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I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
If you want to nod your head along with the greats of Jamaican music, this book is for you.
I would not be writing about this music without this book. The way that Bradley writes this oral history captures so much feeling and vibe that you cannot stop reading it. So many musicians, producers, and engineers are interviewed about the rise of Jamaican music that you must read this book.
I believe that this book is the center of all writing on Jamaican popular music and it is a must read for anyone who loves the sound.
The first major account of the history of reggae, black music journalist Lloyd Bradley describes its origins and development in Jamaica, from ska to rock-steady to dub and then to reggae itself, a local music which conquered the world. There are many extraordinary stories about characters like Prince Buster, King Tubby and Bob Marley. But this is more than a book of music history: it relates the story of reggae to the whole history of Jamaica, from colonial island to troubled independence, and Jamaicans, from Kingston to London.
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
Veal’s book changed the way that I thought about writing about music. The detailed analysis and academic approach made me realize that it was possible to write about the music that I love in a professional way.
After reding this book I applied for graduate school with the distinct goal of publishing on Jamaican music. I read this book and fell back in love with ethnographic research and the music that I was playing. It also inspired me to write and produce a song related to all of the greats of the genre.
When Jamaican recording engineers Osbourne "King Tubby" Ruddock, Errol Thompson, and Lee "Scratch" Perry began crafting "dub" music in the early 1970s, they were initiating a musical revolution that continues to have worldwide influence. Dub is a sub-genre of Jamaican reggae that flourished during reggae's "golden age" of the late 1960s through the early 1980s. Dub involves remixing existing recordings-electronically improvising sound effects and altering vocal tracks-to create its unique sound. Just as hip-hop turned phonograph turntables into musical instruments, dub turned the mixing and sound processing technologies of the recording studio into instruments of composition and real-time improvisation. In…
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
This book was essential in my research and longing to develop a relationship to affect theory through Jamaican dub and sound system culture. I could not stop reading this book, as it connected many of the ideas that I had in my head.
I was amazed that someone could write about this topic in this way, and it shifted my thought process to make me more detailed and affect based in my approach to dub music.
Breaking new ground in the field of Sound Studies, this book provides an in-depth study of the culture and physicality of dancehall reggae music. The reggae sound system has exerted a major influence on music and popular culture. Every night, on the streets of inner city Kingston, Jamaica, Dancehall sessions stage a visceral, immersive and immensely pleasurable experience of sonic dominance for the participating crowd. "Sonic Bodies" concentrates on the skilled performance of the crewmembers responsible for this signature of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "set" of equipment; the selectors choosing the music…
I am a professor, writer, and musician who performs and produces Jamaican influenced music. I have always loved ska, reggae, dancehall, and dub music since I first heard it as a child. Since starting in ska bands, I have been lucky enough to travel around the world performing and was extremely lucky to be able to study and record in Jamaica at the University of the West Indies Reggae Studies Unit and Anchor Music Studios. In writing about music, I had always taken an outsider looking in approach before this book. For this book I wrote from the inside, and everything changed because of it.
I loved reading this book for the detailed history of Alpha Boys school and its relationship to Jamaican popular music.
Augustyn has written many books on ska and the people involved with it, but this book is detailed and lively in its look at the starting point of the genre. As a performer, writer, and lover of this music I could not stop reading this book. I strongly recommend this book and all the books from Augustyn.
This book is not only for ska fans but everyone who is interested in the history of a pivotal institution in Jamaica that has helped countless numbers of people excel in life.
The true story of the school that started a musical revolution.
Ska and reggae music has reverbarated around the planet but without the musical brilliance of the graduates of Jamaica's Alpha Boys' School it might never have been that way.
From the Jamaican big band swing of the 1940s and '50s through the ska and rocksteady of the 1960s, the global roots reggae explosion of the 1970s and the rise of the new dancehall style in the 1980s, graduates of Alpha Boys' School have been right at the heart of the musical action, composing, arranging and playing on thousands of…
I am an intrepid traveler and appreciate the perspective that traveling affords and the humanity it can engender. I have had the good fortune of traveling to over 60 countries, and for all my books, I have not only traveled to the country or place where they have been set but spent time learning and living the culture. I am a book and world lover, and if I can’t physically go there, I can be transported there through books.
I have to say, hands down, this is one of my favorite authors.
This humorous but philosophical book challenges our understanding of death and the afterlife. It is told from the protagonist's point of view after he dies from a heart attack. It’s a laugh-out-loud satirical recanting of Heaven while making significant political, social, and religious commentary
Oddball sexuality, acts of perversion, and out-of-order behavior from the acclaimed Jamaican author of The Lunatic and Dog War.
How funny is this social satire? Akashic Books’s pledge to our readers: Laugh out loud at least once or your money back. Seriously.
“This book is laugh-out-loud, hold-your-side funny. You don’t even realize the message in this poignant and philosophical story until you stop laughing . . . Winkler is a wonderful writer with a sharp pen and amazing pedagogy.” ―Today (NBC), “Cover to Cover”
Baps, a Jamaican shopkeeper, drops dead unexpectedly one Saturday morning and finds himself being transported to…
I have been doing research in the Caribbean for twenty-five years. The region is diverse and magnificent. Caribbean people have sought creative solutions for racial inequality, climate and sustainability, media literacy and information, women’s and family issues. The transnational connections with the US are complex and wide-ranging, and knowing more about this region is an urgent matter. My own work has focused on race and social science, mobility and inequality, and sound and media, all as ways of grappling with colonial legacies and their impact on the daily lives of people who live in this region.
Who thought the devastation of the environment in the interest of mining and development would be a funny, lyrical love story? For Flora Smith, scientist and head of a small environmental NGO, her native Jamaica is filled with family, lovers, friends, and enemies. She is deeply connected to her surroundings and finds ways to immerse herself in the landscape, wildlife, human relationships, and embodied pleasure when all else fails.
Flora Smith, Jamaican scientist and head of tiny NGO Environment Now, dedicates her life to getting Jamaicans to care about the natural environment. At the opening of Limbo, Flora is confronted by the nagging reality of not having enough money to keep her organization afloat. When sand is stolen from a resort development owned by a wealthy donor, she becomes embroiled in corrupt politics, dirty money, and a murder. In Jamaica, the land of "No problem, mon," everything is known but off the record. Can Flora get anyone to be held accountable? Can she find solutions for any of Jamaica's…
I am a queer writer who lovers to read and write mystery and crime fiction. The history of these genres is often full of homophobic stereotypes and scapegoating of queer characters. While I think it’s important to show queer characters as flawed, I also want to make sure to celebrate the contributions of queer writers to these messy, wonderful genres.
I adore historical mysteries, particularly those that confront the unsavory realities of racism, sexism, and homophobia in our not-so-distant pasts. This book delves into all of these in such a striking, fully inhabited way.
What I loved most about this book was the immediacy and urgency of its voice, which drew me in from the first page and never let me go. It’s a harrowing story, and the narrative frame gives it a pace that always manages to drive forward while still allowing enough space for the setting to come to life.
Don't miss the TV miniseries, streaming now exclusively on BritBox!
“A blistering historical thriller.” — Entertainment Weekly
A servant and former slave is accused of murdering her employer and his wife in this breathtaking debut that moves from a Jamaican sugar plantation to the fetid streets of Georgian London—a gripping historical thriller with echoes of Alias Grace, The Underground Railroad, and The Paying Guests.
All of London is abuzz with the scandalous case of Frannie Langton, accused of the brutal double murder of her employers, renowned scientist George Benham and his eccentric French wife, Marguerite. Crowds pack the courtroom, eagerly…
I was born in a Jamaican far-district just before independence. That historical fact is only one aspect of my in-between childhood. My daily imaginative fare was European fairy tales; my mother’s stories of growing up; and folktales, rife with plantation monsters, that my grand-uncle told. There was no distance between life and those tales: our life was mythic. The district people were poor. So they understood inexactitudes profoundly enough to put two and two together and make five. They worshipped integrity, and church was central. Inevitably, genre-crossing, “impossible” realities, and the many ways love interrupts history, were set in my imagination by the time I was seven and knew I would write.
The love triangle in this debut novel is unusual but wholly believable, when you consider the history between its two settings: Jamaica and the USA. A frightened 18-year-old from Kingston’s inner city gives up her baby to the wealthy American couple for whom she works as a maid. Years later when a young American man and his parents come to the island, Dinah is convinced that he is her long-lost son, and she cannot be unconvinced. At the end, we think about the astonishing ways love crosses but never dissolves barriers of race, class, national origin, and above all, family. Sharma Taylor’s purposive genre-bending (love story, crime story, yard fiction), is part of the book’s riches, as is the tenderness of her empathic insight.
'An outstanding debut' CHERIE JONES, author of How the One-Armed Sister Sweeps her House
'Vivid and authentic' LEONE ROSS, author of This One Sky Day
'Cacophonic, alive and heartbreaking' KIRAN MILLWOOD HARGRAVE, author of The Mercies
As featured on BBC's Cultural Frontline podcast
At eighteen years old, Dinah gave away her baby son to the rich couple she worked for before they left Jamaica. They never returned. She never forgot him.
Eighteen years later, a young man comes from the US to Kingston. From the moment she sees him, Dinah never doubts - this is her son.
I first became interested in the history of the British Empire as an undergraduate. Understanding this history helped me relate my parents’ experiences growing up in a postcolonial nation with the history of the United States, where I grew up. As an academic historian, my research and teaching emphasize connections—between disparate places, between the past and present, and between our personal experiences and those of people born in distant times and places. My first children’s book allowed me to translate my scholarly work for a young audience. I hope this list of books that inspire my approach to history encourages your own investigations of imperialism and its pasts!
Who decides how history is written? Andrea Levy raises this question in her epic novel about Jamaican slavery and its aftermath. An older woman named July writes the narrative of her life so that her son and his children will know her story.
She was born enslaved, and she recounts everyday indignities and violence, rivalries among enslaved household workers, and attempts to find love and connection in a society that denies humanity to the enslaved. Writing with humor and generosity, Levy imagines a world that is obscured by official histories written by enslavers.
July’s story and her struggles to narrate her story help readers understand that history is made in small moments and momentous ones and that some stories will always be beyond our grasp.
Finalist for the 2010 Man Booker Prize The New York Times Book Review Notable Book of the Year
In her follow-up to Small Island, winner of the Whitbread Book of the Year Award and the Orange Prize for Fiction, Andrea Levy once again reinvents the historical novel.
Told in the irresistibly willful and intimate voice of Miss July, with some editorial assistance from her son, Thomas, The Long Song is at once defiant, funny, and shocking. The child of a field slave on the Amity sugar plantation in Jamaica, July lives with her mother until Mrs. Caroline Mortimer, a recently…
Trevor Burnard is Wilberforce Professor of Slavery and Emancipation at the University of Hull and author of four books and many articles on eighteenth-century Jamaica. He has recently reviewed 34 books just published on Jamaica in “`Wi Lickle but Wi Tallawah’: Writing Jamaica into the Atlantic World, 1655-1834Reviews in American History 49 (2021), 168-86.
In this lavishly illustrated book, primarily about art in Jamaica but with nods to New South Wales and Britain, Sarah Thomas connects the plantation and urban world of Jamaica to the discipline of art history, giving careful analyses of painters like James Hakewill who painted scenes of plantation life designed to normalise and make more Arcadian a landscape that in fact was marked more by violence than by contentment. It speaks vividly to the silences that surround slavery on the island.
A timely and original look at the role of the eyewitness account in the representation of slavery in British and European art
Gathering together over 160 paintings, watercolors, drawings, and prints, this book offers an unprecedented examination of the shifting iconography of slavery in British and European art between 1760 and 1840. In addition to considering how the work of artists such as Agostino Brunias, James Hakewill, and Augustus Earle responded to abolitionist politics, Sarah Thomas examines the importance of the eyewitness account in endowing visual representations of transatlantic slavery with veracity. "Being there," indeed, became significant not only because…
