I am an author who also penned a novel during the pandemic, with a timeline that stretched into the first six months of the pandemic–against the advice of my agent and the publishing industry at large. I know many authors choose not to write about intense political and social happenings, but that “life will never be the same again” feeling was something I couldn’t avoid. The pandemic threw people together and kept us apart at the same time. I was intensely interested in its incubator effect as well as the silo aspect quarantining had on all of our lives.
The opening of this book knocked me out, and I was hooked.
I usually veer toward literary, slower, familial dramas, but this book combined what I love in literary family dynamics with the frightening premise of an inexplicable disaster occurring in the outside world. The suspicion we were quick to possess about others during the early days of the pandemic is heightened to a new level with two couples pitted against each other, one preoccupied with the welfare and antics of their children.
I loved the construct that had even spouses second-guessing each other. The intensity of the situation brought out the worst and eventually the better sides of all the characters, a phenomenon that resonated as I read this book during the first year of the pandemic, at the same time rioters invaded our nation’s capital.
Brandon
Sanderson is a master world-building storyteller. I absolutely loved this
entire series. I had heard others talking about it, and wow, it did NOT
disappoint.
His use of magic was stellar, and I believe that in the future, many writers will use the mechanics of what he has created. The characters were
believable and flawed, two aspects I look for within a book.
Brandon Sanderson - the international phenomenon who finished the Wheel of Time sequence - introduces a fantasy trilogy which overturns the expectations of readers and goes on to tell the epic story of evil overturned in a richly imagined world.
A thousand years ago evil came to the land and has ruled with an iron hand ever since. The sun shines fitfully under clouds of ash that float down endlessly from the constant eruption of volcanoes. A dark lord rules through the aristocratic families and ordinary folk are condemned to lives in servitude, sold as goods, labouring in the ash…
I spent all my teenage years daydreaming about being magical (cue a handful of sparkling glitter). Even as an adult, those daydreams haven’t stopped. Magic promises the ability to change the story. I revisit those teen years when I can because ultimately, what each of these stories of magic offer is a coming-of-age story. The struggle of being pulled between two different worlds has always felt familiar to me, whether those worlds are literally different worlds (magical vs non-magical) or figurative (childhood vs adulthood). I’ve felt some version of that struggle my whole life, and I think I always will, which is why these stories will always feel like home.
My best friend hates me for recommending this book, but I won’t stop. It’s 1895, and Gemma Doyle is British but has grown up in India. After seeing her mother killed in a vision (which she didn’t even know she had) and then finding she’s been killed in real life, Gemma is sent to boarding school to learn to become a proper lady. That’s when the real magic begins.
I love the friendships in this story, the real struggles, the grief, the dirt and grime of real life mixed with the mystery and glitter of magic. The story sucks me in every single time, no matter how many times I read it.
It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's being followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls - and their foray into the spiritual world - lead to?
While attending college, I lived in a haunted house. This was before all the ghost-hunting shows and YouTube, so I didn’t know what I was seeing at night. During the year and a half of these experiences, I saw two distinct shadow figures and had other people living in the front of the house, as well as my roommate, confirm they, too, had seen and heard things that were unexplainable. This began my interest in the paranormal. After graduation, I became a law enforcement officer and have been a Police Detective for the last 21 years. I have explored haunted locations and seen spirits and other unexplainable things.
When a police detective goes on leave due to the stress of the job to a remote cabin and witnesses an abduction through a telescope across the river, the reader is drawn in. When that detective discovers that the abduction and missing person happened 10 years prior, this is when you are hooked. I loved this book. As a Police Detective and author of paranormal suspense, it was natural to see how the two skill sets intertwined.
The mystery in this book is based on a true story, which makes it compelling. I loved it because it is a good detective story with a hint of the paranormal.
If you’re searching for a paranormal thriller you’ll be reading all night, grab Dark River Inn-the first in a series of stand-alone haunted mysteries inspired by true crimes.
It’s the day of his ex-wife’s wedding and Dan, a detective on leave, navigates winding mountain roads to put some distance between himself and his past. His destination: a desolate cabin. A refuge, or perhaps a prison of his own making, as he seeks solace from the life that another man has seamlessly stepped into.
But Dan’s solitude is quickly shattered when he peers through a weathered telescope. There, amidst the swaying…
Up-and-coming science writer Ed Yong explains how animals sense the world. We all know about the five senses (seeing, hearing, smelling, tasting, and touching). An Immense World examines these plus other fascinating examples, such as sensing electric and magnetic fields.
I love how Yong considers all sorts of quirky, oddball animals. Evolution creates so much diversity, and Yong seems to know how to find just the right organism to illustrate his point.
Whether interested in animals that can hear ultrasonic frequencies or see ultraviolet light, this is the book for you. It is wonderfully written, accessible to all, and a delight to read. I hope Ed Yong is busy on his next one. I can’t wait.
'Wonderful, mind-broadening... a journey to alternative realities as extraordinary as any you'll find in science fiction' The Times, Book of the Week
'Magnificent' Guardian
Enter a new dimension - the world as it is truly perceived by other animals.
The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. But every animal is enclosed within its own unique sensory bubble, perceiving only a tiny sliver of an immense world. This book welcomes us into previously unfathomable dimensions - the world as it is truly perceived by other animals.
My own collusion with white supremacy and anti-Blackness is a lifelong journey I mitigate for my soul’s redemption. I am a Mississippi-born redneck, alcoholic, psychotherapist, San Francisco Bay Area queer, higher education administrator with a Critical Race Theory doctorate. I first learned democracy by watching my Mississippi parents risk their lives and mine in the 1960s Civil Rights Movement. Three-Fifths Magazine recently published “My First English: The Vernacular of the KKK.” My book, “Twelve Steps for White America” won the BookFest 1st Place Gold Medal for “Society and Social Sciences: Race Culture Class and Religion.” I work to live in a USA where race no longer predicts outcomes.
I could read only this book and be more educated about the history of race in America than 99% of the population.
This was a thrill ride of gripping prosecution that tied me up and couldn’t let me go until I was finished. Listening to King read the book was overwhelming since King’s considerable erudition is unapologetically attached to his lived experience of Black genocide.
Every white American (and all of White America) must read this book. Reconciliation and renewal starts with truth. If I was exhausted reading it, what must it be like for Black America to live it?
The 400-Year Holocaust: White America’s Legal, Psychopathic, and Sociopathic Black Genocide - and the Revolt Against Critical Race Theory examines and discusses factions of the legal history of anti-blackness and Whiteness through colonialism and the United States, and its impacts on present-day America. It centers anti-blackness as the core tenet of "racism" in White America and amplifies its relationship to the inherent "value" of Whiteness (i.e., White identity, White culture, White institutions, etc.). The text repositions and critically examines four core White American economic, moral, socio-cultural, and ideological institutions: human sex trafficking, rape, pedophilia, and violence (murder). Furthermore, it positions…
As a regular visitor to art galleries, I noticed the scarcity of old paintings by female artists. In this rather cheekily titled book, the author explains the reasons for so few artworks by women in our museums and galleries.
She illustrates women’s artistic talent and the incredible and often physically violent struggles they have endured in order to be recognised.
I learned so much, and it’s rekindled my determination to keep riding my motorbike! Now, you may think motorcycle travel and art history have nothing in common, but not so! There is still a belief that women are not as capable or talented as men in all fields. And I still find people are often surprised that, as a woman, I achieved a round-the-world, seven-year motorcycle journey.
How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway?
Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s. Have your sense of art history overturned and your eyes opened to…
I’ve been fascinated by history since I was eight. I remember reading through the biography section of my grade school library, cleaning out the names from the Revolution, the Civil War, famous pioneers, and the Wild West. I also had some unbelievable professors in college. One of my first courses was entitled “The World Since 1919.” It began with Herman Muller blinking in the Hall of Mirrors as he signed the Treaty of Versailles. The course material took us from that moment until the morning news on the last day of class. We learned that history isn’t about the past but how we came to the present.
My introduction to Bernard Cornwell's work was a series of audiobooks that chronicled the journey of a British Rifleman who fought in every battle against Napoleon’s army, from the ports of Portugal to Waterloo.
This book is the first novel in a new series by Cornwall called The Saxon Series, which begins the tale of Britain. It is told through the eyes of a Saxon noble (Utred of Bebbanburg) who is captured and raised by invading Danish Vikings. He is assimilated into their warrior culture before events lead him into service to King Alfred of Wessex. His knowledge of Viking battle tactics and his ruthless approach to war make him invaluable in a number of battles.
The story immerses you in the history of Britain, following a compelling protagonist whose story weaves you into the politics of Britain’s early days. I walked away thoroughly entertained and informed. This series was…
The first book in the epic and bestselling series that has gripped millions.
A hero will be forged from this broken land.
As seen on Netflix and BBC around the world.
In a land torn apart by conflict, an orphan boy has come of age. Raised by the Vikings, deadly enemies of his own Saxon people, Uhtred is a fierce and skilled warrior who kneels to no-one.
Alfred - Saxon, king, man of god - fights to hold the throne of the only land still resisting the pagan northerners.
Uhtred and Alfred's fates are tangled, soaked in blood and blackened…
As an Arab American woman who grew up in Nashville in an evangelical church, I’ve always maintained complex understandings of myself as both an Arab and a woman. My experiences coupled with my love for reading led me to become a journalist where I could explore stories about Arab women in hopes of learning more about myself. After 9/11, watching my family face racism and hate from a country we're so proud to be a part of, I wanted to change the narrative. I got a Ph.D. in Media Sociology from the University of Missouri and started writing critical analyses of media’s poor representation of Arab women and how we can help change the game.
The title of the book alone is enough to pick it up.
Abu-Lughod’s book is the crux for so many other works focused on the misplaced victimization of Arab and Muslim women. Not only does she challenge the West’s flawed understandings of these women, but she also implicates the dangers of the West’s foreign intervention. But it’s not all academic jargon.
She includes real and moving stories from women’s experiences that helped me reflect on my own ideological stance as a feminist.
Frequent reports of honor killings, disfigurement, and sensational abuse have given rise to a consensus in the West, a message propagated by human rights groups and the media: Muslim women need to be rescued. Lila Abu-Lughod boldly challenges this conclusion. An anthropologist who has been writing about Arab women for thirty years, she delves into the predicaments of Muslim women today, questioning whether generalizations about Islamic culture can explain the hardships these women face and asking what motivates particular individuals and institutions to promote their rights.
In recent years Abu-Lughod has struggled to reconcile the popular image of women victimized…
I am a historian of the Cold War and early post-Cold War period, focusing on Soviet/ Russian foreign policy in Afghanistan and in the Middle East in the 1970s and the 1980s. These are exciting topics on which an increasing number of new documents are released each year. I have a research project and lecture about these issues at the University of Zurich in Switzerland. But academia is my second career. Before my Ph.D., I worked as an aid worker, including for two years in the Middle East. I was in the region during the height of the Syrian crisis, notably running humanitarian multi-sector needs assessments.
I bought Jeremy Bowen’s book by chance as I searched for books about the Middle East. I wanted something different from the traditional (and sometimes a bit difficult to read) academic nonfiction book. This book appealed to me because it was written in a journalistic style and because it was as much a book about recent history as one about Bowen’s own travels and encounters in the Middle East. Well, I was not disappointed.
I really enjoyed reading Bowen’s recollections of his time in the Middle East and critical reflections on great powers’ involvement there. That is a book I felt gave a good sense of how the West has mismanaged its policies in the region during the past fifty years.
A Spectator Book of the Year A New Statesman Book of the Year 'An illuminating and riveting read' - Jonathan Dimbleby
Jeremy Bowen, the International Editor of the BBC, has been covering the Middle East since 1989 and is uniquely placed to explain its complex past and its troubled present.
In The Making of the Modern Middle East - in part based on his acclaimed podcast, 'Our Man in the Middle East' - Bowen takes us on a journey across the Middle East and through its history. He meets ordinary men and women on the front line, their leaders, whether…
