Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
J.B. Steane’s massive book, over 600 pages, is one of the most comprehensive books on historical singers ever written. My copy is riddled with text underlining and notes in the margins. His evaluations of singers are always honest, but fair. I have read this book at least 3 times and have re-read sections many more times. It invaluable.
Before the gramophone could do justice to an orchestra, it was able to reproduce the human voice with comparative fidelity. Steane examines the great mass of singing on record and follows the fortunes of modern singers as well as old, in song, opera, and choral singing. This corrected second edition includes a preface and bibliography.
I learned to read music at about the same time I learned to read words. I grew up taking piano lessons, studying almost entirely classical pieces that came weighted with history: everything I ever played had been played better by someone else. I still enjoyed my attempts, but realized that the relationship I had with those notes was not the one I wanted to have with words, which I felt drawn to assemble into my own arrangements, my own stories. So, as a weirdo who’s been thinking about interpretation and creation since childhood, I love books that delve into the challenges and emotional complexities of making music.
To portray the title character in Bizet’s Carmenis only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror.The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.
'One doesn't so much read it, as one is bewitched by it. Epic, gorgeous, haunting' HANYA YANAGIHARA, author of A Little Life
When it begins, it begins as an opera should begin: in a palace, at a ball, in an encounter with a stranger, who you discover has your fate in his hands . . .
She is Lilliet Berne. And she is the soprano.
1882. One warm autumn evening in Paris, Lilliet is finally offered an original role, though it comes at a price. The part is based on her deepest secret.…
From the time I first learned to write, I knew this was something in my blood I had to pursue and that I’d one day make a comfortable living at it. Writing is a solitary craft to be sure, and although I worked in other industries for a number of years, I knew I’d eventually have to take a leap of faith and pursue this professionally. I’m passionate about encouraging fellow wordsmiths and dreamers, and the business books I’ve written reflect my expertise in Audience Analysis and Message Design, a specialization I’ve also tapped for my novels and stage plays.
When I was growing up, my mother always criticized me whenever I tried to sing. “You’re terrible at this,” she told me. She also criticized my endeavors at dancing, writing, and the arts. It wasn’t until I was much older I realized just how insecure she was and how she feared my failure at any of the things I wanted to do would somehow reflect on her. What attracted me to this book was actually the title. In recent years I’ve taken professional singing lessons (including opera!) and discovered that the only thing holding me back was my lack of confidence in pushing the envelope. Everything is possible—including being your own boss (of anything!) as long as you don’t allow yourself to become overwhelmed or listen to the naysayers more than to your own heart.
Congratulations, you are a newly minted entrepreneur. You had a vision, and started a business. Now you are totally overwhelmed. There is just too much to do, all the time. The business isn’t growing as fast as you would like, and you’re beginning to have doubts that you have what it takes to build the business you imagined.
You chose a service business because you wanted to help others. Coaching, counseling, providing professional services. But each day so many things are coming at you from all directions, you’re finding it difficult to stay focused on your vision in the overwhelm.…
Before becoming an opera singer, I received my Masters in Healthcare Administration and worked in various healthcare settings, from a community health center to a large teaching hospital. I learned first-hand how the best-intentioned clinicians can make mistakes, and how those mistakes can lead to unintended consequences that can harm patients. Although it’s terrifying to think about, the best defense is to self-advocate as much as possible. It’s your body and your decision. Don’t give away your power.
Tyrone the mouse rehearses night and day to improve his singing voice, hoping he’ll earn the spotlight in the opera house where he lives surrounded by animal friends.
Ty secretly practices by hiding in the wings, singing along with the famous tenor, Roland L’Amour. When Roland becomes ill on opening night, Ty sees an opportunity to fulfill his dream. With the royal family in attendance, Ty nervously asks the opera house manager if he might play the lead role.
Although he’s nervous, with the support of his friends Stella, the precocious Persian cat, and Oscar, the mangy mutt, he finds the courage to take the stage and discovers that hard work and friendship can make any dream come true!
Tyrone the Tenor Mouse: The Singing Mouse of the Opera House
Tyrone the Tenor Mouse has a secret wish--to perform in the opera house where he lives with his animal friends, Stella the precocious Persian cat and Oscar the mangy mutt.
Ty learns the music by secretly singing along with a famous tenor named Roland L’Amour. When Roland becomes ill on opening night, Ty sees an opportunity to make his dream come true. With the royal family in attendance, Ty nervously asks if he can play the lead role.
With the support of his friends, he finds the courage to take the stage and discovers that hard work and friendship can…
Having been a professional singer for about five decades and having grown up with, and studied the early recordings of operatic singers for just as long, I feel that I am in an unusual position when it comes to analyzing their art. The ability to describe a singer’s voice on paper is a unique challenge but one that I enjoy solving–especially since each voice is a law unto itself. When done correctly, analysis like this should make the reader want to go and find the recording so that they can listen for themselves. This is especially true for my expanded Kindle version of Early 20th Century Opera Singers.
This series of 3 books traces the recordings of various operas from the infancy of recording through modern-day recording and is another fascinting read. Making this even more interesting is the fact that each opera is taken on by a different writer so you always get a fresh view on the works being discussed.
Just like my Upstagedheroine, my first stage experience was playing Mr. Jacey Squires in The Music Man. Both of my parents were singers and really, there’s never been a time when music—and the friends I made through music—haven’t been an important part of my life. Love of the arts can bring kids together in surprising ways. The characters in these books face varied challenges, home lives, and predicaments. But for all of them, it’s the support of friends, a dose of courage, and inspiration from the arts that get them through. That’s why I’ve chosen these five wonderful, readable, un-put-downable books.
I absolutely fell in love with twelve-year-old Bart—a kid who doesn’t complain when there are only pretzel sticks for dinner, who takes boxing lessons, but can’t punch, a kid who loves opera. Opera! (Specifically, the voice of baritone Bryn Terfel--Look him up and listen!) He lives near Oslo, Norway in shabby public housing with his loving, alcoholic, and often unemployed mother. Bart makes the best of everything in his life. His unique, gentle nature, some lovely friendships, and Svingen’s storytelling completely
won my heart. I don’t know why this book hasn’t gotten more accolades—maybe
because people expect every Norwegian novel to have Vikings and fjords. (Language
Alert: There are some instances of the word sh*t—blame the translator).
From award-winning Norwegian author Arne Svingen comes “an uplifting coming-of-age story” (The Wall Street Journal) about a relentlessly positive teenager who uses his love of opera to cope with his less-than-perfect home life.
Bart is an eternal optimist. At thirteen years old, he’s had a hard life. But Bart knows that things won’t get any better if you have a negative attitude. His mother has pushed him into boxing lessons so that Bart can protect himself, but Bart already has defense mechanisms: he is relentlessly positive…and he loves opera.
Listening to—and singing—opera is Bart’s greatest escape, but he’s too shy…
I often (half-) jokingly say that I'm a failed musician. Growing up in Montreal in the eighties, music was my deepest joy. I sang in choirs for years, and even fancied myself the next great baroque singer (I guess I was a nerd.) Nerves, however, got the best of me, and I turned to the next best thing, writing. In my family, music is a meeting place, a shared language; my kids have taught me as much about music as I have taught them. Nothing pleases me more than to see on a playlist of theirs a tune that I listened to before their birth. Music is the golden thread of my life.
A wonderful graphic novel for and about teens, Operaticfollows Charlie, a teen girl who must find "her song" for a school project, and embarks on an emotional journey about the meaning of music, friendship, love, and opera. The book, gutting and uplifting all at once, is also an homage to the great Maria Callas, while peppered with pop and rock references. A perfect book for readers 12 and up, by which I mean: up to 30, up to 45, up to 99 years old, as music ties us powerfully with our life story, no matter our age.
A story of friendship, first crushes, opera and the high drama of middle school told by award-winning Kyo Maclear in her debut graphic novel.
Somewhere in the universe, there is the perfect tune for you.
It's almost the end of middle school, and Charlie has to find her perfect song for a music class assignment. But it's hard for Charlie to concentrate when she can't stop noticing her classmate Emile, or wondering about Luka, who hasn't been to school in weeks.
Then, the class learns about opera, and Charlie discovers the music of Maria Callas. The more she learns about…
I began my journey in communications as a competitive public speaker in high school and college, culminating in a national championship. That experience inspired me to help others develop their public speaking and presentation skills, especially effective point-making, which is fundamental to communication success but rarely addressed by trainers. Nowadays, I’m thrilled to combine my skill, experience, and passion in my work as a speechwriter and speech coach for organizations ranging from American Express to State Farm Insurance, as well as a speechwriter for a major nonprofit and contributor to media outlets including Harvard Business Review,Fast Company, and Newsweek.
I’ve always been a fan of Allison and her work, and Speak with Impact is the best way to access all of her terrific insight.
If anyone can prove that public speaking is a skill and not a talent, Allison does, serving up practical advice on everything from effective storytelling and breathing techniques to body language and conquering fear. She also leverages her varied experiences as a CEO, Harvard lecturer, Ted Talk speaker, and opera singer (!).
This book is simply a must-have for everyone from jobseekers to CEOs who want to impact and influence others through their communications.
When you know what to say and how to say it, people listen. Find your powerful voice, and step into leadership. Speak with impact.
Every day, you have an opportunity to use your voice to have a positive impact -- at work or in your community. You can inspire and persuade your audience -- or you can distract and put them to sleep.
Presentation styles where leaders are nervous, ramble, and robotic can ruin a talk on even the most critical topics. As your performances become weak, your career prosects start to dim. To get ahead and make an impact,…
I’ve been reading science fiction and fantasy, and specifically space opera, since I was seven and first discovered The Wonderful Flight to the Mushroom Planet. I read my way through every book in the school library and public library that dealt with aliens, space travel, starships, and especially adventure.
Helva is a ‘brain’, a person with a defective body who becomes meshed with a starship as its controller. Each brain-ship is partnered with a ‘brawn’, a human who acts as the liaison for the ship as well as its partner and protector. Helva loves singing and brings heart to her role as a scoutship brain.
Anne McCaffrey brings her signature romance to this book with a complex relationship that grows between Helva and her brawn as they explore the universe. McCaffrey is deft at creating characters that are vulnerable but still strong in their own way. Though Helva has no physical strength, she has a heart that loves to sing. Even though she is basically a starship, she holds on to her humanity.
The brain was perfect, the tiny, crippled body useless. So technology rescued the brain and put it in an environment that conditioned it to live in a different kind of body - a spaceship.
Here the human mind, more subtle, infinitely more complex than any computer ever devised, could be linked to the massive and delicate strengths, the total recall, and the incredible speeds of space. But the brain behind the ship was entirely feminine - a complex, loving, strong, weak, gentle savage -a personality, all-woman, called Helva...
I’ve held a burgeoning interest in the stars since I was a young girl. Daydreams of adventure and exploration guided me to the genre. Once I found it, I consumed everything I could find, both on-screen and in the pages of books. There’s something to be said about the vulnerability of being in the vastness of space, oftentimes with strangers who grow to be family. I guess, in a way, it reminds me of that moment when we set out into the world, away from our families, to learn and explore more about our surroundings and the characters we meet along the way (only on a much grander scale).
Nicole has done something really great with this series. She’s created memorable, detailed characters to build a cast you really care about. I really love seeing how other authors have humans interact with aliens and vice versa. This series was a great blend of everything you need for an epic adventure.
1900 pages of space opera adventure for fans of Firefly, Killjoys, and the Mandalorian...
Holly Drake just got out of prison... but that doesn't mean she’s free.
The City of Jade Spires is no paradise, though everything about it says otherwise: the glimmering jade towers, the glow of a gas giant, and the 6 Moons balanced between four supposedly equal races.
Serving an unfair sentence like Holly’s clears up such a gross misconception pretty quick. When she walks free due to the intervention of a mysterious source, she soon realizes they want her to do something:
Steal a priceless jewel…
I’ve loved stories of space, and especially space operas, since I was a child watching Star Trek reruns with my dad. I love the ways very different cultures can work together toward a common goal, but also the many ways those cultures can butt into each other and cause friction. While you can certainly tell stories about that kind of thing on Earth, science fiction lets you tell it writ large, without smacking any particular human group over the head with their differences. I love the way you can tell a story about humans today by focusing on struggles between alien cultures that aren’t a part of our everyday experience.
In most space opera novels, humans are the absolute best. Whether they began the government they belong to, or came to it later, they’re specialin a way that makes the universe better. Melinda Snodgrass’ The High Ground is different. In her series, humans went into space, met aliens, and conquered nearly everyone they met. Now the aristocrats of the Solar League spend their time on balls and dancing, while in the dark, a new menace approaches. This is an action series, but the heart of the story is the relationship between Mercedes, eldest daughter of the Emperor, and Tracy, the common-born son of a tailor, thrust together by circumstance and torn apart by the realities of their society. It’s a great series, full of adventure, political infighting, and humans—some of them, anyway—learning to be better people.
In the Solar League, those without choice seek the High Ground …
As humanity progresses through the stars, in some ways, it has regressed.The Solar League, under the control of its aristocracy, has conquered many races it has encountered, placing such aliens on the bottom rung of a social order with class and marriage being all important.
As the Emperor’s daughter, Mercedes becomes the first woman to join the Solar Leagues elite military training center, the High Ground. She has everything she could dream of … except a say in her life.
However, Mercedes, along with Tracy, the common born…
