Here are 100 books that What A Mother's Love Don't Teach You fans have personally recommended if you like
What A Mother's Love Don't Teach You.
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Travel and writing are my two great passions. Since I was a child, I escaped reality by escaping into my own mind. I had relied on my stories of the warrior queens ever since I learned about them as a child. It was only a few years ago, when I lived in Geneva, that I had a memory flash at me of the statue of Queen Lakshmi Bai of Jhansi on a rearing horse with a curved sword held in one hand. I knew then that it was time to tell a story—my own story and that of my favorite warrior queens.
Love in the Time of Cholera sets a moody yet magical vibe and brings the city of Cartegena to vivid life. Gabriel Garcia Marquez’s writing is gorgeous even when not read in its original Spanish. While reading the book I could almost experience the languid, feverish haze one might dwell in, the delirium one might experience when struck by cholera.
This is an unconventional romance that follows the doomed lovers through their respective lives before life finally brings them together in their old age. It’s not a particularly large book, but its depth and brooding quality is why I return once every couple of years to re-read it.
There are novels, like journeys, which you never want to end: this is one of them. One seventh of July at six in the afternoon, a woman of 71 and a man of 78 ascend a gangplank and begin one of the greatest adventures in modern literature. The man is Florentino Ariza, President of the Carribean River Boat Company; the woman is his childhood sweetheart, the recently widowed Fermina Daza. She has earache. He is bald and lame. Their journey up-river, at an age when they can expect 'nothing more in life', holds out a shimmering promise: the consummation of…
That moment when you realize, whew, you’ve survived the catastrophe, but the greater challenge lies ahead? That intrigues me. Maybe that’s because my grandmother was struck by a Vespa in Italy when I was five years old, and we traveled home by ship through a hurricane that rocked much of the East Coast. Stories about “What’s next?” and “How do we push the rubble away?” are my go-to now, as they were during the years I worked as a journalist, first as a reporter, then for much longer as an editor. After my husband’s death in 2011, clearing the rubble yielded the first two installments of my vampire trilogy.
Its setting in suburban Philadelphia (near my old house) drew me to this book. But I loved it for the way Patchett unwinds the event that upends everything two siblings understand about and expect from their lives.
I’ve experienced how a single accident or illness can change the course of the future. What I recognized and connected with was this book’s portrayal of what I call the Grief Cha-Cha, two steps forward, three steps backward, and how sometimes what you grieve isn’t so much the person you’ve lost as the person that loss makes you.
Lose yourself in the story of a lifetime - the unforgettable Sunday Times bestseller
'Patchett leads us to a truth that feels like life rather than literature' Guardian
Nominated for the Women's Prize 2020
A STORY OF TWO SIBLINGS, THEIR CHILDHOOD HOME, AND A PAST THAT THEY CAN'T LET GO.
Like swallows, like salmon, we were the helpless captives of our migratory patterns. We pretended that what we had lost was the house, not our mother, not our father. We pretended that what we had lost had been taken from us by the person who still lived inside.
In the…
I was born in a Jamaican far-district just before independence. That historical fact is only one aspect of my in-between childhood. My daily imaginative fare was European fairy tales; my mother’s stories of growing up; and folktales, rife with plantation monsters, that my grand-uncle told. There was no distance between life and those tales: our life was mythic. The district people were poor. So they understood inexactitudes profoundly enough to put two and two together and make five. They worshipped integrity, and church was central. Inevitably, genre-crossing, “impossible” realities, and the many ways love interrupts history, were set in my imagination by the time I was seven and knew I would write.
This book is different. Part coming-of-age story, part murder “mystery”, wholly a unique love story, it thinks about sexuality, what we consider family to be, and above all, what integrity looks like. And it does this in a way that gives it a wide contemporary and inter-generational appeal. I love that Persaud sets you up, then questions your expectations: she disrupts ideas in and about the LGBTQ community, in feminism, about immigrants, in either-or discourse that says conservative and liberated can’t meet and two and two can’t make five. The language is irresistible (somebody said “addictive”. I think of wine). Love After Love rides on the cadences of Trinidadian speech taken to a poetic level. I’ve rarely read a book so riotously, uproariously lyrical. You’ll re-read, and again, for the sheer joy of hearing utterance in English.
“A stellar debut . . . about an unconventional family, fear, hatred, violence, chasing love, losing it and finding it again just when we need it most.”—The New York Times Book Review
WINNER OF THE COSTA BOOK AWARD • “A wonder . . . [This book] teems with real, Trinidadian life.”—Claire Adam, award-winning author of Golden Child
SEMI-FINALIST FOR THE OCM BOCAS PRIZE • One of the Best Books of the Summer: Time • The Guardian • Goop • Women’s Day • LitHub
After Betty Ramdin’s husband dies, she invites a colleague, Mr. Chetan, to move in with her and…
I was born in a Jamaican far-district just before independence. That historical fact is only one aspect of my in-between childhood. My daily imaginative fare was European fairy tales; my mother’s stories of growing up; and folktales, rife with plantation monsters, that my grand-uncle told. There was no distance between life and those tales: our life was mythic. The district people were poor. So they understood inexactitudes profoundly enough to put two and two together and make five. They worshipped integrity, and church was central. Inevitably, genre-crossing, “impossible” realities, and the many ways love interrupts history, were set in my imagination by the time I was seven and knew I would write.
For me, growing up in the Caribbean, books that don’t separate between the “naturalistic” world and so-called “other” worlds, always ring uniquely true. Gorée is a transnational story set in Castries, St. Lucia, New York City, USA, Dakar, Senegal, and London, England. It’s the story of a family whose great losses parallel the loss of Africa's children through the transatlantic slave trade and the difficult, if not impossible, return of those stolen away. The novel’s love and loss stories are all in some way are filtered through the door of no return on Gorée Island in Senegal. The stories are not told in the physical realm only and do not only rely on physical portals. Barry's loves and lovers must return to the past and make the journey in spirit too.
A contemporary portrait of estrangement, this novel explores the African diaspora and the encounters made by people of African descent as they journey from New York to London, St. Lucia, and Senegal. Traveling to Africa to meet her ex-husband’s new family, Magdalene and her daughter Khadi are brought face-to-face with the perils of forgotten pasts—both social and cultural. And when Khadi's trip to the slave port of Goree takes an unfavorable turn, certain divisions in global culture become evident, making this a powerful investigation into the continuing repercussions of the slave trade.
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
I have read all of David Katz’s material and absolutely loved every bit of it. This book is essential as it details the life and times of a master.
The interviews and behind the scene look at a person who changed everything for Jamaican popular music kept me engaged throughout the writing. Katz brilliantly organizes the book and kept me engaged throughout the entire thing. His voice is heard but not overwhelming and this book is, not only about a master and Jamaican music, but about how to write an interview effectively.
One of the best biographies I have ever read in my life.
'David Katz's in-depth portrayal of his genius is to be commended and is an essential addition to any serious music fan's collection' David Rodigan MBE OD
'For the complete picture of this musical genius you can't get better than David Katz's People Funny Boy - if you're into Scratch, it's essential' Don Letts
Arguably the most influential force in Jamaican music, Lee Perry brought Bob Marley to international stardom and has since collaborated with artists such as Sir Paul McCartney, The Clash and The Beastie Boys. The book delves behind the myth of Perry to give a fuller examination of…
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
In this lavishly illustrated book, primarily about art in Jamaica but with nods to New South Wales and Britain, Sarah Thomas connects the plantation and urban world of Jamaica to the discipline of art history, giving careful analyses of painters like James Hakewill who painted scenes of plantation life designed to normalise and make more Arcadian a landscape that in fact was marked more by violence than by contentment. It speaks vividly to the silences that surround slavery on the island.
A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art
Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. My own work has focused on race and social science, mobility and inequality, and sound and media, all as ways of grappling with colonial legacies and their impact on the daily lives of people who live in this region.
Who thought the devastation of the environment in the interest of mining and development would be a funny, lyrical love story? For Flora Smith, scientist and head of a small environmental NGO, her native Jamaica is filled with family, lovers, friends, and enemies. She is deeply connected to her surroundings and finds ways to immerse herself in the landscape, wildlife, human relationships, and embodied pleasure when all else fails.
Flora Smith, Jamaican scientist and head of tiny NGO Environment Now, dedicates her life to getting Jamaicans to care about the natural environment. At the opening of Limbo, Flora is confronted by the nagging reality of not having enough money to keep her organization afloat. When sand is stolen from a resort development owned by a wealthy donor, she becomes embroiled in corrupt politics, dirty money, and a murder. In Jamaica, the land of "No problem, mon," everything is known but off the record. Can Flora get anyone to be held accountable? Can she find solutions for any of Jamaica's…
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
This book was essential in my research and longing to develop a relationship to affect theory through Jamaican dub and sound system culture. I could not stop reading this book, as it connected many of the ideas that I had in my head.
I was amazed that someone could write about this topic in this way, and it shifted my thought process to make me more detailed and affect based in my approach to dub music.
Breaking new ground in the field of Sound Studies, this book provides an in-depth study of the culture and physicality of dancehall reggae music. The reggae sound system has exerted a major influence on music and popular culture. Every night, on the streets of inner city Kingston, Jamaica, Dancehall sessions stage a visceral, immersive and immensely pleasurable experience of sonic dominance for the participating crowd. "Sonic Bodies" concentrates on the skilled performance of the crewmembers responsible for this signature of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "set" of equipment; the selectors choosing the music…
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.
She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.
July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.
Finalist for the 2010 Man Booker Prize The New York Times Book Review Notable Book of the Year
In her follow-up to Small Island, winner of the Whitbread Book of the Year Award and the Orange Prize for Fiction, Andrea Levy once again reinvents the historical novel.
Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation in Jamaica, July lives with her mother until Mrs. Caroline Mortimer, a recently…
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
I adore historical mysteries, particularly those that confront the unsavory realities of racism, sexism, and homophobia in our not-so-distant pasts. This book delves into all of these in such a striking, fully inhabited way.
What I loved most about this book was the immediacy and urgency of its voice, which drew me in from the first page and never let me go. It’s a harrowing story, and the narrative frame gives it a pace that always manages to drive forward while still allowing enough space for the setting to come to life.
Don't miss the TV miniseries, streaming now exclusively on BritBox!
“A blistering historical thriller.” — Entertainment Weekly
A servant and former slave is accused of murdering her employer and his wife in this breathtaking debut that moves from a Jamaican sugar plantation to the fetid streets of Georgian London—a gripping historical thriller with echoes of Alias Grace, The Underground Railroad, and The Paying Guests.
All of London is abuzz with the scandalous case of Frannie Langton, accused of the brutal double murder of her employers, renowned scientist George Benham and his eccentric French wife, Marguerite. Crowds pack the courtroom, eagerly…
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