Here are 94 books that Beverly, Right Here fans have personally recommended if you like
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Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Pushing the Limits is a can’t put down, read until the middle of the night book. Noah Hutchins is the ultimate bad boy with a tough attitude and soft interior. He knows just how to understand Echo Emerson and what she needs to fall in love again. I loved how a scar was used to show both Echo’s external appearance as well as the internal scar both characters carry. This concept of using a scar as a metaphor was an inspiration for a scene in my memoir, Kids in Orange: Voices from Juvenile Detention.
They say be a good girl, get good grades, be popular. They know nothing about me.
I can't remember the night that changed my life. The night I went from popular to loner freak. And my family are determined to keep it that way. They said therapy was supposed to help. They didn't expect Noah. Noah is the dangerous boy my parents warned me about. But the only one who'll listen. The only one who'll help me find the truth.
I know every kiss, every promise, every touch is forbidden. But what if finding your destiny means breaking all the…
I consider myself a topologist of story, ever fascinated by the shapes stories take, and how those underlying forms—as much as their specific content—guide our reactions and our emotions. In a social-media-saturated age, it’s more important than ever that we practice the skills of comprehending story landscapes so that we can understand who benefits from them—and who doesn’t. Ditch the GPS: whether memoir, reportage, or fiction, these books showcase some of the map-and-compass skills we all need to navigate a complicated new era.
During a group summer vacation on a beachy East Coast hideaway, the age-old dynamics of young vs. old—and the have-a-lots vs. the have-less—are in full play. The result sounds like any number of 20th-century American literary dramas, until it becomes clear that the disasters that loom are far larger than any single-family or community. Millet’s playful, snarky novel is a portrayal of what may come as the young realize how thoroughly older generations have sold out their future. The adults may be lost, but the kids are alright.
Pulitzer Prize finalist Lydia Millet's sublime new novel-her first since the National Book Award-longlisted Sweet Lamb of Heaven- follows a group of eerily mature children on a forced vacation with their parents at a lakeside mansion. Contemptuous of their elders, who pass their days in a hedonistic stupor, the children are driven out into a chaotic landscape after a great storm descends. The story's narrator, Eve, devotes herself to the safety of her beloved little brother as events around them begin to mimic scenes from his cherished picture Bible.
Millet, praised as "unnervingly talented" (San Francisco Chronicle), has produced a…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Since my own book is marketed for young readers (and adults BTW) I thought I’d give a nod to one of the voices in that genre that got set in my brain years ago.
Philbrick’s voice in Max the Mighty might be my favorite young reader first-person voice. Told in retrospect, Maxwell’s voice is both wise and self-effacing, and believable from the jump. “...even though I’m a big dude with a face like a moon and ears that stick out like radar scoops…I’m a real weenie. A yellow-bellied sapsucker. A gigantic wuss. A coward.”
The voice carries the banner of strength in the vulnerability of the human condition. A lesson we should hold dear to our heart. Different is cool. Different is good. This book and its voice are timeless.
A companion to Newbery Honor winning author Rodman Philbrick's Freak the Mighty. This is the dramatic, heart-wrenching tale of Max and Worm, two outsiders who turn to each other for survival.
Meet Max Kane, the brooding giant-of-a-boy who escaped from his basement hiding place and faced the real world in Freak the Mighty. Still grieving over the loss of his best friend, Kevin, Max finds himself defending a young, solitary girl cruelly nicknamed "Worm" because she loves to read. And when Max gets blamed for a horrific crime, he and Worm flee across America--hunted by the police and pursued by…
Eleven-year-old Mira wishes everything could go back to the way it was. Before she changed schools and had to quit gymnastics. Especially before Papa died. Now she spends her days cooking and cleaning for her stepsisters and Val—who she still won’t call mom and still won’t forgive for the terrible thing she did.
When a mysterious girl named Lyndame appears wielding a powerful wand, she makes Mira an offer she can’t refuse: she will grant Mira three wishes. What if magic isn’t just pretend after all? What if these wishes could fix everything? But in the quiet town of Between,…
A dazzling story of grief and found family wrapped in a spellbinding fairy tale, perfect for fans of Anne Ursu and Jodi Lynn Anderson.
Eleven-year-old Mira wishes everything could go back to the way it was. Before she changed schools and had to quit gymnastics. Especially before Papa died. Now she spends her days cooking and cleaning for her stepsisters and Val-who she still won't call mom and still won't forgive for the terrible thing she did.
When a mysterious girl named Lyndame appears out of the woods wielding a powerful wand, she makes Mira an offer she can't refuse:…
All my life, I’ve struggled with accepting who I am. It’s no secret that the Vietnam War was unpopular in America; as such, I spent my adolescence hiding who I was. Literature like this didn’t exist when I was a kid. If it had, I think I would’ve seen myself differently. As a writer, I explore similar themes in my work and highlight the importance of discussing how our childhood experiences (good and bad) shape us. Uniformity is a destroyer of identity; my mission is to show how loving what makes us different allows us to love the differences we see in others.
April is the kind of character everyone roots for. She’s sixteen and fending for herself after her crappy father abandoned her in a motor home with no engine.
Teens who grow up like April have grit built into their DNA, and when she takes off for a new life, she soars. The problem is, our past has a way of dragging us backward, and seeing April fight to keep the life and friends she’s built is what makes you keep turning the pages. Oh, and also, she has a beautiful skill. April can sing.
Reading this book is akin to watching a flower bloom; you can’t help but be in awe.
Little River, New York, 1994: April Sawicki is living in a motorless motorhome that her father won in a poker game. Failing out of school, picking up shifts at Margo's diner, she's left fending for herself in a town where she's never quite felt at home. When she "borrows" her neighbor's car to perform at an open mic night, she realizes her life could be much bigger than where she came from. After a fight with her dad, April packs her stuff and leaves for good, setting off on a journey to find a life that's all hers.
I’ve always enjoyed reading true stories and stories that feel like they could be true. I enjoy learning about other people’s lives and experiences. If a character’s life experiences have been very different than my own, it is eye-opening and informative. If we’ve had similar experiences it helps me feel less alone. When writing, I usually draw inspiration from my own life experiences. With AWOL, I wanted to share military family culture and help readers affected by PTSD feel less alone.
Mai K. Nguyen pairs really tough topics: grief, loss, and overwhelming emotions with beautiful and soothing artwork and a little bit of magic. When Willow gets upset and runs off into the woods she meets Pilu, a lost wood sprite. Together, Willow and Pilu help each other learn to deal with their emotions and find their way home. I love that the reader can learn alongside the characters without feeling like they are being taught a lesson.
A heartwarming story of friendship, loss, and finding your way home from
debut author/illustrator Mai K. Nguyen!
Willow loves the woods near her
house. TheyaEURO (TM)re calm and quiet, so different from her own
turbulent emotions, which she keeps locked away. When her emotions get the
better of her one day, she decides to run away into the woods.
There, she
meets Pilu, a lost tree spirit who canaEURO (TM)t find her way back
homeaEURO"which turns out to be the magnolia grove
WillowaEURO (TM)s mom used to take her to. Willow offers to help
Pilu, and the two quickly become…
The stories I write are fiction, but I’ve heard hundreds of tales about survival, and family drama. I’m the secret-keeper everyone confides in. From the time I was a teen, friends shared their secrets with me. Later, as a healthcare worker, patients often told me shocking true-life stories. What started these events? How did the victims overcome the horrors? I found their tales fascinating. I invent characters that face nightmarish challenges, and they must use the tools they have to persevere. Just like in real life. My novels shed light on darker, twisted topics.
I liked the suspense baked into this story of a runaway girl, Bea. The entire novel was written in emails, mostly between her and her brother, Erza. Each exchange demonstrated their tight sibling bond and their unhappy home life since their parent’s divorce.
Bea leaves home after receiving a mysterious Twitter message from who she believes is her birth father. She hasn’t seen her dad in years and lives far from him. The story centers on escaping her abusive stepfather, apathetic mother, and her need to reconnect with her father. But she’s taking a risk by meeting a stranger from Twitter. Could he really be her long-lost dad or someone else?
Ezra wakes one day to find his sister gone. No note, no sign, nothing but an email address hidden somewhere only he would find it.
Escaping their toxic home life, Bea finds herself alone in a new city - without friends, without a real plan - chasing someone who might not even want to be found.
As things unravel at home for Ezra, Bea confronts secrets about their past that will forever change the way they think about their family. Separated by distance but connected by love, this brother and sister must learn to trust themselves before…
I grew up loving sci-fi and fantasy, but especially today, I recognize how a lot of older sci-fi is patriarchal or even misogynistic. When I started to write my own books, like A Dragonbird in the Fern, I vowed to create my fantastical settings as I’d like our world to be someday—with all genders considered equal. Whether it’s a queen wielding all of the power or a witch who can save the world, women and girls in my stories get things done, and no one bats an eye.
The two girls in City of
Shattered Light could not be fiercer! Asa’s a runaway rich girl who flees
home to save her sister, a victim of scientific tests. Riven’s a tough smuggler
gunning for a big bounty to guarantee her a place in one of the city’s
matriarchal (!) crime syndicates. There’s kidnapping, a wild neon sci-fi world,
and a healthy portion of romantic longing. I loved this misfit team!
As darkness closes in on the city of shattered light, an heiress and an outlaw must decide whether to fend for themselves or fight for each other. As heiress to a powerful tech empire, seventeen-year-old Asa Almeida strives to prove she's more than her manipulative father's shadow. But when he uploads her rebellious sister’s mind to an experimental brain, Asa will do anything to save her sister from reprogramming—including fleeing her predetermined future with her sister’s digitized mind in tow. With a bounty on her head and a rogue AI hunting her, Asa’s getaway ship crash-lands in the worst possible…
I love delving into a world unlike my own and navigating along with a young hero of a story. Sometimes rooting and sometimes cringing at the decisions they make. A story that challenges a young boy resonates with me, and what makes the coming-of-age description in a book is having the young hero deal with grown-up problems, often before he is prepared. All decisions have consequences, and all problems, no matter how seemingly trivial, have significance to the user. I enjoy stories that capture just this type of world and ones that do it in a manner where it is not forced.
A boy wrapped up in mischief resonates with me. Tom is a clever young man, and antics abound. He is one step in front of his peers. He is a young boy and deals with young boy issues until he is forced to deal with a grownup world.
I cherish the quirky wit the boy uses to navigate his world. This is a classic for a reason.
"The Adventures of Tom Sawyer" is the first of Mark Twain's novels to feature one of the best-loved characters in American fiction, with a critical introduction by John Seelye in "Penguin Classics". From the famous episodes of the whitewashed fence and the ordeal in the cave to the trial of Injun Joe, "The Adventures of Tom Sawyer" is redolent of life in the Mississippi River towns in which Twain spent his own youth. A sombre undercurrent flows through the high humour and unabashed nostalgia of the novel, however, for beneath the innocence of childhood lie the inequities of adult reality…
I’ve always been drawn to stories that feature mysterious locales and secret objects and strange or magical occurrences, so books with these elements—particularly when the main characters in the books are young people learning about themselves and the world around them—are often very satisfying to me. There’s something naturally engaging, I believe, in tales where someone is thrust into a disorienting situation and has to make sense of the uncertainty he or she faces. The books I’ve written for young readers all tend in this direction, and so I’m always on the hunt for stories along these same lines.
Long a favorite of mine, every couple of years I enjoy returning to this book about two brothers who fall in with a group of Venetian street children and the young master-thief who oversees them. Funke's classic, assured style grants this relatively contemporary novel (first published in Germany in 2000) a charming, old-fashioned sensibility, while the pacing and characterization should appeal to the most modern of readers, at least to my eyes. The book has everything I love in stories for young readers–mystery, magic, friendship, and startling plot twists–and the interior illustrations done by Funke herself are lovely.
The magical multi-award-winning modern classic from master storyteller and New York Times-bestselling author, Cornelia Funke - over a million copies sold worldwide!
'A completely delicious read.' THE OBSERVER
'Today's young readers will probably love this book as they love the Harry Potter series' THE NEW YORK TIMES
'My enjoyment of The Thief Lord grew and grew as I read it' DIANA WYNNE JONES
Winter has come early to Venice.
Two orphaned children are on the run, hiding among the crumbling canals and misty alleyways of the city. Befriended by a gang of street children and their mysterious leader, the Thief…
I’ve always loved to be scared! When I was young I turned off the lights to watch movies like Alien and It. When I got older, I played Resident Evil and Silent Hill. And when I got even older, I started writing things that would make me jump if the dog came in too suddenly mid-chapter. I think we are drawn to scary books and movies because they give us a safe way to explore the unknown – and, less philosophically, because sometimes it’s just fun to get sucked into a dark and creepy universe!
This is another period piece, this one a classic Victorian gothic that appeals to my secret nostalgia for the old original horror pieces such as Dracula, Jekyll and Hyde, or Jane Eyre. The main character finds herself enmeshed in a strange and dark world where right and wrong become blurred as she struggles to find the place she fits in. You won’t be able to stop reading between one chapter and the next.
An all-new creepy fantasy series from the New York Times bestselling author of Asylum.
Featuring stunning interior illustrations from artist Iris Compiet, plus photo-collages that bring the story to chilling life, House of Furies invites readers to a world where the line between monsters and men is ghostly thin.
After escaping a harsh school where punishment was the lesson of the day, seventeen-year-old Louisa Ditton is thrilled to find employment as a maid at a boarding house.
But soon after her arrival at Coldthistle House, Louisa begins to realize that the house's mysterious owner, Mr. Morningside, is providing much more…
