Here are 100 books that Escape From Zulaire fans have personally recommended if you like
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For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
After a slow start, Hope's Folly is packed with action and intrigue. Everybody seems to be trying to stop the ship from reaching its destination – including someone on board. In Linnea Sinclair's universe the spaceships are not run by all-powerful artificial intelligence. The engine room, weapons systems, and the all-important environment systems all run using computers but with people running the show. Guys get to cut code, hack, and mess about in the systems. The characters are real. They have faults, make mistakes. They're ordinary people forced to cope with extraordinary circumstances in a disintegrating Empire reminiscent of Stalin taking over in the USSR. I loved the romance. There's a big age difference, but Rya is in her thirties and knows what she's doing.
Enter a world where Polite, Professional, and Prepared to Kill is more than a motto…
Admiral Philip Guthrie is alive and kicking—despite an Imperial kill-order with his name on it. Now he’s leading a rebel alliance against the oppressive Imperial forces. Or he would, if he could get his command ship—the derelict cruiser, Hope’s Folly—functioning. If lack of crew and supplies isn’t trouble enough, his assigned bodyguard turns out to be former Imperial assassin Rya Bennton—the daughter of his best friend and first commanding officer. A man whose death is on Philip’s conscience.
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
The Star King is one of the first science fiction romances I read. It has everything I want in a space opera – politics, fast-paced action, danger, drama, angst, all mixed up with a great love story. I fell in love with the characters, especially the dishy alien alpha male. And I particularly like that the romance is between two mature people with life experience.
An alien king, an Earth woman. Fated mates—Or is fate stacked against them?
Rom B’Kah is fighting for the survival of his people when a beautiful and mysterious warrior from Earth saves his life. When she vanishes without a trace, he vows to find her again.
Years after battlefield trauma sends her life into a tailspin, Jas Hamilton has given up on love. When a galactic empire makes first contact with Earth, she sets out to reclaim her lost sense of adventure—and finds it in the arms of the golden-eyed alien warrior she’s spent a lifetime trying to forget.
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
Mix a couple of strong, mysterious characters with a dangerous quest and you've got me. It's a plot where I had to pay attention as the danger ratchets up with betrayals and twists and turns that kept me guessing. There's enough detail in settings and tech to convince without any info dumps and the romance is an integral part of the story. Loved it.
When the cure for a deadly disease is stolen, two misfits are all that stands between greed and intergalactic tragedy.
Luka Foxe can’t let anyone know about his secret mental abilities. Debilitated by their influence when faced with violence, the brilliant forensic investigator now only takes assignments involving theft. But when he has to hunt down a hijacked vaccine for a galaxy-wide pandemic, the tragic first clue is his best friend’s brutal murder.
Nightshift guard Mairwen Morganthur knows she must keep a low profile. The product of illegal genetic alteration, she’s a lethal weapon with no social graces. But when…
For me, writing space opera was obvious because it's what I like to read. There's so much scope for human and non-human societies out there, complete with the history of how they were created, and the inevitable cut-and-thrust of politics. If the book also has a love story– where do I pay my money? I do like the science in my science fiction to be convincing, though. My background as a computer programmer helps with that and I'm often grateful for my history degree when coming up with convincing empires and events.
What drew me into this story was the leviathans, a local species on a watery moon. I'm a sucker for whales and these beasts reminded me of orcas. The heroine, a marine biologist, is in danger for reasons unknown. A ranger with a connection to the leviathans helps her to escape and that's just the start of a fascinating adventure in a very different environment. Once again, the romance evolves in a natural way and does not overshadow the rest of the plot.
About WAVE RIDER: Book 5 in the Verdant String Series
Isolated . . . Verdant String scientist, Anja Farucci, is frightened. Her calls for help from her remote coastal research station have been going unanswered and strange things are happening with the leviathan pod she's studying. She's only been on Fynian for four months, but she knows the three day trip to Fynian's only city, Rinc, is her best option for finding out what is going on.
Stranded . . . Cal is a wave rider, and if anyone understands leviathans, it's him, but when Kada, a young leviathan, grabs…
I love stories that exist within stories. I like to delve into what we think our world is about and discover the layering underneath that reveals complex relationships and real motives behind what characters do and why. One of the most fun things about a book involving conspiracies, like any good mystery, is going back through and reading a second time to see what clues I missed. Did I see this coming in advance? Did my initial perceptions of the characters hold up, or did the twist upend them completely? Should it have been obvious to me, or was it so subtle that only a master detective could’ve picked up on it?
I always hear that disaster brings unity, but what if that “unity” was all a manipulation for power? Hidden Empire reminded me a little of the immediate aftermath of 9/11. I’ve wondered if, given our political divisions, we could ever come together like that again.
Orson Scott Card created a world where someone manipulates our division and desire for unity, and I loved seeing how someone could play us on so many levels. Reading about the use of a common enemy to wipe out national leadership and then playing up our political differences to create chaos, I became engrossed in a story about political intrigue and whether or not a savior was the hero we really wanted or the hero he wanted us to believe he was.
The war of words between right and left collapsed into a shooting war, and raged between the high-technology weapons on each side, devastating cities and overrunning the countryside.
At the close of Empire, political scientist and government adviser Averell Torrent had maneuvered himself into the presidency of the United States. And now that he has complete power at home, he plans to expand American imperial power around the world.
Opportunity comes quickly. There's a deadly new plague in Africa, and it is devastating the countryside and cities. President Torrent declares American solidarity with the victims, but places all of Africa…
I’m a girl who loves books, bulldogs, and that first hint of summer. I started reading when I was very young – three years old, according to my mother – but even as an alleged child prodigy all I can confirm is that I don’t remember there ever being a time I didn’t love to read. Nancy Drew was my favorite, which probably helps explain why I write books with redheaded heroines in them.
Any and all of Jenny Bayliss’s books can be read at Christmas and leave you feeling just as good as a hot toddy with the perfectly sized slice of spice cake.
Each of her books is a delectable treat and an immersion in the holiday spirit, but Meet Me Under the Mistletoe is my absolute favorite. Probably because I adore the heroine – Elinor Noel, or Nory for short. She owns her own vintage bookshop in London, but grew up in the English countryside.
Her parents’ home was near a posh private school, which Nory received a scholarship to attend. Throughout the years, she’s remained close with her old school chums and now two of them are set to be married just before Christmas in the old castle on the school grounds.
Isaac has taken over as head gardener for the castle estate. He tormented Nory when they were children,…
A city bookshop owner heads to the English countryside for a holiday reunion—only to face her childhood enemy.
Elinor Noel—Nory for short—is quite content running her secondhand bookshop in London. Forever torn between her working-class upbringing and her classmates’ extravagant lifestyles at the posh private school she attended on scholarship, Nory has finally figured out how to keep both at equal distance. So when two of her oldest friends invite their whole gang to spend the time leading up to their wedding together at the castle near their old school, Nory must prepare herself for an emotionally complicated few days.…
I’ve been captivated by interesting people since I was a kid. Family
members always thought I asked too many questions of people, trying to
learn more about who they are. For that reason, when I started reading
fiction, I looked for characters with originality who opened new
horizons and who I wanted to hang out with. (That’s also why I host the
Novelist Spotlight podcast.) I agree 100 percent with novelist Larry
McMurtry, who said: “For me, the novel is character creation. Unless the
characters convince and live, the book’s got no chance.” The books I
placed on my list reflect this belief. I hope you dig them.
The sheer command of the English language displayed by John Updike is something I marvel at, but he is at the height of his powers in this novel. What’s more, it’s a sexy book in the old-fashioned sense of men desiring women and women wanting to be desired by men.
I consider this Updike’s best novel because the story moves ahead at a great pace and is filled with tension between its characters. If someone told me it is largely about the computer revolution, I would have been suspicious. No need to be. Owen, the main character, starts as a young boy, goes into the computer business, finds success, has seemingly endless dalliances with women, and eventually meets his end. I found it to be a great ride.
Owen Mackenzie's life story abounds with sin and seduction, domesticity and debauchery. His marriage to his college sweetheart is quickly followed by his first betrayal and he embarks upon a series of affairs. His pursuit of happiness, in a succession of small towns from Pennsylvania to Massachusetts, brings him to the edge of chaos, from which he is saved by a rescue that carries its own fatal price.
I love to read a good story, but I also get the greatest satisfaction from writing one, or several. I believe good fiction can say what factual books cannot, and done right, they can offer differing perspectives to any accepted norm. The trick is to let the characters speak, regardless of whether I agree with what they say, or not. The secret to good presentation is to offer the reader the choice to think about what has been said, consider and delve deeper, or not and pass by.
This book introduces a very good series and was responsible for encouraging my love of science fantasy – some of which I write. While I have tried to keep away from more famous authors, this one got through because it really is that good.
As with all good science fantasy, it has various levels, some of the deepest making one think, or you can just go with the flow and enjoy the yarn. That is something I also strive to do with readers, well, I try to.
The first book of the trilogy "Memory, Sorrow and Thorn" tells the story of Simon, a kitchen boy and sorceror's apprentice, who must find the solution to the riddle of the long-lost swords of power, in order to combat the evil of the undead Sithi Ruler, the Storm King.
My interest in politics and conflict has always come from the margins. I have developed an interest in the periphery, minorities, liberation movements, other actors outside the center, official governance institutions, and national political elites. My work has mainly concentrated on how such actors have sought to influence politics at the national and international level and how questions of identity, perceptions of self and other, and sense of belonging come into play. Geographically, my interest has lied primarily in the Middle East, broadly defined, particularly Iraq, Turkey, Syria, and Kurdistan. In recent years, however, I have also developed an interest in East Africa, especially Sudan and South Sudan.
Fragmentation is a natural tendency among humans. Collectives, groups, and organizations face centrifugal tendencies that push for division and fragmentation. Ideological movements, in particular, face this risk, as there will always be members of the group who are dissatisfied with how the collective is progressing toward achieving its goals.
Rebel movements are an excellent example, as such actors constantly fragment, divide, and evolve through years of rebellion. But what factors contribute to or prevent divisions among rebel groups from disintegrating? And not less importantly, what are the implications of fragmentation on civil wars in which the rebel movements participate?
Based on rigorous fieldwork in the Horn of Africa, with particular attention to Eritrea and Ethiopia and an additional outlook into Somalia, Woldemariam offers a convincing theory that addresses these questions by examining such factors as battlefield developments and the nature of control over territory. He does so clearly and eloquently,…
When insurgent organizations factionalize and fragment, it can profoundly shape a civil war: its intensity, outcome, and duration. In this extended treatment of this complex and important phenomenon, Michael Woldemariam examines why rebel organizations fragment through a unique historical analysis of the Horn of Africa's civil wars. Central to his view is that rebel factionalism is conditioned by battlefield developments. While fragmentation is caused by territorial gains and losses, counter-intuitively territorial stalemate tends to promote rebel cohesion and is a critical basis for cooperation in war. As a rare effort to examine these issues in the context of the Horn…
Originally from Havre, Montana, I’m now a Reader in International Politics at the City University of London and a Senior Visiting Fellow in the Department of International Relations at the London School of Economics. I’ve long been fascinated by how legal orders are created, contested, and transformed across time and space. Before becoming an academic, I worked as an international development professional in several countries, including Afghanistan, Nepal, and Timor-Leste. I earned a PhD in International Relations from Oxford University, a Juris Doctorate from Stanford Law School, an MA in Comparative Ethnic Conflict from Queen’s University Belfast as a Mitchell Scholar, and a BA from Grinnell College.
This book helped spark my own interest in the relationship between legal pluralism and the rule of law. Despite decades of transnational legal support for the rule of law, scholars and practitioners alike have overwhelmingly focused on state courts. Isser’s edited volume is an early and enduring corrective to that trend.
This highly accessible book offers an invaluable primer for understanding a wide range of customary legal systems, how external actors have approached these authorities, and how non-state justice can influence the development of the rule of law.
The major peacekeeping and stability operations of the last ten years have mostly taken place in countries that have pervasive customary justice systems, which pose significant challenges and opportunities for efforts to reestablish the rule of law. These systems are the primary, if not sole, means of dispute resolution for the majority of the population, but post-conflict practitioners and policymakers often focus primarily on constructing formal justice institutions in the Western image, as opposed to engaging existing traditional mechanisms. This book offers insight into how the rule of law community might make the leap beyond rhetorical recognition of customary justice…
