Here are 92 books that Mencken’s Last Campaign fans have personally recommended if you like
Mencken’s Last Campaign.
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I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I recommend this book because it uses Washington’s own expense accounts submitted to Congress—$400,000 worth of reimbursements he expects—to cast a comic light on the sober and solemn business of war. We tend to take figures like Washington so seriously that we do not see the human—and humorous—side of their lives and works. Kitman did a superb job of showing the lighter side of commanding the Continental Army without diminishing Washington’s greatness.
I love this book because it is consistently amusing when so many books on George Washington are so serious in tone. Kitman manages to humanize Washington, which too few authors do, and in the process, helps the reader keep his or her perspective on the momentous events of the American past. Also, the book is just a lot of fun. We take ourselves much too seriously these days, especially in a presidential campaign year.
In George Washington's Expense Account -- the best-selling expense account in history -- Kitman shows how Washington brilliantly turned his noble gesture of refusing payment for his services as commander in chief of the Continental Army into an opportunity to indulge his insatiable lust for fine food and drink, extravagant clothing, and lavish accommodations. In a close analysis of the document that financed our Revolution, Kitman uncovers more scandals than you can shake a Nixon Cabinet member at -- and serves each up with verve and wit.
I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I love this book because it might be the quintessential American book. Mark Twain brings an American perspective to his European travels that has, to my mind, never been matched.
His pose—the comic character he creates—is at once naïve and shrewdly intelligent, penetrating in his take on Europe and the Middle East. I love this book, but I also love Huckleberry Finn and Tom Sawyer. With Mark Twain, you can’t go wrong.
A beautiful edition with the formatting and all 234 images from the original first edition published in 1869. The cover is from an Antonio Joli painting of Rome. Use Amazon's Lookinside feature to compare this edition with others. You'll be impressed by the differences. Don't be fooled by other versions that have no illustrations or contain very small print. Reading our edition will make you feel that you are back traveling the Mediterranean with Mark. If you like our book, be sure to leave a review!
Published under the full name The Innocents Abroad, or The New Pilgrims' Progress, this…
I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I love this book because Flaubert has meticulously—and with a bracingly acidic intelligence—listed the cliches of his day…meaning what people, without thinking, automatically say about almost any subject, including the stock phrases that must accompany any subject. He exposes superstitions and absurdities that must have driven Flaubert nuts to hear. An American writer, Frank Sullivan, did something similar when he invented “the cliché expert” who would testify before Congress.
I recommend this book because we need to be reminded that our everyday speech and thinking are saturated with thoughtless absurdities. We take so much for granted that it is totally unexamined and ridiculous if it is only pointed out to us, which Flaubert does a masterful job of doing. As the book jacket puts it, “Throughout his life, Flaubert made it a game to eavesdrop for the cliché, the platitude, the borrowed and unquestioned idea with which the ‘right thinking’…
Throughout his life Flaubert made it a game to eavesdrop for the cliche, the platitude, the borrowed and unquestioned idea with which the "right thinking" swaddle their minds. After his death his little treasury of absurdities, of half-truths and social lies, was published as a Dictionnaire des idees recues. Because its devastating humor and irony are often dependent on the phrasing in vernacular French, the Dictionnairewas long considered untranslatable. This notion was taken as a challenge by Jacques Barzun. Determined to find the exact English equivalent for each "accepted idea" Flaubert recorded, he has succeeded in documenting our own inanities.…
I am a journalist who has written books on American history for the general reader but not an academic historian or specialist, though I have the utmost respect for both. I like to think I have an independent mind and that I look for ideas that challenge conventional wisdom but are rooted in good sense and critical intelligence. The books I have recommended here reflect this temperament and, I believe, an innate sense of the comic and absurd. These are desperately needed at a time when people take themselves much too seriously—as in a presidential election year.
I love this book, although it is not an “easy read” and should not be. Fischer meticulously catalogs the fallacies that even first-rate historians fall prey to in works that are important in our own time.
He names names and exposes weaknesses in their arguments (I wonder if any of his colleagues spoke to him after the book’s publication) and alerts the reader to errors of thinking and argument that plague historical writing and, I’d add, journalistic writing (and speaking) as well. All reporters should have to read this book, and all well-informed citizens would benefit as well.
"If one laughs when David Hackett Fischer sits down to play, one will stay to cheer. His book must be read three times: the first in anger, the srcond in laughter, the third in respect....The wisdom is expressed with a certin ruthlessness. Scarcly a major historian escapes unscathed. Ten thousand members of the AmericanHistorical Association will rush to the index and breathe a little easier to find their names absent.
As a child, I was always drawn to stories told through both words and illustrations. Why should that have to end in adulthood? Spoiler: it doesn’t, because there are SO many incredible graphic memoirs and novels written with adult audiences in mind. As a graphic memoirist myself, I love to see how other artists explore the form. I share recommendations in this genre every month in my newsletter, Haley Wrote This.
This is one of those books I am just WAITING to give my niece and nephews when they’re old enough to read it. It is such a great guide for how to have conversations born out of curiosity rather than fear.
I also think the formatting of the story and illustrations is inventive, fun, and informative. I consider this graphic memoir a must-read for anyone interested in dipping a toe in the genre.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, TIME, BUZZFEED, ESQUIRE, LIBRARY JOURNAL AND KIRKUS REVIEWS
LONGLISTED FOR THE PEN/OPEN BOOK AWARD
'Hilarious and heart-rending' Celeste Ng
'Heartbreaking, but also infused with levity and humour. What stands out most is the fierce compassion with which she parses the complexities of family and love' Time
How brown is too brown?
Can Indians be racist?
What does real love between really different people look like?
Like many six-year-olds, Mira Jacob's half-Jewish, half-Indian son, Z, has questions about everything - and as tensions from the…
I love to read. Reading since I was 3 years old, devouring book after book. As I grew, my taste expanded. Yet it was the sci-fi book, The Black Hole, by Disney that I discovered in second grade that captured my passion for writing and storytelling. I cannot count how many books I've read, but I can tell you the ones that have left a lasting impression on me. Because of that, I began to write my own stories. I've seven books written and published, the newest one releasing soon. While my tastes in books vary, only one thing remains consistent: finding the best books that capture me and hold me hostage!
Eric Landfried put a new spin on a dystopian setting. I’ve always enjoyed the movies Mad Max and Book of Eli. With Solitary Man (and yes, I start singing the Johnny Cash song!), I got the same vibe as those movies, yet with a twist! From zombie-like cannibals to a super-enhanced military general, the character was hard-pressed to survive. I just couldn’t put this book down!
Ten years after a brutal war, cannibals and humans fight over the pieces of a hardscrabble existence.
Former Navy SEAL Doyle has been prowling the broken remnants of a devastated America for years. Alone in an armored bus loaded with weapons and supplies, he's grateful for his solitude. Being alone makes it easier to survive, as others can become a liability in the end of the world. But when a particularly brutal attack leaves Doyle in need of fuel and repair, he has no choice but to venture into the nearest settlement.
Look, it’s simple really. Peter Pan visited me when I was young, abducted me, and showed me that remaining a big kid is much more beneficial than becoming a boring adult with too many responsibilities. I’ve published multiple MG books and prefer this genre’s colourful, exciting stories. I’m also Australian, and we have a weird sense of humour, so I’m not sure if that classifies as expertise on this particular subject, but let’s go with that.
Children will find this funny. How could they not, when the entire book is through the perspective of an actual imaginary friend, getting up to mischievous antics? For adults though, it's more like Toy Story 3 as you realise the imaginary friends are contemplating their own mortality, wondering how they could possibly survive when their friends literally disappear once the human stops 'believing' in them. So, look, 50/50 from a comedic level. Solid 90 for overall enjoyment.
Budo is Max's imaginary friend. He and his fellow imaginary friends watch over their children until the day comes that the child stops imagining them. And then they're gone. Budo has lasted a lot longer than most imaginary friends - four years - because Max needs him more. His parents argue about sending him to a special school. But Max is perfectly happy if everything is just kept the way it is, and nothing out of the ordinary happens. Unfortunately, something out of the ordinary is going to happen - and then he'll need Budo more than ever...
I was born in Israel, a third generation to holocaust survivors and seventh generation to farmers from the Galilee, living with my family in Brooklyn, NY. I was raised by a concentration camp survivor grandfather, whose miraculous story I recorded and documented since early childhood. My painful family heritage made me passionate about 1930s and 1940s Europe, social and political processes that allowed fascism and nationalism to prevail over the frail democracies, and how ordinary people found their world shattered overnight, and had to find ways to stay alive. The books on my list represent small stories, about the human condition under inhumane conditions, told by talented storytellers.
With every page, I could feel the love and dedication of a grandson to his grandfather, a love that is reflected throughout the book.
I can only say that I'm sorry I didn't get to spend time with Zaidy himself. The writer is doing a great job seamlessly combining the strengths of memoir, historical writing, and narrative non-fiction.
Benzion Malik was on a path of discovery. He was keen to learn about everything in life through the teachings of his faith and only something cataclysmic could throw him off this course. In 1939, the 21-year-old Benzion was called up to the Romanian Army. Little did he know that he would not be a free man until 1945.
During six long years, Benzion served in three further armies. He was forced into hard labor and was constantly abused because of his Jewishness by the Hungarian army. He was then made to serve the German army which simply needed disposable…
I’ve been writing about the end of the world for years, so I know my way around the apocalypse! It’s not as dark as it sounds – it’s not the end of the world itself that I find fascinating, it’s imagining the reactions of the people who inhabit these nightmare scenarios. I’m a people watcher at heart, and these days it seems we’re increasingly restricted by the polarization of society, almost forced to pick a side. Come the apocalypse, all the preconceptions and regulations will be stripped away, and folks will behave as they genuinely want to, not how they think they should. Now that would really be something to behold!
Take the body horror nightmare of John Carpenter’s The Thing and substitute the remoteness of that film’s Antarctic setting for the densely populated familiarity of the UK. When a deadly infection strikes, four friends must cross a chaotic, war-torn England to reach their families. The infection turns people into vile, cannibalistic monsters that are almost Lovecraftian in their grotesqueness. There’s something about the juxtaposition of the normality of UK life and the unrelenting horror of the infection that really hits home. This is a vicious book that pulls no punches and spares no one. Beautifully written, and bleak as hell.
A pestilence has fallen across the land. Run and hide. Seek shelter. Do not panic. The infected WILL find you. When Great Britain is hit by a devastating epidemic, four old friends must cross a chaotic, war-torn England to reach their families. But between them and home, the country is teeming with those afflicted by the virus - cannibalistic, mutated monsters whose only desires are to infect and feed. THE LAST PLAGUE is here.
I am a true-crime author. Most recently, I have released a pair of related books: The Making of a Serial Killer: 2d Ed, by Danny Rolling as told to myself; and Danny Rolling Serial Killer: Interviews. Before that, I published Good Little Soldiers: A Memoir of True Horror. Coauthored with Dianne Fitzpatrick, it relates her tale of murder & mind control under the US Army MK Ultra program. Earlier, I wrote True Vampires, an encyclopedic compendium of bloody crimes, and Knockin' on Joe: Voices from Death Row. I also collaborated with serial killer GJ Schaefer on Killer Fiction, a volume of psychopathic musings he wrote for me.
At long last the Vampire of Paris crawls from his crypt, a living legend emblazoned with magical sigils and muttering dire imprecations for 666 searing pages. A world-renowned artist and bold aesthete of the macabre, Nico Claux holds a Japanese cannibal as his role model and calls Satan his homeboy. This reclusive genius goes beyond the pale only to reveal himself as a regular bloke, albeit one with a taste for torture and blasphemy. Meant to be read in the darkest night!
The Gospel of Blood is the autobiography of Nico Claux, a French morgue attendant whose morbid obsessions led him to grave robbery, cannibalism and murder in the early 1990s. It is a bone-chilling chronicle of a real-life vampire who prowled the Gothic cemeteries of Paris, unearthing coffins and mutilating the bodies inside. A practicing Satanist, Claux escalated to murder after working for a year in several morgues, receiving orders to kill from the corpses he had autopsied.The Gospel of Blood provides a rare insight into a killer’s tortured mind, as he relates the graphic details of his crimes, including never-before…
