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I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace.
Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later.
The only completely unabridged paperback edition of Victor Hugo’s masterpiece—a sweeping tale of love, loss, valor, and passion.
Introducing one of the most famous characters in literature, Jean Valjean—the noble peasant imprisoned for stealing a loaf of bread—Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose.
I started reading classical books at a very young age. Granted, I did not understand a lot of things then. Rereading the same books again after years made me realize that more than what the author was trying to convey, my maturity made a world of difference when reading a book. It was the same text but with entirely different contexts and perspectives. I love old books. Books that take me back a century or more. It gives me an insight into how people lived, thought, and felt back then. It helps me connect with people across centuries.
The perfect crime? Actually not! It was so imperfect that it turned into the perfect crime by just pure luck. No clues were left behind. In fact, there was nothing to trace the murder back to the murderer except his own guilt.
His guilt turned out to be his biggest punishment. When he finally surrenders, he feels at peace–the long-eluded peace.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
Having spent a total of 7 years in 12 UK prisons (and 6 in the USA), I encountered so many people from all walks of life who found themselves in custody. What they all generally had in common was a desire to seek betterment – redemption – for even the repeat offenders never hoped to see the inside of another jail again. It can be a soul-destroying, depressing place, often ruthless, but also serves as a forge to draw out the perseverance and will to keep going. After leaving prison, I went on to set up a social enterprise, received a commendation from then Prince Charles, and support the daily operations of a charity (Arkbound).
It’s sometimes quite tricky to find a collection of short works that seamlessly cover the same topic and advance it in different ways, showing various perspectives.
In this book, there are twenty different contributors – all with direct experience of being in prison or on probation – and each piece explores what ‘hope’ really means. Such a powerful and important word, yet different for everyone; nonetheless pushing us all onwards when times are darkest.
Without hope, there is really no redemption, for it requires the ability to look ahead and see something or someone better. Seeing creative work from many different people in prison writing about such an important subject felt very rewarding, and the fact that all contributors also won a prize as part of a national writing competition bolstered the book’s impact.
Stories, poems and articles of hope by people in custody and on probation, edited by the Arkbound Foundation.
Prison. It is a word that conjures up loss, bleakness and despair. A place where those who have broken the law are kept, both for punishment and for the safety of society. But behind these images are human stories, accounts of tragic mistakes and broken lives, woven in-between with hope. For those inside prison, it is hope that often keeps them going: for the future, for those they care for, and for the chance to start afresh upon release.
Having spent a total of 7 years in 12 UK prisons (and 6 in the USA), I encountered so many people from all walks of life who found themselves in custody. What they all generally had in common was a desire to seek betterment – redemption – for even the repeat offenders never hoped to see the inside of another jail again. It can be a soul-destroying, depressing place, often ruthless, but also serves as a forge to draw out the perseverance and will to keep going. After leaving prison, I went on to set up a social enterprise, received a commendation from then Prince Charles, and support the daily operations of a charity (Arkbound).
The book is a sequel to one more famous, Papillon, and explores how the title character (which means ‘Butterfly’ in French) lived his life in South America following his escape from prison.
Aside from the adventurous aspects that kept me entertained whilst in prison myself (HMP Gloucester, another Victorian-era jail that later closed down), Banco demonstrates how a person can have a life, and make a positive difference, after jail.
It has one of my most loved passages in any book: “A man is never lost. Whatever he may have done, there’s always a moment in his life when he has a chance of retrieving himself and becoming a good and useful member of the community.”
'Banco' continues the adventures of Henri Charriere - nicknamed Papillon - in Venezuela, where he has finally won his freedom after thirteen years of escape and imprisonment. Despite his resolve to become an honest man, Charriere is soon involved in hair-raiding exploits with goldminers, gamblers, bank-robbers and revolutionaries - robbing and being robbed, his lust for life as strong as ever. He also runs night clubs in Caracas until an earthquake ruins him in 1967 - when he decides to write the book that brings his international fame.
I have been involved with teaching in prison for the last 22 years, and have taught everything from creative writing to meditation to college classes across carceral facilities in New York, California, and Massachusetts. As the founder and director of the Emerson Prison Initiative at Emerson College’s campus at Massachusetts Correctional Institution at Concord, I constantly work with faculty and students who are navigating the teaching and learning environment under some of the most adverse circumstances. These books have helped me feel less alone in this work.
I could not stop reading this book once I started, and I stayed up late into the night glued to its pages. Bauer, a journalist, takes us inside the prison where he got a job as a correctional officer. Through engrossing prose that pairs his daily experiences with carefully researched historical context about incarceration in the United States, Bauer shows what prisons represent in real time.
An enraging, necessary look at the private prison system, and a convincing clarion call for prison reform.” —NPR.org
New York Times Book Review 10 Best Books of 2018 * One of President Barack Obama’s favorite books of 2018 * Winner of the 2019 J. Anthony Lukas Book Prize * Winner of the Helen Bernstein Book Award for Excellence in Journalism * Winner of the 2019 RFK Book and Journalism Award * A New York Times Notable Book
A ground-breaking and brave inside reckoning with the nexus of prison and profit in America: in one Louisiana prison and over the course…
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Ted Conover, a journalist, wanted to better understand life as a corrections officer.
After Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply to become a corrections officer himself—and was hired.
Conover spent a year working as a corrections officer at Sing Sing, and his insights about the chaos, lack of training, and harsh culture at the institution—and the impact that serving as a corrections officer had on him psychologically and on relationships with his loved ones—were eye-opening.
After he was denied access to report on Sing Sing, one of America's most notorious high security jails, journalist Ted Conover applied to become a prison guard. As a rookie officer, or 'newjack', Conover spent a year in the unpredictable, intimidating and often violent world of America's penal system.
Unarmed and outnumbered, prison officers at one of America's toughest maximum security jails supervise 1,800 inmates, most of whom have been convicted of violent felonies: murder, manslaughter, rape. Prisoners conceal makeshift weapons to settle gang rivalries or old grudges, and officers are often attacked or caught in the crossfire. When violence…
I’m a children’s book author, illustrator, translator, and book reviewer. I’m the author of Tofu Takes Time, illustrated by Julie Jarema, and Long Goes To Dragon School, illustrated by Mae Besom. I was born and raised in Hefei, China, and moved to the US in my 20s. Being fascinated by the differences and similarities between cultures, I love to share stories that empower children to understand the world and our connections. Children’s picture books have the potential to pass on the joy from generation to generation. As an art lover, I also find it very entertaining and soothing to simply enjoy the artwork of picture books.
The girl protagonist sets a great example for kids on the power of perseverance even in the face of a setback. During a birdhouse-building contest, Opal’s friends all have endless fancy ideas. They use many fancy items, such as bells, pom-poms, basketballs—and yet Opal feels stuck. Opal chooses to make a simple birdhouse, with a sturdy piece of wood and a few nails and screws. When the judges don’t pick Opal’s birdhouse, Opa is deeply disappointed, but she may still discover that her humble home is just right for someone else. It’s a valuable lesson for young readers to learn to view events from different perspectives.
A charming picture book tale that showcases how the rewards of our efforts can come from the most unexpected of places.
Bang! Whack! Whirr!
It’s time for a birdhouse-building contest!
Opal’s friends all have endless ideas on how to make their constructions stand out. There are bells, pom-poms, basketballs, and many more materials to use―and yet Opal still feels stuck.
Maybe a simple, sturdy piece wood…a few nails and screws will be just right. But when the judges don’t pick Opal’s birdhouse, she may still discover that her humble home is just right for someone else.
Since I read George Kennan’s award-winning memoirs when I was still in high school, I have been fascinated by world history in general and specifically by the Soviet Union (Russia) and Central/Eastern Europe. I have a PhD in Russian studies and my 40+ year career has included academia, government, non-profit organizations, and the foundation sector. My professional experience has reinforced my belief that to understand today’s world and to formulate effective national security strategy one must study the roots of political, economic, or social events.
Jack Snyder addresses one of the most important issues of our times: how to protect human rights.
Based on thorough research, Snyder develops an innovative roadmap for dealing with a broad agenda of human rights issues: impunity from atrocities, dilemmas of free speech in the age of social media, and the entrenched abuses of women and children.
The brutal Russian war on Ukraine further underscores the need for the international community to protect human rights and to punish those who violate them.
An innovative framework for advancing human rights
Human rights are among our most pressing issues today, yet rights promoters have reached an impasse in their effort to achieve rights for all. Human Rights for Pragmatists explains why: activists prioritize universal legal and moral norms, backed by the public shaming of violators, but in fact rights prevail only when they serve the interests of powerful local constituencies. Jack Snyder demonstrates that where local power and politics lead, rights follow. He presents an innovative roadmap for addressing a broad agenda of human rights concerns: impunity for atrocities, dilemmas of free speech in…
Following my PhD at King’s College, Cambridge I was invited by the School of History at Queen Mary, University of London to serve as an Honorary Research Fellow. This enabled me to focus fully on 15 years of research into previously untapped archives and interviews with more than twenty-five politicians and jurists active in the process of the African human rights charter. By coincidence, thirty-five years or so ago, in an earlier incarnation, I was also responsible for editing the first public debt prospectus for the African Development Bank in Abidjan.
A really interesting book that focuses on three periods in US history to demonstrate that conceptions of rights are determined by time and place.
That conceptions and uses of rights language are responses to specific political questions of the day, questions looking for a political answer, rather than, as human rights advocates are inclined to assume, a manifestation of a continuum of a single human rights tradition stretching back several thousand years.
Richard A. Primus examines three crucial periods in American history (the late eighteenth century, the civil war and the 1950s and 1960s) in order to demonstrate how the conceptions of rights prevailing at each of these times grew out of reactions to contemporary social and political crises. His innovative approach sees rights language as grounded more in opposition to concrete social and political practices, than in the universalistic paradigms presented by many political philosophers. This study demonstrates the potency of the language of rights throughout American history, and looks for the first time at the impact of modern totalitarianism (in…
Having personally witnessed the great expansion of rights in my lifetime, I wanted to know how this belief in rights took root. Equality is not a natural idea; most societies have been shaped by hierarchies since the beginning of time. I was led to the late eighteenth century as a crucial period for the articulation of universal human rights. And that led to me the abolition of torture, the abolition of slavery, and the idea of “declaring” rights which gave them a surprising force. Once universal rights were declared, those still excluded (women, slaves) wanted to know why and much of modern times has been concerned with just that question.
You always knew you should read Rousseau, but you didn’t. His novel Julie is too long, though eighteenth-century readers did not think so. This book is abstract but if you get beyond that first impression and think like an eighteenth-century person your mind will be blown. At a time when most people listened to the authorities (in church and state), Rousseau started from the simple proposition that anyone could think through the basic issues of social and political life. He takes everything down to first principles and changes everything by making democracy seem thinkable.
Jean-Jacques Rousseau writes, "Man is born free; and everywhere he is in chains." This statement exemplifies the main idea behind "The Social Contract", in other words that man is essentially free if it weren't for the oppression of political organizations such as government. Rousseau goes on to lay forth the principles that he deems most important for achieving political right amongst people.
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