Here are 100 books that The Prince of Minor Writers fans have personally recommended if you like
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I inherited an offbeat sense of humor from my mother, who encouraged me to create stories about outrageous subjects, like cats doing “people things.” I’m grateful to have made a living writing about such things, as well as observations about my own humorous experiences in essays, calendars, and books. I’ve always looked to other funny creatives for inspiration, and the books on my list reflect some of my favorites.
I love the rawness of Samantha Irby’s writing—she says it like it is. When I read her essays, I’m peeking in on her uncensored thoughts about the mundane, which are unrefined, real, and hysterical to me. Like many of us, I enjoy reading/hearing someone not trying to “polish a turd.”
While reading her book, my mind equally thinks: "I CANNOT believe she just wrote that” and “Tell me MORE.”
'Irby might be our great bard of quarantine.' New York Times
In this painfully funny collection, Samantha Irby captures powerful emotional truths while chronicling the rubbish bin she calls her life. From an ill-fated pilgrimage to Nashville to scatter her estranged father's ashes to awkward sexual encounters to the world's first completely honest job application, and more, sometimes you just have to laugh, even when your life is permanently pear-shaped.
'I cannot remember the last time I was so moved by a book. As close to perfect as an essay collection can get.' Roxane Gay 'Hilarious. I love it.' Candice…
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
No one who reads Nora on her breasts or her neck will ever forget her hilarious takes on her own insecurities. Her style seems effortlessly casual, but the closer you look, the more you see how cunningly put together these essays are. A superb combination of vignette and rumination, these pieces rescue the detritus of everyday life and show how absurd our American reality is.
I have been a champion of the essay form for some time, starting with my popular anthology Art of the Personal Essay and extending to my more recent trio of anthologies of the American essay. At the same time I have written four personal essay collections of my own, and I know I am really cooking when I can still laugh or at least smile at my jokes after the fifth or tenth reading of a piece I wrote. I have to admit that I can only appreciate writing (by myself or others) that is amusing or at least ironic, never solemn: to me the truth of existence is comic, like it or not.
This classic of nineteenth-century English literature never dates, because Lamb is so refreshingly human and humane, and makes fun of himself so irreverently. Whether he is writing about his lack of musical gifts in “A Chapter on Ears” or spoofing the scholars in “A Dissertation Upon Roast Pig” or lamenting his own bachelorhood in “Dream Children,” he has set the standard for comic poignancy, for that paradox of laughter through tears.
Charles Lamb was considered the most delightful of English essayists in the middle of the 19th century. Essays of Elia is a collection of his finest work. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Pomona Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Do you trust anyone without a sense of humor? Neither do I. I’ve always had an odd sense of humor. Laughter is good for the soul. I don’t know if I’m an expert, but I’ve certainly spent decades watching and reading comedies. And while I love writing serious and dark fiction, something cute and funny now and then feels like a nice balance. My personal taste runs from slapstick to standup to snappy scenes and witty dialog. I like smart humor, and because I had the wittiest dad, I can even appreciate a well-done dad joke.
I could potentially recommend any of Sedaris’ early works. Pick one, you won’t regret it.
Sedaris has a way of taking our most mundane lives and making them hilarious. His style can be best described as memoirs meet standup comedy. We’ve all had those weird, awkward family moments. Sedaris does a great job of making them funny. Warning: people tend to look at you rather oddly and give you space when you listen to the audiobook while out walking alone.
David Sedaris's remarkable ability to uncover the hilarious absurdity teeming just below the surface of everyday life is elevated to wilder and more entertaining heights than ever in this new book of stories. Sedaris proceeds from bizarre conundrums of daily life - the etiquette of having a lozenge fall from your mouth into the lap of a fellow passenger or how to soundproof your windows with LP covers against neurotic songbirds - to the most deeply resonant human truths. Taking in the parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo and the purchase of…
I was first introduced to George Orwell on 30 October 1969 when I bought the Penguin Road to Wigan Pier at Sussex University bookshop. The light blue sticker on the inside verifies time and place. The price shows that I was willing to fork out as much as 4 shillings, (or two days worth of cigarettes) for one of the most enduring friendships of my life.
The title says it all. I choose Patai’s withering account of Orwell’s irredeemable misogyny not because I think she is right but because I think she onto something in him and in his life and times. After Koestler, another dark corner.
One hundred years after the publication of Looking Backward, Bellamy remains a controversial figure in American literary and social history. The collection of essays in this volume, commemorating the novel's appearance in 1888, attests to his continued importance.
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
In the first sentence of this novel Anna Lore falls madly in love with a man she happens to run into on the street of her hometown.
Even though she only vaguely recognizes him as they strike up a brief conversation, she becomes so obsessed with him that she is willing to give up everything for him, including her marriage of twenty years with a loving and reliable husband who she loves too.
Reading this novel, I was fascinated with Anna Lore's struggle to understand what's driving her towards a man, who almost against his will has such irresistable power over her. To follow her thinking as it makes her crazy infatuation appear reasonable and compelling is a fascinating experience of the uncanny nature of the unconscious.
Anna has been living happily for twenty years with loving, sturdy, outgoing Guillaume when she suddenly (truly at first sight) falls in love with Thomas. Intelligent and handsome, but apparently scarred by a terrible early emotional wound, he reminds Anna of Jude the Obscure. Adrift and lovelorn, she tries unsuccessfully to fend off her attraction, torn between the two men. "How strange it is to leave someone you love for someone you love. You cross a footbridge that has no name, that's not named in any poem. No, nowhere is a name given to this bridge, and that is why…
When I started researching the history of early modern public execution, I read a few eyewitness accounts in which people behaved so strangely that I realised I understood nothing about the realities of this once-common historical practice. By reading the books on this list, I quickly discovered that the ceremony of capital punishment was a performance in which the entire community participated, filled with rituals and behaviours that had enormous emotional and spiritual significance for everyone involved, not just the ‘poor sinner’ on the scaffold. I also discovered that music and singing were crucial parts of the performance, with ballads being sung about the event for years afterwards.
An art history book might not seem like the most obvious choice for a list like this, but this one is a revelation: we often forget that Crucifixion paintings are scenes of capital punishment. Merback looks at crucifixion images of northern European masters of the late medieval and early modern period, and reveals that the often mangled positions of the limbs of the two thieves on either side of Christ are depictions of the kinds of mutilations that spectators regularly witnessed on the bodies of those broken on the wheel (where the limbs were smashed and then 'woven' through the spokes of a cartwheel - no, really). This study is important not only for understanding the physical practices of execution on the Continent, but also for exploring the profound religious significance of the entire execution ritual.
This text reconstructs the religious, legal and historical context of the Crucifixion and of other images of public torture. The result is an account of a time when criminal justice and religion were entirely interrelated and punishment was a visual spectacle devoured by a popular audience. Mitchell Merback compares the images of Christ's Crucifixion with those of the two thieves who met their fate beside Jesus. In paintings by well-known Northern European masters and provincial painters alike, Merback finds the two thieves subjected to incredible cruelty, cruelty that artists could not depict in their scenes of Christ's Crucifixion because of…
I’ve had the joy of “making disciples” for a long time. From the time I became a Christian while in college, to raising my own sons as disciples, to 15 years of work with InterVarsity Christian Fellowship on secular campuses, to the last third of my life as a Professor of Bible and Theology at a Christian University, I have responded to Jesus’ Great Commission to “make disciples” with both the joys and sorrows that calling includes. I have experienced the richness of intergenerational congregations that my pastor-husband has led, and seen our sons grow and mature as Christians through “parenting in the pew” before it was a book!
This multi-author book is a terrific resource for older teens and college students to navigate “growing up” well and maturing in their own faith commitment and practices. Chapters offer good advice and the reasons behind the advice for faith challenges, dealing with failure, forgiving parents as a part of loving them, finding a new congregation for worship, work, and witness, as well as dealing with sexuality, morals, justice issues, vision for missions, and creation care and much more! This book is a practical as well as a biblically faithful guide for the transformation of a lifetime as children empty the nest into adulthood. I give this book as a graduation gift to every high-schooler I know!
Do you want to live for Jesus but struggle with what that means day by day? The deep desire of our hearts to be close to God is so easily sidetracked by daily realities. This book is designed to cover the areas of faith and life that you most want to bring together under God's leadership:
decision-making
dating and relationships
racial reconciliation
suffering
experiencing God
loving your parents
emotional healing
time management
everyday evangelism
hope for times of failure Following Jesus is a wild and wonderful journey. It is perhaps the riskiest choice you will ever make. And the most…
In my first career as an actress, I often got cast as the “comic relief” in more serious films and plays. I cut my acting chops on improv comedy before getting my BFA in drama from NYU and performing in everything from Shakespeare to Seinfeld. I wrote and performed in stage shows at Disneyland and Disney World and screamed myself hoarse in B-horror films. As an author, I like to write about serious topics but I just can’t help being funny. I received my MFA from Antioch University and have had over 30 short stories and essays published. While I read voraciously (and genre-indiscriminately), my favorite books are often “darkly comedic” or “funny yet poignant.”
Although Moore is one of my favorite authors, most of his books are not exactly about austere topics. His brand of absurdism features outlandish characters such as demons, vampires, stupid angels, tricksters, and lustful sea beasts. Yet Moore writes with a superlative intelligence that never disappoints me. This novel was an easy pick for my list. In it, Moore retells the story of Christ with a paradoxically reverent irreverence. It’s well-researched and details facts about Eastern religious traditions and Roman history as well Biblical events. I’ve recommended this book to so many people. And only a few of them were deeply offended. :-)
The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years - except Biff, the Messiah's best bud, who has been resurrected to tell the story in this divinely hilarious, yet heartfelt work 'reminiscent of Vonnegut and Douglas Adams' (Philadelphia Inquirer). Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes, Even the considerable wiles and devotion of the…
I’m the author of five extremely different novels: Boy A(which was made into an award-winning film),Cham, Genus, The Tongues of Men or Angels, and Under Country. They share almost nothing in subject or setting. Ranging from first-century Judaea to a future London. From ski resort workers in France to young offender prisons in Britain. My latest work - Under Country - is about the 1984 Miners’ Strike and its still lingering scars in the North East pit villages. Yet, I suppose, if there were a unifying theme between them, it would be that each, in its own way, is influenced by and fascinated with Christianity.
Written long before quarantines became so fashionable, Jesus in Jim Crace’s novel is an almost peripheral player, because– set during Christ’s forty days in the wilderness – six other people share in the inhospitable desert caves, miracles, and hallucinations. Each character has their own troubles and trials; their own battles with demons to resolve; which they hope isolation and fasting will accomplish. And for each, in ingenious ways, it does… I am a big fan of Crace’s style, rhythm, and invention, and this is one of his finest works.
So this is happiness, she thought. Or this, at least, is what adds up to happiness. The prospect of never running after men and camels any more, of being Miri without shame or hesitation, of letting drop her headscarf for a change so that nothing intervened between her and the sky.
Five travellers venture into the Judean wilderness in search of redemption. Instead, amidst the barren rocks, they are met by a dangerous man, Musa, and fall under his dark influence. As the unforgiving days and bitter nights erode their resolve, it becomes clear…
