Here are 100 books that The Time of the Ghost fans have personally recommended if you like
The Time of the Ghost.
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As a queer, nonbinary author and lover of historical fiction, I’ve spent countless hours thinking about how to tell stories I care about in a genre that has traditionally excluded people like me. We all know that life was hard for LGBTQ+ folks growing up in, well, basically any time in recent history. There’s a time and place for realistic depictions of those hardships, but we also need space to imagine ourselves in more joyful, fantastical depictions of the past. After all, if straight people can enjoy Jane Austen without thinking too hard about the legal rights of women during that era, why can’t queer people do the same?
Have you ever read Dracula and thought, “What if the vampire were a lady? An extremely gay lady?” That’s Carmilla in a nutshell!
The story actually predates Bram Stoker’s tale by several years, making it a neat little literary artifact on its own, but this isn’t some dry historical text. It is, in fact, super heckin’ horny, to the point that I would strongly advise against listening to the audiobook with, say, your parents or other unsuspecting cishets in the room. It’s gonna get awkward.
It’s also fairly short, making for an easy, steamy bedtime read for anyone who’d like to imagine themself as a waifish little lass ravaged nightly by your lesbian vampire BFF.
In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest - the beautiful Carmilla.
So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day...
Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I wanted to be alone in my room and glad over it all to myself.” In the framing story, two Victorian gents struggle to decipher the hidden meanings of a teenage girl’s diary they have recently uncovered. Partially written in a secret language, that could equally derive from folklore sayings or teen slang, the contents appear to hint at an inauguration into pagan rituals and witchcraft in the nearby woods. A unique attempt to conjure a dark magic out of the missing memories of childhood, this novella explores both the excitement and peril of keeping your first secrets. “I was afraid something had happened to me…”
Machen's weird tales of the creepy and fantastic finally come to Penguin Classics. With an introduction from S.T. Joshi, editor of American Supernatural Tales, The White People and Other Weird Stories is the perfect introduction to the father of weird fiction. The title story "The White People" is an exercise in the bizarre leaving the reader disoriented and on edge. From the first page, Machen turns even fundamental truths upside-down, as his character Ambrose explains, "there have been those who have sounded the very depths of sin, who all their lives have never done an 'ill deed'" setting the stage…
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“He was at once The Evil and The Exorcist.” Considering the date of publication, a very modern account of grooming, toxic masculinity, and the objectification of women. Feeling deserted by family and friends, a bored boarding school girl entertains herself by sneaking out of the grounds after dark. One night in the woods she encounters an older man who claims to be an artist and invites her back to the workshop where he creates suspiciously lifelike dolls. Apparently oblivious to the fact he spouts creepy comments like “the craftsman must feel the willingness of his material” and undeterred by rumors of young girls going missing in the neighbourhood, our heroine embarks on a doomed (and vaguely BDSM) relationship with the stranger. An unforgettable novella about living dolls and manipulative relationships.
Described by no less an authority than E.F. Bleiler as “excellent”, “The Doll Maker” is the story of Clare Lydgate, a young woman studying at boarding school for her Oxford scholarship examinations. In the evenings, she escapes the school grounds by climbing over the wall of Brackenbine Hall. It is here that she encounters the charismatic and mysterious Niall Sterne, the “Doll Maker” of the title. This is a subtle, intelligent and compelling tale of horror. The Penguin Encyclopedia of Horror and the Supernatural describes Sarban’s stories as “nicely written, with solid characterizations, convincingly detailed backgrounds . . . and…
As long as I can remember I have found the world a terrifying yet magical place. My first memories are of reading ghost stories, the best mirrors for my emotional experiences. As a teenager supernatural tales continued to inspire me and still do. Sometimes a starkly realistic approach can prove too dull or intrusive; far better to process or confront issues by presenting them as fantastical. When I return to these books, or discover similar stories, I listen hard to what they are trying to tell me. I won’t learn overnight for, as the villain in The Doll Maker states: “the life so short, the craft so long to learn.”
“I’m still not certain you really are a woman?” Whenever Valerie has her period she is transported to a magical if sinister otherworld (yes, this novel was written by a man). A surreal, Freudian, East European coming-of-age fairytale that lies somewhere between Alice In Wonderland and a gothic pastiche. In the 70s it was also adapted into a film that apparently influenced Angela Carter. Not unjustifiably, the teenage experience is portrayed as a disorientating, eroticized nightmare from which Valerie must use all her wiles to escape, fending off vampiric family members after her inheritance and hypocritical authority figures keen to simultaneously sexualize her and burn her as a witch. At least she owns a set of magic earrings. “I’m acting like a sleepwalker. Is it all a dream?”
Written in 1935 at the height of Czech Surrealism but not published until 1945, Valerie and Her Week of Wonders is a bizarre erotic fantasy of a young girl's maturation into womanhood on the night of her first menstruation. Referencing Matthew Lewis's The Monk, Marquis de Sade's Justine, K. H. Macha's May, F. W. Murnau's film Nosferatu, Nezval employs the language of the pulp serial novel to construct a lyrical, menacing dream of sexual awakening involving a vampire with an insatiable appetite for chicken blood, changelings, lecherous priests, a malicious grandmother, and an androgynous merging of brother with sister.
I've always been a fan of ghost stories. As a kid, I loved horror movies and the works of Edgar Allan Poe, Bram Stoker, and H. P. Lovecraft; later on, I discovered movies like The Innocents (based on Henry James's The Turn of the Screw) and The Haunting (adapted from Shirley Jackson's The Haunting of Hill House). As a ghost historian and editor, I've discovered dozens of brilliant tales from the nineteenth and early twentieth centuries; these are stories that remain relevant, entertaining, and frightening.
Fans of literary fiction may not even realize that Edith Wharton (1862-1937), author of novels like The Age of Innocence and Ethan Frome, also loved to write ghost stories, which often revolve around themes of class and gender. This collection includes such gems as the truly unnerving "The Lady Maid's Bell," the eerie yet poignant "Afterward," and "All Souls," one of the most unusual Halloween tales ever penned.
Traumatised by ghost stories in her youth, Pulitzer Prize winning author Edith Wharton (1862 -1937) channelled her fear and obsession into creating a series of spine-tingling tales filled with spirits beyond the grave and other supernatural phenomena. While claiming not to believe in ghosts, paradoxically she did confess that she was frightened of them. Wharton imbues this potent irrational and imaginative fear into her ghostly fiction to great effect.
In this unique collection of finely wrought tales Wharton demonstrates her mastery of the ghost story genre. Amongst the many supernatural treats within these…
My name is Alister Dray Penborn. I am a lifelong mystery lover, all the way back to my favorite childhood cartoon, Scooby-Doo, and my favorite anime, Detective Conan, or Case Closed as it was called in the US at the time of airing. It's a passion that grew over the years as I was exposed to even more great mysteries. One of the most appealing aspects is the investigation process, where a character sees the inconsistencies of crime scenes, analyzes and makes sense of events, and collects and relies on the slightest clues to act as puzzle pieces to the full picture.
I feel there's an art to incorporating the paranormal into a mystery without its presence dismissing the practical aspect of the characters’ investigation. D.J. Machale reached the perfect application of this in this book and its sequel.
While the series is directed at a younger audience, the mystery is superb without much handholding but with gripping action moments and the allure of something deeper that keeps the reader guessing until it all comes to a satisfying conclusion. Especially when paired with the sequel. Side note: tangent storylines that significantly impact each other without the characters realizing it is one of the top five forms of storytelling to me!
It begins with mysterious sounds, a fleeting face outside a window, a rogue breeze—all things that can be explained away. That is, until he comes face-to-face with a character who only exists on the pages of a sketchbook—a character Marshall himself created.
Marshall has no idea why he is being tormented by this forbidding creature, but he is quickly convinced it has something to do with his best friend, Cooper, who has gone missing. Together with Cooper’s beautiful but aloof sister, Sydney, Marshall searches for the truth about his friend while ultimately uncovering a nightmare…
I was six years old, and already a lover of Hallowe’en, when the special joy of stories took hold of my mind. It has never left. By the time I was an adult, I had come to value finely crafted fiction, the beautiful nuances of thought and expression possible in the hands of the greatest writers. At the same time, I never lost my youthful enthusiasm for the ghost, the deep forest just at twilight, the unused room at the back of the house where no one goes. To my delight, I have found there is an entire tradition of such work—gothic shapes rendered by the highest quality writers.
She’s more famous for novels like Ethan Frome and The Age of Innocence, but I love Edith Wharton above all for her ghost stories. I especially admire "Afterward," which, for my candy corn, is the greatest literary ghost story ever written. It both chills me and makes me ponder; the emotions inside this complex tale of secret lives are so real that, after I’ve put it down, I find I want to talk to anyone else who has read it about what just happened.
Wharton handles both language and imagery with a deft touch, all while drawing the reader into a haunting that has more than one dimension.
An elegantly hair-raising collection of Edith Wharton's ghost stories, selected and with a preface written by the author herself.
No history of the American uncanny tale would be complete without mention of Edith Wharton, yet many of Wharton’s most dedicated admirers are unaware that she was a master of the form. In fact, one of Wharton’s final literary acts was assembling Ghosts, a personal selection of her most chilling stories, written between 1902 and 1937.
In “The Lady’s Maid’s Bell,” the earliest tale included here, a servant’s dedication to her mistress continues from beyond the grave, and in “All Souls,”…
I believe with all of my heart that each one of us was created with two achingly powerful inner drives: 1) the longing for new worlds and 2) the desperate urge to do something meaningful. I simply could never believe that human beings are all simply cosmic accidents produced by some sort of cosmic casino. I believe God created people and gave us each an instinct to seek our true home. The books I write—all 22 of them—are tales of flawed individuals, thrown into unexpected, life-changing events, and given the chance to journey through many astoundingly lush worlds, all in an effort to do the seemingly impossible.
Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.
He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.
The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.
A sinister Problem has occurred in London: all nature of ghosts, haunts, spirits, and specters are appearing throughout the city, and they aren't exactly friendly. Only young people have the psychic abilities required to see-and eradicate-these supernatural foes. Many different Psychic Detection Agencies have cropped up to handle the dangerous work, and they are in fierce competition for business.
In The Screaming Staircase, the plucky and talented Lucy Carlyle teams up with Anthony Lockwood, the charismatic leader of Lockwood & Co, a small agency that runs independent of any adult supervision. After an assignment…
An avid reader, I began a project in 2012 to read one short story a week in supernatural mysteries, ghost stories, and quiet horror genres. I began with the classic authors: Poe, MR James, Lovecraft, Shelley, Stoker, du Maurier, etc. I began a blog, Reading Fiction Blog, and posted these free stories with my reviews (I’m still posting today). Over the years, it turned into a compendium of fiction. Today, I have nearly 400 short stories by over 150 classic and now contemporary authors in the blog Index. I did this because I wanted to learn more about writing dark fiction and who better to learn from than the masters?
Even though this is a period novel, I read this story for its Gothic horror and literary acumen. Repression of memories, feelings, and guilt struck me throughout. Dr. Faraday discovers ghostly mysteries at Hundreds Hall, and his romance with Caroline is spooky enough, but this ghost story is grounded in reality.
Who is the little stranger haunting the premises? I sunk deeply into this story, drinking up the beauty. But the ending! Wow. Brilliantly revealed and aptly placed on the final page. Sarah Waters hides the ghost in plain sight, and yet I was surprised at the conclusion—delightfully so. I’m a sucker for one-liners that grab the reader by the throat, metaphorically speaking, at the last line. I plan to read it again because it’s that good.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I was in fifth grade when I brought home my first paranormal thriller from the library. It was love at first read. Since then, I’ve broadened my reading horizons to many fiction genres, but fast-paced stories grounded in our world with a dash of magic continue to be my favorite. The same can be said of my viewing habits—give me shows like Severance or Black Mirror, and I’ll be glued to the screen all day long. It probably doesn’t surprise anyone that it is my favorite entertainment genre and writing genre. Many of the books on this list have served as inspiration—I hope you love them too!
This book is utterly unique. While not a traditional paranormal thriller per se, Suma weaves together two distinct stories that come together in a jaw-dropping conclusion.
I’m a sucker for books with dancers as main characters, so the dance-infused narrative was all the more satisfying. Add in beautiful prose, a spooky prison, and a little competition between ballerina friends, and you’ve got a winner. No wonder I’ve read this book three times.
