Here are 100 books that A Remembrance of Ghosts fans have personally recommended if you like
A Remembrance of Ghosts.
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During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
Walking an empty stretch of New Jersey highway on an autumn night, a lonely gay teenaged boy meets a strange and beautiful guy who turns out to be a local legend who has haunted that stretch of road for decades. At the heart of this superb coming-of-age tale is the remarkable portrayal of the friendships of a group of Goth teens. This is an extraordinary, moving ghost story that will engage both young readers and adults.
On a chilly, autumn night, on a lonely New Jersey highway, a teenager meets the boy of his dreams dressed in vintage clothing. When the boy vanishes, the teenager discovers he’s encountered the local legend, the ghost of a young man who died four decades earlier and has haunted that stretch of road ever since. Curious and smitten, the next evening the teen returns with his best friend. So begins an unusual story of boy-meets-ghost complete with Ouija boards, hours spent in cemeteries, scares and macabre humor. This new edition of the book, to celebrate its thirteenth anniversary, features a…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.
This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly.
The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.
An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone.
'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine
'A wonderful, macabre evocation of a lost way of life' The Times
'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London
Maybe you've heard tales about Scarcross Hall, the house on the old coffin…
During the years that I have been writing ghost stories, many of them collected in The Haunted Heart and Other Tales, I have read a variety of classic and contemporary ghost stories, horror anthologies, and novels that included gay characters, written by authors who are also openly gay or whose legacy has identified the writer as homosexual. While there are a number of short stories that are personal favorites, this list focuses on novels.
A string of supernatural events occurs when a gay writer moves into a house in the San Diego mountains built by a legendary film star of the 1930s. But the writer is not alone at the house—he has invited his close friends for a housewarming—and they soon discover the deceased actor had some nasty habits and a gruesome behavior. The investigations and resolutions of this absorbing novel unveil some shocking and grisly details, but there is a masterful balance of comedy along with the horror.
Jim Brandon has a new house, and boy, is it a pip. Built high on the side of the San Diego mountains by a legendary B-movie actor of the 1930s, Nigel Letters, the house is not only gorgeous, but supposedly haunted. As a writer of horror novels, Jim couldn't be happier.
But after a string of ghostly events sets Jim’s teeth on edge and scares the bejesus out of his dog, Jim begins to dig into the house’s history. What he finds is enough to creep out anybody. Even Jim. It seems long-dead Nigel Letters had a few nasty habits…
All the best books have a cat sidekick. Over and over, when people talk to me about my book, they pause in the middle of whatever they were about to say and go, “Oh my gosh, Biscuits,” and then launch into a list of things Biscuits the cat does, and how they are similar to things their cats have done, presumably up to and including throwing hands (paws?) with horrifying monsters that want to eat your heart. Biscuits is the latest in a long and proud tradition of literary feline companions, an essential element of many of my favorite and formative texts growing up.
Mr. Cat is a ride-or-die. Mr. Cat walks the line that all cats do in the real world, in that he doesn’t actually have magic powers and he can’t actually talk, he is at the end of the day a little animal that lives in Jenny’s house, but also he would bite a ghost without hesitation. It’s Peter S. Beagle’s complete mastery of voice and tone that enable Jenny and Mr. Cat to walk that line so effortlessly. Because the fantastical is grounded so deeply in the real world, the stakes feel so high that I first read this book in one breathless sitting, afraid to look away.
Arriving in the English countryside to live with her mother and new stepfather, Jenny has no interest in her surroundings until she meets Tamsin. Since her death over 300 years ago, Tamsin has haunted the lonely estate without rest, trapped by a hidden trauma she can't remember, and a powerful evil even the spirits of night cannot name. To help her, Jenny must delve deeper into the dark world than any human has in hundreds of years, and face danger that will change her life forever.
With every book we read, we engage in a complex act of telepathy and empathy. We are entering another human’s thoughts, interpreting them with our own, and come out changed from this colossal encounter. These five books I mentioned, with their extraordinary kindness, insight, humor, wisdom, warmth, compassion, and wholeness—many of them fantasies, many of them focusing on communities—have informed the writer I am today: a World Fantasy Award Winner. But I wouldn’t be without all the books that helped make me. These books are some of the best that built me, and keep building in me: the kind of books I try to write myself.
Terry Pratchett’s character Tiffany Aching grows, over the series of books she stars in, into the sort of person I long to be (culminating, for me in I Shall Wear Midnight). It’s not so much that I want to be a teenaged witch in a made-up land. No, it’s Terry Pratchett’s best thoughts that I want to occupy and absorb, the grace and rage and clarity he gives his main character to “open her eyes, and then open them again.” All of Pratchett’s wise and wily witches contribute their gifts to Tiffany until she has the best of each of them: bawdy humor, strict necessity, duty, dancing, power, and humanity.
As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches.
Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her . . .
Born in Poland, I have fond memories of sitting on my Grandma’s lap listening to stories and poems. A favorite poem was about a crow who ate Swiss cheese and only left the holes. The concept made my noggin spin and spurred my imagination. When I immigrated to the U.S. at age seven, I learned English by reading a Mother Goose collection. Captivated by the fun rhyming sounds and art, I dreamed of making children’s books someday. Years later, my dream came true, I became an author/illustrator, with the majority of my books being extensions of the nursery rhymes which inspired me when I was a child.
This book features the cutest little ghost, who goes out to frighten someone with her Boo. But, unfortunately, she loses her Boo. Boohoo, what will she do? There are plenty of “oo” sounds in the verses, which could help early readers. The surprise ending engages the reader as well. It’s a very sweet story with lovely illustrations and is not at all scary, Little ones are sure to giggle and participate in making the numerous “oo” sounds.
'I've lost my boo! I've lost my boo!Where has it gone? What will I do?'Little Ghost has lost her boo, but she is determined to get it back, so she heads out to look for it. On her night-time hunt she meets a number of her friends, Owl, Pigeon, Rooster and Cow, and asks each of them if they've heard her boo. None of them have but they are all very kind and offer Little Ghost their own sound instead. But none are as good as her own scary boo so she keeps on looking. In the end, it's the…
I'm a near-lifelong fan of horror in all its forms. I read the works of Bram Stoker, Edgar Allan Poe, and Shirley Jackson as a child, and for most of my writing career, I’ve been trying to recreate the feelings those early works gave me the first time I read them. My short fiction has appeared in several publications, and my debut horror novel Tidepoolcame out in 2021. Even though one of the best-known horror novels of all time, Frankenstein, was written by Mary Shelley, the horror world still sometimes treats female authors like afterthoughts. I hope my list will help readers discover more imaginative books written by women.
Cherie Priest is a very versatile writer, and this horror novel is one of her best. I’ve lent copies of Family Plotto people and never gotten them back. Dahlia, whose father owns a salvage company, takes a team of coworkers to an old mansion to strip all the valuable stuff they can find before it’s torn down. But there are far more things in—and around—the house than they know, and those things have a way of making themselves known during the nights the crew spends at the mansion. Dahlia is a wonderful, tough, no-nonsense main character, and parts of the novel gave me the “Alone in the house late at night” creeps.
Chuck Dutton built Music City Salvage with patience and expertise, stripping historic properties and reselling their bones. Inventory is running low, so he's thrilled when Augusta Withrow appears in his office offering salvage rights to her entire property. This could be a gold mine, so he assigns his daughter Dahlia to personally oversee the project. The crew finds a handful of surprises right away. Firstly, the place is in unexpectedly good shape. And then there's the cemetery, about thirty fallen and overgrown graves dating to the early 1900s, Augusta insists that the cemetery isjust a fake, a Halloween prank, so…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.
Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
My interest in the supernatural is a consequence of early life contact with the macabre fantasy works of authors such as Edgar Allen Poe, MR James, and HP Lovecraft. Influenced by my father in my early years, these were favourites of his, though I remain unsure if he ever actually read any of their works; I don’t recall seeing any of their titles amongst the textbooks and journals weighing heavily on the well-stocked bookshelves in the study. It was through watching television productions of the author's titles, one of the rare times the family gathered with our father, that linked the author's names in my mind to their works.
This short story reminds me of a disused railway line that my siblings and I took to be a playground when we lived in a small village in North Wales. All that remained of the route was the track ballast. The route was some two miles long and at one point cut into the hillside before entering a long dark tunnel. It was easy to imagine a steam train from bygone years appearing in the mouth of the tunnel, much as the engine that brought the doom of the signalman in Dickens’s tale.
"This book is amazing." Halloween might seem like the spookiest time of year, but Charles Dickens felt otherwise. He was among the many authors who set their scariest stories during the dim and shivering days of--yes, Christmas. First published in 1866 for a special yuletide issue of All the Year Round, Dickens' "The Signalman" has since fallen into obscurity. An eerie story of isolation, dread, and supernatural visitation, this book is a small treasure, meant to be read aloud on a cold, dark winter night.
I have a passion for supernatural horror, one that I’ve discovered over years of reading various horror novels, tropes, and themes. I found that the supernatural, the idea that something unbelievable or impossible, is haunting a person, is one that draws me in time and time again. Reading these sorts of books, embroiling myself in the world of ghosts and demons, is what drove me to want to create those worlds myself, surrounding myself in lore, mythology, and ghosts of my own...
Darkhouse is the first in the Experiment in Terror novels by Karina Halle. I absolutely fell in love with her writing style, the way that she builds the world of Dex and Perry, their complicated acquaintance, and the lighthouse in which they find themselves drawn back to. Complete with anti-hero and strong heroine, as soon as I read this first book, I devoured the series. Without saying too much to spoil the series, I have to say that this ghost story was one that has gotten under my skin and one that I know I’ll go back to in the future.
Book one in a slow-burn psychologically thrilling romance series, from a New York Times, USA Today and Wall Street Journal best-selling author
Perry Palomino seems like your average twenty-something girl on the surface. She's had bad luck dating, her job sucks, and she's disillusioned by her place in life, not sure exactly what she wants or where she's even going.
She also sees ghosts, which makes things extra complicated, especially when she'd do anything to be normal.
But normal people don't go exploring an abandoned and supposedly haunted lighthouse on the Oregon coast, where she ends up getting the attention…
