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I used to make my grandmother laugh at the dinner table, to the annoyance of my mother. My grandmother had a great laugh I can hear to this day. In high school forensics I won the humorous interpretation trophy (first place) for a National Lampoon Parody I performed of the Hardy Boys, beating out 100 other contestants. I knew then, I could do standup, and later, improv. My comedy group in New York was called “wonderful…refreshingly different!” by the NY Post. I produced “The Outlaugh Festival On Wisecrack” years later for MTV’s LOGO network. When we’re all laughing is when we are truly together.
Carl Hiassen is able to balance humor and suspense in just the right amounts. Since I think of my life as a constant balance of humor and suspense, the attraction was obvious.
So many novelists are advertised as “funny” but succeed in only being vaguely amusing if that. Also, Hiassen has a keen sense of place. Florida. That’s all you need to know, right? Florida. Florida was nuts when he wrote Skinny Dip and it’s nuts squared now. But aren’t we all?
Joey Perrone is a woman with a mission. She's just been pushed overboard from a cruise liner by Chaz, her scumbag husband, and survived to tell the tale. But rather than reporting him to the police, she decides to stay dead and - with a little help from her friends and a few of Chaz's enemies - instead of getting mad, she's going to get even.
Filled with a host of endearingly offbeat characters, and a narrative that is hilarious, romantic and thought-provoking by turns, Skinny Dip takes us on a journey through the warped politics of Southern Florida and…
My first editor informed me I was a mystery writer and my first mystery conference categorized me as a Southern humorous mystery writer. I didn’t intend to write Southern humorous mysteries but find the world-view of my characters and the world they live in quite comical and southern (my characters and I live in Georgia). I also abhor crime, so the dead bodies that keep appearing in my stories need to be dealt with lightly. I’m happy to be a Wall Street Journal bestselling and international award-winning author with eighteen books and counting in three series, Cherry Tucker Mysteries, Maizie Albright Star Detectives, and Finley Goodhart Crime Capers.
I love Andrews’ combination of Women’s Fiction and Mystery, and I think this series creates a wonderful bridge between Andrews’ writing style between the two genres and her pen names (originally, she wrote mysteries as Kathy Hogan Trocheck). Savannah Blues is more character- than plot-driven, but for those looking for a light mystery in a sultry southern setting with all the ubiquitous eccentrics and some BFFs bent on ex-husband revenge, you’ll enjoy the story like I did. You learn a bit about antiquing and Savannah architecture while cheering on amateur sleuth Weezie and enjoy a lot of laughs with her friend Bebe Loudermilk. By the end of Savannah Blues, I wanted to move across Georgia and have Weezie dress me up at home in Savannah.
“Mary Kay Andrews has perfect pitch when it comes to endearing, smart-mouth heroines, and she has caught the languid looniness of the Low Country perfectly.” — Anne Rivers Siddons
Meet Weezie (aka Eloise) Foley, a feisty antiques “picker,” banished by her spiteful ex-husband from the house she herself restored in Savannah’s historic district, who must come to terms with a life that has suddenly changed…and not, it seems, for the better.
In Mary Kay Andrews’s delectable New York Times bestseller, Savannah Blues, readers will feel the sultry Georgia breezes and taste sea salt in the air, as they lose themselves…
I don’t remember a moment in my life when there wasn’t a dog in it. They are members of my family, and I identify with protagonists who have the same connection in their lives. In my day job, I write mysteries and forecast geopolitical events. Mysteries with dogs help me balance the darkness in the world with the sheer delight that can be found with a dog.
I always like to start a series from the beginning, and in this one, little 6-lb Chablis (a dog) plays a critical role in the plot. A wannabe New York actress, Sarah Boothe Delaney, returns to her family home sans the family with her tail between her legs. She has money trouble, man trouble, and ghost trouble. She begins the story disgusted with Chablis but quickly falls in love with her friend’s pup.
It is a cozy mystery with just a hint of paranormal added. The writing is lovely, and the author includes a range of appealing and diverse characters. And if you are a large dog fan, a hound dog named Sweetie Pie joins the team in a later book.
Meet Sarah Booth Delaney, an unconventional Southern belle whose knack for uncovering the truth is about to make her the hottest detective in Zinnia, Mississippi . . . if it doesn't make her the deadest.
No self-respecting lady would allow herself to end up in Sarah Booth’s situation. Unwed, unemployed, and over thirty, she’s flat broke and about to lose the family plantation. Not to mention being haunted by the ghost of her great-great-grandmother’s nanny, who never misses an opportunity to remind her of her sorry state—or to suggest a plan of action, like ransoming her friend’s prize pooch to…
My first editor informed me I was a mystery writer and my first mystery conference categorized me as a Southern humorous mystery writer. I didn’t intend to write Southern humorous mysteries but find the world-view of my characters and the world they live in quite comical and southern (my characters and I live in Georgia). I also abhor crime, so the dead bodies that keep appearing in my stories need to be dealt with lightly. I’m happy to be a Wall Street Journal bestselling and international award-winning author with eighteen books and counting in three series, Cherry Tucker Mysteries, Maizie Albright Star Detectives, and Finley Goodhart Crime Capers.
Southern Appalachia is as southern as the Cotton Belt, but the Smokies have a culture as unique as the bayou or the western reaches of Texas. Sharyn McCrumb has a wealth of historical knowledge when it comes to the Blue Ridge Appalachians, but she knows mountain folk's minds and motivations even more. McCrumb’s amateur sleuth Elizabeth MacPherson series’ is satirical and wry, full of wit and grit. Rock solid mysteries mired in history and loaded with character. I love them all, but the last is my favorite. The title alone makes me smile.
Bestselling author Sharyn McCrumb, internationally acclaimed for the "quiet fire"* of her Appalachian Ballad novels, clearly has a dark side--a wicked, sardonic wit that has prompted critics to compare her to Jane Austen and Jonathan Swift.
Readers and reviewers alike also have lauded Ms. McCrumb for her inspired chronicles of forensic anthropologist Elizabeth MacPherson. In her newest tale in the MacPherson saga, McCrumb examines society's fascination with beauty--and the deceptiveness of outer appearances. Elizabeth herself, hospitalized for depression over her missing husband, learns that insanity liberates one from polite hypocrisy, enabling a "crazy lady" to remark: "Anorexia is not a…
Growing up in a strait-laced Southern family, I was always fascinated with casinos. In my twenties on a summer hiatus from teaching in North Carolina, I drove to California and became a dealer at Caesars in Lake Tahoe. My mother highly disapproved of my working in a casino, "a place so bad it has 'sin' in the middle." Eventually, I returned east to take a hi-tech job in Boston. I also began working on my MFA in writing at Emerson. My characters were breathed into life from my years in the gambling industry. You learn a lot about the human personality when you watch thousands of people from behind the felt of a blackjack table.
This is a novel based on Frederick’s own gambling addiction on the Mississippi riverboats. Ray and Jewel Kaiser love to gamble, until a fun night out becomes a compulsion. They find themselves showing up at the Paradise casino all hours of the day and night, becoming intimate with the employees and escalating their bets. After visiting the area, I knew the scenes in the casino ring true and the dialogue is so on point, that you root for Ray and Jewel even though in the back of your mind you know the house always wins.
A New York Times Notable Book In this darkly funny story, Ray and Jewel Kaiser try (and push) their luck at the Paradise casino. Peopled with dazed denizens, body-pierced children, a lusty grocery-store manager, and hourly employees in full revolt, this is a novel about wising up sooner rather than later--"a wise and funny tale" (New York Times Book Review) that is "masterfully observed" (John Barth).
I’m from North Carolina, and Inside the Wolf is the first book I’ve written about the American South. For a long time, I resisted writing about my home state. I moved to New York and tried to write elegant New York stories. But writing is thinking for me, and I had to think through some of the stories and memories and hauntings of my youth. The books on this list have made me want to keep doing it
Faulkner is a problem, and for a Southern writer, he’s a problem that must be confronted.
The Bear is about the annual hunt for the “taintless and incorruptible” Old Ben, the legendary animal living along the Tallahatchie River. It’s also about ownership and inheritance and ‘manhood,’ filtered through Faulkner’s obsessions and nostalgia and limitations.
A story that taught me that grappling with, and arguing with, a work of literature is an unending struggle but sometimes a necessary one.
“I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.” —William Faulkner, on receiving the Nobel Prize
Go Down, Moses is composed of seven interrelated stories, all of them set in Faulkner’s mythic Yoknapatawpha County. From a variety of perspectives, Faulkner examines the complex, changing relationships between blacks and whites, between man and nature, weaving a cohesive novel rich in implication and insight.
In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.
It took me two tries to finish this tremendously difficult novel about a father who desperately wants a son, and gets two. Considered by many to be Faulkner’s most challenging work, it defeated me on my first attempt. But I was captivated by this example of fatherhood gone obsessively wrong, so returned to it and soldiered through.
It was worth the effort. I hope I never find any commonality with the main character of this novel, and I’m not sure if I should take solace from Faulkner’s conclusion that we can never really understand another person, and may not want to. I read it as a cautionary tale of what a family can become.
This postbellum Greek tragedy is the perfect introduction to Faulkner's elaborate descriptive syntax.
Quentin Compson and Shreve, his Harvard roommate, are obsessed with the tragic rise and fall of Thomas Sutpen. As a poor white boy, Sutpen was turned away from a plantation owner's mansion by a black butler. From then on, he was determined to force his way into the upper echelons of Southern society. His relentless will ensures his ambitions are soon realised; land, marriage, children, his own troop to fight in the Civil War... but Sutpen returns from the conflict to find his estate in ruins and…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
Black people, enslaved and free, sued whites in court in Mississippi and Louisiana, and sometimes they won.
Welch researched hundreds of documents in some archives off the beaten path. She discovered a hitherto unknown chapter of African American life which changes our perspective on the legal system.
I felt inspired by the courage and resilience of the litigants.
In the antebellum Natchez district, in the heart of slave country, black people sued white people in all-white courtrooms. They sued to enforce the terms of their contracts, recover unpaid debts, recuperate back wages, and claim damages for assault. They sued in conflicts over property and personal status. And they often won. Based on new research conducted in courthouse basements and storage sheds in rural Mississippi and Louisiana, Kimberly Welch draws on over 1,000 examples of free and enslaved black litigants who used the courts to protect their interests and reconfigure their place in a tense society.
I’m a writer, theatre artist and calligrapher who has spent a lifetime dedicated to the look, sound, texture and meaning of words. Writing in verse and prose poetry gives me a powerful tool to explore hard themes. Poetry is economical. It makes difficult subjects personal. Through poetry, I can explore painful choices intimately and emerge on a different path at a new phase of the journey. While my semi-autobiographical novel These Are Not the Words “is about” mental health and drug addiction, I’ve shown this through layers of images, sounds, textures, tastes—through shards of memories long submerged, recovered through writing, then structured and fictionalized through poetry.
In A Wreath for Emmett Till, Marilyn Nelson reminds us of the unique beauty of a life, of the vibrancy of youth at 14 years old. Written as a “crown of sonnets,” where the last line of one sonnet becomes the first of the next, it is a book that bears witness and conveys huge themes of justice, loss, and remembrance while focussing on small moments, gestures, and images. I am in awe of Nelson’s ability to use a very formalized writing style to depict one of the most brutal murders of the twentieth century.
In 1955, people all over the United States knew that Emmett Louis Till was a fourteen-year-old African American boy lynched for supposedly whistling at a white woman in Mississippi.The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.
Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement.This martyr's wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to 'speak what we see.'
USA Today and #1 internationally bestselling author of The Marsh King's Daughter - “Subtle, brilliant and mature . . . as good as a thriller can be.” – The New York Times Book Review, and soon to be a major motion picture starring Daisy Ridley and Ben Mendelsohn, and The Wicked Sister, a Publishers Weekly Best Book of 2020. "Massively thrilling and altogether unputdownable. Dionne is proving to be one of the finest suspense writers working today.” – Karin Slaughter
Set in 1920s Mississippi, this Southern novel weaves a harrowing tale of two teenage girls who are drawn into a dangerous world of bootleggers and moral corruption. Forced to come to terms with their hidden past, they discover that they are linked in ways that could cost them their lives.
As rich and lush as the Natchez Trace swamps where the story takes place, Mustian’s lyrical prose combined with her deep insight into the resiliency of the human spirit make this novel shine. You know a book is good when you wish you’d written it!
THE USA TODAY BESTSELLER! "Remarkable debut.... [a] nearly flawless tale of loss, perseverance and redemption."-Publishers Weekly, STARRED review Set in 1920s Mississippi, this debut Southern novel weaves a beautiful and harrowing story of two teenage girls cast in an unlikely partnership through murder-perfect for readers of Where the Crawdads Sing and If the Creek Don't Rise. Ada promised herself she would never go back to the Trace, to her hard life on the swamp and her harsh father. But now, after running away to Baton Rouge and briefly knowing a different kind of life, she finds herself with nowhere to…
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