Here are 100 books that Yield fans have personally recommended if you like
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I have always loved reading biographies: we only get one life, but through stories of others’ lives we get to absorb into our own imagination their experiences and what they learned, or didn’t, from them. Having written poetry since childhood, I have long been an observer of myself and those around me, with a great curiosity about how people live and what motivates them. I’ve come to see that, no matter what genre I’m writing in, I’m driven to understand the connection between identity and place–for me, in particular, women in the southern U.S., and how each of us makes meaning out of the materials at hand.
This book was on the bedside table at a friend’s house where I was staying. I picked it up, started it, and stayed up much later than I had planned!
I was so engaged with the idea of an eighteenth-century woman who began making these botanical paper cut-outs and achieved attention for her work in late life, and I was drawn along by Peacock’s clear, lyrical prose and how she wove in aspects of her own life as a poet.
I loved Mary Delaney’s creativity, spirit, and grit, and she now feels to me like a friend from 250 years ago.
Mary Delany was seventy-two years old when she noticed a petal drop from a geranium. In a flash of inspiration, she picked up her scissors and cut out a paper replica of the petal, inventing the art of collage. It was the summer of 1772, in England. During the next ten years she completed nearly a thousand cut-paper botanicals (which she called mosaicks) so accurate that botanists still refer to them. Poet-biographer Molly Peacock uses close-ups of these brilliant collages in The Paper Garden to track the extraordinary life of Delany, friend of Swift, Handel, Hogarth, and even Queen Charlotte…
I’m a writer interested in the odd areas where science and consumerism touch – particularly where this intersects with women workers. My debut book Half Lives: The Unlikely History of Radium tells the history of radioactivity through the eyes of the people who made, bought, and sold products laced with radium in the 20th century. The follow-up title will explore the deadly element Uranium.
This is the true story of Phyllis Pearsall who (amongst other adventures in a remarkable life that was also filled with personal tragedy) decided to chart and map the geographical districts of London – a project which eventually tuned into the A-Z map. Over a year Pearsall walked 23,000 London streets to achieve this remarkable feat and set up the Geographers’ Map Company. Pearsall is complex and flawed and Hartley wasn’t always able to separate fact from the fiction (Mrs P was a wonderful storyteller but sometimes contradicted herself). Ultimately Hartley concludes ‘If there is a scene, or a word, or a character, you believe to be too fantastical, it is likely they are real.’ Mrs P did have an extraordinary life.
MRS P'S JOURNEY is the enchanting story of Phyllis Pearsall. Born Phyllis Isobella Gross, her lifelong nickname was PIG. The artist daughter of a flamboyant Hungarian Jewish immigrant, and an Irish Italian mother, her bizarre and often traumatic childhood did not restrain her from becoming one of Britain's most intriguing entrepreneurs and self-made millionaires.
After an unsatisfactory marriage, Phyllis, a thirty-year-old divorcee, had to support herself and so became a portrait painter. It is doing this job and trying to find her patron's houses that Phyllis became increasingly frustrated at the lack of proper maps of London. Instead of just…
I am an English major turned magazine editor turned book author, with a longtime love of outbuildings. Sheds, carriage houses, studios, barns… I love them all. When I had the chance to do a book about she sheds I was thrilled. Now with two books about she sheds on the market, I’m busy running She Shed Living with my business partner. We design sheds for women throughout Southern California, sell our own line of exterior chalk-based paint, and offer resources and advice to women who want a room of their own.
This book should be considered the bible of women’s artistic expression. Built on the idea of physical spaces and how they nurture the creative endeavor a woman does there, Where Women Create introduces you to dozens of extraordinary artists, textile designers, mixed media artists, book producers, entrepreneurs, and product designers. You get lost in their stories and inspired by their ingenious outlook on organization, clutter, and ways to keep the artistic spark alive.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
At heart, I believe every one of us is creative. It doesn’t matter if you express your creativity through words, notes, metal, wood, food, fabric, or paint. Personally, I love to sketch, paint, write, and sculpt. There is something magical about bringing your imagination to life and sharing it with the world! Our art allows us to share our emotions, dreams, memories, and culture with the world. As a fantasy author, I wanted to create a place where art can transform the physical world too.
If you haven’t read any of Charles de Lint’s stories, you’re in for a treat!
Each of his stories feels so fresh and original. His characters jump off the page… but will also break your heart. This novel is about a young artist named Isabelle Copley (Izzy) whose whimsical paintings seem so real they could come to life. But is her art just… art? The writing is beautiful and lyrical, but also dark and scary.
Memory and Dream is also a great entry into de Lint’s story world of “Newford”.
From her mentor, Rushkin, Isabell Copley had learned to paint creatures that come to life--literally--and years after these creatures have ruined her life, Isabelle returns to painting, haunted by memories, dreams, and the threat of her mentor's return.
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
As an undergrad, I was blessed to have two professors who changed the course of my life: Angela Davis and Whitney Chadwick. Both of these professors discussed the intersectionality of gender, race, and class. Women, Art, and Society was published in 1990, and in 2020, the sixth edition was released. Although women artists’ representation in art history pedagogy has improved since 1990, the art world in general still favors men over women, making Chadwick’s book a relevant read. It provides a historical and critical look at women artists from the Middle Ages to the present, covering a range of media and artists from various cultural and geographical backgrounds. It challenges the assumption that great women artists are the exception to the rule and charts the evolution of feminist art history.
Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule, who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contribution to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her disussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of…
Sandy is a writer, traveller, and hopeful romantic with a lengthy bucket list, and many of her travel adventures have found homes in her novels. She’s also an avid reader, a film buff, a wine lover, and a coffee snob. She lives in Melbourne, Australia with her partner, Ben, who she met while travelling in Greece. Their real-life love story inspired Sandy’s debut novel One Summer in Santorini, the first in the five-book Holiday Romance series. The series continues in Paris, Sydney, Bali, and Tuscany. Sandy's standalone novel The Christmas Swap celebrates her favourite time of the year, and her rom-com, The Dating Game, is set in the world of Reality TV.
This is such a fun read―a fictionalised account of the real-life husband and wife’s experience of walking the Camino de Santiago. I love how the two protagonists, who start as strangers, take turns to tell their stories, especially the hilarity in the ‘he said–she said’ of their relationship―they really are opposites but both bring out something remarkable in the other. Romantic in a very real way.
'Charming and absorbing' Daily Mail 'Sleepless in Seattle meets Wild . . . A beautifully crafted tale of love, self-acceptance, and blisters' Sunday Express
A smart, funny novel of second chances and reinvention from the author of The Rosie Result - two misfits walk 2,000 km along the Camino to find themselves and, perhaps, each other.
Zoe, a sometime artist, is from California. Martin, an engineer, is from Yorkshire. Both have ended up in picturesque Cluny, in central France. Both are struggling to come to terms with their recent past - for Zoe, the death of her…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I adore all things ghostly, from TV shows to books to movies. I immerse myself. For me, I think it began as a young girl with poems from my grandmother’s favorite book and films or programs we’d watch together. The what-if factor and the vast unknown is addicting. It chronically makes us think or sit at the edge of our seats. I’ve even visited haunted locations before and had a couple of experiences. Romance ties into that for me. We all strive for it and hope to find it. It can be as elusive as fog. By combining the two genres, readers like me get the best of all worlds.
Though this is a romantic suspense, it has that haunted house theme in the backdrop, and I was captivated. I’ve always been fascinated by a home’s history. Who lived there? What were they like? Did they die there? Do they still roam the halls? This took those elements, plus romance, and got me thinking about writing a similar book with that kind of twist. The setting is Boston’s north shore in a 19th-century carriage house, and wow. I wanted the place to be real, to go there and explore myself. There are more books in the series. Carla is a wonderfully warm and engaging author, also. She always responds to her readers.
Revisit the Carriage House series with this classic tale of romantic suspense from New York Times bestselling author Carla Neggers.
Fun and a little hard work. That’s all Tess Haviland has in mind when Ike Grantham pays her for her graphic design work on the run-down nineteenth-century carriage house on Boston’s North Shore.
Then Ike disappears and Tess finds herself with much more than a simple weekend project to get her out of the city. It’s not just the rumors that the carriage house is haunted—it’s the neighbors: six-year-old Dolly Thorne, her reclusive babysitter, Harley Beckett…and especially Dolly’s father, Andrew…
I’m an Australian author and artist who is quite cautious and introverted by nature, but very curious and playful at heart. I make books that help people untangle what’s on their mind today and shift their thinking in creative ways, often using visual metaphors. My latest book, Guidebook to the Unknown, was created during the long lockdowns we had in Melbourne (and all over the world of course) during the pandemic. It was my way of exploring how to calm an anxious mind and find meaning in my daily life, right here and now, without knowing what tomorrow will bring.
As it says on the packet, this is a collection of quick peeks into how 140 brilliant women lived (or are living) their version of a creative life. I loved reading a few pages each morning. It helped to soothe the perfectionist in me, being reminded of the endless ways a life can be lived, in both circumstance and choice. Also to read how the messiness of life is sort of ironed out with hindsight made me feel more welcoming to the current unknown of it all.
'That word, "vacation," makes me sweat.' Coco Chanel on taking a break 'You must do it irregardless, or it will eat its way out of you.' Zora Neale Hurston on writing 'One has to choose between the Life and the Project.' Susan Sontag on choosing art
From Vanessa Bell and Charlotte Bronte to Nina Simone and Jane Campion, here are over one hundred and forty female writers, painters, musicians, sculptors, poets, choreographers, and filmmakers on how they create and work.
Barbara Hepworth sculpted outdoors and Janet Frame wore earmuffs as she worked to block out noise. Kate Chopin wrote with…
I grew up in a creative family. My father was an illustrator before becoming a children’s book author and novelist. My mother, a trained dancer, became my father’s collaborator, illustrating their internationally-known Frances books. They inspired me and encouraged me to develop my own talent. I started writing at nine, and have never stopped since. I became a journalist, writing about culture and art for The New York times, New York Magazine, The Wall Street Journal, and Vogue, among others. I am also the author of three well-received artist biographies: Basquiat: A Quick Killing in Art; Lucian Freud: Eyes Wide Open; and Alice Neel: The Art of Not Sitting Pretty.
Hustvedt creates a very compelling picture of the inner and outer life of a female artist in the contemporary art world, notorious for both its sexism and ageism. The protagonist comes up with a clever ploy for achieving the same success as a male artist: she takes on a male artist’s persona and name, and hires a male artist to impersonate her in public, a convoluted ploy with great potential to ultimately backfire. Don’t want to provide any plot spoilers!
Named one of the New York Times Book Review’s 100 Notable Books of the Year ** Publishers Weekly’s Best Fiction Books of 2014 ** NPR Best Books of 2014 ** Kirkus Reviews Best Literary Fiction Books of 2014 ** Washington Post Top 50 Fiction Books of 2014 ** Boston Globe’s Best Fiction of 2014 ** The Telegraph’s Best Fiction to Read 2014 ** St. Louis Post Dispatch’s Best Books of 2014 ** The Independent Fiction Books of the Year 2014 ** One of Buzzfeed’s Best Books Written by Women in 2014 ** San Francisco Chronicle’s Best of 2014 ** A…
As an author, one of my goals is to encourage kids to fall in love with reading–but I’m not an illustrator. I wish I practiced art more as a kid. If I had, maybe I’d be illustrating my own books. If only these five books existed forty years ago, perhaps I wouldn’t have given up on art. So, in addition to falling in love with reading, I’d love to inspire those same kids to keep exploring their artistic sides. I’ve seen how these books invigorate the artistic spirit of creatives and I hope they do the same for you.
Sometimes art is pretty to look at and sometimes art is powerful.
Ignotofsky shares short bios and gorgeous pictures of fifty female artists throughout history and across the globe, most of whom I wasn’t familiar with prior to reading the book. Not only will this book inspire young artists to create, but Women in Art will inspire them to research these artists further, as each one deserves her own picture book biography (some of which already exist!).
THIS BEAUTIFUL BOOK WITH A GOLD FOIL COVER IS THE PERFECT CHRISTMAS PRESENT FOR YOUNG BUDDING ARTISTS.
Women in Art is an EMPOWERING and INSPIRATIONAL celebration of some of the most iconic and fearless women who paved the way for the next generation of artists.
From well-known figures such as Frida Kahlo and Dame Vivienne Westwood to lesser-known artists including Harriet Powers (the nineteenth-century African American quilter) and Yoyoi Kusama (a Japenese sculptor), this charmingly illustrated and inspiring book highlights the achievements of 50 notable women in the arts.
Covering a wide array of artistic mediums, this fascinating collection also…
