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I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace.
Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later.
The only completely unabridged paperback edition of Victor Hugo’s masterpiece—a sweeping tale of love, loss, valor, and passion.
Introducing one of the most famous characters in literature, Jean Valjean—the noble peasant imprisoned for stealing a loaf of bread—Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
Having spent a total of 7 years in 12 UK prisons (and 6 in the USA), I encountered so many people from all walks of life who found themselves in custody. What they all generally had in common was a desire to seek betterment – redemption – for even the repeat offenders never hoped to see the inside of another jail again. It can be a soul-destroying, depressing place, often ruthless, but also serves as a forge to draw out the perseverance and will to keep going. After leaving prison, I went on to set up a social enterprise, received a commendation from then Prince Charles, and support the daily operations of a charity (Arkbound).
It’s sometimes quite tricky to find a collection of short works that seamlessly cover the same topic and advance it in different ways, showing various perspectives.
In this book, there are twenty different contributors – all with direct experience of being in prison or on probation – and each piece explores what ‘hope’ really means. Such a powerful and important word, yet different for everyone; nonetheless pushing us all onwards when times are darkest.
Without hope, there is really no redemption, for it requires the ability to look ahead and see something or someone better. Seeing creative work from many different people in prison writing about such an important subject felt very rewarding, and the fact that all contributors also won a prize as part of a national writing competition bolstered the book’s impact.
Stories, poems and articles of hope by people in custody and on probation, edited by the Arkbound Foundation.
Prison. It is a word that conjures up loss, bleakness and despair. A place where those who have broken the law are kept, both for punishment and for the safety of society. But behind these images are human stories, accounts of tragic mistakes and broken lives, woven in-between with hope. For those inside prison, it is hope that often keeps them going: for the future, for those they care for, and for the chance to start afresh upon release.
Having spent a total of 7 years in 12 UK prisons (and 6 in the USA), I encountered so many people from all walks of life who found themselves in custody. What they all generally had in common was a desire to seek betterment – redemption – for even the repeat offenders never hoped to see the inside of another jail again. It can be a soul-destroying, depressing place, often ruthless, but also serves as a forge to draw out the perseverance and will to keep going. After leaving prison, I went on to set up a social enterprise, received a commendation from then Prince Charles, and support the daily operations of a charity (Arkbound).
Perhaps a surprise choice! For it tells things not from the perspective of someone who has committed a crime, or been in jail, but from that of a real prison officer.
In that sense, the writer has actually been in prison, and reading it makes you think that those who work in such places are in some ways serving sentences of their own. As a prisoner, it was sometimes easy to see ‘the screws’ all in the same way, but doing so is no less erroneous and one-dimensional than seeing all prisoners as the same.
Likewise, I found the book to succeed in portraying many of the misunderstood nuances of prison life, and the challenges those inside face – on both sides of the system – to achieve redemption.
"My name is Ronnie Thompson. Being a prison officer was something I used to be proud of. I soon realised the truth of what it's like working as a screw, though. It's a fucking headache. Corruption, danger, violence. Welcome to my world." Ronnie Thompson was just an ordinary guy. That is, until he became a prison officer. By the time he started work at HMP Romwell, he realised he was actually a nurse, a copper, a probation officer, a carer, a counsellor, a social worker and, of course, an incarcerator all in one. Oh, and a punch bag for the…
I once thought I was broken, because I became so invested in the characters I read about. I carried them with me out into the real world, where their struggles kept me from focusing on my own tasks. Then I learned this connection is a feature of reading, not a bug. While some people collect book boy/girl-friends–and I do enjoy swooning over a love interest–I am more drawn to those characters I’d want to share a rum with or meet for a beer. Authentic characters show us we’re not alone and inspire us to grow. They become so much more to us than mere words on the page.
The Discarded Heroes series holds a special place for me, as these books gave me the push I needed to face my fears and finally pursue publishing my writing. The entire Nightshade team was written so authentically, they feel like part of my extended family. I’m recommending book three specifically, because of Canyon and Dani. Their ability to acknowledge their weaknesses, take responsibility for their mistakes, and push through anything to finish their mission still inspires me.
A Rapid-Fire Rewrite of the 2012 Christy Award Winner--Expanded & Updated--with 100 new pages!Army demolitions expert Danielle Roark narrowly escaped a brutal guerrilla general. Months later, she’s charged with espionage and forced to return to the very jungle where her nightmares began. Her only hope rests in the former Special Forces operator who escorts her down and vows they’ll both come back alive.Disgusted with the suits on Capitol Hill, Canyon Metcalfe is still wrestling with memories of a mission gone bad. But taking the role of protector, he’s determined to make this endeavor end in victory. What he isn’t expecting…
I’m a writer/artist inspired by a lifetime of reading graphic novels. A visual artist at heart with a BFA in Industrial Design I have worked over a decade in conceptual thinking for research and development in the manufacturing sector. I love the experimentation that breaks the boring norms of industry standards. I wanted to use my talent, experience, and passion to create a sci-fi graphic novel, Bear Serum, and break the medium norms. I wrote and drew it to satiate my own wild ideas in the sci-fi category to push the medium further.
Before a Friday night drink, turn on some heavy metal (or hard rock) and decide if you want to, “Become a cop or die.”
This indie sci-fi graphic novel has style with thought-provoking themes that will make you wonder about our lives in the near future.
The monochromatic color palette is not only stylistically cool but it frames emotion perfectly well. I loved the raw indie art by Ziritt, feels like a classic tattoo artist took his inks and drew inside comic panels. He frames a lot of statuesque and memorable moments with his violent, dystopian characters.
As an indie artist and writer, it’s awesome to see another indie story. Indie at its core is unfiltered, which is what makes it great. It isn’t watered down to hit the right tone to sell a lot of copies. It’s the creator’s voice being heard.
Night Hunters is a pulsing cyberpunk classic that tells the tale of two brothers who have to navigate the futuristic dystopian world of Venezuela, 100 years in the future.
How far would you go for your family? Would you enlist in a corrupt police department and slowly sell your body-parts for cyborg replacements so that your aging father can have a roof over his head? The only answer is pick up your gun and put one foot in front of the other.
This sci-fi epic by indie comics all-stars Alexis Ziritt (Space Riders, Tarantula) and Dave Baker (F*** Off Squad,…
When I was at school, reading was a chore. We were given books that held no interest and told to dissect the author’s words to find a deeper meaning. It put me off reading for years. It wasn’t until I came across a thriller that I discovered my love of books, and I’ve been hooked ever since. There’s nothing like mounting tension to get you flipping the pages, and I try to do that in my books.
A cracking action thriller. A friend recommended this to me, saying my pulse would rise within the first few pages. He wasn’t wrong. It shot up and barely came down. Jet is an Israeli agent who wants out, but it’s never that easy. Such a good first book that the author wrote about 20 more in the series. Guess who read them all!
Code name: Jet Twenty-eight-year-old Jet was once the Mossad's most lethal operative before faking her own death and burying that identity forever. But the past doesn't give up on its secrets easily. When her new life on a tranquil island is shattered by a brutal attack, Jet must return to a clandestine existence of savagery and deception to save herself and those she loves. A gritty, unflinching roller-coaster of high-stakes twists and shocking turns, JET features a new breed of protagonist that breaks the mold. Fans of Lisbeth Salander, SALT, and the Bourne trilogy will find themselves carried along at…
Andrei Znamenski spent 35 years exploring religions, ideologies, and utopias. Formerly Associate Professor at Alabama State University, a resident scholar at the US Library of Congress, and then a visiting professor at Hokkaido University in Japan, he is currently Professor of History at the University of Memphis. Znamenski studied indigenous religions of Siberia and North America, including Shamanism and Tibetan Buddhism. At some point, he became intrigued with Western idealization and romanticization of non-Western cultures and spiritualities, the topic that he covered in his The Beauty of the Primitive: Shamanism and Western Imagination. His Socialism as a Secular Creed, which is a logical follow-up to that project, is an attempt to examine the socialist phenomenon as a political religion of the modern age.
This volume complements well the Muravchik book. Written in an easy user-friendly language, the text represents a set of short essays that deal with socialist construction in various countries (Stalin’s Russia, Mao’s China, Kim Il Sung North Korea, Pol Pot’s Cambodia, Castor’s Cuba, Chavez Venezuela). Besides these well-known cases of socialism, Niemietz, a libertarian scholar of a German extract, gives an excellent succinct analysis of the Eastern German communist regime from 1945 to its collapse in 1989. The reader should also benefit from reading his comprehensive introductory chapter on the enduring appeal of socialism. Both high and home school and college instructors, who want to challenge the dominant socialism-friendly educational mainstream, may want to use Muravchik’s book and this one as textbooks.
Socialism is strangely impervious to refutation by real-world experience. Over the past hundred years, there have been more than two dozen attempts to build a socialist society, from the Soviet Union to Maoist China to Venezuela. All of them have ended in varying degrees of failure. But, according to socialism's adherents, that is only because none of these experiments were "real socialism". This book documents the history of this, by now, standard response. It shows how the claim of fake socialism is only ever made after the event. As long as a socialist project is in its prime, almost nobody…
I have been fascinated with the relationship between the United States and the Middle East since my freshman year at the State University of New York at Stony Brook, where I began as a commuter, stuck in gasoline lines, during the “energy crisis” in the fall of 1973, and where I was among the first SUNY students to study abroad in Egypt after the United States resumed diplomatic relations. I wrote my dissertation on Egypt’s economic development (When Capitalists Collide: Business Conflict and the End of Empire in Egypt, 1995) and have been teaching and writing about U.S. involvement in the region for 35 years.
Professor Garavini, who teaches at Roma Tre University in Italy, has written a game-changer of a book on the Organization of Petroleum Exporting Countries, one that reorients our view away from the overblown accounts of oil-weapon-wielding sovereigns holding the West hostage. If you believe that OPEC is a cartel or that it embargoed the United States and reduced oil supplies to the world in 1973, this book will set you straight.
The Organization of the Petroleum Exporting Countries (OPEC) is one of the most recognizable acronyms among international organizations. It is mainly associated with the 'oil shock' of 1973 when prices of petroleum quadrupled and industrialized countries and consumers were forced to face the limits of their development model.
This is the first history of OPEC and of its members written by a professional historian. It carries the reader from the formation of the first petrostate in the world, Venezuela in the late 1920s, to the global ascent of petrostates and OPEC during the 1970s, to their crisis in the late-1980s…
Like everyone else, I have life-long experience of caring and not caring for things; being sometimes careful and other times careless. Communication has been my central interest as a historical sociologist, and I’ve been considering its relationship to care (attachment, affection, worry, and burden) and security. I have always liked the word care, employing it often in the sense of warm attachment, but I have been looking at how care can at times enact control, violence, or abandonment.
This book challenged my thinking about the implications of compassion taking a decisive role in policy.
Not undermining the import of compassion or empathy, it reveals how these moral sentiments are taking precedence over formal rights in decisions about asylum for refugees, aid, access to health or mental health care, and even justifying a military action.
Under the emergent logic of humanitarian reason, structural inequities and violence are easily rendered invisible as the most poignantly shaped public narratives of suffering gain sway over historical conditions of structural injustice and dominance. Fassin draws upon fieldwork in South Africa, Venezuela, Palestine, and Iraq, as well as policy in France, showing how the logic of humanitarian reason can abandon those who are positioned in the most precarious conditions.
In the face of the world's disorders, moral concerns have provided a powerful ground for developing international as well as local policies. Didier Fassin draws on case materials from France, South Africa, Venezuela, and Palestine to explore the meaning of humanitarianism in the contexts of immigration and asylum, disease and poverty, disaster and war. He traces and analyzes recent shifts in moral and political discourse and practices - what he terms "humanitarian reason" - and shows in vivid examples how humanitarianism is confronted by inequality and violence. Deftly illuminating the tensions and contradictions in humanitarian government, he reveals the ambiguities…
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