Here are 100 books that What I Loved fans have personally recommended if you like
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As an art school drop-out who'd been majoring in sculpture, I'm fascinated by material culture—artifacts created by early peoples that reveal their cultural values. Often, the relics and sites that engage both archaeologists and readers suggest unexpected depths of knowledge that show human ingenuity through the ages. I strive to incorporate the details of an artifact or monument's creation into the clues and descriptions in my work, hopefully illuminating a little-known historical realm, if only by torchlight as the adventure unfolds. The fact that I get to explore so many exotic locations, in research if not in person, is a definite plus!
While most people associate Dan Brown with his more famous work, The DaVinci Code, this first novel in his Robert Langdon series really founded the archaeological thriller genre.
I loved how this book transports readers to the milieu so thoroughly that it was a bit of a spoiler when I recognized one key location from my own time in Rome before the secret was revealed—but that's a testament to how well he conveys the scene! Brown invites us behind the scenes of secret societies, sharing insider information to raise the stakes.
I had the great good fortune to take a workshop with Dan just before DaVinci Code came out, and benefit from his enormous skill as a teacher. The man tells a ripping yarn, full of puzzles that blend fact and fancy.
CERN Institute, Switzerland: a world-renowned scientist is found brutally murdered with a mysterious symbol seared onto his chest.
The Vatican, Rome: the College of Cardinals assembles to elect a new pope. Somewhere beneath them, an unstoppable bomb of terrifying power relentlessly counts down to oblivion.
In a breathtaking race against time, Harvard professor Robert Langdon must decipher a labyrinthine trail of ancient symbols if he is to defeat those responsible - the Illuminati, a secret brotherhood presumed extinct for nearly four hundred years, reborn to continue their deadly vendetta against their most hated enemy, the Catholic Church.
I find the seventeenth century fascinating, and both of my novels are set in that period. The century was a time of great flux, and I am especially interested in exploring the kinds of things that women might have done, even though their accomplishments weren’t recorded. There is a wonderful article by novelist Rachel Kadish called “Writing the Lives of Forgotten Women,” in which she refers to Hilary Mantel’s comments that people whose lives are not recorded fall through the sieve of history. Kadish says that, “Lives have run through the sieve, but we can catch them with our hands.” These novels all attempt to do that.
This book was a phenomenon when it came out, and with good reason.
Chevalier’s words paint a picture of the life of a young girl, Griet, who is working in the house of the artist, Johannes Vermeer in 1660s Delft. In the novel, Griet is the model for the famous painting. The relationship between artist and model, and what they do, and don’t, mean to each other, is complex and intriguing.
The way that Chevalier depicts the restrained interactions between the two seems to mimic Vermeer’s restrained yet visually detailed style.
The New York Times bestselling novel by the author of A Single Thread and At the Edge of the Orchard
Translated into thirty-nine languages and made into an Oscar-nominated film, starring Scarlett Johanson and Colin Firth
Tracy Chevalier transports readers to a bygone time and place in this richly-imagined portrait of the young woman who inspired one of Vermeer's most celebrated paintings.
History and fiction merge seamlessly in this luminous novel about artistic vision and sensual awakening. Girl with a Pearl Earring tells the story of sixteen-year-old Griet, whose life is transformed by her brief encounter with genius . .…
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
The settings of this book are Rome, Paris, and London, three of my favorite European cities. The missing Masterpieces are by Caravaggio and Malevich, two of my favorite painters. The author is the founding director of the Association for Research into Crimes against Art (ARCA) and holds a degree in art history, so he knows what he is writing about, and the book contains fascinating details art historical details, but also deep insights into the field or art forgery and international art theft. Enough to keep you glued to your seat for hours.
The disappearance of a priceless Caravaggio in Rome and the famous 'White on White' by Russian painter Kasimir Malevich in Paris heralds the start of a series of seemingly unconnected art crimes across Europe. Fitting the pieces together as they follow a trail of bluffs and double-bluffs, bizarre clues and intellectual puzzles, Inspector Jean-Jacques Bizot in Paris and Harry Wickenden of Scotland Yard come to realize that what at first appears a spate of random thefts is all part of a single master plan, and that they are being led ever deeper into a baffling conspiracy.
I arrived in New York City from Germany thirty years ago with two suitcases and a typewriter. Since then, I try to combine my background as an art historian – I hold a M.A. in Art History and Anthropology from the University of Tübingen, Germany – with my experiences travelling around the world for seven years, and my love for writing. After a career in museum education (at the San Diego Museum of Art, the Mingei, and the Athenaeum) I founded Konstellation Press, an indie publishing company for genre fiction. The first of my four novels, Spring of Tears, an art mystery set in France, won the San Diego Book Award.
The author of The Killing Art is an artist himself and therefore writes from an insider perspective. The location is New York City and the art movement is the New York School of Art or Abstract Expressionism, which included the artists Jackson Pollock, Willem de Kooning, and Mark Rothko. The main protagonist is Kate McKinnon, an art historian and former cop, who sets out to write a book about these artists, but is pulled back into solving crimes as the paintings she writes about— and their owners—are slashed. I like the female protagonist in this book as well as the more contemporary setting and art.
History and fiction collide with deadly consequences in the third Kate McKinnon novel—a story of bitter revenge, where the past invades the present and a decades-old secret proves fatal
Kate McKinnon has lived many lives, from Queens cop to Manhattan socialite, television art historian, and the woman who helped the NYPD capture the Death Artist and the Color Blind killer. But that's the past. Now, devastated by the death of her husband, Kate is attempting to quietly rebuild her life as a single woman. Gone are the Park Avenue penthouse and designer clothes. Now it's a funky Chelsea loft, downtown…
What makes me passionate about this topic is my love of art, encouraged by my parents and developed when I was completing an undergraduate degree in architecture. I’m also addicted to mysteries, preferably ones with history thrown into the mix. Born in Australia, I lived for some years in the UK before moving to Canberra. I hold a PhD from the London School of Economics and I’m a professor at the Australian National University. I do hope you enjoy the books on my list as much as I have.
I admire the storyline and the defining incident of this novel, which is why I’ve included it here, even though it’s an overly long and baggy book...
The novel tells the tale of a teenager whose world is torn apart when he and his mother visit the Metropolitan Museum of Art, where a terrorist bomb goes off, killing his mother and many others. When a dying old man persuades our young hero to take off with a priceless seventeenth-century painting, The Goldfinch, he obliges and off we go...
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
I have been captivated by the emotional power of picture books since I was a child and have spent my adult life reading, sharing, and trying to write the kinds of books that connect to the youngest of readers on a deeper level. In Looking for Smile, I tried to write about the day when I was five years old and experienced real sadness for the first time. This became a story about Bear and his friend, Smile. My favorite kind of picture books are those that make me smile and tear up at the same time. I decided I would share some recent books that have had that effect on me…
Based on a true story about two polar bears at the Central Park Zoo, this is a beautiful book about the death of a loved one. In a zoo, there may literally be only two-of-a-kind, so the loss of one is especially poignant. The realization that one of the pair would be “going away” at first seems almost unbearable. Their leave-taking (complete with days of denial and days of laying together comforting each other) really takes readers through the process and yet offers enough wisdom and hope to help them come out better on the other side.
A beautiful, honest portrait of loss and deep friendship told through the story of two iconic polar bears.
Gus lives in a big park in the middle of an even bigger city, and he spends his days with Ida. Ida is right there. Always.
Then one sad day, Gus learns that Ida is very sick, and she isn’t going to get better. The friends help each other face the difficult news with whispers, sniffles, cuddles, and even laughs. Slowly Gus realizes that even after Ida is gone, she will still be with him—through the sounds of their city, and the…
Since I began reading, two things have fascinated me the most, that is, history and mystery. My voracious appetite for mystery began with Nancy Drew and Hardy Boys. History has always been my best subject in school. To me, history isn’t about people, achievements, and dates. It’s about lives lived through the tragedies and triumphs that we all face and can relate to. It is the origin of stories. History doesn’t have to be boring. It can be the greatest and most intriguing story that you have ever read. Mystery is history’s great friend—to convert a huge range of readers into history lovers.
Jo Montfort cannot be chained by the expectations of others for long. The monumental event of her father’s “accidental” death triggers her to break free to discover the dirty truth that was once veiled in brittle glamour. A strong heroine and scandalous outings in the nights makes this read a thrilling ride to savour in the late-night hours.
From Jennifer Donnelly, the critically acclaimed New York Times bestselling author of A Northern Light and Revolution, comes a mystery about dark secrets, dirty truths, and the lengths to which people will go for love and revenge. For fans of Elizabeth George and Libba Bray, These Shallow Graves is the story of how much a young woman is willing to risk and lose in order to find the truth. Jo Montfort is beautiful and rich, and soon—like all the girls in her class—she’ll graduate from finishing school and be married off to a wealthy bachelor. Which is the last thing…
Stories of people impacted by the criminal justice system have been key to my understanding of the system and my efforts to reform it. I knew I wanted to be a civil rights lawyer when, in law school, I represented a woman who was raped by a corrections officer in a federal prison in Connecticut. My experiences suing the police and corrections officers as a young lawyer in New York inspired 15+ years researching the realities of civil rights litigation and barriers to achieve justice. I believe that the best way to understand the realities of the criminal justice system is through the experiences of people trying to make their way through it.
Ted Conover, a journalist, wanted to better understand life as a corrections officer.
After Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply to become a corrections officer himself—and was hired.
Conover spent a year working as a corrections officer at Sing Sing, and his insights about the chaos, lack of training, and harsh culture at the institution—and the impact that serving as a corrections officer had on him psychologically and on relationships with his loved ones—were eye-opening.
After he was denied access to report on Sing Sing, one of America's most notorious high security jails, journalist Ted Conover applied to become a prison guard. As a rookie officer, or 'newjack', Conover spent a year in the unpredictable, intimidating and often violent world of America's penal system.
Unarmed and outnumbered, prison officers at one of America's toughest maximum security jails supervise 1,800 inmates, most of whom have been convicted of violent felonies: murder, manslaughter, rape. Prisoners conceal makeshift weapons to settle gang rivalries or old grudges, and officers are often attacked or caught in the crossfire. When violence…
It’s natural for humans to wonder who or what might have power over our actions. We’ve clawed our way to the top of the food chain, channeled the power of the elements, and tamed much of nature to our whim. What if something out there was the architect—or more—of our successes and failures? It’s something I’ve explored since I first began writing: fed by the adventures of living as an “Army brat” with a new life every two years, in keeping with my natural inclination to solve puzzles, and spurred by my fear of death and the equally frightening possibility that someone is or isn’t pulling the strings…
There are certainly many different types of lists on which this book belongs. I always tell people Ghost Story is the scariest thing I’ve ever read. I was fortunate enough to relay that to the late great Peter Straub at a horror writers’ conference many years ago. Though I’m sure he would have liked praise for a more contemporary work, there’s a timelessness in the terror he evokes in this book. But that’s not the reason I include it here. It’s because I think ghosts are a form of Fate. Violence, injustice, visceral reactions—these are the things we associate with ghosts, and these are the elements that are central to the story of the punishing hand of Fate in this novel.
#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past...
What was the worst thing you’ve ever done?
In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives.
But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury…
From over three decades of work on development projects in countries of the Middle East, Afghanistan, Pakistan, and Africa, I am convinced that when efforts fail, it is invariably because we lack the cultural understanding of what people want or how we provide it. These books all reinforce my point by either underlining the way culture shapes the way people see the world or by showing how when we neglect culture, we do so at our own peril. Culture can be discovered through multiple entry points with these books offering a good start. Even something as mundane as advice columns in newspapers offer political insights when plumbed for the meanings below the surface.
This book describes the rich multi-ethnic, multi-cultural, and multi-lingual communities that co-existed peacefully in Alexandria and Cairo in the 1940s and early 1950s. They forged close ties in such public domains as commerce and schooling, while keeping their family and religious lives mainly private and marrying within the community. By the mid-50s as Arab-Israeli problems spread to Egypt, the Nasser government stoked animosity against the Jews and other non-Muslim communities, forcing many to migrate. The book shows graphically how even during normal times cultural communities distinguish between areas where it is safe to mingle with outsiders and those where it is better to draw tight boundaries against penetration if they are to sustain their uniqueness. The latter are mostly areas that define them, including religion, values, and bloodlines.
In vivid and graceful prose, Lucette Lagnado re-creates the majesty and cosmopolitan glamour of Cairo in the years between World War II and Gamal Abdel Nasser's rise to power. Her father, Leon, was a boulevardier who conducted business on the elegant terrace of Shepheard's Hotel, and later, in the cozy, dark bar of the Nile Hilton, dressed in his signature white sharkskin suit. But with the fall of King Farouk and Nasser's nationalization of Egyptian industry, Leon and his family lose everything. As streets are renamed, neighborhoods of their fellow Jews disbanded, and the city purged of all foreign influence,…
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