Here are 78 books that The Witches of Moonshyne Manor fans have personally recommended if you like
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Like most children growing up with fairy tales and Bible instruction, I believed in miracles and magic. But it was the death of my father at age eight, then having his spirit return to my childhood bedroom to comfort and reassure me, that planted in me a core belief in dimensions beyond material reality. Other influences, including living as a neurodiverse woman and raising a neurodiverse son, working as a science journalist, and reading quantum physics, helped me re-embrace the liminal as part of my adult worldview. The most interesting novels to me often carry subtle messages and bring awareness to underrepresented people and issues, and many do this using magic and the fantastic.
The Snow Child depicts a maybe real, maybe imaginary little girl bringing joy to a childless, homesteading couple in 1920s Alaska.
In this bestselling debut novel, released in 2016, a couple that yearns for a child of their own is visited by a nymph who appears and disappears in the snow drifts on their homestead. In her novel, Eowyn Ivy manages to sustain the reader’s belief that this girl could in fact be real, without directly saying one way or the other. Why do this in an essentially realist portrayal of hardscrabble life in rural Alaska? Again, I see it as a way to get past the character’s rational mind and open both the character and readers’ hearts to the ineffable.
Here, Mabel, the main character says it better. “You did not have to understand miracles to believe in them, and in fact, Mabel had come to suspect the opposite.…
A bewitching tale of heartbreak and hope set in 1920s Alaska, Eowyn Ivey's THE SNOW CHILD was a top ten bestseller in hardback and paperback, and went on to be a Finalist for the Pulitzer Prize.
Alaska, the 1920s. Jack and Mabel have staked everything on a fresh start in a remote homestead, but the wilderness is a stark place, and Mabel is haunted by the baby she lost many years before. When a little girl appears mysteriously on their land, each is filled with wonder, but also foreboding: is she what she seems, and can they find room in…
I started reading mysteries as a way to avoid studying for final exams as an undergrad. Nemesis by Agatha Christie was my gateway mystery. That was fifty-plus years and many, many mysteries read ago. I managed an independent bookstore for several years and then worked in a public library for twenty more. I especially liked introducing readers to my favorite mysteries in the store and the library. Why mysteries in particular? Because they do something that doesn’t often happen in real life—they restore order. But the best mysteries, to my mind, are the ones that include humor. We need humor in our lives because it restores hope.
Now I’m torn. Agnes Sharp and her housemates are delightful, but a friend of mine tells me that I am Joyce in this book. This series is one of the best I’ve read in the past few years, and this book is one of the best ones in the series.
I’ll gladly join septuagenarians Elizabeth (could she have worked for Scotland Yard?), Ibrahim (a psychologist), Ron (a brawling socialist organizer), and Joyce (gentle and perhaps not as naïve as she seems) at their posh retirement village as they discuss unsolved crimes each Thursday. And I’m definitely there to solve the murder of that local developer. No way the villain will get away from this brilliant gang of sleuths.
A New York Times bestseller | Soon to be a major motion picture from Steven Spielberg at Amblin Entertainment
"Witty, endearing and greatly entertaining." -Wall Street Journal
"Don't trust anyone, including the four septuagenarian sleuths in Osman's own laugh-out-loud whodunit." -Parade
Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB
In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.
Older people have always been present and significant in my life. I read widely, and—perhaps because of my role models—I noticed there’s a lack of representation of older characters in books. I started to seek out stories with protagonists over the age of fifty, and the more I read, the more I felt like the collection was lacking. Even though I’m younger, I want to use my position as a romance editor and author to remind people that aging doesn’t have to be a bad thing and life is still complex and enjoyable when you’re older. Adventure and romance can continue in your golden years.
The Little Old Lady Who Broke All the Rules is a riot in the best possible way.
Martha Anderson is upset with the conditions of her care home, and she’s determined to escape and rob a bank. With the help of her four friends—known as the League of Pensioners—Martha rebels against the care home staff and stages a heist.
This story has a fantastic cast and a laugh-out-loud plot. When I finished this book, I wanted to hug it.
The Best Exotic Marigold Hotel meets The Italian Job in internationally-bestselling author Catharina Ingelman-Sundberg’s witty and insightful comedy of errors about a group of delinquent seniors whose desire for a better quality of life leads them to rob and ransom priceless artwork.
Martha Andersson may be seventy-nine-years-old and live in a retirement home, but that doesn’t mean she’s ready to stop enjoying life. So when the new management of Diamond House starts cutting corners to save money, Martha and her four closest friends—Brains, The Rake, Christina and Anna-Gretta (a.k.a. The League of Pensioners)—won’t stand for it. Fed…
Older people have always been present and significant in my life. I read widely, and—perhaps because of my role models—I noticed there’s a lack of representation of older characters in books. I started to seek out stories with protagonists over the age of fifty, and the more I read, the more I felt like the collection was lacking. Even though I’m younger, I want to use my position as a romance editor and author to remind people that aging doesn’t have to be a bad thing and life is still complex and enjoyable when you’re older. Adventure and romance can continue in your golden years.
Second Wind is a short, delightful read about how you’re never too old to find love.
Seventy-one-year-old Martha Appleby is flying to Glasgow to scatter her husband’s ashes when she runs into her childhood sweetheart, Pamela Thornton. Their paths are more intertwined than they thought, and their journey gives them a second chance to be together.
I found this story when I was looking for comparison titles for my book, and I am so glad I picked it up! It had me smiling and gave me warm fuzzy feelings all the way through.
No matter how old you are, there’s always a chance for romance. After the death of her husband, 71-year-old homemaker Martha Appleby is taking her first long-distance trip alone. That loss has derailed many of her plans for her twilight years, and she hopes to come to peace with not knowing what will come next.70-year-old service dog trainer Pamela Thornton is hoping to take advantage of a well-timed work trip to figure out what to do next. Crouton is the last service dog of the litter, and she’s not sure she wants to keep raising dogs by herself.These two childhood…
There's magic in a book that opens a window to the lives of ordinary people who lived in a time and place very different from our own. That’s why I enjoy exploring these stories. The narratives of the famous are often polished to the point that all the odd edges of a delicious pea soup or a long trip in uncomfortable boots are worn away. But I love these little details: how certain boarding house rules meant women had no place to stay when Jack the Ripper was prowling, or how a journal might consist of rag paper with a hand-stitched binding. They show us a distant era, but also reinforce our common humanity.
Different stylistically than the other books on the list, The Witch of Eye is a collection of lyric essays about those accused of witchcraft. In its pages, we meet Lisbet Nypan of Norway, who cured patients using a “ritual of salt” only to be put on trial in the late 1600s, and the German midwife Walpurga Hausmannin, who allegedly coupled with the devil in the clothes of the neighborhood corn farmer. The sentences are dense and hypnotic, transporting readers into fields and courtrooms. One essay begins by describing the language of magic: “You begin a spell with an invocation like Hear me or I beseech you or Oh friend or Listen.” Let yourself be drawn in.
This amazingly wise and nimble collection investigates the horrors inflicted on so-called "witches" of the past. The Witch of Eye unearths salves, potions, and spells meant to heal, yet interpreted by inquisitors as evidence of evil. The author describes torture and forced confessions alongside accounts of gentleness of legendary midwives. In one essay about a trial, we learn through folklore that Jesus's mother was a midwife who cured her own son's rheumatism. In other essays there are subtle parallels to contemporary discourse around abortion and environmental destruction. Nuernberger weaves in her own experiences, too. There's an ironic look at her…
Since I was a child I have viewed the world differently. I dreamed of magical worlds, and I always was curious to find answers to questions that were hard to find. When I began to question a local legend about the Lady in White, I had to know more. I spent countless days researching to find anything about this mystery lady. Unfortunately, I never did find out who the Lady in White was, but I did find information on every one of her so-called victims. With a handful of real-life events, and a lot of imagination, my Lady in White series was born.
I love stories that are based on legends, myths, and folklore. This one is the latter.
Took is the first book that opened my mind to folklore of witches and witchcraft. If finding a cabin in the woods with bones and artifacts inside didn’t bring chills down my spine, then the mysterious storyline that followed definitely did. The suspense of the book kept my mind captive till the very end!
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Thirteen year old Daniel Anderson doesn't believe Brody Mason's crazy stories about the ghost witch who lives up on Brewster's Hill with Bloody Bones, her man eating razorback hog. He figures Brody's probably just trying to scare him since he's the new kid ...a "stuck-up snot" from Connecticut. But Daniel's seven year old sister Erica has become more and more withdrawn, talking to her lookalike doll. When she disappears into the woods one day, he knows something is terribly wrong. Did the witch strike? Has Erica been "took"?
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading.
Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.
The first novel in New York Times bestselling author Anne Bishop's Tir Alainn Trilogy.
The youngest in a long line of witches, Ari senses that things are changing—changing for the worse. For generations, her kin have tended the Old Places, keeping the land safe and fertile. But with the Summer Moon, the mood of her neighbors has soured. And Ari is no longer safe.
The Fae have long ignored what occurs in the mortal world, passing through on their shadowy roads only long enough to amuse themselves. But the roads are slowly disappearing, leaving the Fae Clans isolated and alone.…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.
When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.
Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.
He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history
"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history."-Los Angeles Times
The witch came to prominence-and often a painful death-in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.
This book sets the notorious European witch trials in the widest and deepest possible perspective…
It’s not an exaggeration to say that finding a path toward a spiritual belief that accepted me for who I am was a lifelong pursuit for me. As someone who felt pushed out by the Catholic Church for my transness, I wanted to find something that kept some of those traditions but built on them in a way that made sense to me and included me. Italian-American folk magic had room for people like me in a way that organized religion never did. The magical memoirs of contemporary writers inspired me to synthesize what I’d learned into my own grimoire/memoir.
I was amazed and inspired by the places that Elissa Washuta went with this book. Not only is it about living in a potentially haunted home and the magic that the author engages with, but also, somehow, about historical markers, The Oregon Trail, and indigeneity.
I felt like I was traveling along with Elissa Washuta’s brilliant mind as she made her way through all these seemingly disparate but ultimately very connected topics.
A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year
"Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." ―The New York Times Book Review
Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists.
Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and…
Nearly forty years ago, as a young poet, I started going to a storytelling circle in Toronto, thinking it would be a good venue to recite my poems. What I heard there awakened something in me. When I was a child, my parents read me wonder tales, and I soon began to read them on my own. Now I was hearing these stories, the way they were heard for millennia before anyone wrote them down. Today, I am a storyteller, I am married, and I am a professor who teaches a course on storytelling and writes about stories – all because of those weekly gatherings years ago and the storytellers there.
Stories can be dangerous. People who love storytelling are fascinated by Newfoundland, where isolation nourished a rich oral culture (in a distinct English dialect).
Barbara Rieti introduces many colourful Newfoundlanders and the stories they have to tell – but not about long-ago times. These stories are about witches who live among us, or who are dead but well-remembered.
You can imagine how dangerous it might be to be called a witch, even with witch-burning gone out of fashion. (In its place, people cast spells to give witches the burning pain of bladder infections.) But “witches” could also use their reputations to get things they needed.
The author is very scholarly and does not believe there is any real witchcraft or magic behind these stories – but some of them left me wondering!
There is a little-known tradition of witch lore in Newfoundland culture. Those believed to have the power to influence the fortunes of others are not mythological characters but neighbours, relations, or even friends. Drawing from her own interviews and a wealth of material from the Memorial University Folklore and Language Archive, Barbara Rieti explores the range and depth of Newfoundland witch tradition, looking at why certain people acquired reputations as witches, and why others considered themselves bewitched. The tales that emerge - despite their seemingly fantastic elements of spells and black heart books, hags, and healing charms - concern everyday…
