Here are 100 books that Hollywood War Films, 1937-1945 fans have personally recommended if you like
Hollywood War Films, 1937-1945.
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My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.
If you want to know what sort of pressures the Hollywood studies were under during World War II, from the OWI to the Production Code, then this book will help you sort it out.
The studios prior to the war were concerned about offending paying customers overseas, but once the war started, the Roosevelt administration wanted some oversight in how our enemies, our allies, and the Home Front were presented.
One of the most interesting parts is seeing how films about the Russians changed from humorous to supportive as they became our allies during the war and then back to untrustworthy as the war drew to a close.
Conflicting interests and conflicting attitudes toward the war characterized the uneasy relationship between Washington and Hollywood during World War II. There was deep disagreement within the film-making community as to the stance towards the war that should be taken by one of America's most lucrative industries. Hollywood Goes to War reveals the powerful role played by President Franklin D. Roosevelt's Office of War Information--staffed by some of America's most famous intellectuals including Elmer Davis, Robert Sherwood, and Archibald MacLeish--in shaping the films that were released during the war years. Ironically, it was the film industry's own self-censorship system, the Hays…
My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.
This is a really good overview of how the studios responded to the rise of fascism overseas and how, as the reality of America becoming involved in the war became more possible, what plans they made to adapt, from more military screenplays to what actors to use (since many of the male actors were either drafted or enlisted), to how to get military equipment for sets.
Dick also probes how these war films, including some made after the war, altered or rearranged history in order to make a better movie.
The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy - or lack thereof - of films about the Third Reich, the Resistance, and major military campaigns. Concerned primarily with the films of the war years, it also includes discussions of such postwar movies as Battleground (1949), Attack! (1956), The Bridge on the River Kwai (1957), and Patton (1970). This revised edition includes new…
My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.
Hollywood has always loved the way that British actors spoke, as well as the history, culture, and literature of Great Britain.
Since Britain became involved in the war years earlier than the Americans, the studios could celebrate British heroism and in so doing, point towards a time when the U.S. might be involved.
Many of the best-loved films of the time, such as Mrs. Miniver, The White Cliffs of Dover, and some of the Sherlock Holmes movies show the British collapsing class lines, which appealed to American sensibilities, and provided clues to how the Allies should behave in the midst of crisis.
This work examines the Hollywood "British" film - ie American features that were set in Britain, based on British history or literature and included the work of British producers, directors, writers and actors. "British" films include many of most popular and memorable films of the 1930s and 1940s, yet they have received very little individual attention from film historians and even less attention as a body of films. This work seeks to redress this by considering "British" films made during World War II, when Hollywood's interest in Britain was at a peak and "British" films were more numerous than every…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan. The US government has agreed to provide Taiwan with a weapons system so advanced, it can disrupt the balance of power in the region. But what pilot would be crazy enough to run the…
My husband, Robert McLaughlin, and I taught at Illinois State University for over thirty years. Our fathers both served in World War II (one in the Army Air Forces and one in the Navy) but would never talk about it. That spurred our interest in the war and what it was like. One way to know about it was through the popular culture of the time, such as movies, plays, radio, and books. As we watched more and more movies and gave presentations on them (we’re English professors by trade), we realized how these movies still affect how we think about the war.
This book takes you back to living in World War II America, from watching movies and listening to radio to enduring rationing and blackouts to changes in the family as (mostly) men went off to war and more women were working outside the home.
It’s well-researched and well-written, with a good sense of how popular culture helped shaped American society.
Lingeman really recreates what it was like for the average person, from silly fads and rumors to the sadness of telegrams and the seriousness of labor shortages and internment camps.
The tragic events of September 11, 2001 brought to the surface memories of an earlier time of unprecedented national emergency—Pearl Harbor—and America's subsequent involvement in World War II. In this evocative cultural history, Richard Lingeman re-creates the events—historic, humorous, and tragic—and personalities of the American home front. From V-girls and V-mail, blackouts and the internment of the Japanese, to new opportunities for African-Americans and women, Lingeman recaptures a unique time in American history in this New York Times Notable Book.
Growing up in Los Angeles, I was fascinated from an early age by Mexican cinema, but my interest in Dolores del Río really blossomed when I wrote the novel Frida. Del Río was part of Frida Kahlo’s entourage, but unlike her friend, del Río was elegant and refined. Highly intelligent, she was dissatisfied with the vapidity of Hollywood and longed to make a real contribution to society. At Georgetown University, I taught courses on Latin American culture, and the Mexican Revolution, which influenced painting, literature, and cinema, was central to the classwork. Thus, I was very familiar with Del Río and her historical context long before I began writing.
A novel about Marlene Dietrich held a natural attraction for me, as Dietrich was one of Dolores del Río’s close friends in Hollywood. Gortner paints a vivid picture of decadence in pre-War Berlin, where Dietrich finds work in music halls. There, she meets Joseph von Sternberg, who casts her as the lead of The Blue Angel, the film that launches her career. As antisemitism grows in Germany, von Sternberg, who is Jewish, leaves for Hollywood, and Dietrich follows him. Paramount Pictures finds in her the answer to MGM’s sexy Swedish star, Greta Garbo, and casts her in one hit after the other. When Hitler approaches her to make propaganda films for the Nazis, Dietrich courageously rebuffs him, opting instead to become an American citizen and entertain Allied troops.
A lush, dramatic biographical novel of one of the most glamorous and alluring legends of Hollywood's golden age, Marlene Dietrich-from the gender-bending cabarets of Weimar Berlin to the lush film studios of Hollywood, a sweeping story of passion, glamour, ambition, art, and war from the author of Mademoiselle Chanel. Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper, middle-class society for the free-spirited, louche world of Weimar Berlin's…
I’m an unusual law professor. I’ve taught constitutional law and economic analysis of law in a career spanning over three decades at two very different law schools. Most scholars view these fields as disconnected. My work, including several books and dozens of articles, demonstrates otherwise. This combined expertise helped me understand why our longstanding constitutional democracy is facing an existential crisis, why popular reform proposals won’t work, and what we must do to succeed. I wrote Parliamentary America for citizens seeking genuine solutions. My five-book list includes brilliant works cutting across myriad divides and embracing wide-ranging methodologies to ensure all citizens appreciate the importance of producing a truly thriving democracy.
I hope readers internalize this book's message: grappling with past threats to our democracy is vital in facing down future threats carrying a greater likelihood of success.
Maddow’s impressively researched book recounts the period of U.S. history corresponding to the rise of Nazism in Germany and the spread of European fascism. Her laudable goal is ensuring more citizens know the story of leading American figures—captains of industry, Congressmen, and Governors—sympathetic to Nazism and willing to undermine vital democratic norms, embrace anti-Semitism, and engage in coordinated violence to bring fascism to the U.S., and of those unsung heroes who refused to let them succeed.
Maddow rightly views education as vital to ensuring that past isn’t prologue.
#1 NEW YORK TIMES BESTSELLER • Rachel Maddow traces the fight to preserve American democracy back to World War II, when a handful of committed public servants and brave private citizens thwarted far-right plotters trying to steer our nation toward an alliance with the Nazis.
“A ripping read—well rendered, fast-paced and delivered with the same punch and assurance that she brings to a broadcast. . . . The parallels to the present day are strong, even startling.”—The New York Times (Editors’ Choice)
Inspired by her research for the hit podcast Ultra, Rachel Maddow charts the rise of a wild American…
The first and only full-length biography of Hazel Ying Lee, an unrecognized pioneer and unsung World War II hero who fought for a country that actively discriminated against her gender, race, and ambition.
This unique hidden figure defied countless stereotypes to become the first Asian American woman in United States…
My first novel Five Rivers Met On A Wooded Plain was a collage novel; an interweaving of several voices in order to create a composite portrait of the city of Salisbury, which told several stories as a way of revealing more of the life of that place. Since then I’ve written three more novels, all of them interested in the effects of using different voices to tell different parts of the story. I think that polyphony makes for great books, and these are four examples of that—different ways of weaving multiple tales together.
Calvino, like Perec, was an experimental novelist, interested in imposing games and rules on what he created. Here, he took the convention of the short story collection and used it to dramatise the arrival of the twentieth century into rural Italy—the machine age, but also the fascist age, and the consuming fires of the Second World War. The incremental tension that comes from time passing is a powerful reading experience.
In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.
I am a professor of political science with a focus on strategic studies and the causes of war, and before that, I was an operations officer at an army engineering regiment during the Cold War, and before that I was an adolescent wargamer obsessively applying math to sociological problems, and before that an enthusiast of military history. I have had the generosity of providence to conduct research in and on Pakistan’s military for over ten years, as well in Indonesia, Bangladesh, and Egypt. These are the books I think every scholar of strategic studies should start with, as they provide an inspirational and the most direct path to strategic insight.
The Second World War was the largest inter-state conflict to date, and largely informs contemporary patterns of geopolitics, international institutions, and military technology, like nuclear weapons. Knowledge of the Second World War, which is nevertheless complex, is therefore vital. The World War II Almanac’s format as a day-by-day chronological account of the conflict provides unique political, strategic, diplomatic, economic, and military insights, which would otherwise be inaccessible without having read at least ten times as many sources. Because the book covers events from 1931 to 1945, it describes the early Japanese policies in China as well as the crucial evolution of fascism within Europe. It also comes with a detailed appendix of charts and tables on a variety of topics, which makes it pedagogically invaluable as an introduction to the Second World War.
Beginning with the rise of Hitler and of Japanese militarism, this comprehensive chronology details the battles, diplomacy, people, and incidents of the period, supplemented with numerous maps, photographs, and illustrations
I am a multi-genre-inspired reader and writer. The story is what motivates my interest and captivates my attention. The connection I have to my love of WWII-inspired Historical Fiction is drawn from the sheer strength and perseverance that millions of people had to pull from in order to survive one of the darkest moments in humanity. As a writer, I wanted to bring stories to life – to entertain and inform.
The bravery and sacrifice of women in the Second World War is repeated in several European countries as families struggle to fight back and survive simultaneously. The novel spans over two decades as the author brings to life a young woman’s fight to survive and protect everything she loves. Although trapped in a turbulent time, the importance that rural Italian midwives during unimaginable circumstances is revealed in a touching and emotional manner. Under the Light of the Italian Moon shines a light on bravery, sacrifice, and humanity.
‘An enthralling, richly crafted story of bold women resisting destruction, death and fascism.’
- Robin Pickering-Iazzi, Professor of Italian and Comparative Literature, University of Wisconsin-Milwaukee
A promise keeps them apart until WWII threatens to destroy their love forever
Fonzaso, Italy, between two wars
Nina Argenta doesn’t want the traditional life of a rural Italian woman. The daughter of a strong-willed midwife, she is determined to define her own destiny. But when her brother emigrates to America, she promises her mother to never leave. When childhood friend Pietro Pante briefly returns to their mountain town, passion between them ignites while Mussolini…
A wild land too mountainous to be tamed by plows. A duke of the empire, his cunning overshadowed only by his ambitions. A young priestess of the Old Religion, together with a charismatic outlaw, sparking a rebellion from deep within the forests.…
In writingThe Lost Son, which is loosely based on family history, I immersed myself in the history of World War II and in the world between the wars. It was important to me to understand this period from both sides—from the perspective of Germans who were either forced to flee their homeland or witness its destruction from within by a madman, and from the perspective of Americans with German ties who also fought fascism. The stories of ordinary people during this time are far more nuanced than the epic battles that World War II depicted, as the stories of ordinary people often are.
Born in 1934 in Berchtesgaden, in the shadow of Hitler’s Eagles Nest, Irmgard Hunt witnessed the growth of fascist ideology among the people she loved during an otherwise idyllic childhood. As the shadow of World War II fell over the mountain, however, Hunt began to question and then disavow the Nazi doctrines she had accepted as a young child. As time went on and the regime crumbled literally before her eyes, she was vocal in confronting her country’s criminal past and in championing the democratic principles her elders had so easily dismissed.
Irmgard Hunt was born into Nazi Germany in 1934 and brought up in the Bavarian village of Berchtesgaden, just outside the fence that surrounded Hitler's alpine retreat and headquarters. On Hitler's Mountain is her account of a childhood under the Third Reich as the daughter of low-level Party members. As a model Aryan toddler, she was photographed sitting on Hitler's knee, and attended school with the children of Albert Speer and Fritz Sauckel. Like many ordinary Germans her parents considered themselves to be moral and honourable: her father was a porcelain artist (at the workshop that provided Hitler with his…
