Here are 66 books that All Our Secrets fans have personally recommended if you like
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I am a long-time lover of mysteries. Whether it be books, TV, or movies, I love when there is an unknown element to puzzle out. I remember staying up long past my bedtime as a child, reading because I just had to know what happened. I write across a number of genres for different age groups, but at the heart of every story I take on is a mystery that I want to figure out for myself. I love it when readers and audiences come along for the ride, joining me for the plot twists and turns.
I started this book for the unlikely main character–Sister Holiday, a chain-smoking, tattooed, queer nun–but it was the mystery that kept me reading. I always love it when a writer can make me feel like I am the one on the line, like I am fighting for my life or to prove my innocence. This book did just that.
I found I was holding myself tightly as Sister Holiday investigated but just kept finding more evidence against herself. The snippets of her past life made me feel for her more and more, taking the character from an unlikely hero to someone I cared deeply about. I can’t wait to get my hands on the second in the series.
Sister Holiday, a chain-smoking, heavily tattooed, queer nun, puts her amateur sleuthing skills to the test in this "unique and confident" debut crime novel (Gillian Flynn).
When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.
Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of…
I am a long-time lover of mysteries. Whether it be books, TV, or movies, I love when there is an unknown element to puzzle out. I remember staying up long past my bedtime as a child, reading because I just had to know what happened. I write across a number of genres for different age groups, but at the heart of every story I take on is a mystery that I want to figure out for myself. I love it when readers and audiences come along for the ride, joining me for the plot twists and turns.
The opening of this book had me hooked. It was late at night, I’d just finished another novel, and I opened this book, intending to read just a few pages. I quickly realized it was going to be a late night. I loved the tension and mystery created in the writing, and the dynamics between the characters had me cringing for them.
The descriptions of the teen girls had me flashing back to dance classes. Most of the action takes place on an airplane, and I loved the way the author set up a sense of claustrophobia. The characters not being able to escape each other as pressures rose really added to the tension. I highly recommend it as a fast-paced, tense read.
A long-haul flight. Two ambitious dance mums. A child in danger. Bridget and Simone aren't friends, but their daughters are in the same dance troupe: Expressions. They're flying to Los Angeles together so the girls can perform at Disneyland. Simone's daughter, Zahra, is the leader of the troupe, while Bridget's daughter, Becky, is a talent on the rise. An unexpected upgrade sees Bridget moved to business class and seated with Simone and her husband, Glen. Despite feeling out of her depth, Bridget is pleased to find that she and Simone share a lot in common, and the flight goes smoothly.…
I am a long-time lover of mysteries. Whether it be books, TV, or movies, I love when there is an unknown element to puzzle out. I remember staying up long past my bedtime as a child, reading because I just had to know what happened. I write across a number of genres for different age groups, but at the heart of every story I take on is a mystery that I want to figure out for myself. I love it when readers and audiences come along for the ride, joining me for the plot twists and turns.
I love that this book focuses on the “who,” not the “what.” Most often, with mysteries, the focus is on learning about the perpetrator of the crime. In this one, I loved that the real mystery is in discovering who the victim, Alice, was. I especially love that we get to hear her story in her own words, as a second narrator telling her history after her death.
The other part of the story–events after Alice’s death and the discovery of her body–is told by another compelling character, Ruby. I’m normally wary when I see the words “strong female character,” but these are two strong, beautiful women whose heartbreaking stories held me captive in these pages.
'The most wonderful book. Unusual, beautiful, feminist, gripping, deserves to win prizes. I loved it so much.' Marian Keyes
'A brave and timely novel which will fuel the debate on women's rights to walk safely through our streets. I raced through the pages, anxious for resolution, yet at the same time not wanting this beautiful writing to finish.' Clare Mackintosh
This is not just another novel about a dead girl.
When she arrived in New York on her 18th birthday carrying nothing but $600 cash and a stolen camera, Alice was looking for…
I am a long-time lover of mysteries. Whether it be books, TV, or movies, I love when there is an unknown element to puzzle out. I remember staying up long past my bedtime as a child, reading because I just had to know what happened. I write across a number of genres for different age groups, but at the heart of every story I take on is a mystery that I want to figure out for myself. I love it when readers and audiences come along for the ride, joining me for the plot twists and turns.
This is one of those books that’s hard to talk about without giving too much away because the magic is in the twists and turns. At a certain point in reading, I closed the book, letting out a little “oh no” because I’d just realized what was coming, and I was both dreading it happening and couldn’t turn the pages fast enough to get to that scene.
This is very much a car crash-in-slow-motion story. I hated the antagonist. I also knew I probably would have been drawn in by her charisma if I’d met her in real life–beautiful malice is the perfect term to describe her. This book was one that I felt physically, carrying it around for several days afterward as I relived moments in my head.
So. Were you glad, deep down? Were you glad to be rid of her? Your perfect sister? Were you secretly glad when she was killed?
Following a horrific tragedy that leaves her once perfect family devastated, Katherine Patterson moves to a new city, starts at a new school, and looks forward to a new life of quiet anonymity.
But when Katherine meets the gregarious and beautiful Alice Parrie her resolution to live a solitary life becomes difficult. Katherine is unable to resist the flattering attention that Alice pays her and is so charmed by Alice's contagious enthusiasm that the two…
I’ve loved fairytales, myths, and history since childhood. After graduating with honors in Russian and Chinese history, I’ve been researching and writing for decades. My work ranges from educational materials to award-winning nonfiction books for children on the theme of heroism. I’ve traveled the world, partly for research, but mostly out of a passion for discovery. My last nonfiction work was a book about women writers. I also penned a historical trilogy that started out as one book, plotted out when I was eighteen. It grew. And, returning full circle to my first loves, my most recent book for children is a traditional Buddhist tale from ancient India.
This book was my introduction to Australian literature. I loved its eloquent evocation of a world totally new and mysterious to its characters. Although I was vaguely familiar with Australia’s penal colony past and with the destruction wrought on Aboriginal lives and culture, this book brought it home. I deeply appreciated the way it took me into the minds of men and women, most of them well-meaning but ignorant, and showed me how they missed the point of where they were and how to thrive there. The tragedy of that ignorance resonates with me, since I see it all around the world.
SHORTLISTED FOR THE MAN BOOKER PRIZE WINNER OF THE 2006 COMMONWEALTH WRITERS' PRIZE LONGLISTED FOR THE IMPAC DUBLIN PRIZE
London, 1806. William Thornhill, happily wedded to his childhood sweetheart Sal, is a waterman on the River Thames. Life is tough but bearable until William makes a mistake, a bad mistake for which he and his family are made to pay dearly.
His sentence: to be transported to New South Wales for the term of his natural life. Soon Thornhill, a man no better or worse than most, has to make the most difficult decision of his life.
History has always been a captivating adventure for me, a stage to rekindle the echoes of times long past. My journey began amid musty archives in Hobart, where I stumbled upon a handwritten prison record about my wife's feisty ancestor, transported in the 1830s. There and then, I resolved to breathe life into the fading embers of her existence, and after extensive research, I wrote my first novel, a tapestry of historical events intertwined with the resurrection of long-forgotten souls. Since then, I've applied lessons from masters like Conan Doyle to create exciting, atmospheric stories that turn us all into time travelers on an exhilarating voyage.
This is a gripping, suspenseful, atmospheric mystery set in colonial Australia with an enigmatic pairing of a convict and a housekeeper who investigate a series of murders in the penal colony of New South Wales.
It has an intricate plot that keeps the reader guessing and is built upon a historical foundation that adds authenticity to the tale. The brutality of the transportation system contrasts with the humanity and tenacity of those who rail against it.
As my stories all have a colonial Australian focus, with a commitment to accurate history, this book rings a bell for me. There is much about the background, the atmosphere, the setting, and the language that resonates with me, and it is a cracking good read to boot.
A fast-paced, witty and gripping historical crime opener to The Monsarrat Series from Tom Keneally and his eldest daughter Meg
In an Australian penal colony at the edge of the known world, gentleman convict Hugh Monsarrat has risen from convicted forger to trusted clerk of the settlement's commandant.
Not long after the commandant heads off in search of a rumoured river, his beautiful wife Honora falls ill with a sickness the doctor is unable to identify. And when Honora dies, it becomes clear she has been slowly poisoned.
Monsarrat and perceptive housekeeper Mrs Mulrooney feel suspicious as regards the motives…
As an author who, in my ‘other’ life, has studied psychology and social work, I love to write about the impact of change on individuals and communities – what do my characters grieve, what relationships become important to them, what are the roles or goals that motivate them now and what do they need to do to survive, both individually and in their new society. And I love to be able to write about a place – a location – that I know well, hence the Sunshine Coast Hinterland as a setting for The Rise. I hope you enjoy the books that I’ve recommended as much as I have!
Set in a world where there’s water everywhere from the rising sea levels, but fresh water is a much-needed commodity, I loved that this story was about family. There’s a lovely mix of characters who are still kind – still human – and those that are out for survival and control, which kept me wanting to read to see if the main character, Baz, would find his family again. And I loved that there were places I recognised – it’s always nice to have those ‘I’ve been there!’ moments.
Six years after the Rise, Australia's coastal towns are gone, lost under the ocean's unstoppable advance. The survivors have retreated to a series of newly formed islands off the coast of New South Wales, seeking to rebuild their lives with limited resources, destructive weather, and fierce competition amongst communities.
And not all are successful . . .
Baz is a fresh water merchant, desalinating saltwater and bartering this valuable commodity throughout the struggling island communities. But his real mission is something closer to his heart, the one thing that has plagued him since the catastrophic rise in water levels: he…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
Rather than writing the life of just one person, Pybus scours fragmentary church, legal, military, and prison records on three continents to create what might be called a cumulative biography.
Pybus reconstructs the lives of individuals in the diaspora of men, women, and their families who embraced Britain’s offer of freedom to anyone who fled rebel enslavers to join its forces during the American Revolution.
Among them were men formerly enslaved to George Washington and Patrick Henry.
Evacuated by the withdrawing British forces at the end of the war, the continuing quest for freedom of Black Loyalists brought them to Canada, Britain, Africa, and Australia.
Cassandra Pybus adds greatly to the work of [previous] scholars by insisting that slaves stand at the center of their own history . . . Her 'biographies' of flight expose the dangers that escape entailed and the courage it took to risk all for freedom. Only by measuring those dangers can the exhilaration of success be comprehended and the unspeakable misery of failure be appreciated.--Ira Berlin, from the Foreword
During the American Revolution, thousands of slaves fled their masters to find freedom with the British. Epic Journeys of Freedom is the astounding story of these runaways and the lives they…
I arrived in Sydney in the 90s knowing as much as one brief peruse the Berlitz Guide could provide me. For the next 25 years I immersed myself in its beautiful harbour and beaches whilst writing four novels, all set in my hometown of London. But when I sat down to write my fifth novel, The Unforgiving City, set in 1890s Sydney, I drew a complete blank. What was my adopted city’s history? Did it even have one? If so, where was it? By the time I’d finished the novel I’d unearthed a whole other, hidden, Sydney. I will never view my new home town the same way again.
A librarian friend recommended Lesley Muir’s explosive exposé of the scandal and corruption that underpinned the development of Sydney’s transport networks in the late Nineteenth Century. Spanning the decades immediately preceding Australia’s Federation, Shady Acres uncovers, as Elizabeth Farrelly says in her introduction, "the perennial crookedness of Sydney’s planning." As I immersed myself in 1890s Sydney for my own novel – and with my story and characters focussed on these very men who sat in the New South Wales’ parliament - I found the book provided the sort of rich vein of detail that allowed me to really bring this time and these people to life.
I’ve now written four books, of which three are Australian history. My first two books were World War 2 military history. My publishers persist in calling each book a best-seller, and who am I to disagree? I live in France and my third book A Good Place To Hide is about a French community that rescued Jews from the Nazis. My fourth book Ten Rogues took me back to Australian history, telling the story of a bunch of ten convicts who in 1834 nicked a brig and sailed it from Tasmania to Chile without a map or a compass.
Tom is an old mate, and a magician with words. He is also a prodigious researcher. Books: yes. The bibliography in The Commonwealth of Thieves runs to seven tight-packed pages, divided between primary sources (three pages) and secondary sources. The bibliography is underpinned by no fewer than 27 pages of notes. The Australian history I was taught at school was hogwash. Tom has set it straight in this brilliantly researched and off-the-wall history of our early days.
In this spirited history of the remarkable first four years of the convict settlement of Australia, Thomas Keneally offers us a human view of a fascinating piece of history. Combining the authority of a renowned historian with a brilliant narrative flair, Keneally gives us an inside view of this unprecedented experiment from the perspective of the new colony’s governor, Arthur Phillips. Using personal journals and documents, Keneally re-creates the hellish overseas voyage and the challenges Phillips faced upon arrival: unruly convicts, disgruntled officers, bewildered and hostile natives, food shortages, and disease. He also offers captivating portrayals of Aborigines and of…