an essayist whose voice was always and only his own. Here Phillip Lopate, one of the finest essayists of our day, has selected the finest of Beerbohm’s essays.…
No one who reads Nora on her breasts or her neck will ever forget her hilarious takes on her own insecurities. Her style seems effortlessly casual, but the closer you look, the more you see how cunningly put together these essays are. A superb combination of vignette and rumination, these pieces rescue the detritus of everyday life and show how absurd our American reality is.
This classic of nineteenth-century English literature never dates, because Lamb is so refreshingly human and humane, and makes fun of himself so irreverently. Whether he is writing about his lack of musical gifts in “A Chapter on Ears” or spoofing the scholars in “A Dissertation Upon Roast Pig” or lamenting his own bachelorhood in “Dream Children,” he has set the standard for comic poignancy, for that paradox of laughter through tears.
Charles Lamb was considered the most delightful of English essayists in the middle of the 19th century. Essays of Elia is a collection of his finest work. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
This author always cracks me up, with her outrageously candid, sometimes bawdy confessions of awkward slips and romantic misalliances. She is so smart and insightful, yet so down to earth, that you just have to love her. I’m also a big fan of her collection Meaty.
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
Any one of David Sedaris’s brilliantly funny collections could just as easily have made it on this list, as he is a true master of the comic essay, but I chose this one because it has some of my favorites. When he writes about his family I have to rub my eyes in wonderment that he can see them so objectively while still loving them.
David Sedaris's remarkable ability to uncover the hilarious absurdity teeming just below the surface of everyday life is elevated to wilder and more entertaining heights than ever in this new book of stories. Sedaris proceeds from bizarre conundrums of daily life - the etiquette of having a lozenge fall from your mouth into the lap of a fellow passenger or how to soundproof your windows with LP covers against neurotic songbirds - to the most deeply resonant human truths. Taking in the parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo and the purchase of…
In this book, all the secrets of a lifetime of teaching nonfiction, especially the personal essay and the memoir, are shamelessly revealed. How do you turn yourself into a character, how do you end an essay, what is the role of imagination in a factual account, how do you write about childhood while maintaining an adult perspective, and so on. It’s a good place to start if you are contemplating any kind of autobiographical account and are temporarily overwhelmed by the sheer backlog of context and memory.
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
Historical fiction inspired by the story of Mary Leakey, who carved her own path to become one of the world's most distinguished paleoanthropologists.
It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories.
Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations. When well-known paleoanthropologist Louis Leakey…
