100 books like Black Cake

I adore quirky characters, and the author nails it with the main character, Fern Castle. (Fern immediately reminded me of Gail Honeyman’s Eleanor Oliphant.)

The author dropped hints of a super-dark secret between Fern and her sister, Rose, in the very first chapters, and I was hooked from that moment on. I love complex relationships in the middle of a flashback mystery.

Just wow. The siblings in this book are super-angry with their brother, whose addictions and reckless behavior racked up huge bills, eating through the joint inheritance they were all counting on to deal with their own bad (but perhaps less shameful) behaviors.

I loved the complexity of this book. The bad brother—and let’s be clear that he was definitely a piece of work—was such a scapegoat for everyone else’s issues. I loved learning about the characters’ hidden flaws, watching the hypocrisy unfold, and seeing them all work through their anger and their differing versions of their childhood.

It’s another reminder that people can grow up in the same house with the same parents and take vastly different routes in life. 

This was a feel-good read about a 3-generation rivalry between two sisters in a small town involving fried chicken. (You cannot go wrong with southern food in a novel, I’m just saying.)

What I thoroughly enjoyed about this book was how the plot got thicker and thicker, revealing the backstory throughout the story in a way that made me #TeamAmanda one minute and #TeamMae the next. I like digging deep into a character’s life, and this one did so in a way that made me sympathetic to both sisters, rooting for their reunion until the very end.

I’m trying my best not to give away the ending…suffice it to say; it helped me reframe my thinking around getting to the heart of a long feud that started before you even got here.

Whew–this family took me through some changes! This was my first novel by Sunny Hostin, which lived up to all the hype.

First of all, Martha’s Vineyard. The setting alone is intriguing because of the history of the elite Black inhabitants of the land. Secondly, I knew some secret would come out when these three goddaughters were called to the property for one last summer together.

The setting and plot alone had me hooked from the beginning, and I kept reading to learn more about each character’s pain and promise. 

Eliot Bliss was a Jamaican born Anglo-Irish woman; she was also gay. Her stance as a Creole gay writer interests me. I also think she’s largely forgotten and should be read more. I related to her return to Jamaica (depicted in this novel) and her search for her sort of childhood home—that brings the realization that she both does and doesn’t fit in. She is white, she is gay so she doesn’t fit in British society where she feels out of place because of her Creole childhood and her sexuality, and she can’t fit in Jamaica because she is white and gay. And she sees clearly now the white oppressive colonials who were her family. It is a deeply felt search for home, both geographically but also in her body.

Who thought the devastation of the environment in the interest of mining and development would be a funny, lyrical love story? For Flora Smith, scientist and head of a small environmental NGO, her native Jamaica is filled with family, lovers, friends, and enemies. She is deeply connected to her surroundings and finds ways to immerse herself in the landscape, wildlife, human relationships, and embodied pleasure when all else fails. 

This has often been recommended for boys (including by me) but, since there is no such thing as exclusively boy books and girl books, I’m calling this a good book period – with a highly entertaining and deeply endearing adolescent-ish boy, surrounded by a robust cast of supporting characters, at its center. More vignettes than plot, it is rooted in character and voice – in this case, the rare and highly effective use of the second voice. Tonally, it’s a callback to the adventures of boyhood captured in Mark Twain’s Tom Sawyer and the mostly harmless incorrigibility of the boy protagonist as he moves between home, school, and community (the community, in this case, being rural Jamaica), getting into trouble and growing up. It’s the heart and humour for me!

Levy takes us to the transition between slavery and emancipation, if not true freedom. The focus is again on the female experience and the main character is herself the outcome of a sexual assault by a White plantation overseer. 

I truly loved this book. Although there is plenty of pain and suffering here, Levy skillfully injects humour into the character’s outlook and gives us glimpses of the nascent strength and richness that became Jamaican culture. Some of my closest female friends come from this stock of talented people. I see and feel their joy and success as it triumphs over the grim chapters of their ancestral history.

Who doesn’t love a good old-fashioned pirate romance? I read all of Linda Chaikin’s pirate books long before I even started writing. She is an excellent novelist who does impeccable research. Her characters are lovable, the ship scenes exciting, the romance invigorating, and well, the stories are just plain fun!  

This novel, told from a slave woman’s perspective, illuminates the time of maximal oppression in the slave colony of Jamaica, where White men sexually and physically abused enslaved Black women at whim. Lilith, the main character, came alive to me as her rage and despair grew with the multiple attacks on her body and spirit. 

It took me back to the anguish I felt discovering the journals of Thomas Thistlewood and his chronicling of close to 4,000 acts of rape carried out on his female Black slaves. When I visited Jamaica for the first time, I included Westmorland Parish as a stop. It was there that Thistlewood perpetrated his atrocities – an appalling example of the conditions under which enslaved women and girls lived during this period.