Fans pick 60 books like Burning Angel

In 1995, I was invited to the People’s Republic of China to direct a play at the Shanghai Theatre Academy. It was the first Canadian play to be produced in China. It’s amazing what you can learn in a foreign city, with time to explore on your own, ready to soak up the energy, atmosphere, sights, and sounds. The impact is even greater when that city is on the cusp of historic change. The experience power-charged my imagination and was the spark for my first novels–a series of mysteries featuring the detective Zong Fong, Head of Special Investigations, Shanghai. City Rising and its three sequels followed after extensive research.

I'm a classically trained Shakespearian actor who has spent a lifetime researching Tudor and Stuart times, imbibing their language, customs, and idiosyncrasies. As an actor, I'm trained to get inside my characters' heads and dedicate myself to their intentions. Also, as an actor, I've come to relish language and recognize what makes a good phrase, paragraph, and/or book. I not only perform the Bard, but I've also taught his rhetorical stylings to countless people. I love language and admire writers who use it elegantly. They say, "Write what you know." I know Shakespeare and the Elizabethan era inside and out. One's life can be changed by a book; the ones I've recommended have changed mine.

When I was eight years old, I read a book titled Dar Tellum: Stranger from a Distant Planet, by James R. Berry. It told the story of a boy who communicates with an alien intelligence to save the Earth from… global warming. That was in 1973, and it was the first time I’d heard about “the greenhouse effect”. Some things haven’t changed since then: I still read (and write) sci-fi, and I still have Dar Tellum on my bookshelf. But our climate is changing, and I’ve chosen four books of science fiction and one of science facts that help us think about the future—and present—of our planet.

I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other. 

After living in Europe for nearly 10 years, I’ve spent more time in planes, trains, and cars than I could ever count. I was able to travel more in that time than I ever dreamed possible, making trips ranging from Gibraltar to Romania to the Isle of Skye. Most of my time was spent all around Ireland where I took tour groups around to help them get beyond Blarney and experience the real Ireland.

I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books like Never Sleep I even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense. I love fantasy and science fiction as the next person, but the idea of transporting people to times and places that actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author. 

I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.

I’ve been fascinated by New Orleans ever since hearing Bobby Bare’s novelty record “Marie Laveau” when I was a child. I had wanted to visit for ages, and Hurricane Katrina made me despair of ever getting there. Now that I’ve been there, New Orleans owns a piece of my heart. When I set out to write Bayou Fire, I was determined to do it right. I read everything I could get my hands on, fiction and non-fiction, about 1830s New Orleans. I wanted not only the facts but the atmosphere. Furthermore, I made several research trips, not only to Crescent City but to the plantations. I immersed myself in the period and the culture to the greatest degree possible to bring an authentic tale to light.

I have inventoried hundreds of cemeteries and thousands of historic gravestones, my mentor (Jim Deetz) wrote the seminal study that brought the study of gravestones into archaeology, and I truly believe the words of former English Prime Minister William E. Gladstone, who said, “Show me the manner in which a nation or a community cares for its dead and I will measure with mathematical exactness the tender sympathies of its people, their respect for the laws of the land and their loyalty to high ideals.”

Fantasy romance is a broad genre that simply captivates and enthralls me. The combination of romance, passion, action, humor, magic, mystery, and drama ignites this spark in my heart, filling my metaphorical cup of happiness. But what makes these books so amazing is the strong female perspective they are told from. It’s not making tough decisions or embodying their masculine energies that make them strong. It’s their ability to balance dealing with external conflicts while struggling with self-confidence and loving others so completely that makes them such incredible women to read. Those are the stories I want to read, and those are the stories I want to tell.