100 books like Biography of X

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

My first job upon graduating from college was working for an invention-marketing firm. This wasn’t my intention; armed with a degree in journalism, I was ready to take on the world. Unfortunately, the country was enduring a recession, and after six months of unemployment, I was happy to be offered a copywriting position. So often during the two years I spent there, I would think to myself, “This could make such a great novel.” It took me a while—and with more than a few rejections along the way—but inspired by the writers and books I’ve included in my collection, I finally got around to penning my own tale.

My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.

I’ve been a Black woman for almost 40 years, and I’ve been writing about Black women almost as long. I grew up reading children’s books with brown faces and great stories, but the authors never interested me. Until I read Peaches, I had no idea that wholly relatable authors and stories existed. I began seeking them out. From authors like Virginia Hamilton and James Baldwin to Langston Hughes and even Donald Goines, I found stories of people with lives I recognized. I am far from an expert on Black literature. I am just grateful that during my formative years, I was exposed to some great Black authors. 

I am a multi-genre-inspired reader and writer. The story is what motivates my interest and captivates my attention. The connection I have to my love of WWII-inspired Historical Fiction is drawn from the sheer strength and perseverance that millions of people had to pull from in order to survive one of the darkest moments in humanity. As a writer, I wanted to bring stories to life – to entertain and inform.

I am a professor of political science with a focus on strategic studies and the causes of war, and before that, I was an operations officer at an army engineering regiment during the Cold War, and before that I was an adolescent wargamer obsessively applying math to sociological problems, and before that an enthusiast of military history. I have had the generosity of providence to conduct research in and on Pakistan’s military for over ten years, as well in Indonesia, Bangladesh, and Egypt. These are the books I think every scholar of strategic studies should start with, as they provide an inspirational and the most direct path to strategic insight.   

My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.

In writing The Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are. 

I became very interested in this topic when I moved to Italy and met and married Andrea Meloni. I had never been particularly interested in wars and battles but, when he began to tell me about his very personal experience growing up in Mussolini’s Fascist Italy, I was captivated and felt that his unique story was important. I, therefore, encouraged him to write his memoirs. My book is based on them, and so it is more his book than mine. However, I did extensive research to set his story in a coherent historical context. 

I’m an old guy. I say this with a bit of cheek and a certain amount of incongruity. All the books on my list are old. That’s one area of continuity. Another, and I’ll probably stop at two, is that they all deal with ordinary people caught in extraordinary circumstances—those curveballs of life we flail at with an unfamiliar bat; the getting stuck on the Interstate behind a semi and some geezer in a golf cap hogging the passing lane in a Buick Le Sabre. No one makes it through this life unscathed. How we cope does more to define us than a thousand smiles when things are rosy. Thus endeth the lesson.