Here are 100 books that Words & Wisdom fans have personally recommended if you like
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I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
This is William Morris’s utopian fantasy imaging an egalitarian, ecological, and pacific future for Britain is a perennial political favourite. It challenges each generation to think ‘how we might live’ without capitalist conflict. This book tackles revolutionary change, human nature, work, gender, manufacturing, architecture, economics, ecology, and the uses of imagination in critical analysis. All topics demonstrate the ongoing importance of William Morris’s vision and provoke responses.
News from Nowhere(1890) is the best-known prose work of William Morris and the only significant English utopia to be written since Thomas More's. The novel describes the encounter between a visitor from the nineteenth century, William Guest, and a decentralized and humane socialist future. Set over a century after a revolutionary upheaval in 1952, these "Chapters from a Utopian Romance" recount his journey across London and up the Thames to Kelmscott Manor, Morris's own country house in Oxfordshire. Drawing on the work of John Ruskin and Karl Marx, Morris's book is not only an evocative statement of his egalitarian convictions…
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
Having worked with Anna Mason on the May Morris exhibition and catalogue and admiring her talents, I am delighted to see them devoted to this comprehensive updating of William Morris's creativity in so many spheres. A real tour de force. And a volume that both forms the bedrock of Morris's studies and beckons forward toward new explorations.
William Morris's interests were wide-ranging: he was a poet, writer, political and social activist, conservationist and businessman, as well as a brilliant and original designer and manufacturer. This book explores the balance between Morris's various spheres of activity and influence, places his art in the context of its time and explores his ongoing and far-reaching legacy.
A pioneer of the Arts & Crafts Movement, William Morris (1834-1896) is one of the most influential designers of all time. Morris turned the tide of Victorian England against an increasingly industrialized manufacturing process towards a rediscovered respect for the skill of the maker.…
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
This is a brilliantly written biography by the late lamented MacCarthy, for whom William Morris was the hero of heroes in regard to both design and political ideals. It’s a book that should never go out of print, indispensable to understanding the people, places, and events that determined Morris’s life, work, and historical influence.
Winner of the Wolfson History Prize, and described by A.S.Byatt as 'one of the finest biographies ever published', this is Fiona MacCarthy's magisterial biography of William Morris, legendary designer and father of the Victorian Arts and Crafts movement.
'Thrilling, absorbing and majestic.' Independent 'Wonderfully ambitious ... The definitive Morris biography.' Sunday Times 'Delicious and intelligent, full of shining detail and mysteries respected.' Daily Telegraph 'Oh, the careful detail of this marvellous book! . . . A model of scholarly biography'. New Statesman
Since his death in 1896, William Morris has been celebrated as a giant of the Victorian era. But…
I’ve had a lifelong admiration for William Morris’s eloquent writings on political optimism. And how these fit with the personal life of his wife Janey and daughter May. This began with my biography of the two women, published by the feminist Pandora Press and continuing through to editing Jane Morris’s Collected Letters. Admiration is also critical engagement rather than simple fandom. We need to think, act, and endeavor to promote how we might live better lives in the world. I love the task of relating individual lives in the context of their time. Biography involves historical imagination to fill the gaps in recorded information and conceive how those in the past thought, felt and behaved.
May Morris, daughter of the more famous William, was a renowned designer and craftswoman. She shared her father’s political ideals and took them forward through the textile arts of the Arts & Crafts Movement.
Edited by embroidery artist and historian Lynne Hulse, this book brings together a wide range of new essays on facets of May Morris’s life and career. It complements the lavishly illustrated exhibition catalogue May Morris: Arts & Crafts Designer. Together these two titles provide all currently available details of May’s work, all too often overshadowed by that of her father.
I think of myself as a listener and life in progress. As a poet and author, I’m always listening to the words that move through my heart. I’m also a spiritual seeker, always looking for the Divine in the world around me and almost always surprised by the ways it shows up when I’m paying attention. Yet, there’s another part of me that is a Jersey girl through and through, looking for humor or irreverence in the face of life’s challenges. All these aspects come together in an unusual harmony, creating an openness to being changed by the things that come into my life. Hence, a list of life-changing books.
I have found so many of Mary Oliver’s poems to be inspirational and thought-provoking that I could call any of Mary Oliver’s poetry collections life-changing. Her ability to be present in nature, to hold both the beauty and the sorrow found in nature in a few lines of a poem and invite me as the reader to hold them both in my heart, is astounding.
Hearing her read “When I am Among the Trees” from this collection makes my heart sing! Listening to “At the Pond” makes my heart ache for one small goose every time. One of my favorite lines from any of her poems, “Sometimes I need only to stand wherever I am to be blessed,” is found in this collection as well, in “It Was Early”.
I chose this one specifically because it is an audio recording rather than a book. There is something so heart-opening about…
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
I remember reading this book over the summer when I was on the road with a recording company. It is filled with anecdotes about the metaphysical, transcendental, spiritual, and mystic properties of music. The thing I find so fascinating about these stories is not if they are true or not, but the belief systems of these ancient people, and the power and faith they put into music.
Joscelyn Godwin explores music's effects on matter, living things, and human behavior. Turning to metaphysical accounts of the higher worlds and theories of celestial harmony, the author follows the path of musical inspiration on its descent to Earth, illuminating the archetypal currents that lie beneath Western musical history.
I am the former Principal bassist with the Cincinnati Symphony and am currently active as a soloist, educator, and author of three books on the mind, body, and spirit of music. My first book is about the mind, The Inner Game of Music, followed by The Mastery of Music on the human spirit of over 120 great musicians and Bringing Music to Life exploring physical skills of communication of all artists, actors, and dancers. I hope to inspire artists of all disciplines, that our performances come from our hearts and souls and not the technical form of dance, music, or words. Performers express feelings and use this gift to spread inspiration and joy to the world.
The music lesson is a must-read for not only every musician but an inspiration to non-musicians as well. The book captures the real reason for playing music. The book straddles between a fictional novel and an indispensable true story of why we play music. It is clear in every word, page, and chapter that we play music to share feelings and communicate inspirational messages that can change your life, make you happy, fulfilled, inspired, and thirst for more.
I love this book not only for the content and inspirational message, but for the style of writing. It’s so engaging to read because he makes you feel like you are in the same room, on the same stage, and with the same band as Victor. Love it!
From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes...and feeling them.
The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase,…
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
If you want to delve into how music functions in the human mind and how it helps support communities and groups, then Anthony Storr’s is the book for you. Eminent psychiatrist, Oxford professor, and proficient pianist and violist, Storr (author of Churchill's Black Dog) uses his deep knowledge of philosophy, psychology, and religion to address questions like “Where does music come from?”, “Is music a common language for all humanity?” “How does music trigger emotions?” “Are our encounters with music in any way comparable with encountering persons?” Drawing on the work of Jung, Nietzsche, and Schopenhauer, Storr argues that music, like religion, is a feature of allhuman cultures. Like religion, it offers solace and comfort from the hardships of life.
However, music is not universal—different cultures develop their own musical traditions and conventions, just as they develop different political systems and different languages. What is universal, and this…
Examines the psychological, emotional, historical and philosophical roles of the musical experience in a person's life. This text looks at music as both a social and a solitary experience and supports the contention that music is the most significant experience in life.
I was lucky enough not only to get published in my thirties, I also got a film deal for those first two books. I was flown to Hollywood and it was all very grand. However, what they did to my stories in translating them into film scripts horrified me. And ruined them. And the films never got made. I started to look deeper into what ‘experts’ did, and it was awful. I became obsessed with how stories work, developed my own ‘knowledge gap’ theory, proved it through my Ph.D. research, and became a story consultant in the industry. Story theory has completely taken over my life and I love it!
As a story consultant myself, it was incredible to have a man from 2,300 years ago talk to me about story theory! And more than that… everything he says is spot on.
The real meaning of much of what Aristotle said has been debated for millennia. However, when I used his principles as story dynamics in real stories, they became very clear to me; so, in my own work, I have distilled Aristotle’s principles into a modern three-part interpretation, and I give examples of them working in classical and popular modern stories.
Aristotle’s principles are not only applicable today, but they are still better than almost any other new thinking of the last 100 years. Aristotle is amazing. I love him!
One of the most powerful, perceptive and influential works of criticism in Western literary history
In his near-contemporary account of classical Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis ('purification'). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals. The Poetics has…
Growing up, books and music became a refuge for the feelings I found I couldn't express aloud. I loved artists like Garbage and The Dresden Dolls. I felt most at home in stories about female angst, sexuality, and rage. Female stories helped me understand the dichotomy of the madonna/whore complex. They helped me understand where my emotions clashed with societal expectations, and how to push at those boundaries in a constructive way. I've always been fascinated with female rage, and stories that poke a stick into the body of the "good girl" stereotype always make for a cathartic and validating read. Females can be anti-heroes too.
I picked up this book on a whim and was lured by the premise, which essentially lays out the story of a woman who marries a successful man at the turn of the century.
It's your standard "wealthy family has everything but they're all miserable" book but with Edwardian vibes. The narrative follows every member of the family, the saga of which I found so riveting. There was a bit of romance and angst and loneliness, specifically around the book's protagonist, Ursula.
This book resonated with me in a way that similar books haven't, which goes to show just what period drama can do, showing you that humans still struggle with the same stuff, no matter the time or place, but with a dash of romantic gothic aesthetic to make it fun.
FORMER LIBRARY BOOK WITH USUAL STAMPS & MARKINGS. SAME COVER AS STOCK PHOTO SHOWN. MINOR EDGE WEAR, SOME CHAFING & DINGS ON SPINE AND COVERS. CONTENT PAGES TANNED & WITH OCCASIONAL DISCOLORATION.
