Here are 98 books that The Prince of Minor Writers fans have personally recommended if you like
The Prince of Minor Writers.
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I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
This author always cracks me up, with her outrageously candid, sometimes bawdy confessions of awkward slips and romantic misalliances. She is so smart and insightful, yet so down to earth, that you just have to love her. I’m also a big fan of her collection Meaty.
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
No one who reads Nora on her breasts or her neck will ever forget her hilarious takes on her own insecurities. Her style seems effortlessly casual, but the closer you look, the more you see how cunningly put together these essays are. A superb combination of vignette and rumination, these pieces rescue the detritus of everyday life and show how absurd our American reality is.
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
This classic of nineteenth-century English literature never dates, because Lamb is so refreshingly human and humane, and makes fun of himself so irreverently. Whether he is writing about his lack of musical gifts in “A Chapter on Ears” or spoofing the scholars in “A Dissertation Upon Roast Pig” or lamenting his own bachelorhood in “Dream Children,” he has set the standard for comic poignancy, for that paradox of laughter through tears.
Charles Lamb was considered the most delightful of English essayists in the middle of the 19th century. Essays of Elia is a collection of his finest work. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Do you trust anyone without a sense of humor? Neither do I. I’ve always had an odd sense of humor. Laughter is good for the soul. I don’t know if I’m an expert, but I’ve certainly spent decades watching and reading comedies. And while I love writing serious and dark fiction, something cute and funny now and then feels like a nice balance. My personal taste runs from slapstick to standup to snappy scenes and witty dialog. I like smart humor, and because I had the wittiest dad, I can even appreciate a well-done dad joke.
I could potentially recommend any of Sedaris’ early works. Pick one, you won’t regret it.
Sedaris has a way of taking our most mundane lives and making them hilarious. His style can be best described as memoirs meet standup comedy. We’ve all had those weird, awkward family moments. Sedaris does a great job of making them funny. Warning: people tend to look at you rather oddly and give you space when you listen to the audiobook while out walking alone.
David Sedaris's remarkable ability to uncover the hilarious absurdity teeming just below the surface of everyday life is elevated to wilder and more entertaining heights than ever in this new book of stories. Sedaris proceeds from bizarre conundrums of daily life - the etiquette of having a lozenge fall from your mouth into the lap of a fellow passenger or how to soundproof your windows with LP covers against neurotic songbirds - to the most deeply resonant human truths. Taking in the parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo and the purchase of…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
The title says it all. I choose Patai’s withering account of Orwell’s irredeemable misogyny not because I think she is right but because I think she onto something in him and in his life and times. After Koestler, another dark corner.
One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.
Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.
Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.
Anna has been living happily for twenty years with loving, sturdy, outgoing Guillaume when she suddenly (truly at first sight) falls in love with Thomas. Intelligent and handsome, but apparently scarred by a terrible early emotional wound, he reminds Anna of Jude the Obscure. Adrift and lovelorn, she tries unsuccessfully to fend off her attraction, torn between the two men. "How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that's not named in any poem. No, nowhere is a name given to this bridge, and that is why…
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the ‘poor sinner’ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
An art history book might not seem like the most obvious choice for a list like this, but this one is a revelation: we often forget that Crucifixion paintings are scenes of capital punishment. Merback looks at crucifixion images of northern European masters of the late medieval and early modern period, and reveals that the often mangled positions of the limbs of the two thieves on either side of Christ are depictions of the kinds of mutilations that spectators regularly witnessed on the bodies of those broken on the wheel (where the limbs were smashed and then 'woven' through the spokes of a cartwheel - no, really). This study is important not only for understanding the physical practices of execution on the Continent, but also for exploring the profound religious significance of the entire execution ritual.
This text reconstructs the religious, legal and historical context of the Crucifixion and of other images of public torture. The result is an account of a time when criminal justice and religion were entirely interrelated and punishment was a visual spectacle devoured by a popular audience. Mitchell Merback compares the images of Christ's Crucifixion with those of the two thieves who met their fate beside Jesus. In paintings by well-known Northern European masters and provincial painters alike, Merback finds the two thieves subjected to incredible cruelty, cruelty that artists could not depict in their scenes of Christ's Crucifixion because of…
I have been writing for more than a decade specifically in fantasy. My mind was filled with tales of magic, heroes, and mythical creatures for decades. When Christ called me it was like learning how to fit my creativity and imagination into this box. Except, He is the box from which all creativity comes. As for my expertise concerning the Word of God, I have studied the Bible from beginning to end and I have prepared and preached a number of sermons. I will one day be a full-fledged pastor, and writing is a part of the job. I have a unique blend of fantasy and Christ.
Lost in a magical world, an ordinary group of teenagers find themselves under threat from the Hunters of Avoria.
When a teen mission trip goes wrong, Nani and her friends find themselves stranded on the world of Milana. The key to their survival is buried somewhere in Nani's broken memory.
Nani's friends are counting on her, but if she wants her memories back, Nani will have to align with one of the very men trying to capture her friends. Can she trust the Hunter? Can Nani forgive him for his past, in order to regain her own?
The Pillar of…
Cory Hartman (DMin, Gordon-Conwell Theological Seminary) collaboratively crafts practical tools, interactive processes, and breakthrough content for the Future Church Company, three interconnected organizations that exist to help the church embody the movement Jesus founded. I previously served as a pastor for thirteen years and founded Fulcrum Content, a gospel communication training organization.
What are the stages of a disciple’s optimal development? The theoretical path starts with a person not following Jesus and ends with that person helping their own disciples make disciples of Jesus. Having a reliable model that traces the course of a disciple’s development benefits a disciple maker practically, because people have different capacities, needs, and challenges at different stages as they grow.
The most persuasive and useful model yet proposed might be found in this brief book by Harrington and Wiens, who adapt to individuals the Exponential organization’s five-level typology of churches.
Becoming a Level 5 Disciple Maker is an introduction to the five levels of disciple making with a focus on how to become a Level 5 disciple maker like Jesus. The authors discuss why we should pursue Level 5 disciple making, how we can pursue it, and what we can do to assess our progress along the way.
Bobby and Greg introduce and explore the pathway to becoming a disciple maker by using this five-level framework. Focusing on helping individuals identify where they are on the disciple-making scale (levels 1 to 5) and what is needed to become a Level…
The reason why I recommended these books is they all have the constant theme of freedom. Each one is very unique, and they all have adventure, romance, tragedy, and fantasy. Every single book is a different journey of healing for your soul that I feel anyone would enjoy. We have two biographies that are so raw; they will rock your soul, and you can relate to them. We have one on how not to get offended, which is amazing, and another that is sci-fi, which is way better than Harry Potter ever thought about being. If you like me as an author, you will love the books that I have recommended.
This jaw-dropping autobiography from Lisa will leave you wanting more on every page.
She bears her soul with everything that she went through being on the streets, dealing drugs, running away from home, being abused, and going to prison.
Throughout the book, her transparency of what she felt will guide you on an adventure and ultimately will show you who your true identity is with with Jesus.
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