Here are 100 books that Notes from No Man's Land fans have personally recommended if you like
Notes from No Man's Land.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am a professor of American literary history. Still, as an undergraduate, I studied with a charismatic, postmodern French-American fiction writer, Raymond Federman, who, in a theatrical accent, called me by my last name, “Pel-tone.” Atop the Kurt Vonnegut I’d read in high school that gave me my taste for crazy, socially-conscious novels that I have tried myself also to write, I imbibed the books Federman sent my way: Gabriel Garcia Marquez, Italo Calvino, Samuel Beckett. In years since, I’ve championed innovative novels through my own small press, Starcherone Books. I am an artist whose greatest passion is discovering writing that makes me see in new ways.
All that happens throughout most of this book is that a Nigerian grad student in psychiatry nightly wanders end-to-end the streets of New York City, observing. And yet I couldn’t put this book down, riveted by this angry mind on fire and the differences in the landscape he sees from the one I thought I knew so well.
Author Teju Cole is highly visual, as one would expect from one whose other job as he wrote this was as photography editor of the New York Times Magazine. But then, as you get to the ending of his narrator’s musings, as you feel you have a handle on this plotless novel, the trap is sprung so that you cannot but reevaluate everything that has come before. This book is a stunner!
The bestselling debut novel from a writer heralded as the twenty-first-century W. G. Sebald.
A haunting novel about national identity, race, liberty, loss and surrender, Open City follows a young Nigerian doctor as he wanders aimlessly along the streets of Manhattan. For Julius the walks are a release from the tight regulations of work, from the emotional fallout of a failed relationship, from lives past and present on either side of the Atlantic.
Isolated amid crowds of bustling strangers, Julius criss-crosses not just physical landscapes but social boundaries too, encountering people whose otherness sheds light on his own remarkable journey…
I am an aficionado of the fresh start. I make it a point to celebrate all the New Years—that way, I can re-up my resolutions every few weeks! Paradoxically, I’m not great at sudden change. I like stability and working systematically. I reconcile these two sides of myself by observing other people’s transformations and caterpillar-to-butterfly stories on a regular basis. Whether it’s Beyonce going country or a Nigerian god turning to crime, I’m on the ride, picking up pointers. If you are looking to make a change, I hope this list is a fun place to start gathering ideas!
Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.
New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.
'A glorious fantasy, set in that most imaginary of cities, New York' Neil Gaiman on THE CITY WE BECAME
'The most celebrated science fiction and fantasy writer of her generation. . .Jemisin seems able to do just about everything' NEW YORK TIMES
'Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold' ENTERTAINMENT WEEKLY
Five New Yorkers must band together to defend their city in the first book of a stunning new series by Hugo award-winning and New York Times bestselling author N. K. Jemisin.
Every city has a soul. Some are as ancient as myths, and…
In March 2020, in the middle of a pandemic that had all but crippled New York City, my husband and I became homeless advocates. For months, we woke up each morning, made dozens of sandwiches, and walked the deserted city streets trying to feed the homeless, who were struggling to survive. Deserted streets meant no panhandling, which in turn, meant no food. In doing so, we became friends with many of the homeless men and women in our neighborhood. Fear and suspicion were replaced by trust and love, and our eyes and hearts were forever opened to people who had once been objects to be avoided.
This Is All I Got: A New Mother’s Search for Hometells the story of the difficulty of finding acceptable housing for the poor in New York City. Sandler follows the story of a young, poor, unwed mother, Camila, for one year as she struggles to find safe and affordable housing for herself and her newborn son. Against all odds, red tape, and never-ending bureaucracy, Camila never gives up. I found this story inspiring as well as educational about the homelessness crisis in New York City, a new found passion after my experience trying to feed the homeless during the first year of the pandemic.
A NEW YORK TIMES NOTABLE BOOK • From an award-winning journalist, a poignant and gripping immersion in the life of a young, homeless single mother amid her quest to find stability and shelter in the richest city in America
LONGLISTED FOR THE PEN/JEAN STEIN BOOK AWARD • “Riveting . . . a remarkable feat of reporting.”—The New York Times
Camila is twenty-two years old and a new mother. She has no family to rely on, no partner, and no home. Despite her intelligence and determination, the odds are firmly stacked against her. In this extraordinary work of literary reportage, Lauren…
I am a science journalist and former scientist who focuses on human-wildlife interactions, especially when those interactions turn sour. I’ve been fascinated by the animals people hate for years now, especially since I got to write on the earliest origins of the house mouse. To gain expertise, I was a 2019-2020 Knight Science Journalism Fellow at MIT, and have spent the past three years immersing myself in all things pest—from reaching into a coyote’s stomach to taking a whiff of elephant repellant. My freelance work has appeared in The New York Times, The Washington Post, The Atlantic, Science News, Sierra, and many other outlets.
It seems like a bit of a long title for a New York Times Bestseller but I promise this book is educational, entertaining, and worth every second. Sullivan spent a year observing a rat-infested alley, and came away with a better understanding of our least-favorite rodents, as well as the many people who spend their lives trying to keep rats and humans apart. At first it might seem weird to sit outside and watch the rats every night, but by the end, you can’t imagine doing anything else.
New York Public Library Book for the Teenager New York Public Library Book to Remember PSLA Young Adult Top 40 Nonfiction Titles of the Year
"Engaging...a lively, informative compendium of facts, theories, and musings."-Michiko Kakutani, New York Times
Behold the rat, dirty and disgusting! Robert Sullivan turns the lowly rat into the star of this most perversely intriguing, remarkable, and unexpectedly elegant New York Times bestseller.
Love them or loathe them, rats are here to stay-they are city dwellers as much as (or more than) we are, surviving on the effluvia of our society. In Rats, the critically acclaimed bestseller,…
We grew up in predominantly white communities and came of age during the Civil Rights and Black Power movements. As academics, we focused on issues of race in our research and teaching. Yet, despite our reading and writing about race, we still hadn’t made a connection to our own lives and how our white privilege shielded us and made us complicit in perpetuating racial inequities. We didn’t fully see our role in white supremacy until we adopted our sons. Becoming an interracial family and parenting Black sons taught us about white privilege and the myriad ways that Blacks confront racism in education, criminal justice, health care, and simply living day-to-day.
We love this memoir that reads like a mystery story.
E. Dolores Johnson is the daughter of a Black father and white mother who fell in love in Indianapolis in the 1940s, when Indiana still enforced anti-miscegenation laws. Her mother “disappeared” so that she could flee to NY with the African American man she loved and marry there. Dolores’s birth certificate listed her as Black (the “one drop” of Black blood rule); she grew up in a Black family and lived in a Black neighborhood. Her mother never spoke of her white family.
The book resonated with us for both its graphic details about the racism Dolores and her African husband endured as highly educated corporate executives, including a cross-burning on their front lawn, and poignant description of her journey to find her white family and understand her biracial identity. Her mother’s response when Dolores says she is going to…
"With unflinching honesty, E. Dolores Johnson shares an enthralling story of identity, independence, family, and love. This timely and beautifully written memoir ends on a complicated yet hopeful note, something we need in this time of racial strife." -De'Shawn Charles Winslow, author of In West Mills
Say I'm Dead is the true story of family secrets, separation, courage, and transformation through five generations of interracial relationships. Fearful of prison time-or lynching-for violating Indiana's antimiscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo, New York.
I am an associate professor of English at the University of Connecticut. I’ve spent most of my career thinking about the role children have played in American culture. Adults, past and present, often overlook the intelligence and resilience of children who have managed to change both their immediate circumstances, and the world around them. I seek out these children and do my best to honor their stories. I’ve written or edited four other books on race and childhood, and have a podcast on children in history.
The history of colonial and antebellum New York, in Harris’s hands, becomes a map of Black activism. This book moves beyond a history of slavery and abolition to offer a sweeping historical narrative of Black life in New York City,starting with the arrival of the first enslaved people in 1626 and culminating in the brutally violent draft riots of 1863. Harris works creatively with little-studied sources to chronicle how, even in the direst of circumstances, Black New Yorkers created vibrant communities. While Harris certainly depicts the obstacles that Black New Yorkers faced in the seventeenth, eighteenth, and nineteenth centuries, she also showcases individual lives, marked by sharp ambition and myriad achievements. In this narrative, talented political operatives create national movements, argue with white abolitionists, and create institutions and traditions that influence racial politics to the present day.
"The black experience in the antebellum South has been thoroughly documented. But histories set in the North are few. In the Shadow of Slavery, then, is a big and ambitious book, one in which insights about race and class in New York City abound. Leslie Harris has masterfully brought more than two centuries of African American history back to life in this illuminating new work."-David Roediger, author of The Wages of Whiteness
In 1991 in lower Manhattan, a team of construction workers made an astonishing discovery. Just two blocks from City Hall, under twenty feet of asphalt, concrete, and rubble,…
We are two historians who have been writing together for about a decade now, first on project related to race relations after WWI, then on a book about debates over the enlistment age in nineteenth century America. Rebecca teaches at UCSD while Frances works at the University of Sydney in Australia, but we regularly meet online to write together and talk about our favorite new books.
Who gets to claim “childhood innocence” and the protections that come with this designation? Certainly not Black children in nineteenth-century America, according to Robin Bernstein. They were instead pictured as “pickaninnies”—comic figures who felt no pain, whatever mischief befell them. This book won a slew of awards for good reason: reading the racial ‘scripts’ in seemingly innocuous cultural products like children’s picture books, dolls, and knickknacks, Bernstein reveals how race-making hides in plain sight.
2013 Book Award Winner from the International Research Society in Children's Literature
2012 Outstanding Book Award Winner from the Association for Theatre in Higher Education
2012 Winner of the Lois P. Rudnick Book Prize presented by the New England American Studies Association
2012 Runner-Up, John Hope Franklin Publication Prize presented by the American Studies Association
2012 Honorable Mention, Distinguished Book Award presented by the Society for the Study of American Women Writers
Dissects how "innocence" became the exclusive province of white children, covering slavery to the Civil Rights era
Beginning in the mid nineteenth century in America, childhood became synonymous…
By Laura Hooton, Paul Spickard, and Francisco Beltrán
Author
Why are we passionate about this?
Paul Spickard wrote the first edition of Almost All Aliens. He invited Francisco Beltrán and Laura Hooton, who worked under Dr. Spickard at UC Santa Barbara, to co-author the second edition after working as research assistants and providing suggestions for the second edition. We are all historians of race, ethnicity, immigration, colonialism, and identity, and in our other works and teaching we each think about these topics in different ways. We did the same for this list—this is a list of five books that talk about topics that are important to Almost All Aliens and approaches that have been influential in how we think about the topic.
Why did Laura, Paul, and Francisco love this book?
Kendi’s book is the most recent in a long line of fantastic scholars who have tackled discussions of racism in America, especially anti-Black racism. Kendi focuses specifically on racist ideas, and how those ideas were created and then used to rationalize policies and inequalities for generations. The book is a New York Times Bestseller for a reason: it is accessible, has important ideas that are well-supported, and the reader doesn’t get lost in a history that covers a wide span of time.
Stamped from the Beginning is a redefining history of anti-Black racist ideas that dramatically changes our understanding of the causes and extent of racist thinking itself.
** Winner of the US National Book Award**
Its deeply researched and fast-moving narrative chronicles the journey of racist ideas from fifteenth-century Europe to present-day America through the lives of five major intellectuals - Puritan minister Cotton Mather, President Thomas Jefferson, fiery abolitionist William Lloyd Garrison, brilliant scholar W.E.B. Du Bois, and legendary anti-prison activist Angela Davis - showing how these ideas were developed, disseminated and eventually enshrined in American society.
I was born and raised in Haiti where I was known as ti-blan—little white. And when we moved to central Florida, I remember the feeling of utter sadness and despair. I felt wrenched from the place I loved. The only person I could speak creole with was the janitor at the segregated white school. The teacher yelled at me for talking with him. Since then, I have been interested in this weird problem of race in America. I am drawn to women writers and Caribbean women writers. I love books that evoke place and language and tell me a story—but also deal with the specific urgent political questions of our times.
One of my all-time favorites. I think it is about Haiti, or it is a fictional island “Bourneville” that is based on Haiti. The novel describes a place linked to its history of enslavement and the battle for freedom. She is a beautiful deep-thinking writer. She carefully shows a group of white ethnographers going to this island, and how their attempts to "help" led to tragedy. It illustrates the pitfalls with international aid organizations. How often they damage, instead of help. And the novel is timely to this day.
The chosen place is Bourneville, a remote, devastated part of a Caribbean island; the timeless people are its inhabitants—black, poor, inextricably linked to their past enslavement. When the advance team for an ambitious American research project arrives, the tense, ambivalent relationships that evolve, between natives and foreigners, black and whites, haves and have-nots, keenly dramatize the vicissitudes of power.
“An important and moving book . . . Marshall is as wise as she is bold, for in compromising neither her politics nor her understanding of people, she makes better sense of both.”—Village Voice
I am a historian of the slave trade and slavery in the Rio de la Plata region (today’s Argentina and Uruguay) who then turned to the study of the traffic of captive Africans in the whole Spanish Americas. Yet, my love remains in the Rio de la Plata, what I call the “cold Caribbean.” Exciting books on the history of Africans and their descendants examine this region within the framework of Atlantic History, racial capitalism, gender, and the connections between twentieth-century Black culture and politics. As these recommendations are limited to English-language books, readers should note that much more has been published on this subject in Spanish and Portuguese.
George Reid Andrews is one of the founders of Afro-Latin American Studies. In Blackness in the White Nation, he combines the study of Afro-Uruguayan music and performance of candombe, the African-based rhythm that Uruguay shares with Argentina (as these countries share tango too), with the history of Afro-Uruguayan political mobilization in the twentieth century. Andrews guides readers into this story by telling them about his experience of learning candombe, and marching playing the drums on the streets of Montevideo, which makes this story unique. We learn how a country who depicts itself as predominantly populated by descendants of Europeans, appropriated African-based music and dance as a national rhythm.
Uruguay is not conventionally thought of as part of the African diaspora, yet during the period of Spanish colonial rule, thousands of enslaved Africans arrived in the country. Afro-Uruguayans played important roles in Uruguay's national life, creating the second-largest black press in Latin America, a racially defined political party, and numerous social and civic organizations.
Afro-Uruguayans were also central participants in the creation of Uruguayan popular culture and the country's principal musical forms, tango and candombe. Candombe, a style of African-inflected music, is one of the defining features of the nation's culture, embraced equally by white and black citizens.
