Here are 100 books that Brunelleschi's Dome fans have personally recommended if you like
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I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Architecture is always a collaboration between the architect who conceives the project, the builder who must realize it, and the client who starts it—and pays for it The protracted building process, which is often stressful, is always a complicated pas de trois. No one has written about this better than Tracy Kidder, who describes the complex choreography by following (in real-time and in detail) the construction of a family home in New England.
In the New York Times bestseller House, Pulitzer Prize–winning author Tracy Kidder takes readers to the heart of the American Dream: the building of a family's first house with all its day-to-day frustrations, crises, tensions, challenges, and triumphs.
In Kidder's "remarkable piece of craftsmanship in itself" (Chicago Tribune), constructing a staircase or applying a coat of paint becomes a riveting tale of conflicting wills, the strength and strain of relationships, and pride in skills. With drama, sensitivity, and insight, he takes us from blueprints to moving day, shedding light on objects usually taken for granted and creating a vivid cast…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Many books about architecture are like cookbooks, that is, they are written for the cook—the architect—and are concerned with how to make the stuff. But for the lay person, the joy of architecture lies in the actual experience of buildings; good architecture makes you feel good. This classic, written in 1962 by a wise old Dane, is a wonderful guide to the many sensory ways in which we experience buildings, old and new.
A classic examination of superb design through the centuries.
Widely regarded as a classic in the field, Experiencing Architecture explores the history and promise of good design. Generously illustrated with historical examples of designing excellence—ranging from teacups, riding boots, and golf balls to the villas of Palladio and the fish-feeding pavilion of Beijing's Winter Palace—Rasmussen's accessible guide invites us to appreciate architecture not only as a profession, but as an art that shapes everyday experience.
In the past, Rasmussen argues, architecture was not just an individual pursuit, but a community undertaking. Dwellings were built with a natural feeling for place,…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
If you’ve ever wondered why modern buildings look the way they do—and look so different from say, the buildings of our grandparents’ generation—you cannot do better than read this collection of essays that examines the current state of modern architecture. Glazer, a sociologist who was a noted public intellectual, brings a down-to-earth intelligence and a sharp eye to his subject.
Modernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on the American city. Writing in the tradition of legendary American architectural critics Lewis Mumford and Jane Jacobs, Glazer contends that modernism, this new urban form that signaled not just a radical revolution in style but a social ambition to enhance the conditions…
I am professor emeritus at the University of Pennsylvania. Although I’ve written more than twenty books on a variety of subjects, I was trained as an architect and I’ve designed and built houses, researched low cost housing, and taught budding architects for four decades. I was architecture critic for Wigwag and Slate and I’ve written for numerous national magazines and newspapers. Perhaps more important, my wife and I built our own house, mixing concrete, sawing wood, and hammering nails. I wrote a book about that, too.
Kidder’s book is non-fiction, but Eric Hodgins’s 1946 architectural account, although influenced by his own experience of building a house, is fictional; the novel was later made into a hit movie starring Cary Grant and Myrna Loy. It’s a very funny story that exaggerates—but only slightly—the travails faced by anyone undertaking this challenging task. Weathering the challenge, as Mr. Blandings discovers, requires fortitude, patience, and yes, a sense of humor.
The classic tale of leaving the city and building a house in the country, only to find country life isn't so simple. But it is hilarious. Mr. Blandings, a successful New York advertising executive, and his wife want to escape the confines of their tiny midtown apartment. They design the perfect home in the idyllic country, but soon they are beset by construction troubles, temperamental workmen, skyrocketing bills, threatening lawyers, and difficult neighbors. Mr. Blandings' dream house soon threatens to be the nightmare that undoes him. This internationally bestselling book by Eric Hodgins is illustrated by William Steig and was…
For me, books have always been an incredible way to escape, most especially when life is overwhelming. I read books as an escape when I was young, and now as an author, I write books to escape as well. My favorite books to escape into always include heart pounding adventure, fantastical magic, and characters I wish I could know in real life. These are the sorts of books I write; ones that give readers the chance to exist as someone else in another place, perhaps go on a wild adventure. My hope as an author is that my books allow readers to leave their own world and their own worries behind.
Set in a post-apocalyptic world where the last human left alive is a young boy, Fisher, this dystopian, fast-paced adventure story lets us glimpse a future where people tried...and failed...to save humanity. Determined to find out what happened, Fisher heads out on a wild journey with his robot, Click. This is one of the most unexpectedly laugh-out-loud middle grade novels I’ve ever read, and it combines the hilarity with incredible action scenes and a truly creepy “bad guy.” I devoured it in one sitting—this is a book I wish I could read for the first time again.
Fisher is the last boy on Earth - and things are not looking good for the human race. The carefully crafted survival dome where Fisher and dozens of other humans have been sleeping for millenia has been destroyed. Through a lucky accident, only Fisher survived.
The world Fisher wakes up in is a lot like ours - but it's changed, too. After the human race wiped itself out, nature took over, and wild creatures evolved into barely familiar beasts. Fisher must face them…
I grew up watching the old Universal horror movies, which led me to read Frankenstein, Dracula, and other horror classics. It wasn’t until I read Stephen King’s Danse Macabre that I started asking myself what it is that I find truly frightening. Not so much monsters but rather what is unsettling – A recognizable world that suddenly turns askew. Dead Hungry grew out of that: What if there were people who simply had to eat the dead?
The premise is straightforward: A dome settles over the small town of Chester’s Mill. The reason why is a bit of a McGuffin, but what is compelling is King’s brilliant exploration of the breakdown of society. Plenty of characters are willing to work together to get through the crisis, but then there are those who want to exploit the situation for their own gain. As with many King novels, it’s the worst aspects of human nature that are the true monster. Plus, King keeps his foot on the gas for the entire length of this massive tome; it never lets up.
Don’t miss the “harrowing” (The Washington Post) #1 New York Times bestselling thriller from master storyteller Stephen King that inspired the hit television series, following the apocalyptic scenario of a town cut off from the rest of the world.
On an entirely normal, beautiful fall day in Chester’s Mill, Maine, the town is inexplicably and suddenly sealed off from the rest of the world by an invisible force field. Planes crash into it and fall from the sky in flaming wreckage, a gardener’s hand is severed as “the dome” comes down on it, people running errands in the neighboring town…
I am passionate about the written word and effective communication. My articles and reviews have been published in major newspapers and magazines and for two decades I taught writing on the university level. Travel writing is a subset of my experience as editor of the best-selling In Mind literary anthologies and editor and writer for more than a dozen guidebooks. In addition, I have been “first reader” and editor for prospective authors and shepherded several books to publication, the most recent Red Clay Suzie by first-time novelist Jeffrey Lofton (publication January 2023).
Pick up E.M. Forster’s A Room with a View and cue a Puccini aria. British author Forster wrote a lavishly romantic novel with a transgressive theme. Heroine Lucy Honeychurch struggles against her straitlaced Victorian background until a trip to Florence loosens her inhibitions. Does she marry her fiance, the arrogant Cecil Vyse or the Bohemian socialist George Emerson? Although the ending may be obvious, it is the vicarious trip through early 20th-century Tuscany—complete with a kiss in a field of violets—that is the delight.
When I think of what life is, and how seldom love is answered by love; it is one of the moments for which the world was made.
Lucy Honeychurch travels to Florence, Italy, with her cousin and they were assured they would receive a room with a view of the River Arno, but instead are given a room overlooking a dull courtyard. A one Mr. Emerson and his son George offer their room, which as the desirable view, to the two ladies. From this opening sequence, A Room with a View sets off following young Lucy as she navigates through…
Born into a family with friction between parents, I never thought relationships could get much worse. When my parents divorced, father became estranged, then died by apparent suicide, memoirs by diverse voices opened my world and made me feel less alone. When I went through a sexual and gender identity crisis of my own, they helped me navigate the turmoil in my own life. I spent more than twenty-five years writing professionally for corporate and academic employers before writing biography and memoir became a coping skill.
Preston and Spezi’s memoir helped me learn how to write from inside a murder investigation. I knew I needed to write about my father’s unusual death and my suspicions, but I didn’t have the tools to tackle it. The two journalists describe how they solved an infamous serial killer case only to become suspects themselves. Preston and Spezi drive their story with a momentum I tried to match in telling mine.
The Monster of Florence, which was shortlisted for the prestigious CWA Gold Dagger Award for Non Fiction in 2010, is a true account of brutal serial murder in idyllic Florence. After settling in Italy in 2000, Douglas Preston discovered that the olive grove in front of his family's new home had been the scene of one of the most infamous double-murders in Italian history, committed by a serial killer who had never been found and was known only as the Monster of Florence. Preston, intrigued, met Italian journalist Mario Spezi, who had followed the case since the first murders in…
Crystal King is the author of The Chef’s Secret and Feast of Sorrow, which was long-listed for the Center for Fiction’s First Novel Prize and was a Must-Read for the MassBook Awards. She is an author, culinary enthusiast, and marketing expert. Her writing is fueled by a love of history and a passion for the food, language, and culture of Italy. She has taught classes in writing, creativity, and social media at GrubStreet, Harvard Extension School, and Boston University, among others. She resides in Boston.
Nino Latino is the nephew of Fra Filippo Lippi, one of the greatest Florentine painters. For Nino, every taste brings a heightened connection to the people and places around him. He rises to culinary acclaim but it’s the forbidden hand of a woman that threatens to undo him. Appetite is a book to relish and devour.
Florence, 1466. A lust for life, a passion for power and a taste for adventure...
In Florence, everyone has a passion. With 60,000 souls inside the city, crammed into a cobweb of clattering streets, countless alleys, towers, workshops, tanneries, cloisters, churches and burial grounds, they live their lives in the narrow world between the walls. Nino Latini knows that if you want to survive without losing yourself completely, then you've got to have a passion.
But Nino's greatest gift will be his greatest curse. Nino can taste things that other people cannot. Every flavour, every ingredient comes alive for him…
I am an art historian from Rome and a professor at the University of Virginia, where I also served as associate dean for the arts and humanities and chair of the art department. Ever since as an undergraduate I heard a lecture from a professor on how important science was for Renaissance artists, I have been fascinated with this topic. I look at scientific images, such as maps and diagrams, as works of art, and interpret famous paintings, such as Leonardo da Vinci’s Mona Lisa, as scientific experiments. Among my books are The Marvel of Maps: Art, Cartography and Politics in the Renaissance, The Shadow Drawing. How Science Taught Leonardo How to Paint, and the digital publication Leonardo da Vinci and His Treatise on Painting.
Most art in the Renaissance was commissioned by specific patrons and this book superbly illustrates the complex interaction among patron, artist, and society by focusing on the greatest patron of art and architecture in fifteenth-century Florence. Cosimo de’ Medici was the most powerful figure in the city’s political and economic life, a fabulously wealthy banker, a devout Christian, but he had also an impeccable nose for great art. With the help of about 200 images, the book examines the religious, personal, and dynastic motivations behind Cosimo’s artistic patronage, both his direct commissions for the Medici palaces, villas, and chapels as well as his active involvement in the works officially commissioned by the republic. What you’ll get out of this book is a profound understanding of how art was commissioned, created, and viewed in Renaissance Florence.
Cosimo de' Medici (1389-1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city's most important patron of art and literature. This remarkable book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron and of the patron's point of view. Recurrent themes in the commissions-from Fra Angelico's San Marco altarpiece to the Medici Palace-indicate the main interests to which Cosimo's…
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