I’m a researcher, writer, and designer who has spent most of the past twenty-five years working in the technology industry, following an earlier career as a journalist and academic librarian. I've developed an abiding interest in the history of knowledge networks. I've written two books on the history of the information age, as well as a number of newspaper and magazine articles on new and emerging technologies. While the technology industry often seems to have little use for its own history, I have found the history of networked systems to be a rich source of inspiration, full of sources of inspiration that can help us start to envision a wide range of possible futures.
Wells’s incredibly prescient 1937 collection of essays on the future of information predicts the emergence of a global knowledge network – a “world brain” – that promises to transform the human experience.
Though better known today as a science fiction writer (War of the Worlds, The Time Machine), Wells was also a prolific essayist, political activist, and social polemicist. He believed that humanity could take a great leap forward by creating a new kind of connected information network, “a permanent central Encyclopaedic organisation” that would be freely available to everyone on earth.
Such a system would enable citizens to become more informed, ensuring that societal disparities in education levels and access to information would slowly disappear - paving the way for a more egalitarian, enlightened society.
World Brain is an article written by H. G. Wells and first contributed to the new "Encyclopédie Française" in 1937. It explores the idea of a "permanent world encyclopaedia" that would contain "the whole human memory" and that would be "a world synthesis of bibliography and documentation with the indexed archives of the world." Fascinating and arguably prophetic reading, "World Brain" will appeal to fan Wells' work. Herbert George Wells (1866 - 1946) was a prolific English writer who wrote in a variety of genres, including the novel, politics, history, and social commentary. Today, he is perhaps best remembered for…
I’ve written across genres, including mysteries like The Last Policeman and big works of alternate history like Underground Airlines. But Bedbugs—now republished as The Bonus Room—was one of my first books, and very dear to my heart. I’ve always loved books that pit a single, relatively helpless protagonist against some inexplicable force that he or she cannot begin to fathom. A force that can’t be reasoned with or bargained with. You just have to beat it. Perhaps that’s why I love these books about man vs. beast—the natural world is our friend, and animal are subservient to us…until suddenly, terrifyingly, they’re not.
Wells is one of the great early masters of science fiction, creator of The Time Machine and The War of the Worlds,but with Moreau he was also one of the masters of what David Cronenberg fans know as body horror—the gross, startling, and menacing intermingling of the human body with exterior elements.
In this case, pumas, pigs, you name it. With characters like Ape-Man and Sloth-Man, there is a definitely campiness here, but never enough to distract from the fact that it’s deeply, resonantly disturbing.
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Talking of voice, finding your writer’s voice lies in the confidence that comes from effort and application. Alvarez was a poet, writer, critic, and poetry editor at The Observer newspaper in the 1960s, where he nourished the writing of Sylvia Plath and others. When you think of your favourite writers it’s usually their voice that grabs and sustains interest and trying to figure out your own, as a writer, can take time. Playing with other voices, trying them on for size, making one your own, is something Alvarez explores through his own insights about the work of Plath, Yeats, Jean Rhys, Freud, and others.
'For a writer, voice is a problem that never lets you go, and I have thought about it for as long as I can remember - if for no other reason than that a writer doesn't properly begin until he has a voice of his own.' What makes good writing good? In his brilliant new book, Al Alvarez argues that it is the development of the voice - voice as distinct from style - that makes a writer great. A poet as well as a critic, Al Alvarez approaches his subject both as an informed observer and an insider. Here…
Plants in science fiction really grew on me while I was finishing my doctorate in literature from the University of Iowa. Stumbling on fin de siècle stories about monstrous plants, I fell down the rabbit hole and was hooked; however, I started truly digging into speculative vegetation after moving to the verdant island of Kyushu, Japan to teach literature at a small liberal arts college. Soon, I was speaking and publishing widely on topics ranging from vegetal time and arboreal horror to plant-centric communication – all of which gravitate around the idea of turning the leaves of our world to try to see things in a different way.
This is a great gateway collection. In fact, this was one of the first anthologies of plant-related speculative stories that I read after falling in love with science-fictional plants. I jumped at it when I saw that it includes authors such as H. G. Wells and Algernon Blackwood and am glad I did. I have written about a number of the stories I met in this collection. Awesome extra: there are two other volumes in this series.
Flora Curiosa compiles classic botanical (and mycological) short stories from science fiction and fantasy. Stories include Rappaccini's Daughter (Hawthorne), The American's Tale (Doyle), The Man-Eating Tree (Robinson), The Balloon Tree (Mitchell), The Flowering of the Strange Orchid (H. G. Wells), The Treasure in the Forest (H. G. Wells), The Purple Pileus (H. G. Wells), The Purple Terror (White), A Vine on a House (Bierce), Professor Jonkin's Cannibal Plant (Garis), The Willows (Blackwood), The Voice in the Night (Hodgson), The Orchid Horror (Blunt), The Man Whom the Trees Loved (Blackwood), The Pavilion (Nesbit), The Sumach (Daubeny), and The Green Death (McNeile).
Years ago, I returned to school at Mount Holyoke College to complete my bachelor’s degree in American Studies. I took a course on Emily Dickinson at the poet’s home in Amherst, Massachusetts—what a thrill! On the first day of class I learned that for sixteen years Emily’s constant companion was Carlo, a Newfoundland dog. Having experienced a hairy, slobbery encounter with a Newf when I was twenty while wearing a white dress, I knew the myth of Emily, pristinely dressed, untouched by the more earthy emotions was wrong. A new story needed to be told. That was the beginning of Emily and Carlo.
Want a book that tells a poignant story and will inspire you to write poetry? Well, have your tissues ready for this one. Jack, an elementary school student, balks at writing poetry. When Miss Stretchberry’s class examines various famous poets’ work he is critical. For example, he thinks “Mr. Robert Frost has a little too much time on his hands.” This short funny and moving novel in free verse follows Jack’s journey as he learns to use poetry to express his feelings and to eulogize his beloved yellow dog, Sky. The poems mentioned in the book are included at the end. Just like poetry at its best,Love That Dogwill enchant readers while using only a few special words.
The Newbery Medal-winning author of Walk Two Moons, Sharon Creech, brings readers a story with enormous heart.
Love That Dog shows how one boy named Jack finds his voice with the help of a teacher, a pencil, some yellow paper, and of course, a dog. Written as a series of free-verse poems from Jack's point of view, and with classic poetry included in the back matter, this novel is perfect for kids and teachers, too.
Jack hates poetry. Only girls write it and every time he tries to, his brain feels empty. But his teacher, Miss Stretchberry, won't stop giving…
As a reader and an author, I prefer young adult novels because they tend to focus more on character growth and development than other genres, but I’m particularly drawn to both historical and fantasy period pieces in books and film. The medieval ages especially, with their castles and feudalistic way of life, have always fascinated me. This fascination was largely filled by reading and watching fairy tales and novel adaptations while growing up. Nowadays, I gravitate toward retellings like a moth to the flame, as I get to relive stories that have a special place in my heart in a fresh new way.
This atmospheric novel, a retelling of The Island of Doctor Moreau, is a perfect blend of gothic romance and haunting mystery. It’s beautifully written, well-paced, and filled with unexpected twists. I love the feminist theme presented through the main character, Juliet, who is independent despite the hardships she endures, is not dissuaded from pursuing her passion for science even though it wasn’t proper for a woman to do so at the time. There is also an underlying theme throughout the book that expertly juxtaposes sanity and madness, eliciting the question of where the line should be drawn.
For fans of Libba Bray, this first book in a gothic suspense trilogy is inspired by H. G. Wells's The Island of Dr. Moreau and has been hailed by New York Times bestseller Carrie Ryan as having "beautiful writing, breakneck pacing, a pulse-pounding mystery, and an irresistible romance."
Following accusations that her scientist father gruesomely experimented on animals, sixteen-year-old Juliet watched as her family and her genteel life in London crumbled around her—and only recently has she managed to piece her world back together. But when Juliet learns her father is still alive and working on a remote tropical island,…
Short stories suit the speed of modern society. I began writing them as a child and began to get them published in magazines. My first collection of stories in 2009 got quite a lot of press in the UK and two more collections followed. Initially, they were darkly-themed backfiring scenarios for the anti-hero and I redressed the balance in Out on Top. We all deserve some good Karma!
During a lengthy hospital stay once, I needed to escape. Magazines were formulaic and newspapers dark. This book materialized on a library trolley. A plain dark blue hard cover looking dull and aged amongst the same-old paperbacks. After only the first story of this magical collection I was hooked away from all around me and into Wells’ tales of incredible imagination. Wells’ other shorts have become well known to the masses but here contained over forty lesser-known proto-sci-fi gems. In the way that Dickens did with characters that others could not, Wells was not constrained by conventions of science. The thought-provoking The Door in the Wall and The Red Room remain today are examples of skill for all contemporaries to aspire to.
I’ve always believed a story should be world changing and epic on some level. Perhaps on a personal level, perhaps in the actual sense of world changing. Whether it’s for my readers of a short story, the players in a tabletop role playing game I’m running, or the arc of a novel. Some of these books help form that idea, and others supported it later in my life. I love it when a tale shakes my world—in addition to the world of the characters—and makes me question what I believe. With a doctorate in metaphysics and a love of fantasy and sci-fi, I’m always looking for ways to shake up my worldview!
Picking up where HG Wells left off at the end of The Time Machine, Stephen Baxter takes the story to places Wells never imagined. There’s a point in time, near the climax of this book, that I had to set it down and just stare into nothingness. The concept and the execution of the story was mind-blowing, and I had to take a few minutes to come down off that high. Besides that, the entire story is a helluva ride that seems to never end!
The highly-acclaimed sequel to H G Wells's THE TIME MACHINE.
Written to celebrate the centenary of the publication of H G Wells's classic story The Time Machine, Stephen Baxter's stunning sequel is an outstanding work of imaginative fiction.
The Time Traveller has abandoned his charming and helpless Eloi friend Weena to the cannibal appetites of the Morlocks, the devolved race of future humans from whom he was forced to flee. He promptly embarks on a second journey to the year AD 802,701, pledged to rescue Weena. He never arrives! The future was changed by his presence... and will be changed…
I am the author of four books of interviews with filmmakers: Smoking in Bed: Conversations with Bruce Robinson (a Guardian Book of the Year), Story and Character: Interviews with British Screenwriters, Hampton on Hampton (an Observer Book of the Year), and The Art of Screen Adaptation: Top Writers Reveal Their Craft. I have written original and adapted screenplays and stageplays, on spec and to commission; contributed film interviews and reviews to UK magazines and newspapers; chaired Q&A events at book and screenwriting festivals; and recently published my first novel, The Vetting Officer. My next nonfiction project is a book of conversations with bestselling author and screenwriter William Boyd, for Penguin.
“You never really succeed,” Andrew W. Marlowe tells the editors of Tales from the Script, “You always fail at a higher level.” So: first you can’t finish your script, then you can’t get it read, then you can’t sell it, then you can’t get it made, then it’s made – but badly. Or, in Marlowe’s case, it’s made into Air Force One and you’re asked to repeat the trick. “Even when you get to the top there’s this realization: ‘Okay, the view is great, but tomorrow I gotta get up and start climbing the mountain again.’” If you find that depressing, don’t be a screenwriter. If you see it as a challenge, read on…
Few modern art forms are as misunderstood as the craft of creating movie scripts, but "Tales from the Script" puts readers in the trenches of the Hollywood development process. Readers will revel in the exploits of Shane Black ("Lethal Weapon"), John Carpenter ("Halloween'), Frank Darabont ("The Shawshank Redemption"), Nora Ephron ("When Harry Met Sally"), William Goldman ("The Princess Bride"), David Hayter ("Watchmen"), Bruce Joel Rubin ("Ghost"), Paul Schrader ("Taxi Driver"), Ron Shelton ("Bull Durham"), and dozens of others. They'll learn how these writers surmounted the incredible odds against breaking into Hollywood, transformed their ideas into films that topped the box…
Roff Smith is a travel writer, photographer, and longtime contributor to National Geographic magazine. He is the author of Cold Beer & Crocodiles, the story of his 10,000-mile nine-month solo cycling trek through the Australian outback, and Life on The Ice about his travels in Antarctica. Presently working on Travels at Home: A Cyclist on The English Landscape – a pandemic-inspired photography project.
A work of fiction rather than a travelogue, this is a gently told story of a young cockney draper’s assistant, Hoopdriver, who sets off on a two-week cycling holiday along the south coast of England in the summer of 1895 – when the great Victorian cycling boom was at its peak. Revelling in his independence and the sense of boundless possibility that comes over him as he pedals grandly through the countryside, Hoopdriver finds himself coming to the aid of the mysterious and beautiful Young Lady in Grey, an upper-class female cyclist who is seeking to avoid the attentions of another cyclist, a wealthy cad named Bechamel. A shrewd social observer and a keen cyclist himself, Wells saw the bicycle as a vehicle for change, equality, and the breaking down of class barriers. Wheels of Chance captures beautifully that all too brief fin de siècle period when the future really…
This is the annotated edition including the rare biographical essay by Edwin E. Slosson called "H. G. Wells - A Major Prophet Of His Time".
Mr. Wells's Wheels of Chance is assuredly one of the best books he has written. It is as delightful a jeu d'esprit as we have seen for many a day. Mr. Wells has a vein of the richest and most delicate humor, which enlivens every page. The hero is an original conception—original, because he comes from so very familiar a type that he is, indeed, the last hero a novelist would ordinarily select. He is…
