Here are 100 books that Avalanche fans have personally recommended if you like
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I had a very distinct vision of what kind of mother I would be: patient, kind, and creative. And I can be all of these things, but so too can I be frustrated, furious, and exhausted beyond belief. This contradictory experience of motherhood was what I wanted to explore in Spilt Milk and is the motherhood exposed in these five books which, while very different in form, share a willingness to acknowledge the darker and less curated aspects of a relationship that can be as stifling as it is wonderful.
As Spilt Milk’s protagonist Bea Straw is a mum-blogger, I was keen to read experiences of real-life “mummy influencers”. Braithwaite’s book – part memoir, part manifesto – was of particular interest because she is Black, somewhat of a rarity in the picture of motherhood painted by social media that tends to be both very white and very middle class.
Documenting the difficult birth of her daughter and the subsequent mishandled complications, Braithwaite exposes the many and varied ways in which women of colour are disadvantaged and endangered by racial bias.
While light in tone, there’s a power and vulnerability in Braithwaite’s writing, and I learnt so much from this brilliant book.
I am a professor who teaches and works in the field of African American History. Because I am both white and Jewish, I’ve been repeatedly asked to give talks about relationships between African Americans and white Jewish Americans, and about what “went wrong” to shatter the “grand alliance” of the civil rights movement embodied by Dr. Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel. I had no answer, but I suspected that none of the stories that we had been told, whether good or bad, were fully true. So I went back to the sources and uncovered a complex and multilayered history. Black and Jewish collaboration was never a given, and underlying tensions and conflicts reflected the broader realities of race and class in the U.S. In the book I explored how these historical and political forces operated, and continue to resonate today.
Now that I’ve raised the issue of whiteness – ways in which American structures and institutions reflect the agendas and interests of white people, and the role those structures play in shaping opportunity and life experiences -- here I want to bring it front and center. Many white people don’t recognize how they benefit from having white skin (called “white privilege”) and many white ethnic groups, including many white Jews in the U.S., deny their white privilege altogether, insisting that they too have been the victim of white discrimination, and that anti-Black racism is no different. Brodkin offers a powerful counter-narrative, pointing out the many important ways that American Jews of European descent did indeed benefit from their white skin even when they did not realize it.
The fashion identities in the context of a wider conversation about American nationhood, to whom it belongs and what belonging means. Race and ethnicity, class, gender, and sexuality are all staple ingredients in this conversation. They are salient aspects of social being from which economic practices, political policies, and popular discourses create ""Americans."" Because all of these facets of social being have such significant meaning on a national scale, they also have major consequences for both individuals and groups in terms of their success and well-being, as well as how they perceive themselves socially and politically.
For as long as I can remember I’ve been obsessed with figuring out how things work. What started with me pulling apart redundant household tech as a child (thanks to my very supportive parents) has become a lifelong passion in making and restoring one of the most incredible machines invented – the watch. Our millennia-old obsession with making things tells us so much about who we are and the world we like in. I love all of these books as, in varied ways, they inspire curiosity and connect us with our innately human instinct to understand the world around us.
Shop Class as Soulcraft is a very special book to me, because it’s the first one I read over 10 years ago that managed to perfectly weave between the philosophy and practice of craft. It was that moment of “wow, I want to be able to write like this!”
Too often, craft is studied by academics or theorists, while the craftspeople getting their hands dirty rarely write about what they do. This book so perfectly balances between the two, it’s an ode to making, with the passion for working with your hands oozing from every page in such a brilliantly funny and engaging way.
A philosopher/mechanic's wise (and sometimes funny) look at the challenges and pleasures of working with one's hands
“This is a deep exploration of craftsmanship by someone with real, hands-on knowledge. The book is also quirky, surprising, and sometimes quite moving.” —Richard Sennett, author of The Craftsman
Called “the sleeper hit of the publishing season” by The Boston Globe, Shop Class as Soulcraft became an instant bestseller, attracting readers with its radical (and timely) reappraisal of the merits of skilled manual labor. On both economic and psychological grounds, author Matthew B. Crawford questions the educational imperative of turning everyone into a…
I have always loved cities, New York in particular. A few weeks after 9/11, I decided to study the rebuilding of the WTC site for my graduate thesis, compelled by the immensity of the project and the layers of conflict embedded in the reconstruction and memorialization. None of the books listed below are directly about 9/11, but the attacks and their aftermath thread through all of their stories. New York is an intense, fraught, sometimes fun, sometimes heartbreaking place, like these stories, which are listed from newest to oldest.
This essay collection isn’t exclusively about New York, but the four essays that open the collection are, and they are excellent. Biss writes personally about race relations in the city, and the United States. Her insights still feel relevant more than a decade later. She also refreshingly tackles the myth of New York, and the way that it is, as she says, overimagined.
A frank and fascinating exploration of race and racial identity, Notes from No Man's Land: American Essays begins with a series of lynchings and ends with a series of apologies. Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays - teaching in a Harlem school on the morning of 9/11, reporting from an African American newspaper in San Diego, watching the aftermath of hurricane Katrina from a college town in Iowa, and settling in Chicago's most diverse neighbourhood.
As Biss moves across the country from New York to…
I’m a book lover from in utero. My mom was an avid and very fast reader, and I grew up finding respite, insight, and understanding in the pages of books. When I went to college, I studied English, and then got a Masters in literature before going on to learn more about writing the books I loved in an MFA program. This formal education just built on what I already knew – books are my first love, my guide through life, and often, the things that save me from the darkest moments of this world.
I am a Southern woman, and I have been a part of many a book club full of Southern women. So Hendrix’s book and his spot-on but not stereotypical descriptions of the archetypes of women in these groups is what drew me in, but then, when he brings in vampires – I adore a great vampire book – I was hooked and determined to read through and find out exactly what was going on. Who is to blame? And how do we support – or not support – one another through things we don’t understand? Powerful themes in a captivating read.
"This funny and fresh take on a classic tale manages to comment on gender roles, racial disparities, and white privilege all while creeping me all the way out. So good."-Zakiya Dalila Harris, author of The Other Black Girl
Now in paperback, Steel Magnolias meets Dracula in this New York Times best-selling horror novel about a women's book club that must do battle with a mysterious newcomer to their small Southern town.
Bonus features: * Reading group guide for book clubs * Hand-drawn map of Mt. Pleasant * Annotated true-crime reading list by Grady Hendrix * And more!
As an American, a Jew, and a novelist—though not necessarily in that order—I’ve always been interested in Jewish-American literature, and the Jewish-American experience in general. What was it like for the first Jews in America? What accounted for their success? What were the costs of assimilation? And where are they—we—headed? These books are a great starting point for anyone looking for answers to these questions. But be warned: in keeping with the Jewish tradition, they often answer those questions with more questions. Not, to quote the Jewish sage Jerry Seinfeld, that there’s anything wrong with that.
If you’ve read all 783 pages of World of Our Fathers and are still looking for more about early Jewish-American life in New York—or just something more immediate—this is the book for you.
An autobiographical fever-dream of a novel, Jews Without Money is a vivid, violent, look at the life of the Jewish slum kids whose parents emigrated to America. A lifelong communist, Gold only wrote one novel, but it anticipates the hallucinatory fiction of writers like Denis Johnson by half a century.
At once entirely Jewish and entirely American, Jews Without Money gives an unvarnished first-person glimpse into the surreal world of turn-of-the-century New York.
As a writer and political activist in early-twentieth-century America, Michael Gold was an important presence on the American cultural scene for more than three decades. Beginning in the 1920s his was a powerful journalistic voice for social change and human rights, and Jews Without Money--the author's only novel--is a passionate record of the times. First published in 1930, this fictionalized autobiography offered an unusually candid look at the thieves, gangsters, and ordinary citizens who struggled against brutal odds in lower East Side Manhattan. Like Henry Roth's Call It Sleep and Abraham Cahan's The Rise and Fall of David Levinsky, Jews…
I’m a historian of the African American freedom struggle with more than two decades of experience researching and teaching on this topic. My work focuses especially on the connections between race and class and the ways Black people have fought for racial and economic justice in the twentieth century. I write books and articles that are accessible for general audiences and that help them to understand the historical origins of racism in the United States, the various forms it has taken, and the reasons why it has persisted into the present.
In colonial North America, plantation owners were equal opportunity exploiters who mistreated European and African laborers alike, and workers frequently resisted by running away, stealing or destroying property, and engaging in occasional rebellions. Theodore Allen explains how colonial elites invented America’s racial divide through a series of laws that ended up enslaving most African Americans for life and reserving the rights of freedom and citizenship for European Americans. Since then, race and class have been intertwined, laying the basis for white supremacist practices and beliefs that shaped the development of the United States and continue to allocate wealth and power unequally today.
On the steps of the Lincoln Memorial in 1963, Martin Luther King declared his dream of a racially integrated, non-discriminatory American society. Some three centuries before, that dream had in many ways been a reality, since white skin privilege was recognized neither in law nor in the social practices of the labouring classes. But by the early decades of the eighteenth century, racial oppression would be the norm in the plantation colonies, and African Americans would continue to suffer under its yoke for more than two centuries. In this second volume of his acclaimed study of the origins of racial…
I’m a writer and a Shakespeare and critical race studies scholar who’s always been intrigued by the invisible, artificial race-based boundaries in our world. I love analyzing the lives of literary characters and seeing how they can serve as mirrors for us along lines of gender, mental health, and more. My critical interests are informed by the fact that I grew up in a predominantly Black/Latino low-income neighborhood and attended an affluent, predominantly white private school from the sixth to twelfth grade. My adolescent experiences with inclusion/exclusion dynamics required me to reflect on race, for example, so I could understand and navigate the kinds of socio-cultural dynamics that affect us all.
I love this book because Fleming offers necessary socio-historical correctives and demystifies many myths that people believe about race, racism, and stereotypes.
The writing is punchy, pithy and humorous. As such, it is entertainingly educational and scholarly while presenting facts in a way that is accessible to general readers.
I also love this book because it is incredibly useful both to those who are “stupid about race,” so to speak, and those who aren’t. For the former, I think this is a great book to start with on one’s journey toward becoming more race-conscious and more educated about race.
A unique and irreverent take on everything that's wrong with our “national conversation about race”—and what to do about it
How to Be Less Stupid About Race is your essential guide to breaking through the half-truths and ridiculous misconceptions that have thoroughly corrupted the way race is represented in the classroom, pop culture, media, and politics. Centuries after our nation was founded on genocide, settler colonialism, and slavery, many Americans are kinda-sorta-maybe waking up to the reality that our racial politics are (still) garbage. But in the midst of this reckoning, widespread denial and misunderstandings about race persist, even as…
Raised by activist feminist parents and schooled by Quakers, I am surprisingly amusing. Eartha Kitt once held my left hand for five minutes. I work primarily as a playwright; Not a Cat is my first children’s book! Now when I show up at a little kid’s birthday instead of bringing a play I wrote, I can give the tot age-appropriate reading material. For me, reading a memoir is this intimate exchange with a writer where they’ve shared everything, and I’ve revealed nothing. What’s better than a good story beautifully curated? Okay, a cookie, but that’s it. I hope my book reaches all the kids out there who are told: be less this and more that.
This is sort of a cheat of the assignment, because it’s not Anastasia Higginbotham’s actual lived experience, but it is not one unfamiliar to her, about growing up in a country in which white parents cover up racism even unintentionally. I’ve known Anastasia for 30 years and no less than six children’s books she’s published. Her book series, Ordinary Terrible Things, published by dottir press is among my favorites because the illustrations are collaged and stunning and she creates indelible characters. Her other kid’s books deal with divorce (Divorce is Stupid), sex (Talk to Me about Sex, Grandma), incest (You Ruined It), so you can see, she’s doesn’t pull punches. Book by book, Anastasia is building a more just and beautiful world. Like the others, on this list, she’s also hot.
An honest explanation about how power and privilege factor into the lives of white children, at the expense of other groups, and how they can help seek justice. -THE NEW YORK TIMES
ONE OF HUFFPOST'S RECOMMENDED "ANTI-RACIST BOOKS FOR KIDS AND TEENS"
**A WHITE RAVEN 2019 SELECTION**
NAMED ONE OF SCHOOL LIBRARY JOURNAL'S BEST BOOKS OF 2018
Not My Idea: A Book About Whiteness is a picture book about racism and racial justice, inviting white children and parents to become curious about racism, accept that it's real, and cultivate justice.
This book does a phenomenal job of explaining how power…
I am a lawyer, law professor, and author of legal history books. Mostly, though, I have much to learn. Importantly, then, I believe in the possibilities of learning. But how? Teaching, in the transitive sense of cramming something into another person's head, is impossible; yet learning is infinitely possible. Ideas are what excite us to learn. In widely varied ways, I have found engaging ideas in—and have learned importantly from—each of these books.
A brilliant, and to my mind greatly persuasive, critique of the entire world as it has been since roughly the 16th century. With a great grasp of the traditional branches of contractarian philosophy (think, emblematically, Locke on one hand and Rawls on the other), Mills describes a different social contract among white people that fixes all others as sub-persons. He argues that, while certainly not all white people are signatories to that implicit contract, white people all are beneficiaries of it to some extent. The book's sophistication is enhanced, never diminished, by the confident accessibility and humanity of the writing.
The Racial Contract puts classic Western social contract theory, deadpan, to extraordinary radical use. With a sweeping look at the European expansionism and racism of the last five hundred years, Charles W. Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence. The Racial Contract argues that the society we live in is a continuing white supremacist state.
