Here are 100 books that Finding Orion fans have personally recommended if you like
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I’ve always been interested in stories about becoming. Whether it’s a coming-of-age story, a story about overcoming adversity, or a story about discovery or recovery, I find that the best books about becoming also tend to be books about resilience. For me, the lure of a book is often more about its themes and perspective than it is about where it’s categorized and shelved. Having written a memoir in verse for an upper young adult reading group, this is especially true of my experience as an author. Each of the books on this list has something profound and singular to offer young adult readers and adult readers alike.
Everyone should be reading middle grade books for characters and stories like this.
Eleven-year-old Makeda is loved, but as a Black girl in an adoptive family of white people, she questions what it might be like to grow up in a family that looks like her. Lockington draws from her own experience as a transracial adoptee, and writes with lyrical accessibility and honest, meaningful depictions of mental health struggles within a family.
This coming-of-age story for the younger set reminds people of all ages that while love matters, it takes work every day to keep evolving, showing up for, and fighting for those we love.
Makeda June Kirkland is eleven-years-old, adopted, and black. Her parents and big sister are white, and even though she loves her family very much, Makeda often feels left out. When Makeda's family moves from Maryland to New Mexico, she leaves behind her best friend, Lena - the only other adopted black girl she knows - for a new life. In New Mexico, everything is different. At home, Makeda's sister is too cool to hang out with her anymore and at school, she can't seem to find one real friend.
Through it all, Makeda can't help but wonder: What would it…
I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.
"My father was always practical in the weirdest possible way." This is one of the masterful Gary Paulsen’s final books for young readers, and I loved it. The life of Carl and his father is eccentric, to say the least. Dumpster diving for food scraps? Reweaving old cloth to make clothes? Carl and his best friend, Pooder, have a plan to make his life better! Using a puppy training manual for inspiration, Carl sets out to train his own father to change for the better. What follows is a tangent-filled, laugh-out-loud, heartwarming training session.
From Gary Paulsen, the award-winning author of Hatchet, comes a laugh-out-loud eco-adventure about a boy, his free-thinking dad and the puppy-training pamphlet that turns their summer upside down.
Twelve-year-old Carl is fed up with his dad; he may be brilliant, but bin-diving for food, scouring through rubbish for 'salvageable' junk and wearing clothes fully sourced from garage sales is getting old. Increasingly worried by what his schoolmates will think - and encouraged by his riotous best friend - Carl decides to use a puppy-training pamphlet to 'retrain' his dad's mindset . . . a crackpot experiment that produces some hilarious…
I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.
"How can I be me in a loud world?" Amelia is sound sensitive. Even the smallest sounds, like soft footsteps, and gum chewing feel amplified in her head. Imagine having to deal with that discomfort each minute of the day? Gennari’s beautiful, detailed writing helped me feel exactly what daily life was like for Amelia, including her struggles to fit in at school and home. Mostly it made me empathetic to my soft-spoken, introverted students who deal with their outgoing classmates every day.
A young girl learns how to cope with her noise sensitivity and step outside of her comfort zone in this "thoughtful" (Beth Turley, author of If This Were a Story and The Last Tree Town), heartwarming middle grade novel that's perfect for fans of Tune It Out by Jamie Sumner and El Deafo by Cece Bell.
Ten-year-old Amelia does not like noise. From subway brakes to squeaky sneakers, she is sensitive to sound, just like her dad. Amelia has always worn noise-canceling headphones, but now that she's going into fifth grade, her parents want her to stop wearing them. To…
I’ve always been drawn to stories about outsiders and misfits. Who hasn’t, at some point, wondered if they fit in with their family, friends, or school? I love the moments in stories when characters find their voice and recognize that being different can be empowering. As an elementary teacher, it’s my hope that each student in my classroom can share their uniqueness and let their voice shine. I want them to know that it’s okay to feel different or to be weird. The lead characters in the middle grade books I’m recommending all have that sense of being an outsider in some way. I hope you enjoy them.
"I guess my family likes to do things pretty different. Kind of weird, huh?"From the first page, I was swept up by GiGi’s say it like it isvoice. For her entire life, her older sister, DiDi, has raised her on stories and recipes from their deceased mama. When they move to a new town, GiGi longs for a fresh start—something different than the study, study, study her sister insists upon. As GiGi’s friendships blossom, the gulf between her and DiDi widens, and I was reminded of how our impulses often lead to trouble. GiGi’s choices made me wince, gasp, sniffle, but ultimately cheer! (Did I mention recipes? This book has lots!)
There's something about asking for Impossible Things. For one little second, they feel Possible.
Take two sisters making it on their own: brainy twelve-year-old GiGi and junior-high-dropout-turned-hairstylist DiDi. Add a million dollars in prize money from a national cooking contest and a move from the trailer parks of South Carolina to the North Shore of Long Island. Mix in a fancy new school, new friends and enemies, a first crush, and a generous sprinkling of family secrets.
That's the recipe for The Truth About Twinkie Pie, a voice-driven middle-grade debut about the true meaning of family and friendship.
I am an author and illustrator of children's picturebooks, having completed my MA at the Cambridge School of Art. I am endlessly fascinated with the picture book as a rich medium for children to safely and slowly approach topics that might be challenging for them. Picture books can be such a versatile, interesting place for curiosity and confidence to thrive, while also creating a lovely time for closeness between parent/carer and child. As we grapple with the long-term effects of the pandemic, I feel that children will need stories more than ever, to help them make sense of their experiences.
This subtle and tender book is a moving look at life continuing in small moments after a bereavement. I love the marriage of words and images, where each part tells a different piece of the story and the relationship between the boy and his father. The boy asks questions, about the birds, the trees, the fox, and his mother, looking for reassurance. When the father repeats "everything is going to be alright," we are all reassured and comforted, and held safe in arms like a boat.
It's quieter than it's ever been. Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that…
Human psychology has always fascinated me, and studying what drives human behavior is necessary in writing realistic characters. I bring psychological studies into every novel I write, and realistic characters, often flawed, always receive top billing. One of my hallmarks is presenting a story’s setting as a supporting character, as well—much like the books I’ve recommended. I have written and published seventeen titles, chock full of the many facets of the human condition, whether I’m writing for teens (as Sasha Dawn) or adults (as Brandi Reeds). The books on my list inspire, entertain, and perhaps most importantly feel. I hope you enjoy them as much as I do.
Jessica Warman’s Between is a marvelous study in flawed characters, who, by their very nature, are at times unlikeable. Ironically, I love unlikeable characters—because they’re written realistically and with plenty of potential for growth. Because I prefer to write characters with realistic attributes, and those in my own bookare no exception, I love reading their points of view. Additionally, it’s always interesting when these characters are dropped into situations requiring suspension of disbelief, and it’s even better when protagonists lead a cast of such characters. Between checks all of these boxes. It’s delicious!
Elizabeth Valchar-pretty, popular, perfect- wakes up after spending her eighteenth birthday party on her family's yacht to investigate a thumping noise. What she finds will change everything she thought she knew about her life, her friends, and everything in between. As Liz begins to unravel the circumstances surrounding her birthday night, she will find that no one around her, least of all Liz herself, was perfect-or innocent.
I love middle-grade books (for eight to twelve-year-olds), which is why I write in that genre. My Summer of L.U.C.K. trilogy is sprinkled with magical adventures, but each one has real-life kids struggling with real-life problems and finding real-world solutions. I believe that books whose characters experience magical elements along with themes of friendship, perseverance, and self-acceptance will help them learn, as I did when I was a young reader, that whatever troubles they're experiencing, other kids have those troubles too, that they're not alone, and that help is possible.
I’m a sucker for books about restored faith, particularly one with a Victorian house on the cover (see The Diamond in the Window below). That’s what caught my eye about Jess Redman’s beautifully written book, but the main character, a kid named Wunder, really drew me in and kept me reading.
I loved following Wunder’s journey as his faith in miracles falters after the death of his newborn sister. What touched me the most was how his connection with a woman–maybe a witch–who resides in the crumbling Victorian house helps reawaken his belief in everyday magic. This is one of my top favorite magical middle grade books of all time.
In the tradition of heartwrenching and hopeful middle grade novels such as Bridge to Terabithia comes Jess Redman's stunning debut about a young boy who must regain his faith in miracles after a tragedy changes his world.
Eleven-year-old Wunder Ellis is a miracologist. In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. And he believes every single one. But then his newborn sister dies, at only eight days old. If that can happen, then miracles can’t exist. So Wunder gets rid of The Miraculous. He stops…
Since I was a child, my imagination would run rampant with ideas and fantasies I had no idea how to channel. Then, when I was fifteen, I joined my high school’s creative writing class, and suddenly, every fantasy I’d ever concocted in my head had somewhere to develop. Sweet romance books have always fulfilled me, and I love it when, from the first page, you can feel the sparks between the main characters. They have a wholesomeness that leaves me feeling refreshed and hopeful, and I love that, for a few hundred pages, I can dive into another world and experience love through someone else’s eyes.
I loved the immediate connection between Layken and Will in this book. They had such strong chemistry from the start—the kind where I knew something would go wrong very soon.
For me, it was a perfect combination of sweet with some light angst amidst the forbidden lovers. I also found the slam poetry angle incredibly unique and unlike anything I’ve read before.
From #1 New York Times bestselling author of It Starts with Us and It Ends with Us, Colleen Hoover’s romantic, emotion-packed debut novel unforgettably captures all the magic and confusion of first love, as two young people forge an unlikely bond before discovering that fate has other plans for them.
Following the unexpected death of her father, eighteen-year-old Layken becomes the rock for both her mother and younger brother. She appears resilient and tenacious, but inside, she's losing hope. Then she meets her new neighbor Will, a handsome twenty-one-year-old whose mere presence leaves her flustered and whose passion for poetry…
I live by the Atlantic Ocean, so the thoughts of floods are never far away, especially as the seas are warming through human-caused climate change. I wrote about storms and floods in my novel Float and, more recently, in my new novel listed below. I did a lot of research on flooding for both, and I am constantly amazed by the power of the natural world, particularly one out of balance as it is now. My passion and purpose is to bring the dangers of this imbalance to my readers. Even if you have never been in a flood before, fiction allows you to know what it feels like.
This is one of my all-time favorite books. It is so darkly funny and strange that I laugh and shiver right through it every time. It begins in the middle of a flood in a small English town, where ducks are swimming and quacking in the drawing room, and I am also a big duck fan. Strange deaths follow. You can’t beat that.
“Comyns’ novel is deranged in ways that shouldn’t be disclosed.” —Ben Marcus
This is the story of the Willoweed family and the English village in which they live. It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues…
I was eleven when my brother died in a car accident and, although I didn’t know it at the time, this experience shaped me in ways I couldn’t anticipate. Many years later, when I began working as a social worker at a local hospice, I realized that I was drawn to the work as a way to finally grieve that early loss. As I helped people navigate their own losses I found myself feeling my own grief for the first time. It wasn’t until I started writing about the hospice work that I found my brother again. I am powerfully drawn to the parallels between writing and the work of dying.
Maggie Callanan and Patricia Kelley were both hospice nurses when they wrote this book in 1992 and their book, having sold over 500,000 copies, is still a guide for those who find themselves in the presence of the dying.
The authors act as interpreters for the living and help them understand the language the dying often use. As a hospice social worker, it was not uncommon for me to hear the dying speak of packed suitcases or imaginary taxis pulling up to their doors.
This book helped me to engage with that language and to enter the altered reality that the dying often experience. It encourages us to let go of the rational and invites us into the mystery of death and dying in ways that are life-changing.
In this moving and compassionate classic—now updated with new material from the authors—hospice nurses Maggie Callanan and Patricia Kelley share their intimate experiences with patients at the end of life, drawn from more than twenty years’ experience tending the terminally ill.
Through their stories we come to appreciate the near-miraculous ways in which the dying communicate their needs, reveal their feelings, and even choreograph their own final moments; we also discover the gifts—of wisdom, faith, and love—that the dying leave for the living to share.
Filled with practical advice on responding to the requests of the dying and helping them…
