Here are 100 books that Ensnared fans have personally recommended if you like
Ensnared.
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I am an author and avid reader of romance, especially those full of conflict in a world heavy with magic, shifters, vampires, and others. My dad was a great storyteller and sparked my interest in the paranormal. When I was a kid, he’d tell me stories about growing up in the mountains of Puerto Rico. The evil that lived there. My imagination took it from there. I wish I would’ve written down those stories. I can’t get him to talk about them anymore. It might be the reason why The Nine: Zane had started out as a contemporary romance story until Zane took over with all his paranormal drama.
It’s part of a shifter series with bound mates, forced proximity, enemies to lovers. Two shifters jailed and experimented on join forces to escape their prison. One of them must be willing to sacrifice his life to do it. I love this one!
The MC was once viewed as the bad guy in his pack. Meant to be food, he’s tossed into the cell with an alpha shifter whose been changed into something else. They are forced to mate to escape and what follows is a series of alpha male influence and blooming love. Though neither of them believes they deserve their HEA.
As a former school psychologist and author of over 45 books, I love reading about characters that are likable, plots that are believable, and settings that I want to visit. My years as a psychologist make it easy to spot poorly written characters that don’t ring true. It is also my years as a psychologist that makes me enjoy a light, humorous read with a guaranteed happy ending.
Catherine Bruns’ first book in her new series features a refreshingly new kind of sleuth. Cindy York is an ordinary woman in her 40s with a supportive husband, twin sons, and a typical teenage daughter. There are several wonderful laugh-aloud moments. The violence is off-page, the plot is well done with the reason for murder revealed at the right time. I loved the animals in the story.
All struggling real estate agent Cindy York wants is the home listing that was promised to her. Her deceitful co-worker, Tiffany Roberts, has other ideas, and she always manages to get what she wants. Tired of being manipulated, Cindy tells her to back off - or else! But when Cindy stumbles upon Tiffany’s lifeless body, she suddenly finds herself front and center in a deadly investigation. Now everyone from her kids' classmates to her monstrous mother-in-law is sold on the idea that Cindy's guilty. Determined to find out who's trying to frame her, Cindy…
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
"I bit my mom on the toe this morning" might be one of my favorite opening lines for a picture book.
I love it when a sad book also makes room for playfulness and humor. It also has the loveliest illustrations, utilizing soft pencil lines and a limited color palette to match the gentleness of the text.
This book is a great example of how specificity can make a story feel so genuine and relatable, no matter who the reader is.
Captain James Heron First Into the Fray
by
Patrick G. Cox,
Janet Angelo (editor),
Captain Heron finds himself embroiled in a conflict that threatens to bring down the world order he is sworn to defend when a secretive Consortium seeks to undermine the World Treaty Organisation and the democracies it represents as he oversees the building and commissioning of a new starship.
As an early childhood educator, I have firsthand experience with the effectiveness of picture books to stimulate the mind, open conversation, offer emotional support, and provide us all with the fundamentals of understanding ourselves and others. I have supported children and families suffering a loved one’s death by sharing picture books with them. My book, The Rag Doll Gift is based on the true story of my mother who died before giving my youngest her doll. This story was born when my daughter received her doll and said, in all her six-year-old wisdom, “Grammie is still saying” I love you” even when we can’t hear her anymore”
When I read this book with children, we are all drawn into the secure loving relationship between the granddaughter and her grandfather. Because the text is action-based, we feel like we are on each of their adventures with them.
Through the beautifully illustrated pages we walk alongside them discovering life as we witness each of them changing and growing older – until the day the granddaughter walks alone. She is sad, but Grandpa has walked with her in life. He has taught her in a very naturally occurring, organic way so that now she knows what to do. This book evokes a wide range of feelings – including empowerment from within.
This glowing picture book, by turns playful and poignant, portrays the tender relationship between a grandfather and granddaughter as they appreciate nature together over the years. They take their first walk in the woods when the little girl is barely old enough to toddle; their last when Grandfather can only shuffle along. Each walk brings a new discovery-a sneaky snake, flashing fireflies, teardrops on a spiderweb-and sometimes a lesson about saying good-bye. One day the girl walks alone, stronger because she learned from her grandfather how to be grateful for life's fleeting gifts.
As a teacher-librarian, I’m often asked for books on difficult topics, including death. When I was young, a close family member died and I struggled with grief. I didn’t know how to honor my loved one or how to begin healing from the loss. The books I’m sharing are books I wish I’d had as a child and books that I’m grateful to be able to hand to children and families when needed. If you’re an emotional person like I am, you may want tissues nearby when you read them. I hope they’re as helpful and therapeutic for you as they have been for me!
Asha visits India every summer, filling her yellow suitcase with gifts for Grandma. When Asha returns to California, Grandma fills the suitcase with gifts for Asha. This summer, though, Grandma is gone, and the house isn’t the same without her there. Grandma’s final gift for Asha’s yellow suitcase—a quilt made from her saris that she created before she died—brings comfort to both Asha and the reader.
This story allows readers to explore how a place feels without a special loved one there, and colorful illustrations bring brightness to this difficult subject. An author’s note shares that Sriram and her family also lost a grandparent and she used her family’s experiences as inspiration for this story in the hopes that it will bring comfort to others.
Asha travels with her parents from America to India to mourn her grandmother’s passing.
When they arrive at her grandmother's house, it's filled with strangers—and no Grandma. Asha’s grief and anger are compounded by the empty yellow suitcase usually reserved for gifts to and from Grandma, but when she discovers a gift left behind just for her, Asha realizes that the memory of her grandmother will live on inside her, no matter where she lives.
I’ve been in the funeral profession my entire professional career, and my family has deep roots in the profession too. My great-great-great grandfather was a cabinet maker, or “tradesman undertaker” in rural Milford, Delaware prior to the Civil War. In addition to being a funeral director and embalmer, I’m a certified post-mortem reconstructionist and cremationist, and the president of the Delaware State Funeral Directors Association. I’ve written five books on the subject of the funeral profession and am an associate editor for Southern Calls, “The Journal of the Funeral Profession.”
Thomas Lynch does a masterful job in The Undertaking offering a behind-the-scenes look at the funeral profession. Using beautiful, lyrical prose to present a topic (i.e., death) that is often ugly and hard to stomach, and rears its head at the most inopportune times, Lynch offers an unflinching look at what he calls the dismal trade. His deep connection with death and dying translates to the reader not only feeling connected with the subject matter, but empowering the reader to connect with the next death event in their life. Take it from me, someone in the profession, this book is as authentic as they come. A must-read.
"Every year I bury a couple hundred of my townspeople." So opens this singular and wise testimony. Like all poets, inspired by death, Thomas Lynch is, unlike others, also hired to bury the dead or to cremate them and to tend to their families in a small Michigan town where he serves as the funeral director.
In the conduct of these duties he has kept his eyes open, his ear tuned to the indispensable vernaculars of love and grief. In these twelve pieces his is the voice of both witness and functionary. Here, Lynch, poet to the dying, names the…
Robin dreamed of attending Yale and using her brain. Kory lived on the streets of Seattle and relied on his brawn. Without the asteroid, they never would have met.
For three years, Robin and her grandfather have been hiding, trusting no one. When a biker gang moves into town, Robin…
My mother’s death from an E. coli outbreak over a decade ago was my wake-up call to an awareness of my own mortality and was the emotional foundation of both my first novel and my latest. I’ve reached a point in my own life where advancing age is a lived experience, and I’ve read broadly about this phase of life that goes largely unexamined despite the fact that we’re all destined for it. My essays have appeared in the New York Times, the San Francisco Chronicle, and the San Jose Mercury News. I’m a graduate of Denison University and Columbia Law School.
I read this book when it came out in the ‘70s, and I was in my mid-twenties, with only the most abstract, hypothetical awareness of my own mortality. It opened my eyes to the fact that our avoidance of thinking about our own deaths is not just an individual quirk of cowardice but a foundation of human culture and individual action.
To me, the latest popular manifestation of this avoidance is the current popular obsession with longevity, and this remains as current as the day it was published 50 years ago.
Winner of the Pulitzer prize in 1974 and the culmination of a life's work,The Denial of Death is Ernest Becker's brilliant and impassioned answer to the "why" of human existence. In bold contrast to the predominant Freudian school of thought, Becker tackles the problem of the vital lie -- man's refusal to acknowledge his own mortality. In doing so, he sheds new light on the nature of humanity and issues a call to life and its living that still resonates more than twenty years after its writing.
I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.
"Everybody’s family is a little nutso. But there’s nuts…and then there’s the Kwirks." A scavenger hunt to find the ashes of their late grandfather! That premise may seem macabre, but John David Anderson has a gift for plotting the oddball, yet heartfelt, storyline with memorable main characters. With Rion Kwirk and his nutty family, he has done it again. From the opening chapter when a clown appears at the Kwirk’s door, singing a message about the death of their grandfather, I knew I was in for a hilarious, fun-filled journey—one that reminded me that being out of the ordinary only makes you extraordinary.
The acclaimed author of Ms. Bixby’s Last Day and Posted returns with an unforgettable tale of love and laughter, of fathers and sons, of what family truly means, and of the ways in which we sometimes need to lose something in order to find ourselves. Celebrate dads and Father's Day year-round with this warm and witty novel for tweens.
Rion Kwirk comes from a rather odd family. His mother named him and his sisters after her favorite constellations, and his father makes funky-flavored jellybeans for a living. One sister acts as if she’s always on stage, and the other is…
I feel strongly that large segments of the population—young and old alike—have thrown out the baby of spirituality with the bathwater of organized religion. Given the current level of interreligious hatred and misunderstanding in today’s world, two things have to change. First, we need to know the basics of the world’s major religious traditions and how they evolved so that we are not making value judgments based on erroneous information and lack of understanding. Then, we have to look through the external dogmas and rituals to the spiritual principles and experiences that are of most value and that may not be reliant on any one institutional religion.
When psychologist Matthew McKay’s son, Jordan, was killed by bike thieves at age 23, McKay learned how to channel him from the other side, as recounted in his touching book Seeking Jordan. In this later book, Jordan communicates in vivid detail the stages he went through after he died.
In what amounts to a modern-day secular Book of the Dead, McKay/Jordan describes how to navigate each stage without a body, how we learn and grow in the spirit world, and how to release anxiety about the end of life and instead view it as another stage of our ongoing consciousness.
Most notably, he reveals that there is no institutional or doctrinal “religion” on the other side and that the driving force of continued consciousness is love and a willingness to keep learning and growing spiritually.
A channeled guide to the life-death transition experience and how to prepare for the wonders of the afterlife
* Reveals the afterlife as a fluid realm of imagination and invention, a luminous landscape created entirely of consciousness
* Explains how to navigate the early stages of the afterlife, how we learn and grow in the spirit world, and how to release anxiety about the end of life
* Includes exercises and meditations to prepare you for navigating and communicating in spirit
There is no better source of information on death and the afterlife than someone who has died and lives…
I love zombie movies. I am also an Egyptologist. The dead affect us in profound ways every day, even without being semi-animated corpses searching for brains. I have always been keenly interested in the relationships we have with our dead, be it Halloween, Día de los Muertos, or an urn on a mantle. The dead are with us and inform our lives. The same was true in ancient Egypt. And to me, this made the ancient Egyptians feel very familiar and accessible. They, too, were anxious about death. They, too, grieved when loved ones were gone and developed practices and beliefs that kept the dead ‘alive’.
Few books have been as influential on my understanding of ancient Egyptian mortuary culture as Jan Assmann’sTod und Jenseits im alten Ägypten, known in English as Death and Salvation in Ancient Egypt. Assmann brings religious theory and ancient history together to argue that “death is the origin and center of culture.”
"Human beings," the acclaimed Egyptologist Jan Assmann writes, "are the animals that have to live with the knowledge of their death, and culture is the world they create so they can live with that knowledge." In his new book, Assmann explores images of death and of death rites in ancient Egypt to provide startling new insights into the particular character of the civilization as a whole.Drawing on the unfamiliar genre of the death liturgy, he arrives at a remarkably comprehensive view of the religion of death in ancient Egypt. Assmann describes in detail nine different images of death: death as…
