100 books like Enough to Lose

I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year. 

I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year. 

As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This. 

Fresh out of journalism school I stumbled on a strike at a machine shop in Pilsen, a neighborhood once home to Chicago’s most famous labor struggles, by then becoming a hip gentrified enclave. Drinking steaming atole with Polish, Mexican, and Puerto Rican workers in a frigid Chicago winter, I was captivated by the solidarity and determination to fight for their jobs and rights, in what appeared to be a losing battle. After covering labor struggles by Puerto Rican teachers, Mexican miners, Colombian bottlers, Chicago warehouse workers, and many others, my enthusiasm for such stories is constantly reignited -- by the workers fighting against all odds and the writers telling their stories, including those featured here.

Masuda Hajimu (family name Masuda) is a historian at the National University of Singapore. He specializes in the modern history of East Asia, the history of American foreign relations, and the social and global history of the Cold War, with particular attention toward ordinary people and their violence, as well as the recurrent rise of grassroots conservatism in the modern world. His most recent publications include: The Early Cold War: Studies of Cold War America in the 21st Century in A Companion to U.S. Foreign Relations; “The Social Experience of War and Occupation” in The Cambridge History of Japan (coming in 2022), among others. He has served as a residential fellow at the Woodrow Wilson International Center for Scholars (2017-18); Visiting Fellow at the University of Cambridge (2020); and Visiting Scholar at Waseda University (2020).

I am a French novelist, the author of fifteen novels, many of which are memoirs, so I am considered a specialist of "autofiction" in France, of fiction written about oneself. But I also love writing about others, as you can see in my novel on David Hockney. Beauvoir, Sarraute and Ernaux were my models, Laurens and Appanah are my colleagues. Three of the books I picked would be called memoirs in the States, and the other two novels. In France, they are in the same category. All these women write beautifully about childhood and womanhood. I love their writing because it is both intimate and universal, full of emotion, but in a very sober and precise style. 

I’m a wilderness guide, community organizer, and writer focused on stopping the destruction of the planet. My work, which has appeared in The New York Times and been recognized by the Society of Professional Journalists, has taken me to the Siberian Arctic to document climate change research, to the Philippines to work with grassroots communities defending tropical rainforests, and to Nevada where I began a protest movement against an open-pit lithium mine.

I'm the author of two police procedural mysteries, a series that features a father/daughter detective team. I write in the traditional mystery genre for the simple reason that I'm a passionate reader of this genre, and always have been. I enjoy the structure of a whodunnit—the pacing, red herrings, clues, plot twists, reveals—and love constructing a multi-layered mystery that is both engaging and suspenseful. I’m a big fan of the masters of this genre: Agatha Christie, PD James, Dick Francis, and Val McDermid. I’m also an avid watcher of police procedural television series, and I’m especially drawn to the darker investigative stories you find in programs like The Killing, Mare of Easttown, and The Wire.

As I’ve reached middle age, I’ve found that many books about this period are about trying to regain lost youth or the hardships that aging can bring. I want to read more books about women who have lived through some things and are more powerful (and funnier!) because of it. In my writing, I try to highlight the stories of women with a little bit of history behind them and show that a long life–if we’re lucky–is also a full one. I hope you enjoy the books on this list as much as I have! 

I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.