65 books like A House in the Woods

I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.

I’m the happy father of five children, born between 2000 and 2017. So in my adult years, I have quite constantly lived in the company of young children, and I’ve started inventing stories for them. I have now six albums published in France, all of which were originally imagined for my kids just before we switch off the light for sleeping. Born in 1975, I live in Paris, I’m the chief editor of Philosophie magazine (a monthly publication with 50 000 readers), and I’ve published twenty novels and essays alas not available in English. I’m the president and co-founder of a creative writing school located in Paris, Les Mots.

I’m the happy father of five children, born between 2000 and 2017. So in my adult years, I have quite constantly lived in the company of young children, and I’ve started inventing stories for them. I have now six albums published in France, all of which were originally imagined for my kids just before we switch off the light for sleeping. Born in 1975, I live in Paris, I’m the chief editor of Philosophie magazine (a monthly publication with 50 000 readers), and I’ve published twenty novels and essays alas not available in English. I’m the president and co-founder of a creative writing school located in Paris, Les Mots.

I love the experience of reading a book that combines a known (to me or not!) story combined with elements that make it new again. It could be a parody, a “fractured fairy tale,” or a new retelling, funny or serious. For my book Little Red and the Cat Who Loved Cake, I read so many nursery rhymes and fairy tales in order to populate the town with fun versions of recognizable characters for Little Red to encounter, it makes me appreciate these books even more.

Father-daughter relationships have always fascinated me. I wrote my first book to explore what it might be like for a girl to have a father with whom communication is, if not easy, possible. Although my own father was around when I was growing up, he was a distant figure. A mechanical engineer, he lost himself in ruminations on machines and mathematics and was made still more distant by his alcoholism. As a kid, I tried to glean from books what having a “regular” father might be like. I still haven’t figured it out, but I love seeing other authors capture the formative effects of this particular parental relationship. 

I love middle-grade stories that touch the mind, the heart, and the funny bone. These books are filled with possibilities and hope—they give me courage for the future. I have three grown sons who have inspired much of my thinking about children and childhood, and I keep close to me all of the children I worked with as a teacher, hoping they might finally see themselves and the world they know in the pages of what their children read. I’m grateful to other writers who inspire me to read, and to write, creating the best stories we can for kids living now, today, in the world we have (and imagining the world we want to see). 

Growing up, my brothers and I begged for a dog, but our parents never gave in. Fortunately, when my kids begged for a pup, my husband and I gave in. So, as a children’s book writer, I wanted to give kids a book to help them convince their parents that there’s always room for a pup in the family, and at the same time, subtly emphasize the importance of gratitude and inclusion.  

As a reader, I am deeply interested in the real and complex lives of people. This often leads me to history and biography. Fiction shows both the interior and exterior lives of its characters and gives language to relationships, places, and the times in which they live. I am always looking for books with their feet on the ground and their pages crackling with the details of reality. Coming from a large family myself, I have found that, even if you live far apart, siblings make up each other’s world, and that, as my mother used to insist, our siblings may be our best friends throughout our lives.

When my sister got divorced, she and my nephew, Jordy, moved in with our parents. My mother was—and still is—a big music fan, and she decided to play the same music in her house that Jordy’s dad played in his. The music became a bridge; a way for Jordy to feel like he was at home in both places. I loved this and kept it tucked away for years before Here and There came to me. I feel passionate about helping kids find a way to feel safe and comfortable in themselves—no matter where they are or what they’re going through—and all the books on my list do this brilliantly.

I have loved story since I was little, and I’ve curated a life where it has always taken center stage in some or another. I was a high school English teacher for ten years, and have been a college professor for eight. But what really inspires me to write the books I do is my PhD in mythological studies. As a mythologist, I’m lucky enough to be able to see why stories resonate with us for so long and use those same themes and metaphors to write my own.