Here are 100 books that White Hunter, Black Heart fans have personally recommended if you like
White Hunter, Black Heart.
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A Southern California-based writer, screenwriter, and journalist whose adventures in and around the film business have led to hundreds of feature stories and film reviews for such magazines as Vibe, Playboy, American Film, Smithsonian, and Movieline. His books include three dedicated to Disney animated classics and a volume on the art of American movie posters. His lovingly satirical book Bad Movies We Love, co-written with Edward Margulies, inspired a Turner Network movie marathon series, his Alfred Hitchcock and the Making of Psycho was filmed in 2012. His next non-fiction book will be published in 2024.
In the mid-‘60s, acclaimed Irish-Canadian novelist Brian Moore unhappily spent time grappling with the script problems plaguing director Alfred Hitchcock’s 1966 spy thriller Torn Curtain. In this frankly autobiographical 1971 novel, a Hitchcock-esque producer comes in for knocks when a Moore-like novelist-screenwriter gets lured to Hollywood to work on the screenplay for a famous moviemaker’s next film. (Moore described his brush with Hitchcock as “awful, like washing floors.”) Waiting to learn whether he’s going to be forced to do another script rewrite, the novelist agonizes over his ongoing divorce and his relationship with his new girlfriend. Mostly, though, he’s confronted by the ghosts of friends and family members past, notably his father’s. So sharply funny, painfully honest a book that one almost wishes Hitchcock had filmed it instead of Torn Curtain.
This volume is produced from digital images created through the University of Michigan University Library's large-scale digitization efforts. The Library seeks to preserve the intellectual content of items in a manner that facilitates and promotes a variety of uses. The digital reformatting process results in an electronic version of the original text that can be both accessed online and used to create new print copies. The Library also understands and values the usefulness of print and makes reprints available to the public whenever possible. This book and hundreds of thousands of others can be found in the HathiTrust, an archive…
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
Much as I enjoyed the film based on this novella by Stephen King (which I now understand is a standalone book—I read it as part of a story collection long ago), I enjoyed the novella more.
Why? Because of its extraordinarily likeable narrative voice, which has caused people worldwide to find themselves rooting for its narrator. How can you not want to know what’ll happen next to someone so candid and down-to-earth—who has experienced homicide and love so intensely? Especially when he wants intimacy yet also feels threatened by it.
In fact, just after I finished reading the Shawshank novella, I vowed to write a novel about someone in NYC who exuded those same attributes: candor, humility, and understated yet solid wisdom about murder and affairs of the heart. And after several years of writing with this goal, I finally tapped into the voice of Matt Connell, the narrator of…
The No. 1 bestselling author Stephen King's beloved novella, Rita Hayworth and Shawshank Redemption - the basis for the Best Picture Academy Award-nominee The Shawshank Redemption - about an unjustly imprisoned convict who seeks a strangely satisfying revenge, is now available as a standalone book.
There's a guy like me in every state and federal prison in America, I guess - I'm the guy who can get it for you.
And new convict Andy Dufresne wants two things from fellow prisoner Red: a small rock-hammer for carving stones and a giant poster of Rita Hayworth.
I like to create silly, fun things. This is not the kind of content I consume. If something makes me feel bad, I generally like it; if it is also beautiful, I will like it a lot. It is through the generosity of the Shepherd team that I was allowed to flip a promo for a gay dad comic into a way for me to peer pressure you into consuming media that will make you feel bad. Consider this list an aperitif for the feel-goodness of Dream Daddy, a delicate shot glass of cyanide after a hearty meal. Bon appetit!
Cronenberg’s 1996 movie adaptation (not the one that won many Oscars and is bad) captures Ballard’s sensual mechanical fetishism and apocalyptic consumerism perfectly. It is a 120-minute-long sex scene in a carousel of mangled metal. It is probably the best adaptation of prose to film I can think of, which is bolstered by the sheer strength of the book itself. Crash (again, not the 2006 one, the car crash sex one) is by far Cronenberg’s horniest feature, and that’s saying something. Uh. I didn’t mean to just talk about the movie. I should probably talk about the book. The book is very good. I’m deathly afraid of car accidents, and reading about them through Ballard’s dreamy, eroticized lens is a capital-E Experience. Truly one of my favorites.
The definitive cult, post-modern novel - a shocking blend of violence, transgression and eroticism - reissued with a new introduction from Zadie Smith.
When Ballard, our narrator, smashes his car into another and watches a man die in front of him, he finds himself drawn with increasing intensity to the mangled impacts of car crashes. Robert Vaughan, a former TV scientist turned nightmare angel of the expressway, has gathered around him a collection of alienated crash victims and experiments with a series of auto-erotic atrocities, each more sinister than the last. But Vaughan craves the ultimate crash - a head-on…
I love learning about history, and the more I learn, the more I appreciate my place in this world. While military history, particularly from pre-WW1 to the end of WW2, was what made me first plant my nose in a book, I can geek out on pretty much any historical period: the rise of human civilization, Rome, the conquest of the New World, the development of airplanes. But it’s the personal element that most draws me in, and the fact that we humans remain fundamentally the same in how we cope with another through the ages. It’s through fiction that we see the past in a way that makes sense.
I really enjoyed this novel for several reasons. For one, Jess Walter is a fantastic storyteller. As a history geek, this book gives a fascinating retro look into an era I otherwise would’ve ignored: Hollywood during the making of the movie Cleopatra. One of the strengths of fiction is fleshing out a historical personality by putting him or her on stage, giving them voice, emotion, and substance that would be difficult to do in nonfiction.
We meet Richard Burton in all his self-centered, boozy, womanizing splendor, and you can’t help but feel disappointed that you never got to spill drinks with him. But the guy who steals the show is Hollywood producer Michael Deane, a narcissistic schemer who tramples over everyone to get his way, on the surface self-absorbed, yet inwardly fully aware of the effect he’s having.
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
Shawn Levy is the author of 11 books of biography and pop culture history, including The Castle on Sunset: Life, Death, Love, Art, and Scandal at Hollywood's Chateau Marmont, Paul Newman: A Life, Rat Pack Confidential, and Ready, Steady, Go! The Smashing Rise and Giddy Fall of Swinging London. He was the longtime film critic of The Oregonian newspaper and KGW-TV in his beloved home city of Portland. He has written a history of the women pioneers of standup comedy which will be published by Doubleday in 2022 and at work on a podcast about the dark connections of politics and show business.
It doesn't matter that it was patently phony: The glamour that was Tinseltown in Hollywood's golden age was impossibly romantic and utterly irresistible. Much of it had to do with the social lives of movie stars, and in particular the shenanigans they got up to in swanky nightclubs where they danced, courted, and made merry. Jim Heimann is a superb chronicler of Los Angeles's architectural and cultural past, and this beautifully illustrated book is crammed with images of the likes of Clark Gable, Marlene Dietrich, Charlie Chaplin, Lucille Ball, Humphrey Bogart, and Lauren Bacall patronizing such swell spots as Mocambo, the Trocadero, Ciro's, the Coconut Grove, the Player's Club, and many others. They're all gone now, but this collection of hundreds of photos of the clubs, inside and out, and the patrons, dressed as if for a royal wedding, brings them back to vibrant life.
As a long-time reader of mysteries, thrillers, and pulp fiction, I’ve lived a double life. By day, a scholar and a serious biographer, tackling heavyweight literary subjects, fighting the good feminist fight. By night, I devoured crime writing as a secret pleasure. Writing my book confirmed my belief that there have always been authors who transform genre fiction into literary magic – and that I could have fun telling their stories. Whether in my writing or mentoring, I want to celebrate neglected creators and explore how literary magic is made. The authors in this list are brave, authentic, and a damn good read. I wish you the joy of them all!
From the opening pages (where the heat of the desert seeps off the page), I was hooked by this mystery. And then, the fun and games began.
There I was, enjoying the superbly-paced plot, the psychological realism, the stark beauty of Hughes’ prose when – suddenly – the book leapt from being very, very good to being a work of genius. I won’t share the twist, but it’s a powerful, provocative one.
Hughes, like all the authors on my list, shows that pulp fiction can be truly great, game-changing literature.
The critic HRF Keating chose The Expendable Man as one of his Crime & Mystery: The 100 Best Books. A late addition to the thirteen crime stories Dorothy B Hughes wrote with great success in one prolific spell between 1940 and 1952, it was, in his view, her best book. But it is far more than a crime novel. Just as her earlier books had engaged with the political issues of the 1940s - the legacy of the Depression, and the struggles against fascism and rascism - so The Expendable Man, published in 1963 during Kennedy's presidency and set in…
My dad instilled in me a love of, and respect for, history and an avid interest in golden-era Hollywood. In my adult life as a professional writer, that paternal guidance has translated into eight books about various aspects of old Hollywood, with a growing focus on the intersection of Hollywood and World War II. My career to date was punctuated by the international success of Dutch Girl: Audrey Hepburn and World War II, which detailed the future star’s very hard life in the Netherlands under Nazi occupation. Dad didn’t live long enough to know I’d written anything, let alone a number of books he would have enjoyed reading.
The author was one of a platoon of young, bicycle-riding male messengers that roamed the sprawling Warner Bros. studio in Burbank before World War II, delivering scripts and memos to directors, writers, and stars like Humphrey Bogart, Bette Davis, Olivia de Havilland, and yes, Errol Flynn (who got a big thumbs-up from the messenger boys).
Jerome pulls no punches on the stars he liked and those he detested and provides graphic details to back up his rankings. This book shows the stars as real people, for better or worse, while also providing an invaluable look at the inner workings of one of the most successful studios of old Hollywood.
I am an old movie fan and a novelist who has been writing historical fiction about show business since 2010. As a stickler for detail, I use oodles of old Hollywood biographies and other research sources to learn everything I can about my subjects and weave as accurate a tale as I can. My Forgotten Actresses series is up to four books, with plenty more under construction.
I love all aspects of Los Angeles from approximately 1911 to around 1950. This doesn’t just include the actors, directors, and studios but also those working behind the scenes who made the movies come to life. This book involves the writers who composed the scenarios (the early name for screenplays) that ended up becoming the films made by the studios.
F. Scott Fitzgerald was most famous for his novels in the 1920s, but his personal problems (a wife committed to an expensive mental hospital and a daughter to raise) caused him to have to look for work as a writer for MGM, but he was not successful due to his drinking.
O’Nan delves masterfully into Fitzgerald’s complicated relationship with gossip columnist Sheilah Graham and his alcoholism, and it addresses his multiple terrifying heart attacks.
This book truly belongs among the top picks for Hollywood literature.
In 1937, F. Scott Fitzgerald was a troubled, uncertain man whose literary success was long behind him. In poor health, with his wife consigned to a mental asylum and his finances in ruin, he struggled to make a new start as a screenwriter in Hollywood.
The last three years of Fitzgerald's life, often obscured by the legend of his earlier Jazz Age glamour, are the focus of Stewart O'Nan's heartfelt new novel. With flashbacks to key moments from Fitzgerald's past, the story follows him as he arrives on the MGM lot, falls in love with brassy gossip columnist Sheilah Graham,…
I’ve been interested in classic Hollywood movies for as long as I can remember, starting especially with the MGM musicals, the comedies of Abbott and Costello, and anything by Alfred Hitchcock. When I became a musicologist, I started to understand more about how the music of these films contributed to my interest in them, so it seemed like a natural research project for me to explore the music in more depth. I slowly realized that what made the films of the 1950s unique was the combination of new styles of acting with new styles of music. The films continued to suck me in and now my interest has resulted in this book.
Smith’s comprehensive biography of one of film history’s most prolific composers is a must-read for anyone interested in golden-age Hollywood.
Steiner worked on a vast array of films, such as King Kong, Gone with the Wind, and The Big Sleep, and Smith goes through the production of all of them. He explores Steiner’s life in detail, as well as his production process with his collaborators. Reading this book provides not just the life story of one composer, but an understanding of how film music worked in Hollywood in the 1930s through ‘50s.
During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. Indeed, revered contemporary film composers like John Williams and Danny Elfman use the same techniques that Steiner himself perfected in his iconic work for such classics as Casablanca, King Kong, Gone with the Wind, The Searchers, Now, Voyager, the Astaire-Rogers musicals, and over 200 other titles. And Steiner's private life was a drama all its own. Born into a legendary…
I guess my real interest in writing about the good and bad in crime and politics and the good and bad characters involved started with my first job as a junior in a local newspaper. The 60s was a time of great change. I was in the right place at the right time and got involved in reporting local government politics. I graduated later to cover Britain’s role within the EU in Brussels. I was fascinated, not so much by the politics but by the politicians and fellow news reporters involved. They inspired the creation of my fictional character, Pete West, a hardboiled political columnist.
“I needed a drink, I needed a lot of life insurance, I needed a vacation, I needed a home in the country. What I had was a coat, a hat, and a gun.” The first line of one of the great Phillip Marlowe books that I fell in love with.
As a young man, I often went to work with a Raymond Chandler paperback in my pocket. I couldn't put him down. I wanted to be Marlowe and talk like him. Chandler created a hero who taught me American slang language and how to talk the talk. The book follows Marlowe as he looks for the lost girlfriend of a guy just released from prison.
This is a wonderful noir work about a hard-boiled private detective.
The renowned novel from crime fiction master Raymond Chandler, with the "quintessential urban private eye" (Los Angeles Times), Philip Marlowe • Featuring the iconic character that inspired the forthcoming film Marlowe, starring Liam Neeson
Philip Marlowe's about to give up on a completely routine case when he finds himself in the wrong place at the right time to get caught up in a murder that leads to a ring of jewel thieves, another murder, a fortune-teller, a couple more murders, and more corruption than your average graveyard.
