Here are 100 books that The Totally NOT Wicked Stepmother fans have personally recommended if you like
The Totally NOT Wicked Stepmother.
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As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
This book shares my Andean setting and love of dance, so I am already rooting for it. I am immediately connected with the main character as she twirls down the path. I can relate to the wolf as well; I know how language barriers can cause misunderstandings. A clever twist to a beloved classic. The art is full of energy and captures the joy in the dance moves.
A 2024 Anna Dewdney Read-Together Award Honor Book
An irresistible rhythm tugs at Moni's heart as she dances down the path to la casa de Abuela. But Moni's corazón skips a beat when she spies a strange set of ears - setting her own orejas on alert. Lobo must be near!
In this modern interpretation of a classic fairytale, readers tango along with Moni as she sways to the music that follows her through the woods. In a clearing, Moni stumbles upon Lobo . . . playing a bandoneón? Moni can't help from tap-tap-tapping to the tune, but when the…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
Of the many retells I have read, this version turns the classic tale on its head the most. With my own reclusive artist tendencies, I found Ra Pu Zel’s wish for alone time to pursue her interests very alluring. I am always curious about new foods and I will set out to find stinky tofu in town, do I follow the smell? The art transports us to a setting with cultural and culinary delights.
A playful, feminist retelling of Rapunzel with a Chinese-cuisine twist
The story of Rapunzel where she’s being locked in a tower by a witch is a good one—but it’s not totally the truth.
The real story is about a young princess in China named Ra Pu Zel who doesn’t want to talk to princes or look proper. What Pu Zel wants is to cook and eat in peace, her long hair neatly braided to keep it out of her food. And when she gets tired of everyone telling her what to do, she locks herself in a tower with her…
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
I chuckled with this book because the wolf I imagined was not at all the wolf in the story. I thought it was clever to have him use his big teeth, big claws and big eyes to be crafty, creative and to help others. The illustrator does a great job of contrasting the black lines of the wolf with the colorful yarns to get the right mood across.
What do you see when you imagine a wolf? Sharp, pointy teeth? Big, hungry eyes? A soft sweater and a friendly smile?
Wait a minute!
The wolf in this story would rather knit than huff, puff, or blow anyone's house down. But that doesn't stop the townsfolk from crying wolf anyway. What's a kind-hearted wolf to do when everyone keeps running and screaming at "Hello?" It's time to show the world that this wolf is the furthest thing from Big and Bad.
As a Latina living in the US, I encounter stereotypes about me and my culture. I am sure I have my own blind spots around other cultures and people. So, I like stories that break traditional tropes. Initially, fairytales were dark and used as moral teaching tools full of warnings and fear. I prefer retellings that spread joy and challenge assumptions. Lastly, I love to discover new—real or imaginary—places through the illustrations and the artist’s point of view, especially if it influences the twist.
I enjoyed how the characters in this story did not want to be confined to stereotypes, preferring to explore beyond their gender and princely station. They want to explore all their interests, from sewing to pulley building, in their own unique way. I found it hilarious that the “problem” to fix consisted of alligators out of their moat. The illustrations are super fun, with alligators hiding in the silliest places.
The castle is crawling with wayward alligators, and the clueless king doesn't know how to fix it. Lila, Margaret, and Harriet have lots of ideas, but their father won't listen! According to him, the Princesses should be focusing on proper pursuits like drawing, jewelry, and music. When the three girls start falling asleep during the day, the King sends the Prince to investigate .
What he discovers is that the three princesses are gathering at night to use their knowledge of the six simple machines to invent an ingenious alligator removal contraption in their secret workshop.
I grew up in a small, Midwestern town where people sinned Monday through Saturday, then went to church on Sunday to stock up on absolution for the coming week. It was also a place where people wanted to be well-thought of, if thought of at all, and could be at their best when things were at their worst. I wanted to escape as soon as possible, yet now as old memories become more accessible than recent ones, I realize that I never escaped at all. I write about small towns, perhaps to avenge, perhaps as homage; perhaps because it is still, after all these years, what I best know.
Faulkner has great names: Lucius Priest, Boon Hogganbeck, Miss Carrie.
He uses humor to make us like them, heart to make us love them, and a crime they must commit for true justice to prevail. My most recent book follows the same humor, heart, dash of crime roadmap. Faulkner also likes long, complex sentences. I’m no Faulkner, but it’s an affection we share.
One of Faulkner’s comic masterpieces, The Reivers is a picaresque that tells of three unlikely car thieves from rural Mississippi. Eleven-year-old Lucius Priest is persuaded by Boon Hogganbeck, one of his family’s retainers, to steal his grandfather’s car and make a trip to Memphis. The Priests’ black coachman, Ned McCaslin, stows away, and the three of them are off on a heroic odyssey, for which they are all ill-equipped, that ends at Miss Reba’s bordello in Memphis. From there a series of wild misadventures ensues—involving horse smuggling, trainmen, sheriffs’ deputies, and jail.
I’ve loved comic strips since I was a kid, so children’s books that had cartoon art in them were the ultimate for me. That love drove me to research and write about the career and life of Jack Kent. Books by cartoonists tend to have the whole package: They tell a story visually, they’re funny, and they use language economically but memorably. The limitations I placed on myself in choosing this list were 1) the creator had to have both written and drawn the book, and 2) they had to have been established as a professional cartoonist before moving into children’s books.
Shrek! was a book before it was ever a wildly successful film franchise, but the book bears almost no resemblance to the movies.
Yes, William Steig’s ogre is both vile and reviled, and he has a donkey for a friend, but the story itself is very straightforward, detailing Shrek’s rampage across the countryside on his way to meet a “stunningly ugly princess” with whom he can live “horribly ever after.”
Steig had been a celebrated New Yorker cartoonist for almost four decades when he produced his first children’s book in 1968. He wrote and drew Shrek! when he was in his early 80s. He breaks the cardinal rule of using simple language, but makes up for it with fun-to-read-aloud choices in vocabulary and sentence structure, such as “The irascible dragon was preparing to separate Shrek from his noggin.”
1
author picked
Shrek!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
Read the book that inspired the famous film franchise in this wonderfully funny picture book.
Before Shrek made it big on the silver screen, there was William Steig's SHREK!, a book about an ordinary ogre who leaves his swampy childhood home to go out and see the world. Ordinary, that is, if a foul and hideous being who ends up marrying the most stunningly ugly princess on the planet is what you consider ordinary.
Writing (and reading) have been my happy places ever since childhood. I love being able to lose myself in the characters and storyline of a book. Life can be too serious at times, so what could be better than escaping into a fictional world and romantic comedy, especially if the hero or heroine has a pet! Books in this genre have always been my preferred choices and it felt only natural when I started writing to try stick to this ideal. When not writing, reading or walking the dog, trying out new recipes is also one of my favorite pastimes, naturally, my characters also have a favorite treat that I might just have slipped in.
I love this author, but I could have chosen any of Jennifer’s books.
She writes contemporary romantic comedies with everything I want from a romantic comedy, good plot lines great characters you can really identify with. If her hero and heroine were real, they would be people I could imagine wanting to spend time with.
A friends to lovers trope – Nick and Quinn have such a powerful connection, they absolutely must get together by the end of the book despite all the problems along their way. All Jennifer’s books are written with a light touch and great humour.
Spoiler alert Nick and Quinn get their Happy Ever After. And there is a dog! I happily go back and read this again and again.
A bored high school art teacher dumps her football-coach boyfriend and embarks on a mayhem-filled search for happiness that lands her in trouble with the law and sends her into the arms of the one man in her small Ohio town she should probably avoid
Telescopes, microscopes, computer modeling–these exist because some things are easier to study when you change their shape. That’s how we learned about planets, germs, and the economy. Enlarging, shrinking, and filling in details lets us examine and understand. I think literature can do the same thing with ideas. Asking ‘what if?’ lets us probe things we can’t with our gadgets. Concepts. Hypotheticals. A story that pulls a big idea like taffy? That is a treat. I’ve got five in this dish.
What if elevator inspectors had their own influential guild? Not science fiction, not fantasy, and not even alternative history. Just a riveting, delightful, challenging ‘what if’ that does not fit in a box. In a shaft. In a skyscraper. When I first heard about this book, I thought elevator inspection might be, let’s say, resistant to novel-sized interrogation.
To this, I now say, behold the umbrella that fits in the purse or the king-sized mattress that arrives in a toddler-sized box. This book unfolds and puffs up deliberately and warmly, and eventually, you find yourself curled up, reading about the very nature of thought. In a person. In a society. You don’t want to turn out the light and stop.
'A thrilling blend of noir and fantasy.'Guardian. In an unnamed city - a hardboiled pre-Civil Rights New York sort of city -heroine Lila Mae has succeeded in becoming the very first Black female elevator inspector. In Whitehead's darkly comic otherworld, this is a job imbued with an almost mystical significance. But the illustrious Department of Elevator Inspectors is in crisis, bitterly divided between the Empiricists (check the machinery) and the Intuitionists (tune in to the vibes). Lila is an Intuitionist and so much better at her job than anyone else that surely it must be those 'good-old-boy' Empiricists who have…
As a reader, I’ve always been attracted to novels that are character-driven, filling my shelves with books about people who seize the day and fight for what they want, who are interesting, relatable, and flawed but who don’t let those flaws define them. As a writer, I like to put my own flawed characters in situations that force them to face who they are and either come to terms with it or overturn themselves and their lives entirely, and all the novels I’ve listed have a hint of this, too. I hope you enjoy them!
A lot of books can make me cry, but not a lot of books make me laugh out loud, but this one did on multiple occasions. It’s a Forrest-Gump-esque novel about Alan, a hundred-year-old man, who decides a birthday party with the mayor is not for him and escapes the nursing home in his slippers only to end up on what's only the latest ridiculous adventure in his very long life.
The humor is dry, the characters are brilliantly inept, and the storyline is totally outrageous but somehow utterly believable at the same time. It’s one of the funniest books I’ve ever read.
A larger-than-life old man with a fondness for vodka goes on an unexpected adventure in this whimsical novel -- perfect for fans of Forrest Gump and A Man Called Ove.
The international publishing sensation -- more than six million copies sold worldwide!
A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert) decides it's not too late to start over . . .
After a long and eventful life, Allan Karlsson ends up in a nursing home, believing it to be his last stop. The only problem is that he's still in good health, and in one…
I have always been a lover of the arts and spent a lot of time coloring and drawing as a young person. I remember the feeling of being fully immersed in picture books and cartoons. My interests led to a career as a graphic designer which turned into a career as an illustrator and author. There are so many wonderful children’s books that can engage young (and not so young!) readers that it was hard to choose just 5. Here are a few from artists that will wow you with creativity, humor, and imagination.
This delightful story is all about the power (and fun) of using your imagination, and even better, how awesome it can be to combine your powers with a friend! Kaylani Juanita brings this adorable story to life with mixed-media illustrations.
The artwork is so energetic, playful, and totally perfect at translating the main characters’ daydreams into a magical, action-packed adventure.
1
author picked
Ta-Da!
as one of their favorite books, and they share
why you should read it.
This book is for kids age
3,
4, and
5.
What is this book about?
What makes a good story? One little girl thinks it's a princess with magical powers that can-ta-da!-overcome any obstacle. Her friend thinks it's-dun dun duh!-a combination of dragons, pirates, and fire that cause total chaos. But as their stories intertwine, these two young storytellers soon learn that a good story needs both conflict-dun dun duh!-and resolution-ta-da! An irresistible celebration of imaginary play, storytelling, and the joys of collaboration, this gorgeous picture book features two strong voices throughout, making it the perfect read-aloud.
