Like the Bach sisters in my novel Things We Do For Love, my sisters and I have cared for our mother, who battles Alzheimer's. Witnessing her transformation from a vibrant powerhouse to someone resembling the Walking Dead has been heart-wrenching. Despite the emotional rollercoaster, this journey has deeply connected us with our mother. Delving into the depths of her being has been a privilege, offering profound insights into her true essence. This challenging experience has unfolded as a disguised blessing. In this journey, we've discovered the beauty of unconditional love that binds our family together. It reflects the central question of my novel: What truly makes a happy family?
This book inspired me to write my own account of dealing with my mum’s Alzheimer’s.
This darkly comic yet gripping novel reveals the humorous aspects of the disease. Maud, an eighty-year-old who grapples with forgetting even the cup of tea she just made or recognising her own daughter, surprisingly unravels a seventy-year-old mystery.
The story delicately weaves warm and uplifting moments with touches of comedy, anxiety, and sheer terror that arise when one realises the advancing years and the struggle to be heard in a society that often overlooks the elderly. The portrayal of dementia in this novel is both sympathetic and profoundly moving, capturing the emotional complexity of the experience.
Maud's character is both exasperating and compelling, embodying the kind of older protagonist I yearn to encounter more in literature.
NOW A MAJOR BBC DRAMA A SUNDAY TIMES TOP FIVE BESTSELLER
How do you solve a mystery when you can't remember the clues?
Maud is forgetful. She makes a cup of tea and doesn't remember to drink it. She goes to the shops and forgets why she went. Sometimes her home is unrecognizable - or her daughter Helen seems a total stranger.
But there's one thing Maud is sure of: her friend Elizabeth is missing. The note in her pocket tells her so. And no matter who tells her to stop going on about it, to leave it alone, to…
All of my books and stories have at least one thing in common: strong women. I’ve always been fascinated by women who are fighters and who aren’t afraid to challenge the status quo. Astra, the main character in A Bright Young Thing, is definitely not alone in pushing back against society’s expectations: the women in these books (and many in real life in the 1930s) also find the strength to say no, to stand in their power, and truly live life their way.
After a lifetime of dutiful marriage, the newly widowed Lady Slane shocks her family by striking out on her own, moving from London to a suburban cottage where she will live alone and please herself (for once!). Her decision rumbles through her grown children’s lives and inspires one of her great-granddaughters to pursue an independent life herself.
I love that this book focuses on an older woman (Lady Slane is 88 years old), proving that it’s never too late to live life on your own terms. And in Deborah, her great-granddaughter, we get a glimpse of the new sort of woman who was really making her presence felt in this period: young women exploring their independence and living very different lives from their parents and grandparents.
A charming extraordinary early 20th century novel about family relationships.
When the great statesman Lord Slane dies, everyone assumes his dutiful wife will slowly fade away, the paying guest of each of her six children. But Lady Slane surprises everyone by escaping to a rented house in Hampstead where she revels in her new freedom, revives youthful ambitions and gathers some very unsuitable companions. Irreverent, entertaining and insightful, this is a tale of the unexpected joys of growing older.
At the age of fifty-three, I was suddenly thrust into the role of primary caregiver for my disabled twin sister who was unable to sit, stand, feed herself, eat solid foods, or communicate. Up to that point, that role had been my mother’s with the help of home-attendants; but my mother was aging and the care provided by the ever-changing attendants was wanting. I was forced to place Judy in a nursing home. The challenge left me overwhelmed with the responsibility of overseeing her care and there were days I wondered if I could go on. With the support of family and friends, I was able to make it through.
Britt-Marie Was Here is a book of fiction. Nonetheless, it speaks to me as an example of persevering to get through life’s challenges.
Backman is a master of character development and I easily connected with the protagonist. I, like Britt Marie, have found myself outside my comfort zone, slowly moving forward to figure out how to navigate my new position in life.
For Britt Marie, it was living on her own in a new place, with new people, after leaving her husband upon whom she depended for everything; for me it was becoming a primary caregiver and decision-maker for my disabled twin sister.
Very different positions and yet sharing the challenge of accepting our new situation in life. I didn’t want the book to end.
The New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, and Anxious People captivates readers with this “warm and satisfying” (People) story “about a woman rediscovering herself after a personal crisis…fans of Backman will find another winner in these pages” (Publishers Weekly).
Britt-Marie can’t stand mess. A disorganized cutlery drawer ranks high on her list of unforgivable sins. She is not one to judge others—no matter how ill-mannered, unkempt, or morally suspect they might be. It’s just that sometimes people interpret her helpful suggestions as criticisms, which is certainly not…
I love reading and writing books about friendships. The one featured in
this book is unique: between a pair of terminally-ill patients, one a teen, one
an octogenarian.
Full of humor and excellent character development, it’s a
thoughtful, beautiful story about making your own family, handling life changes
with grace, and the knowledge that it's never too late for true love.
**LONGLISTED FOR THE AUTHOR'S CLUB FIRST NOVEL AWARD**
'Emotional, involving, witty and sad. Everyone is going to love Lenni and Margot' JILL MANSELL
'Lenni and Margot are two of the most wonderful, warm, witty and wise heroines I've ever met. Beautiful and glorious' CLARE POOLEY, author of The Authenticity Project
Fiercely alive, disarmingly funny and brimming with tenderness, THE ONE HUNDRED YEARS OF LENNI AND MARGOT unwraps the extraordinary gift of life, and revels in our infinite capacity for friendship and love when we need them most. _______________________________________
Life is short.
No-one knows that better than seventeen-year-old Lenni. But as…
As a family doctor working in aged care, I have always felt disappointed by the stereotypical portrayal of ageing in fiction. Older characters are rarely the protagonist of their own story and are more likely to be relegated to minor roles that reflect their marginalization and invisibility in society. And yet, despite their physical limitations, my older patients have taught me that it’s never too late to laugh, love, make new friends or create mischief. Bette Davis once said, “Old age ain’t no place for sissies.” Without sugarcoating ageing, I strive for authenticity and humor in my writing to offer a more uplifting and hopeful portrayal of what lies ahead.
The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.
The bestselling author of The Trouble with Goats and Sheep delivers a suspenseful and emotionally satisfying novel “infused with warmth and humor” (People) about a lifelong friendship, a devastating secret, and the small acts of kindness that bring people together.
There are three things you should know about Elsie. The first thing is that she’s my best friend. The second is that she always knows what to say to make me feel better. And the third thing…might take a bit more explaining.
Eighty-four-year-old Florence has fallen in her flat at Cherry Tree Home for the Elderly. As she waits to…
I’ve been a very sexual woman since my twenties, and provided sex education for women as a young feminist. When I embarked on a fun dating project in my late fifties to date 50 men in order to find the right partner for me, I knew that many of my dates would include sexual encounters. My upbeat memoir about that project, Fifty First Dates After Fifty, includes the sex scenes, because I wanted to provide healthy, satisfying images of older women enjoying sex so that our sexuality would be validated and visible to each other and the world. The sex-positive books I recommend celebrate the variety of women’s sexuality.
I love this anthology by women over fifty because it offers such a wide range of truths about our experiences with sex and intimate relationships.
More than fifty essays and poems cover a variety of honest reflections on the exquisite, the good, the not-so-good, and the challenging parts of older women relating sexually to men, to women, and to themselves.
Feelings expressed range from the ambivalence, disappointment, and ecstasy of dating, to the pleasures of being single, to the joy of long-term sex and commitment, to the acceptance of the sometimes sudden movement between these states. Can be read in one or two delicious gulps!
Women over fifty are "the invisible woman" in American culture. In a society that reveres youth - and particularly young, sexy women - women over fifty fade into the shadows. Yet, for many women at mid-life, this is a time of flowering and coming into one's own, sexually and otherwise. Many older women love sex and crave the intimacy it provides. For every story of a harried mother who turns her husband away at night, or the older woman who long ago lost her libido, there are legions of others whose sex drives match those of men.
I’m not as old as some of the characters in the books I’ve mentioned, but I’m getting there. With age, one learns to hold grief in one hand and gratitude in the other. The importance of friendship and community can hardly be overstated. I love reading books that represent older characters, especially women, as complex, life-embracing individuals without resorting to condescension. I strove to write such a book with Toby’s Last Resort. I’m not always writing about older characters, but in all my work, I want to dive below the surface, discover meaning in the ordinary, and treat my characters with respect.
Lillian is an 84-years old woman walking around New York City on New Year’s Eve.
She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.
She remembers her life in pieces, the way one does, so the reader puts together the mystery.
I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come.
A love letter to city life in all its guts and grandeur, Lillian Boxfish Takes a Walk by Kathleen Rooney paints a portrait of a remarkable woman across the canvas of a changing America: from the Jazz Age to the onset of the AIDS epidemic; the Great Depression to the birth of hip-hop.
“In my reckless and undiscouraged youth,” Lillian Boxfish writes, “I worked in a walnut-paneled office thirteen floors above West Thirty-Fifth Street…”
She took 1930s New York by storm, working her way up writing copy for R.H. Macy’s to become the highest paid…
I’m one of those writers who’d identify themselves as readers first, and as an oft-bullied queer kid growing up in Singapore, I often found refuge and salvation in writers whose works were able to refashion and reimagine our lives, however intimately or grandly. I grew up devouring fantasy of all kinds; I went from Enid Blyton to Charmed, for instance, before discovering in my later adolescence the manifold possibilities of magical realism and the other expanses contained within the realm(s) of speculative fiction. Many of the books in this particular list were especially useful in crafting my second novel, Lovelier, Lonelier.
This book is peak Atwood for me, a meeting place of so many things that made me fall in love with her as a reader: her dry humour; her playful approach to language; the wonderful ping-pong between the past and the present, the burning, smouldering heart that lay at the core of all her protagonists.
But the novel is also deeply in love with (and critical of!) the increasingly proliferate ways our hypermedia culture is able to tell a story, and this book's opening pages are a perfect primer for Atwood’s multi-thread account of her protagonist’s sister’s suicide and their relationship with a politically radical author of pulp science fiction.
The effect is dizzying, and its impact is tremendous; I distinctly remember reading this novel as a teenager, entering it unaware of what I would be getting into, and leaving its world completely blown away by what fiction could just…
By the author of The Handmaid's Tale and Alias Grace
Laura Chase's older sister Iris, married at eighteen to a politically prominent industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of The Blind Assassin, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following.…
Older people have always been present and significant in my life. I read widely, and—perhaps because of my role models—I noticed there’s a lack of representation of older characters in books. I started to seek out stories with protagonists over the age of fifty, and the more I read, the more I felt like the collection was lacking. Even though I’m younger, I want to use my position as a romance editor and author to remind people that aging doesn’t have to be a bad thing and life is still complex and enjoyable when you’re older. Adventure and romance can continue in your golden years.
This is a cozy heist story about five octogenarian witches trying to save their beloved manor.
It features a lovable cast of characters, including a teen TikToker who aids the witches in unexpected ways. This is a found family story unlike any other; it’s funny and tender while addressing topics like sexism, power, and secrets.
It holds a special place in my heart, and I know I’ll be coming back to it for a hug in book form time and time again.
“Bianca Marais is a genius” — Ann Patchett, #1 New York Times bestselling author
A coven of modern-day witches. A magical heist-gone-wrong. A looming threat.
Five octogenarian witches gather as an angry mob threatens to demolish Moonshyne Manor. All eyes turn to the witch in charge, Queenie, who confesses they’ve fallen far behind on their mortgage payments. Still, there’s hope, since the imminent return of Ruby—one of the sisterhood who’s been gone for thirty-three years—will surely be their salvation.
But the mob is only the start of their troubles. One man is hellbent on avenging his family for the theft…
I lost my mother unexpectedly when I was a young mother myself. Oh, how I missed the gentle wisdom that had guided me my whole life! As I journeyed through the various stages of life, there was so much I wanted to ask her. She would be in her eighties now, but in my mind, she is and will always be fifty-seven. Gone now, but I still feel the influence of her kindness, wisdom, and compassion in my life and decisions. I’m drawn to stories about families and the far-reaching influence a mother has on her daughters’ lives. Though I mostly write romance, many of my novels contain older women who've had such an influence.
This lovely story is one of loss, tragedy, hope, family, and new beginnings that come in the most unexpected ways.
Seventy-five-year-old Sarah has a good life. She’s been married to Charles, a man she adores, for fifty years. She assumes they will live out the rest of their lives together in the tranquil setting of their Vermont country home. But when Charles unexpectedly passes away, Sarah’s beautiful life is shattered.
With her children grown and raising families of their own, she finds herself alone in her big house, no one to nurture, no place to put her love. Until a collection of displaced characters begin to find shelter in her home. Working through her grief, Sarah discovers interests she never took the time to explore, and in pouring into others, soon finds her own cup overflowing.
This story provides perspective on what things are important, and what are not. So…
Sarah Lucas imagined the rest of her days would be spent living peacefully in her rural Vermont home in the steadfast company of her husband. But now, with Charles's sudden passing, seventy-five-year-old Sarah is left inconsolably alone.
As grief settles in, Sarah's mind lingers on her past: her imperfect but devoted fifty-year marriage to Charles; the years they spent raising their three very different children; and her childhood during the Great Depression, when her parents opened their home to countless relatives and neighbors. So, when a variety of wayward souls come seeking shelter in Sarah's own big, empty home, her…
