91 books like Dirty Old London

This is a pretty dense scholarly work, but that very density makes it a cornucopia for anyone interested in how a specific historical culture regarded magic.

I appreciated that while academic, Price is never boring or needlessly obscure; he does a very good job of not only explaining the historical record but also the best guess at how it can be interpreted.

Not only did it teach me a great deal about the Vikings, but it also taught me other strategies and ways of thinking about other cultures’ magical practices, and for a fantasy writer, that’s pure gold.

I was in love the moment I opened an abridged version of Gibbon’s magnum opus as a young history buff, and was even more delighted when I sought out the multivolume full experience.

Gibbon’s view of the Roman Empire is magisterial and his footnotes are a cranky delight; he’s up-front when his sources have axes to grind and sourly suspicious of his own motivations.

Sure, he’s an 18th-century British colonialist with all that entails. He’s also deliciously ironic, hilariously sardonic, and does his mightiest justice when he’s skewering folly and tyranny of any stripe.

Too often, our idea of history (or prehistory) is of men doing things and women silently following. Barber dives into the history of textiles to show how spinning, weaving, and cloth were not only drivers of culture and civilization but also a major technological achievement akin to harnessing fire and developing agriculture.

I was blown away both by the book’s premise and by the obvious passion and breadth of knowledge Barber brought to showing just how the stunning leap forward taken by women with spindles kick-started what we think of as civilization.

We take clothes for granted, but the first person to think of cloth rather than animal skins gave a great gift to humanity, one which may never be equaled.

I love reading history and am fascinated by the Byzantines.

Norwich has an absolute gift not just for overviewing the major trends and events in history but also for choosing telling details that solidify the picture, reaching across centuries to empathize with people who were not so very different than us.

Plus, he’s scorchingly funny when the occasion calls for it. Both the abridged and the three-volume work walk that fine line between major events and small, crystalline, and often poignant or hysterically amusing details.

Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff. 

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.

Nobody does characters like Jess Kidd. Every person in this story is bizarre—a monster, misfit, or malefactor—yet not one feels contrived. I adored Bridie Devine, a small, rotund, pipe-smoking detective who begins to see the same ghost everywhere she goes.

Bridie’s quarry is a strange girl who’s been kidnapped and might (depending on who you ask) have supernatural powers or be a “lovely grotesque” who’s caught the eye of collectors. I fell in love with Kidd’s imaginative Victorian London, where nothing is as it seems, and evil lurks around every bend.

This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.

The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.

I love the book as it is the sort I can pick up if I only have a few minutes to read.